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2003-05-02 by Truman Prevatt
That s the problem trying to pegion hole artist into categroies. Both Smith and Cartier-Bression were artist. Truman ... [Non-text portions of this message
2003-05-02 by Tim Atherton
... HCB has never really been a photojournalist - Capa told him to call himself one because no one would buy his stuff if he kept calling himself a surrealist.
2003-05-02 by Paul Roark
Daniel, ... I agree that simple curves are not likely to cure your problem. You may have noticed that once the 7600 was out I purchased a 7500. I don t think
2003-05-02 by Alan Zinn
... Robert, I am not suggesting that some sort of disclaimer attached to the picture is an ethical choice. I want MY images to be understood to be the same as
2003-05-02 by Ken Carney
I forgot to mention: Here is where you can order a copy of Art and Fear, autographed yet: http://members.cruzio.com/~tno/index.html ... From: Ken Carney
2003-05-01 by Ken Carney
... Ted Orland, one of AA s first assistants, or possibly the first assistant, and a fine photographer, has an excellent book: Art and Fear . Highly
2003-05-01 by Truman Prevatt
... To some extend a painter will create his/her image through the use of models seting up the subject for the painting, etc. So in reality there is very
2003-05-01 by Carl Schofield
Robert, The Pictorico Premium Photo Glossy is a soft gloss paper most similar to Epson Pro Glossy. The Pictorico Photo Gallery Glossy has a very high gloss.
2003-05-01 by Editor P.O.V. Image Service
... HMMMMmmmm.... Ok, well there are at least three major issues here: 1) Why this arbitrary rule based upon old tools? To analogize, imagine early
2003-05-01 by Steven Karafyllakis
... artist. ... constraint on ... doesn t seem to ... to be about ... If I may add my two-cents worth: IMO not only is camera image fidelity not relevant if
2003-05-01 by Robert Morrison
... To me this is not art...but rather technical mastery. For me visual art is an attempt to use a visual form to communicate. Art can show technical mastery
2003-05-01 by joe davajon
Peter, I use a 22 rod and Hydrocote and I really really like the result! The finish is not like luster or semi-gloss both of which do not really appeal to me.
2003-05-01 by Lyons Cox
Been catching the thread. It s theoretical and therefore unresolvable. It will be resolved by a defacto element eventually. I write only to point out that
2003-05-01 by Robert Morrison
... Tom, Is this a high-gloss paper or more like the medium gloss that you get in an air-dried silver print? Have you seen the Epson Pro Glossy? I m
2003-05-01 by Daniel Staver
I m using the B&W Ultra Tone inkset with MIS 7600 Archival Pigment Light Black in the light black position (since there s no Ultra Tone ink for that) on an
2003-05-01 by David Jackson
THE Tim Rudman as in The Photographer s Toning Book , The Master Photographer s Lith Printing Course et al? If you are (and you fess up) perhaps we can
2003-05-01 by Paul Roark
... Well, I love many art and photographic forms & categories (sub-markets?). I have no idea how one defines art, but I see or feel it in the very best
2003-05-01 by Paul Roark
Daniel, What inkset are you using? Is it the B&W Ultra Tone variable-tone quad, the Epson UltraChrome color inkset, or the MIS 7600/9600/2200 color inkset?
2003-05-01 by tomoc
Eleanor- The best I ve used is PictoRico Photo Gallery Glossy paper...some of their others are good, too and they publish free profiles for them. Tom O Connell
2003-05-01 by tomoc
Hi Bruce- I just started with my 2200 2 weeks ago. I settled on Image Print 5.5...it is expensive but IMHO worth it since it gives you hundreds of profiles for
2003-05-01 by Tim Rudman
I am a long time BW wet printer and lurking here as I am interested in the possibilities of piezo. I am finding this thread very interesting - although the
2003-05-01 by Daniel Staver
I m having serious trouble getting the ultratones to work properly on glossy papers with my 2100. I m not 100% sure, but it seems to be the light black ink
2003-05-01 by Alan Zinn
... Jery, That s the problem with my statement, as I feared! I had to assume that darkroom practices such as you describe would not be considered
2003-05-01 by Peter Serling
hello Paul, i m most interested to know what product you use, and might recommend, for protecting your prints. I remember an extensive discussion many months
2003-05-01 by Paul Roark
Clark, ... No. It prints blotchy for me. Perhaps it s an ink load problem, but whatever it is, I find it and Crane Museo to be way down my list of paper s I d
2003-05-01 by Robert Morrison
... Many of us have found that the Piezotones do not work well with the original piezo driver, because the profiles are not good given the slightly different
2003-05-01 by Robert Morrison
... I understand that changing image composition in Photoshop is a major problem if your are a photojournalist...but if you are an artist...what difference
2003-05-01 by simplephotographs
Paul, Was afraid I d be slammed, but instead you wrote a very useful and thought provoking response. I ve read it three times already, and I am encouraged.
