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2007-05-28 by Paul Roark
... Maybe, but it would not have the quality of the R800/1800 due to the dot size difference. The 260 is what I ll look at next. I m hopeful that the 260
2007-05-27 by Paul Grant
I have tried Aperture but have settled on lightroom. It gives you all the capability of Photoshop CS3 camera Raw plus some impressive b/w conversion methods.
2007-05-27 by Roger Sopher
I have used Bibble Pro for some time to do raw conversions and have been pretty much satisfied with it but it is somewhat slow when processing a card full of
2007-05-27 by remkopieter
Paul, I solved the problem by using an Epson chip from an empty cartridges. I will follow your suggestion and order some extra chips and cartridges etc.
2007-05-27 by remkopieter
Walt and other people who responded on my problem, many thanks for your tips. this was a 100% hit. I replaced the chip with an Epson chip, resetted and
2007-05-27 by mkirschner
Hi Paul, I ve got another question, if you ll indulge me. I know QTR doesn t support the C86/C88. But, is a similar all-Eboni approach possible with the C86 or
2007-05-27 by David Sinai
Hi Paul - Could you provide more info on It uses no crossovers and no dilute inks. Thanks, David ... lightest ... reason it ... who are ... process. ... fun
2007-05-27 by Mike Johnston
I found the problem - OFU. I was not setting the rendering intent correctly. Thanks Mike J. ... From: DigitalBlackandWhiteThePrint@yahoogroups.com
2007-05-27 by Mike Johnston
Hi Eric, Thanks for responding. If I select a profile to print, the preview gets very light. If I just print the photo with no profile, the preview and the
2007-05-27 by amadou diallo
Eugene, The theoretical and practical knowledge you re looking for requires a thorough understanding of A) color management and device calibration and then a
2007-05-27 by CDTobie@aol.com
... Fortunately Mastering Digital Black and White is now out. That will get you as much info as you can reasonably expect from a book on the topic. Detailed
2007-05-27 by Eric Neilsen
Gordon, Which version of InDesign? Eric Neilsen Photography 4101 Commerce Street Suite 9 Dallas, TX 75226 http://e.neilsen.home.att.net
2007-05-27 by Eric Neilsen
Mike, While I have been having some issues with the WHOLE CS3 Design package, printing quality is NOT among them. In fact, I find the new interface of CS3 to
2007-05-27 by Christopher L. Johnston
I want to thank everyone for taking the time to help me get my mind around this shoot. Even though I live next door so to speak it will still take two days to
2007-05-27 by wkm@kauaiphotos.biz
You might want to try removing the chips from the Epson carts and put them on the MIS carts. Reset the chips and see if that works. Best, Walt
2007-05-27 by Paul Roark
The chips MIS gets have a rather high defect rate. I recommend getting an extra set. Also, always save the Epson chips. They reset fine. Sometimes the chip
2007-05-27 by Phil M
Remco, I have just hopefully gotten through a similar problem refilling MIS 2200 cartridges with all kinds of resetting problems. I seem to have solved most
2007-05-27 by eappert
Hello, I am looking for a publication that you might consider to be the bible of Black and white digital ink-jet printing. I am specifically interested in
2007-05-27 by Mike Johnston
Hi, Has anyone gotten good results yet with CS3? I was using Paul s profiles and instructions with CS. When I upgraded to CS3 it is obvious that something is
2007-05-27 by Brian Ellis
I experienced that problem several times. MIS will tell you to try a couple different things the details of which I ve now forgotten. It didn t seem to me that
2007-05-27 by gordonzola_177
I ve been happily printing with my R340 and UT-R2 ink and ICC printer profiles from Paul Roark using Photoshop CS2 for quite a while now. I now have set up the
2007-05-27 by Manuel Zini
Has anyone had experience printing black only with ImagePrint ? My workflow will be: define ink limit then linearize the obtained curve. I know I can do that
2007-05-27 by remkopieter
after installing my new UT7 set of cartridges in the 2100/2200 the indicators of the Black and Light Black ink keep flashing. After replacing the black
2007-05-27 by Richard Smallfield
... You will need an image editor. The cheapest one I know of that is colour managed is Picture Window Pro but, being a Photoshop user, I m rather ignorant of
2007-05-27 by Craig Cunningham
