Sepia-warm tones: UT-3D & 2400 Y=MIS LLK
2006-08-22 by Paul Roark
This exercise might be of interest to those looking for the best sepia or warm tones for re-production of old photos. The bottom line for me is that carbon
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Re: Epson r220 for color and b&w?
2006-08-22 by paulmwhiting
Hello Robert, Just ran across this over on www.photo.net, perhaps this would be helpful to you:
Re: 1280 BO printing looks too light
2006-08-22 by mowens
Converted color digicam file. I have tried this 3 ways: 1. RAW image with saturation all the way down. 2. RAW converted to .tiff in adobe rgb, then made a
Re: 1280 BO printing looks too light
2006-08-22 by Clayton Jones
Hello Mo, ... Need more information, some questions: 1) Is the image a scanned neg or a converted color digicam file? If a scanned neg, was it scanned as RGB
Re: [Digital BW] Cone v. MIS
2006-08-21 by Tyler Boley
... Me too, but no one else seems to have expressed a perspective similar to mine, so... I use Cone inks and have for some time. I also will be doing my
Re: Ink out light on R2400 yellow
2006-08-21 by Johnny Eades
Bob, Your suggestion worked! Just another senior moment!! Your friend in Photography. Johnny
1280 BO printing looks too light
2006-08-21 by mowens
Images printed on EEM with following settings: profile same as source gamma 1.8 or 2.2 black only using eboni ink (ARC-T007-UTK) matte heavyweight or photo
Re: Ink out light on R2400 yellow
2006-08-21 by Bob Michaels
I d bet the MIS chip has gone bad. Swap with the one from the equivalent Epson cart and reset it. The chip from the MIS cart IS removable, just trim with am
Ink out light on R2400 yellow
2006-08-21 by Johnny Eades
I ve had my printer for about 3 weeks and have refilled the MIS spongeless carts. I am getting an ink out light on the yellow and PK cart and have reset it
Re: Epson r220 for color and b&w?
2006-08-21 by paulmwhiting
Hello, I m thinking of something similar... just got an R220 myself but am considering this setup: an MIS Eboni cartridge in the black position for BO
RE: [Digital BW] Cone v. MIS
2006-08-21 by Paul Roark
... I was reluctant to respond to this. I ll try to keep it as objective as possible. What s best for any individual depends on the circumstances. What s
RE: [Digital BW] Cone v. MIS
2006-08-21 by Eric Neilsen Photo
John, Have you seen any prints from the Sepia inks for the K6/7 inks? There is also a Piezo group at piezobwpro@yahoogroups.com which was set up to help
Re: [Digital BW] Cone v. MIS
2006-08-21 by john dean
Definitely not. They have thier own yahoo group- http://groups.yahoo.com/group/piezography3000/?yguid=181774681. I ve found the new PiezoTone 6 and 7 shades of
RE: [Digital BW] Cone v. MIS
2006-08-21 by John Moody
I’m not sure it’s a preference more than an apparent majority of posts about the many MIS offerings. If you could describe the type and size of images you
Re: [Digital BW] DPI, R1800, and what does it all mean.
2006-08-21 by Steve Gledhill
Brian, Some while ago on this forum we discussed 300ppi vs 360ppi. You refer to dpi and the thread (see next) is about ppi. Are you mixing the two - it s
Re: RR "Aurora Art" is Better for Proofing than EEM !
2006-08-21 by Clayton Jones
Hello Paul, ... Sorry, I don t know anything about PictureMate. Maybe someone else here does. Regards, Clayton Info on black and white digital printing at
Re: [Digital BW] Cone v. MIS
2006-08-21 by Bruce Watson
... The MIS inksets tend to be variable tones. That is, you can make them go warm or cold depending on how you use them. The Cone inksets are fixed tones. That
Re: [Digital BW] DPI, R1800, and what does it all mean.
2006-08-21 by Bruce Watson
... First, we are sending the file to the driver in ppi, not dpi. We can t specify a dot pattern, we can only specify down to the pixel level. The native
DPI, R1800, and what does it all mean.
2006-08-21 by skippy13312000
I m new to digital printing and I m curious as to the effect of the DPI setting on print quality when I convert my RAW files for CS2. I ve read here and there
Cone v. MIS
2006-08-21 by Barry
I m fairly new to the group. There seems to be a preference toward MIS over Cones B&W inksets. Could someone fill me in on the reason? I m running 2200,
Re: RR "Aurora Art" is Better for Proofing than EEM !
2006-08-21 by paulmwhiting
... wrote: Hello Clayton, ... Good advice, thanks. ... Yes, I ve been reading about the drawbacks of dye inks. But am curious about something... I ve
Re: can`t print big prints on epson 9800?
2006-08-21 by john dean
Photoshop has a max pixel count also. If what Mark is telling you still doesn t work, try droping your dpi to 300. john
Re: [Digital BW] can`t print big prints on epson 9800?
2006-08-21 by Mark Savoia
And try mem to 30%
Re: [Digital BW] can`t print big prints on epson 9800?
2006-08-21 by Mark Savoia
Defrag your HD.
can`t print big prints on epson 9800?
2006-08-21 by joaskild
Hi, I have a proplem with my epson 9800 and would be greatfull for adwice. I am printing a file wich is 110cm x 90cm 360dpi ca 540mb. The printer program seads
New Ilford Product
2006-08-21 by Steve Gledhill
Ilford has launched a new product ... called ILFORD GALERIE FB DIGITAL, this 315gsm fibre base baryta paper has been created for printing with digital laser
Thanks to Paul Roark
2006-08-21 by Craig Roberts
Thank you, Paul, for your reply to my query and for all the wonderful work you re doing. I ve gone through a UT2 inkset in the last two days having fun and
RE: [Digital BW] UT2/1280/Ilford Gallerie settings, please.