2003-05-01 by Sam A. McCandless
... [big snip] ... [another big snip] ... Well, it certainly is helpful to me to have Paul s survey of the scene, and I appreciate Paul providing it. There are
2003-05-01 by André Vallejo
Couldn´t agree more...! André Vallejo http://andrevallejo.net Date: Wed, 30 Apr 2003 10:59:21 -0400 From: bgs Subject: Re: OT: What
2003-05-01 by Nick Wheeler
Try ImagePrint and the 7600. It will use just the cyan and magenta and light and black inks for b/w printing. You will actually save money over buying all
2003-05-01 by frankg_photo
... off and ... eliminate the ... that doesn t ... else, it s a ... Thanks Antonis, these are good points. Frank
2003-05-01 by Paul Roark
Clark, You wrote, in part: Paul [and other list members], ... I have only seen samples of 7600 & 2200 prints, but, while the tones they can achieve are fine,
2003-05-01 by bbstudio_photo
I ve actually switched to shooting all color film, even when I want black and white prints. When I want a black and white print, I use the popular Photoshop
2003-05-01 by Robert Morrison
... No I don t, but that is what I believe they are working on now. ... No problem with 170. Robert
2003-05-01 by Antonis Ricos
... Frank, I won t speak to the specifics of the Sprintscan, but here are some general considerations: - judging sharpness on a monitor is a bad idea unless
2003-05-01 by Bill Strong
I call my prints photographs and then enclose this with each print which sh= ould give the purchaser the idea that this is a quality product: Bill Strong s
2003-05-01 by eleanor77027
Robert, do you know if Oriental has solved the bronzing problem with the Ultrachrome Inks? the Epson Pro Glossy almost has it solved, but not quite. also,
2003-05-01 by frankg_photo
I know that all scans require some sharpening and that is a simply a fact of life - but how can I tell/measure/establish if my particular scanner is
2003-04-30 by Alan Zinn
... AZ Build a Lookaround! The Lookaround Book. http://www.panoramacamera.us
2003-04-30 by Robert Morrison
At this point Epson Pro Glossy is as close as it gets. As Antonis mentioned the next candidate will be Oriental s Fiber-Based Gloss paper which is due out at
2003-04-30 by Jerry Olson
Alan, you never dodge, burn, remove dirt or anything? If it s black and white, its already altered . You never over or underdevelop your negative? You ve
2003-04-30 by Daniel Smith
thanks antonis. I do have a copy of the service manual. it shows how to check the P_THICK sensor to see if it is reading thickness properly (p. 215), but it
2003-04-30 by Roger L Sopher
A cheap way out would be to temporarily unplug your working hard drive, get a small hard disk, put on WIN98, your drivers and do the transfer yourself. An old
2003-04-30 by digikdm
i have some images trapped on magneto-optical disks that were created 8 years ago on an Iomega magneto-optical disk drive. This drive is no longer supported by
2003-04-30 by Antonis Ricos
Eleanor, you realize you are asking for the holy grail of digital bw printing! We ve discussed these before... look at Ilford and upcoming Oriental as
2003-04-30 by jsinger986
Wow, I didn t know I d start such a heated topic! Well, I think I m going to go with Carbon pigment on archival cotton rag ... sounds mysterious to those that
2003-04-30 by Clark Thomas
I started writing to Paul Roark, but realized that many on this list might be able to help me, and many might value the responses. Paul, I m a regular reader
2003-04-30 by Alan Zinn
... I think of the name applying only to the piezo technique - but Cone may feel differently. BTW regarding the original question. I have another line I ve
2003-04-30 by Doug I.
...Of course, the LED (Nikon) light source is reported to significantly outperform fluorescents in terms of Digital ICE performance. You just can t win. :-)