Re: Black and White landscape exhibit
2007-05-29 by elvis24105
A less discussed subject is compostion that is what i enjoy and if you capture the light reflecting or illuminating a subject both cameras can be excellent
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2007-05-29 by elvis24105
A less discussed subject is compostion that is what i enjoy and if you capture the light reflecting or illuminating a subject both cameras can be excellent
2007-05-29 by bfwoolner
I have just installed a full set of MIS spongeless carts on my 2400 printer. The lid covering the cartridges does not seat securely causing it to pop up and
2007-05-29 by Tyler Boley
... wrote: ... I often thought much of his work that I saw was over enlarged. But some of his better large negs at around 16x20 were really stunning.
2007-05-29 by sagaface
The current fad of ginormous prints at many NYC galleries has been a major peeve of mine. In fact, when I went to Gagosian to see Alec Soth s Niagra I was so
2007-05-29 by CDTobie@aol.com
... And for this you need a 4x5 camera? No way! C. David Tobie Product Technology Manager ColorVision Business Unit Datacolor Inc. CDTobie@colorvision.com
2007-05-29 by Tina Manley
... Clayton - That was also interesting to me. My photographs are almost all of people and I feel the same. It s much more intimate for someone to have to
2007-05-29 by CDTobie@aol.com
... No, but I can well imagine how 4x5 film blows away that particular digital. 16.7 megapixels will be a bit less blown away, and a hi-rez studioback will
2007-05-29 by Mark Savoia
Not this old tired subject of film vs digital again. Nap time. Mark
2007-05-29 by jerry rushing
bravo Clayton Jones wrote: Tyler, ... Yes! Glad to hear you say that. My epiphany came about 15 years ago at an AA exhibit where
2007-05-29 by elvis24105
i have shot 4x5 film scanned it and compared it to at least 10megapix camera and the 4x5 film shot with a std. 150mm scheinder rodenstock you just can image
2007-05-29 by Brian Ellis
you just can image the how much the 4x5 film blows away digital Having used 4x5, 5x7, and 8x10 cameras almost exclusively for about 12 years, and a digital
2007-05-29 by zonepeter
If St Helena works for you, I have work at the Artist of the Valley Gallery. It is located in the Premium Outlets about 3 miles north of town. I think they
2007-05-29 by Paul Grant
Earl, Where are you located in the bay area? I am in Menlo Park. Paul ... From: DigitalBlackandWhiteThePrint@yahoogroups.com
2007-05-29 by esharamaki
oops - I meant the San Francisco Bay Area...
2007-05-29 by esharamaki
Hi all, I was just wondering if anyone is exhibiting around the Bay Area right now? It doesn t have to be a major installation, coffee shops, bookstores are
2007-05-29 by Tyler Boley
Alan, tell you what- rather than get into this conversation yet again, I ll simply retract the statement. Pass it off as a silliness coming from someone tired,
2007-05-29 by Paul Roark
Hi Daniel, ... You re probably noticing the difference between how a color managed workflow prints the image and how the more linear standard used for the
2007-05-29 by CDTobie@aol.com
... CreateICC profiles are not standard ICC profiles, as PrintFIX PRO profiles are, and will not be usable in all applications, or editable by all profile
2007-05-29 by Eric Neilsen Photo
I suppose then it Paul is that needs to let you know why the profiles are not being seen by In Design. I have not used his profiles nor downloaded them so I
2007-05-29 by daniel
I m trying to use QTR s create-icc-rgb to linearize my workflow for UT7 inks. I m following Paul Roark s recipe for combining a linearization with his
2007-05-29 by Carl Schofield
Roy, Thanks for clarifying the dot sizes question. Is it also necessary to use the highest print resolution to ensure that the smallest dot sizes will be used
2007-05-29 by alan9990_6
Tyler, I find that an interesting comment coming from someone obviously able to make the comparison. Are you able to provide links to any images that might
2007-05-29 by gordonzola_177
I use InDesign CS2 on a Mac. In the InDesign printer settings dialog, under color management, I can set Let InDesign determine colors , and right underneath
2007-05-29 by Clayton Jones
Tyler, ... Yes! Glad to hear you say that. My epiphany came about 15 years ago at an AA exhibit where everything was 16x20 or larger. I became aware of a
2007-05-29 by Paul Roark
Ernst, ... The MIS PK is too warm for my tastes, and the Epson PK is too greenish, at least what came with the R1800 is. It would be interesting if there were
2007-05-29 by Tyler Boley
Most of it is scanned 5x7 film, a smaller percentage is scanned 6x7cm 120 film. I have a dslr I use for commercial work and casual shooting. The idea of
2007-05-29 by Roy Harrington
I ve got an R260 that I ve started playing with -- I expect the 1400 is pretty similar. The Epson s touting of 5 drop sizes is a bit of marketing hype IMO.