2006-08-21 by Paul Roark
For UT2 settings, see http://home1.gte.net/res09aij/UT2-Readme.htm When you use one of my curves, set the driver to No Color Adjustment. I do not use the
RE: [Digital BW] Re: More lightfast 2400 prints -- carbon in the Y-position
2006-08-21 by Paul Roark
Carl, (I’m just getting to the forum messages for the last 3 days.) As I mentioned off list, I was afraid the driver would under-use the LK and LLK
RE: [Digital BW] Re: Converting Epson 4000 to Black & White
2006-08-21 by Alan Kearney
Thanks for the rapid response Shilesh! And I had read a small bit about the UT-3D inkset as being a better option. Others on the Epson Wide Format Yahoo group
Re: Converting Epson 4000 to Black & White
2006-08-21 by Shilesh Jani
Alan, I am pondering something similar. But I would opt for the MIS UT-3D inkset, which forgoes the ability to print sepia. I am hoping to try out this inkset
Re: More lightfast 2400 prints -- carbon in the Y-position
2006-08-20 by Carl Schofield
The extra LLK in the Y slot also works very well using the Epson driver with a custom RGB profile
Converting Epson 4000 to Black & White
2006-08-20 by alank2005
Hi, I m new to this group and I m getting ready to by a new Epson 4800/7800 for my color printing. I ve a 2 year old 4000 Pro that I d rather convert to B&W
Piezotone & Ultratone Inks Available
2006-08-20 by Robert Morrison
Not sure whether anyone is still using Cone s Piezotone or the original Ultratone inks, but a have a bunch of bottles that I d be willing to part with at a
Help making paper ICC profiles
2006-08-20 by Roger
Good afternoon, I use the R220 with UT-R2 inks and Paul Roark s ICCs as a starting point the papers I use. There are a few papers I d like to try, but I ve
Re: Contrast Curve for RR "Aurora Art" and EEM
2006-08-20 by dlruckus
If other folks are anything like me, someone has to rip the print out of their hand and say Enough already.Let it go! . There is always something I think
Re: One Last Question, Clayton
2006-08-20 by Clayton Jones
Hello Kevin, ... I wait until it quits with the red X warning. Only if another color is almost empty do I change it as well. Regards, Clayton Info on black
Re: Contrast Curve for RR "Aurora Art" and EEM
2006-08-19 by Clayton Jones
Hello Scott, ... Good question. In theory a universal curve ought to do the job. I think people who have densitometers and tightly calibrated systems and
Re: [Digital BW] Question re digital workflow and printing workshops
2006-08-19 by Brian Ellis
As to how Jon Cone, George DeWolfe, or anyone else compares to John Sexton as a teacher, I wouldn t hazard a guess I ve taken four workshops from John
Re: [Digital BW] Question re digital workflow and printing workshops
2006-08-19 by Bruce Watson
... http://shopping.netsuite.com/s.nl/c.362672/sc.16/category.559/.f Missed one. You may also want to consider Tyler Boley s workshop at Cone s place. Tyler is
Re: [Digital BW] Question re digital workflow and printing workshops
2006-08-19 by Bruce Watson
... http://shopping.netsuite.com/s.nl/c.362672/sc.16/category.555/.f I took the predecessor to this class about four years ago. It was the most useful workshop
One Last Question, Clayton
2006-08-19 by Kevin
Yah, right you say! After about 10 days of test prints it looks like I m getting close to needing to replace some ink on the 2400 (see link).
Question re digital workflow and printing workshops
2006-08-19 by Scott Jones
I have switched over to a complete digital workflow and away from the traditional darkroom. I have gotten pretty good with Photoshop after reading many books
Re: Contrast Curve for RR "Aurora Art" and EEM
2006-08-19 by Scott Jones
Not only that, but go through the same process with another image and the curve will be different. Great helpful and generous response as usual Clayton. I
test
2006-08-19 by Carl Schofield
I have not been receiving all of the list messages for the past two days. I can see them on the web site but they don t get sent via the mail list.
Re: Epson r220 for color and b&w?
2006-08-19 by robert49brake
... its is ... the ... nice, but ... color and ... I have 2 of the R220s with one set-up for b&w and the other color. Using just one would mean a lot of cart
UT2/1280/Ilford Gallerie settings, please.
2006-08-19 by Craig Roberts
Well -- I m a newbie at digital black and white printing and am a bit overwhelmed and confused. I m using an Epson 1280 printer with Paul Roark s UT2 inkset
Epson r220 for color and b&w?
2006-08-19 by Antara
I am considering buying the r220 . I have read here(Clayton and Roark) about how great its is with MIS inks. How good is the color with the Epson inks? I
Re: Contrast Curve for RR "Aurora Art" and EEM
2006-08-19 by Clayton Jones
Hello Kevin, ... No this really doesn t do the job. It s too linear - by that I mean it applies a change according to a fixed formula of some sort that is
Re: [Digital BW] Re: Toning your grayscale images for web or commercial printing
2006-08-18 by Carl Schofield
Thanks to Paul Roark s recent experiments with yellow ink replacement in the 2400 I found a way to eliminate metamerism and color crossovers when printing