Argh!
2001-10-06 by Tyler Boley
... snip... He runs a ... Hah! Got him fooled! Hey, it s such a mees I clean up when someone s comin over. You know I hide all the crummy prints when another
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2001-10-06 by Tyler Boley
... snip... He runs a ... Hah! Got him fooled! Hey, it s such a mees I clean up when someone s comin over. You know I hide all the crummy prints when another
2001-10-06 by ternahan
Martin, Ah yes, but we are in good company...ever see a photo of Eugene Smith in his studio? t
2001-10-06 by Martin Wesley
... tearing up! ... bin.. ... runs a ... seconds laying ... traits. :) ... Steve, Not surprised. My workspace looks like a...well words sort of fail...messy?
2001-10-06 by Martin Wesley
... up! ... less ... Tyler, You are absolutely correct. All the agonizing over 4 or 5% brighter or the size of the sharpening radius or whether to tone down
2001-10-06 by ternahan
stack will do
2001-10-06 by Martin Wesley
... wrote: (snip) ... helps, ... I definately know that sinking feeling of flipping the prints over on the drying screens to look at the results of a 8 to 12
2001-10-06 by Martin Wesley
Uhh...Well...what do you define as a pile ? Martin ... studio! ... way ... the ... up! ... the ... Polls and other ... messages to keep ... header. ... or
2001-10-06 by Martin Wesley
... wrote: (snip) ... get ... sacrifices in her life for him, not something he s going to write ... I gathered that this was the case,
2001-10-06 by Mark Tucker
Clark Thomas told me about this software for digital cameras. I don t know that much about it; I assume it s some type of acquiring software for the D1, D1x,
2001-10-06 by sdmey4@aol.com
... They are pretty damm nice! I have rescued a couple from the trash bin.. He really does tear them up. I ve been over there many times. He runs a spotless
2001-10-06 by Tyler Boley
... mwesley250@e... wrote: snip ... I guess all this mystique building I ve been doing is working! Martin, don t you ever get this funny feeling that despite
2001-10-06 by Tyler Boley
... mwesley250@e... wrote: snip ... I get too close to it to see it. Looking at it later definitely helps, I don t know how many times I d look at my dry
2001-10-06 by ternahan
Martin, You actually have things in piles? I m impressed. t
2001-10-06 by Martin Wesley
... experiments. ... Trish, No way! I m sure that is a quality print of Half Dome about half way down the third stack from the left, or was that half way up
2001-10-06 by Martin Wesley
Steadman, That is wild. The wonders of the institutional mind. I trust the artist was not present for the hanging? Probably a lesson there about not taking our
2001-10-06 by Todd Flashner
David, I apply the profile just like Mark does. This has Photoshop do the same conversion that Convert to Profile does, but it does it to the data on the way
2001-10-06 by Martin Wesley
Tyler, I know I get to the point where I have 3 or 4 full size prints and I will ask my wife which she liked best. He reply is often. The all look the same.
2001-10-06 by Johnny Deadman
... this is the one I would go for. Gives you access to the good value line of FD lenses. A1s are nicer than AE1s and T90s are nicer than both of them. I got
2001-10-06 by sdmey4@aol.com
I would follow Steadmans advice. Contact a frame shop where the exhibit will be held. They all have access to the same frame stock. Shipping them framed is way
2001-10-06 by SKID Photography
... But Jennifer, they are *not* what you say....They are inkjet prints that use carbon pigment inks. Carbon Pigment Inkjet Prints would be more
2001-10-05 by SKID Photography
... The way the museums are handling this, is by calling them: inkjet prints . But then, if you like you can add more info. Akin to: selenium toned silver
2001-10-05 by Julian Thomas
Thanks John. I m feeling a bit like a fish out of water. I ve been working for this for 12 months now with the street stuff, and now I m going to use the flex
2001-10-05 by Jerry Olson
http://atlex.com Jerry
2001-10-05 by Jerry Olson
CDTobie@aol.com He s one of the more technical people on the epson list. Jerry
2001-10-05 by Jerry Olson
Epson Archival, Torchon/Royal Riviera/Museum Parchment, and MIS Archival Pigment inks. Yes.
