Re: [Digital BW] Mid-grey posterization and noise
2004-02-04 by Richard Smallfield
Hi Matt, ... Thanks for that - I think the dot size is very likely a part of it too. But I ve also wondered if it s less likely to happen with FS inks, which
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2004-02-04 by Richard Smallfield
Hi Matt, ... Thanks for that - I think the dot size is very likely a part of it too. But I ve also wondered if it s less likely to happen with FS inks, which
2004-02-04 by Editor P.O.V. Image Service
... Joe, Did you use the KODAK Recommended settings for Ultima on the 2200? Or are you trying to get 1440 or 2880 out of it? (AFAIK no can do) If you go to
2004-02-04 by Joe Davajon
... If the Kodak claims are correct, the Epson pigment business is going to take a major hit. Paul, Please excuse the last post. I accidently hit the send.
2004-02-04 by Joe Davajon
Snip: --- Ed Mathews wrote: For how many sheets of what size? Ed, 40 sheets 8 1/2 by 11 Joe Davajon
2004-02-04 by Joe Davajon
2004-02-04 by Radimus
I am curious if anyone here with a HP 7960/7760/7660 printer has tried any of the Ilford Galerie Classic papers yet. I understand it is supposed to be an
2004-02-04 by Matt Haber
Richard-- I ve had some of the same problems (or at least i might describe it as posterization). I shoot film and scan on a Nikon ls8000, and print with a 1200
2004-02-04 by px3n120x
... You can make them yourself easily, follow the instructions which came with QTR and use your eyes. Andu
2004-02-04 by Paul Roark
Joe, ... The 30% fade is a benchmark that, I believe, Wilhelm and RIT also use. So, the numbers are just relative numbers. That is, if they use the same end
2004-02-04 by Ed Mathews
... ... For how many sheets of what size? ... Please try some Black Only and see if there is a tendency toward warm or cool tone. Kodak inkjet papers
2004-02-04 by Joe Davajon
Since many of us print both b@w and color, I thought I d share this. I hope I m not out of line. Here are my initial observations on Kodak s new Ultima Paper
2004-02-03 by Steve Kale
The answer to your second question is yes. From: luisvcool Reply-To: DigitalBlackandWhiteThePrint@yahoogroups.com Date: Tue, 03
2004-02-03 by luisvcool
I am interested in trying QTR but I would like to know 2 things: 1) Where one can get profiles for other matte papers such as: Arches textured Moab natural 300
2004-02-03 by Paul Roark
Ukko, ... Good, I assume that means the results I get with my 1280 using the 1290 driver are the same as you re getting with a real 1290. That will make it
2004-02-03 by Paul Roark
See the readme information file as well as the piece on how to make sure your monitor matches the printer output (grayscale, not tones) at
2004-02-03 by MartyF2938@aol.com
In a message dated 2/3/2004 2:50:54 PM Eastern Standard Time, DigitalBlackandWhiteThePrint@yahoogroups.com writes: Frame size and matting Sorry, I m located
2004-02-03 by steve70_giochino
... overall ... top Working Spaces ... list. ... Thank you Stefano
2004-02-03 by Ukko Heikkinen
Opps! Sorry, wrong address! Ukko Heikkinen ... From: Ukko Heikkinen To: Sent:
2004-02-03 by Ukko Heikkinen
Good evening, Paul Thank you for your prints. They look very familiar. I have three questions, if you don t mind. You have printed on Ilford Pearl using Photo
2004-02-03 by Jeff Magidson
I third this notion! With most ink sets I usually get pretty good WYSIWYG. With the UT2 in my 1280 printing grayscale images I really need to boost the
2004-02-03 by Joe
Yes I have done that also. I have a few S-curves that I have saved and use in a pinch. Joe ... and ... I ... transition ... black on ... etc. ... be WYSIWYG ,
2004-02-03 by Mike Sommers
I had to boost my contrast with the UT2 inks in my Epson 1280. I soon realized that the best method was using Photoshop Curves and selecting a black point
2004-02-03 by Mike Sommers
You are mostly correct. If you re starting with Black Only printing, you don t.need the Color cartridge (ARC-T009-UT2). Eboni is for Matte Photo Black is
2004-02-03 by Joe
Mike I am also using the UT2 inks in an Epson 1280. I tried the grayscale first and really had to boost my contrast. I then used the Rourke workflows with
2004-02-03 by jim0266
I finally ordered the 1280 refurbished from Epson after a lot of angst and reading, deciding that I don t need the 2200. From what I ve read the UT2 inks seem
2004-02-03 by chipcarterdc
