RE: [Digital BW] Re: the times, they aren't a-changing-so can we start over again?
2006-11-13 by Paul Roark
... IJC/OPM is 16 bit throughout. If the image is 16 bit it stays that way. Paul www.PaulRoark.com
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2006-11-13 by Paul Roark
... IJC/OPM is 16 bit throughout. If the image is 16 bit it stays that way. Paul www.PaulRoark.com
2006-11-13 by Clayton Jones
... I just saw the address on their web site 241 Chartres Street They must have moved since I was there. Apparently a much bigger place, as they say over 5000
2006-11-13 by Clayton Jones
Tyler, ... I also saw some original 18x22 gold toned contact prints of Yosemite from glass plate negs by Carleton Watkins and Eadweard Muybridge. They were
2006-11-13 by Steven Karafyllakis
John; IJC is starting out with 256 shades, is it not? If it is indeed subdividing into 1024 shades then it is doing something similar to interpolation, not
2006-11-13 by Clayton Jones
Hello Duane, ... Yes, of course. It s already being done. That the OEMs would be followers is a given, didn t think it had to be stated. My question was
2006-11-13 by Clayton Jones
Tyler, ... Not Emmet Gowan, but have seen a number of beautiful contact prints over the years (Morley Baer, Edward and Brett Weston and Laura Gilpin come to
2006-11-13 by John Hollenberg
I have an Epson 2400 and an Epson 2200, and have decided I would like to try a monochrome inkset in the 2200. Previous experience: currently own both QTR and
2006-11-13 by Diane Fields
DAvid, could you elaborate on this?? What paper in particular-- sounds as though you mean a luster paper since you mention bronzing, but I usually mean a
2006-11-13 by dlruckus
Just be your usual decent self Tyler. Definitely don t slither though. That would be completely out of character. Regards Duane
2006-11-13 by John M.
... IJC does not have that limit. With an exceptionally well made profile, it can do at least 1024 shades. john
2006-11-13 by dlruckus
Clayton I suspect you allready know exactly who the people are who will bring that about. They read your posts right on this group and even respond directly.
2006-11-13 by Clayton Jones
Hello David, ... The simplest substitution that doesn t require separate RIP software to manage is replacing the Yellow with a pure carbon ink (which is
2006-11-13 by Steven Karafyllakis
... Allow me to toss out a curve ball, & some related questions running through my mind lately: It s quite obvious that getting 60-70 or even 80% of maximum
2006-11-13 by Tyler Boley
... wrote: ... I honestly didn t mean it to be. I m pleased there are many more options for people than there used to be and certainly things
2006-11-13 by Tony Young
Funny, I wonder how many newbies like us are here but not asking these simple questions that are important to understanding the pros lingo? I just joined
2006-11-13 by David
I m relatively new to all this and I m devouring much of what s talked about her and going to the links noted as well ... very impressive work!! I gave up (not
2006-11-13 by dlruckus
Hi Paul. I have to agree with you also. The Premier paper is my favorite for B&W due to it s nice d max and visual scale and price point. On the other hand I
2006-11-13 by hjswim2@aol.com
Not exactly what you re looking for in terms of only B&W, but some interesting stuff you might find useful: http://www.dpandi.com/DAPTTF Maybe v2.0 can include
2006-11-12 by CDTobie@aol.com
... I ve actually suggested that to more than one printer company... that doesn t seem to be what any of them are interested in. More a matter of optimizing B&
2006-11-12 by CorrPro96@aol.com
In a message dated 11/12/2006 5:46:38 P.M. Eastern Standard Time, cj@cjcom.net writes: You have touched on something that has flitted through my thoughts
2006-11-12 by Clayton Jones
Hi Dan, I can do some of them: IJC - one of the popular RIPs ABW mode - Epson s Advanced Black and White specialty driver for BW printing in their K3
2006-11-12 by Clayton Jones
Hello David, ... You have touched on something that has flitted through my thoughts several times over the past few months. Specifically, whether Epson (or C.