... My question is regarding the Minolta film camera you are using -- is it one of the old manual focus (MD mount) SLRs, or is it one of Minolta s newer
2007-05-27 by alistair_owens
Hi Richard, thanks for the response. ... built in so you can convert the image to the right profile. I am just using the Canon RAW converter. It has a basic
2007-05-27 by Richard Smallfield
... What image editor are you using? I hope it has colour management built in so you can convert the image to the right profile. If so, what profile are you
2007-05-27 by alistair_owens
Forgive me if this seems to be a basic question but I am just starting out in the area of BW ditigal printing. I have downloaded the QTR software to try out
2007-05-27 by mkirschner
Thanks, Paul. I appreciate the detailed information, as well as your efforts in developing those alternatives. Mitch
2007-05-27 by Paul Roark
Hi Mitch, ... I dumped my 2400. I ll still use the 7500 with K4+ inks when I need to for the large prints. The 220 has Ut-3D for my daily printing, letters,
2007-05-26 by TK Thompson
Hi Christopher, I have chased moonrises for many years and have found that the day before full moon offers the best photographic opportunities. On this day
2007-05-26 by Joe Dempsey
I am looking for the driver for the Lacie Blue-Eye Calibrator ... the version that worked on early LCDs and Electron Blue IV CRT. I know this is a bit off
2007-05-26 by mkirschner
Paul, I know this is a subjective question, but how do the prints look? My own point of reference it the humble C86. I do a mix of Eboni Black-Only on Premier
2007-05-26 by David Whistance
Christopher If you have problems merging images try Optipix. It is a set of tools for image processing and amongst many others includes a useful one which
2007-05-26 by Joseph R. DiLorenzo
Hi, Alain Briot has an essay on Luminous Landscape, on the Creative Process, titled New Lands End which is the description of how he did the photo by the same
2007-05-26 by Christopher L. Johnston
Thanks for all the suggestions, fortunately I am going to be there far enough in advance to have a chance to try some things out. I will make the lens
2007-05-26 by cubefarmjb
And I will add: http://www.f45.com/html/mainfram.html (Rolfe Horn worked for Kenna) http://www.michaellevin.ca/images/index.htm
2007-05-26 by Bruce
Consider using a HDR (high dynamic range) technique with a 3-4 stop range over and under if possible. HDR can be spectacular in the way it can control shadows
2007-05-26 by CorrPro96@aol.com
In a message dated 5/26/2007 2:27:58 AM Eastern Daylight Time, chris@johnston.com.na writes: What I am looking for are technical suggestions. Expose for the
2007-05-26 by David Whistance
As you are using digital I d go for multiple exposures and blend - it is certainly possible in other ways as has been proved by many film photographers,
2007-05-26 by Stephen Petegorsky
Christopher I don¹t know if you have a spot meter, but you might think about taking multiple light readings especially one of the moon on the
2007-05-26 by Wayne J. Cosshall
Ok, sorry now I know who you mean by Michael Kenna. I have never been able to keep people s names in my head well. Remember the faces if I met them, or the
2007-05-26 by Sandy Schaffell
Complicated question. But you might be able to solve it since you ll be there a day or two early. Is there a chance you ll be able to try out some different
2007-05-26 by Christopher L. Johnston
Here s a photographic question that since I intend to print B & W, shouldn t be too far off topic. There is a place in Botswana called the Nxai Pans and
2007-05-26 by Steve Gledhill
Point very well made Harry. Absolute originality is a rare thing. And, how often do we joke about using someone else s tripod holes - then go and use them?
2007-05-26 by Paul Roark
Some might enjoy this method of matching a bright paper to creamy colored mat board, in addition to the option to split tone a bright paper with an
2007-05-26 by Peter De Smidt
And let s not forget Wynn Bullock, who did this type of things years and years ago. No doubt there were others.
2007-05-26 by Harry Lockwood
John, Maybe I¹ve missed your point. If so, I apologize. But I looked at these images and saw beautiful shots. Is one the derivative of another? Perhaps.
2007-05-26 by Harry Lockwood
I¹ll second that! Harry ... -- Harry F. Lockwood [Non-text portions of this message have been removed]
2007-05-25 by Tyler Boley
... Yes Ann, my tongue was so far into my cheek it was indiscernible from a grossly fat head. Since then, I ve had more coffee. Thank you John, your opinion is