... Indeed I was. I was therefore also one of the first to get the defective initial batch of cartridges, which malfunctioned, dripped ink, wouldn t print,
2004-02-03 by Steve Kale
Thanks. I currently have a 2100 but would like a 4000 for the extra size. Two 2100s is not too absurd but 2 4000s would be a bit much for me (they will be
2004-02-03 by Bob Michaels
Consider two printers or refilling carts instead. My experience with CFS is that it takes a bit of tweaking and diddling to get them working perfectly again
2004-02-03 by Steve Kale
I have not used a CFS before. Would it be possible to have two CFS, one for B&W and one for colour, and swap them in the same way that one could swap
2004-02-03 by Richard Smallfield
Hi, I ve found with portraits that I am often having difficulty getting smooth gradations in caucasian skin tones without posterization - and I ve been using a
2004-02-03 by tronicart
Hi, I recently switched from VM to UT inks on my 1280, mainly so I could print on Premium Semigloss for head shots and such. I m happy with the print
2004-02-03 by pjkealey
Thanks to Ken C, Tom B, Bill S, and Tom H, for your responses. It is much appreciated. Patrick
2004-02-03 by Patrick Kealey
... From: MartyF2938@aol.com ... DigitalBlackandWhiteThePrint@yahoogroups.com writes: Frame size and matting ... Marty, I am located in the Northwest suburbs
2004-02-03 by Mike Sommers
This weekend I tried refilling my UT-2 cartridges for the first time (they came already filled, I subsequently bought the 4 oz bottles and the syringes). My
2004-02-03 by Allan Chen
Hi all, This is likely a dumb question...when using the PremiereArt Hot Press 325 gsm paper, do I need to move the paper thickness setting to the + sign on
2004-02-03 by Mark Hahn
For no more clogs, that is a real bargain! (Even though I have read that it may come in closer to $2/print considering darker subjects) I was into MIS and
2004-02-03 by Tom Baker
On the other hand, I find an exhibit of all the same size print and frame to be unexciting. Different sized prints in the same size frame is a litte less
2004-02-03 by ckayakman
It seems I keep asking the same question, please bear with me. Is the following workflow correct: 1. Install cartrages in Epson 1280. Run 2 cleaning cycles.
2004-02-03 by Ken Carney
Patrick: It s an artistic decision. I don t print very large (5x7 up to 11x16 or so usually), and have everything framed in a black gallery (Nielsen)frame,
2004-02-03 by Clayton Jones
Hello Chip, ... I seem to recall you were one of the brave first ones to try the Septone system. Is that true? And if so, what happened? Regards, Clayton
2004-02-02 by neilsphoto
OK, With the following setup I m getting a strange uneven pattern of ink on the paper. So far I ve seen it twice and only when the larger prints, say
2004-02-02 by Bill Schwab
Patrick, Although some might think 16 x 20 is too much matt for a smaller, say 5x7 inches, it is completely a matter of taste. Generally you should leave more
2004-02-02 by chipcarterdc
It probably goes w/out saying, but I should add that I obviously am looking for neutrality and little to no metamerism.
2004-02-02 by chipcarterdc
I m now expanding my search for B&W printers beyond Epson. I may eventually decide to get 2 Epson 9600 s (one w. OEM inks and one with a grayscale inkset), or
2004-02-02 by Harry Saddler
I m having exactly the same problem. I had a conversation with MIS about this last week. Their analysis is that it s clogging, not an air break or other flow
2004-02-02 by radonprojects
I was just going to place an order for some Pictorico 13x19 OHP, and noticed that Arista has its own brand now. Has anyone used it to make digital negatives?
2004-02-02 by Dr. Robert Young
Is anyone else having problems getting the daily synopsis via email? Mine seems to have stopped as of 1/23/04, so I doubt it is a delay caused by the recent
2004-02-02 by Phil Rose
... Have you actually _looked_ for evidence of yellowing? That is, hold a fresh HWM sheet against the white margin of another HWM print that s many months
2004-02-02 by D. Hill
Whoops -have to learn how to link... http://tinyurl.com/3xga7 Don ... http://cgi.ebay.com/ws/eBayISAPI.dllViewItem&category=4602&item=2783392304 ...
2004-02-02 by Tom Husband
... Patrick, I m not sure about standard frame sizes for prints in an exhibit but a 5x7 print in a 16x20 frame seems too big to me. Why would they all have to