2007-05-29 by Paul Roark
Hi Carl, Since I ve been using QTR, I m not sure how Epson has its driver set up, and I ll defer to Roy with respect to QTR. I have not had a chance to see
2007-05-29 by gcwagner
Tyler, Your images are magnificent! Is any of your work from digital capture or is it all large format BW negative scanned? Thanks, Gary Wagner ... From:
2007-05-29 by Tyler Boley
... wrote: ... Hi Clayton, nice shot, you got me on that one. I had a workshop long ago with the great Linda Conner. She had her gorgeous 8x10 gold
2007-05-29 by Clayton Jones
Hello Tyler, ... I don t consider it hype. I appreciate the notice, especially with the links. I like NP s strong contrast images (I often don t care for it
2007-05-28 by Patrick
Thanks Clayton, very helpful. patrick -- In DigitalBlackandWhiteThePrint@yahoogroups.com, Clayton Jones ... is ... the ... the ... with ... a
2007-05-28 by Bob Marsolais
Eugene, Get Amadou s book. It s the best, most thorough overview of B&W printing I ve come across. After you ve read Amadou s book, then tackle Bruce
2007-05-28 by Tyler Boley
Some of my work will be included in a three person show at Benham Gallery here in Seattle- http://benhamgallery.com/ In July and August. I have known Jeff for
2007-05-28 by Carl Schofield
Paul, Do you know what the dot size distribution is across the tonal scale for these 1.5 pl printers? Epson describes the new printers, not as 1.5 pl
2007-05-28 by CorrPro96@aol.com
I just read and scanned through Amadou s new book describing in analytical detail what we are all trying to accomplish with our various tools. This book is a
2007-05-28 by Clayton Jones
Hello Patrick, ... The 2400, being a K3 ink printer with ABW mode, will do excellent BW as is, without need for extra RIP software. The 1800 requires a RIP to
2007-05-28 by Ernst Dinkla
... Nice to see that my fears are not proved in practice. While theoretically more total dot boundary length versus dot surface should make dotgain more
2007-05-28 by Paul Roark
Hi Ernst, ... I m not sure about the causation but what I see is more of a difference in smoothness between paper types than I was at least aware of with the
2007-05-28 by Paul Roark
Hi Myron, ... I m waiting for my 260 to arrive. I ll let people know as soon as I can get it running with my new approach. Hopefully, I ll have the
2007-05-28 by Patrick
Newbie here. I m looking for a good black and white printer. Any thoughts on the captioned printers. I now use a Canon i9900 which is bad, very bad, on
2007-05-28 by Eric Neilsen
Gordon, I am unfortunately unfamiliar with both aspects of your situation. I am on a PC and went from 2.0, to CS 1, to CS3. That being said, I d think that
2007-05-28 by Myron Gochnauer
For purely B&W printing using 3rd party B&W inks, is there any advantage to the Epson 1800 over the 1400? Both have 1.5 picolitre jets, and both will handle
2007-05-28 by Clayton Jones
Hello Ernst, ... I remember your recommendations in those days. I sort of grasped the concept but didn t have the technical know-how to implement it. It has
2007-05-28 by RobLee
looks like r1800 does it again. Paul Roark wrote: I added a scan of a C86 MIS EZ test strip to the
2007-05-28 by steveh0607
Has anyone used Premier Art Glossy Papers? If so, how well do they work?
2007-05-28 by Ernst Dinkla
... Paul, With the Multihead BO 1.5 picoliter printing there should be more influence of dotgain by changing paper coating batches and air humidity. First of
2007-05-28 by Manuel Zini
Has anyone had experience printing black only with ImagePrint ? My workflow will be: define ink limit then linearize the obtained curve. I know I can do that
2007-05-28 by Paul Roark
I added a scan of a C86 MIS EZ test strip to the comparison between the R1800 and 2400. See http://www.paulroark.com/BW-Info/R1800.pdf at p. 2. Paul
2007-05-28 by Paul Roark
... With the 100%, 3-channel Eboni setup, all the inks for B&W are 100% Eboni. There are no light inks. Recall that the R800 also uses no light color inks.