2006-11-12 by Paul Roark
... No doubt true. They are getting good enough to reduce the incremental improvements relatively minor. One of the options with the 4K+ approach I m using
2006-11-12 by Clayton Jones
Hello Eddie, ... I m not sure about a glossary of terms, but there is an orientation of sorts (I call it an overview) at the link below that may help you get
2006-11-12 by CDTobie@aol.com
... Thats certainly a perceptive view of the process. What I see happening is that this level of involvement, commitment, and cost will continue to draw about
2006-11-12 by Paul Roark
Richard, I export my PFP measurements to a text file that I open in Excel. Excel command: Insert
2006-11-12 by CDTobie@aol.com
... Anyone who has invested in a RIP, specialty inks, learning to make them work, teaching seminars about it etc, has a horse in this race, even if its a horse
2006-11-12 by CorrPro96@aol.com
In a message dated 11/12/2006 2:51:18 P.M. Eastern Standard Time, paul.roark@verizon.net writes: In the past, I ve used curves in Photoshop to control inks.
2006-11-12 by Antara
I sent this note to Paul Roark and he suggested I post here.
2006-11-12 by john dean
Hi Bill, Shouldn t you be K7 press now? I bought a copy of your book on Amazon. It is really useful for all us teachers out there. If list members don t know
2006-11-12 by Paul Roark
Richard, ... It depends -- lots of variables. It has been for me. Currently, for example, I need a rip to solve some pragmatic printing issues. (See for
2006-11-12 by Tom Baker
Tyler - You show K3 and Epson driver, and K4 w/RIP. Do you have a K3 w/RIP. That might be instructive. THX Tom Baker [Non-text portions of this message have
2006-11-12 by CDTobie@aol.com
... I certainly see loss of shadow detail in Epson B&W as well; but when I profile with PFP2, and use appropriate shadow detail settings, I don t. So thats not
2006-11-12 by danfmcintosh
... I was about to open a new topic on exactly this issue. I have recently started using Piezography Neutral K7 inks with my Epson 2200 and found this group
2006-11-12 by Bruce Watson
... With all due respect, you have a horse in this race while Tyler and most of the rest of us do not. In order for you to sell your product (which you have
2006-11-12 by CorrPro96@aol.com
In a message dated 11/12/2006 11:34:04 A.M. Eastern Standard Time, paul.roark@verizon.net writes: I did a quick comparison of the 2400 in ABW mode against the
2006-11-12 by Michael King
Paul did you select finest detail in ABW to take advantage of the 720ppi resolution? Mike ... [Non-text portions of this message have been removed]
2006-11-12 by BKPhoto@aol.com
Tyler, As usual, I m late getting into this thread but, because your post strikes a deep cord with me, I want to throw in a couple of comments and opinions. To
2006-11-12 by eddiegnz1
Hi, where might a begginer find a Glossary of Terms just for B&W printing. This Glossary of Terms might not be exclusively for digital B&W but it will still
2006-11-12 by Paul Roark
I did a quick comparison of the 2400 in ABW mode against the 2200 with the 4K+ and IJC. I used a 720 ppi, 1 inch high version of my Rainbow Falls shot. It
2006-11-12 by CDTobie@aol.com
... This is microscopic analysis, Tyler. You are looking at a .8 inch section of an image about 8 inches high on screen. When you back these samples off to .8
2006-11-12 by eddiegnz1
I ve never had a B&W print. Never. However, that does not mean that I want to settle for second best or lower quality just because I m a begginer in B&W. I
2006-11-12 by Clayton Jones
Tyler, Never mind my first question. After a good night s sleep the question answered itself - the size of the neg is irrelevent. duh! Regards, Clayton Info
2006-11-12 by Bruce Watson
... Once again, Tyler has show that he da man by bringing some reality into the conversation. Thanks Tyler. This group needs the education from time to time,
2006-11-12 by Steve Kale
And I guess one really should add UC3 Adv B&W to the line-up. Epson has of course recognised explicitly the limitations of the colour driver for B&W and made
2006-11-12 by Steve Kale
I¹d love to see a 1-1 scan, not a magnified one. This is like debating the worth of a 50² 1080p plasma screen to be viewed 12ft away by looking at it 6
2006-11-12 by Clayton Jones
I was just thinking about how much has changed compared to the darkroom. One thing that has completely reversed is that we now have dry up instead of dry
2006-11-12 by Clayton Jones
Hello Tyler, ... Wait! Don t slither away yet. Got a few questions - You say these prints are from a scanned 5x7 neg. I m wondering how much difference the
2006-11-12 by jimcongleton
My 1280 has been acting peculiar recently: the red maintenance light will sometimes come on when I try to do a nozzle check and I get the general printer
2006-11-12 by Greg
... Pretty damning actually. The kind of eye opener that needs to be shown once in a while to keep the manufacturers striving to make things better. And I ve