2001-10-05 by daschkenas@aol.com
Thanks Mark, and other with suggestions, I will try them out and let you know. RE: Gallery show, the Plexigalss vs. glass is a good idea, both in terms of
2001-10-05 by Johnny Deadman
well done, Julian FWIW I present my prints mounted to 16x20 (regardless of original size) in window mats made of 2-ply museum board (4 ply is too thick for
2001-10-05 by Steadman Uhlich
Save your money and continue to use your digital camera. In a year or so the digital cameras you could buy for $2500 will provide excellent results for most
2001-10-05 by Steadman Uhlich
A few tips: 1. Don t use glass if you are shipping it by truck or air. Use UV acrylic instead. Broken glass is hazardous to handle and costly to replace.
2001-10-05 by grdglass@aol.com
Julian, In the US, we show 20 prints. If it is customary in Barcelona to show 10 prints, then show 10. They should be matted (white only, museum quality,
2001-10-05 by ternahan
If it is not too late, have your framer use UV Plexi...it will cost you a fortune to ship glass, if you can even get any carrier to take it.
2001-10-05 by Steadman Uhlich
She does consider herself to be a famous local artist. No doubt about that. It is hard to visit a home in this city without seeing one or more of her images
2001-10-05 by Jennifer Drucker
See my answers below... * How exactly would you describe these prints, ie. silver gelatin , cibachrome , etc.? Would you just call them inkjet ? I ve always
2001-10-05 by Steadman Uhlich
Now that is funny! ... From: ternahan To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Friday, October 05, 2001 1:18 PM Subject: Re: [Digital BW] Chuckle
2001-10-05 by julianthomas221259@yahoo.com
Conrad, In the past I ve done a hinged window matte (archival) and taken only 10 images. I once took about 18 and the guy was quite put out. I m no expert
2001-10-05 by Mark Tucker
David, I know that the lab advises doing that Convert to Profile . To me, it adds an unnecessary step. I have also found a difference in the prints with those
2001-10-05 by Julian Thomas
Thanks for all the advice guys. Julian ... Julian Thomas Bruc 168-6-1 08037 Barcelona Gallery at http://www.mwords.co.uk/galleryGuests.htm# and
2001-10-05 by reinah78@aol.com
Hello everyone - I would like some expertise advice here!!! all are free to reply!! I know this is a DIGITAL list but i know some of you started with or have
2001-10-05 by SKID Photography
... Art Gallery, Photo Gallery? All the same animal, only a photo gallery specializes in a particular kind of art...So all the same rules should apply, and I
2001-10-05 by SKID Photography
... So when is it ok to worry about how long things last? Is a dye print, that fades in a couple of weeks in indirect natural light acceptable? I have seen
2001-10-05 by Mark Tucker
... them off at a gallery). This is a timely thread for me too. I have been asked to do a show at a winery in California, and several things are unclear to me.
2001-10-05 by J. Arthur Davis
Sounds like a plan to me..... go for it! Good Luck. Jim Davis http://www.visual-artists.com davis.jarthur@verizon.net Fine art printmaker ... From: Julian
2001-10-05 by jdrucker
Actually, I don t mount my images (at least not when I drop them off at a gallery). I have a black leather box which has a small (3 x3 ) image inlaid in the
2001-10-05 by daschkenas@aol.com
Well, things are begining to look up, after speaking with the lab that made the profiles today, they gave me some tips that were new to me and I will share
2001-10-05 by bbstudio_photo@yahoo.com
Good luck Julian! I agree you have a great chance if they called you first. I have a few questions about the usual rules you mentioned. What print size do
2001-10-05 by Julian Thomas
... work ... Well, I m a bit suprised. I ve sent a pack around about 75 Galleries inviting them to my new exhibit, with the usual bio and artist statement. But
2001-10-05 by J. Arthur Davis
Martin: Here is an idea. Build yourself a U shaped box slightly larger than the printer. Make the sides about 3 tall. Make yourself a second U shaped box 1
2001-10-05 by J. Arthur Davis
In other words if your art gets to hang over the urinals in the men s washroom, in the basement, you can consider yourself a famous local artist? ;-) Just
2001-10-05 by J. Arthur Davis
Sounds like a good start to me. No reason to be nervous. They invited you, you did not make a cold call on them. They must be impressed with your work or you
2001-10-05 by J. Arthur Davis
Tyler: You are absolutely correct. I would like to have those purchasing my art get tired of it every spring,;- ) so I can sell them something new. Jim Davis