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2005-10-17 by RSA
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2005-10-17 by RSA
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=7358670215&rd=1&sspagename=STRK%3AMESE%3AIT&rd=1 thanks, RSA
2005-10-16 by Jonathan Heslop
Hi, my first post. I bought a Doepfer A-100 from ebay a week or so ago. It finally arrived yesterday and I have had fun fiddling with it. I'm suprised at how easy it is to use, I have come up with a few sounds I quite like. I did spend the first hour scratching my head as to why
2005-10-15 by thomasborax
ernst- as it happened, i never tried the mu metal. i didn't find the price prohibitive, since it only required 20$ to do the job, and i did find that goofy sheilding company kinda charming, but i did something else which turned out pretty easy. i drilled a hole through the wood s
2005-10-14 by Brandon Daniel
Zoran Bosnjak said: > I love to use digital delay, and my Digitech Studio Quad died recently. So > if anybody has a suggestion for good digital delay... Analogue Systems rs290/295. Midi sync-able digital modular delay/looper. alternately, if that's more than you were hoping to pa
2005-10-14 by Zoran Bosnjak
Hello all, why not creating digital effects modules? Something like modular equivalent of Ensoniq DP4 (it had CV control beside digital/MIDI control). But all effects should be separate modules. OK, I know - market has many alternatives, and maybe this is not such a great idea...
2005-10-14 by denis goekdag
if i remember correctly, at the musikmesse Dieter spoke about a karplus-strong module, so i think there will be one additionally to the bbd-delay. if so, i would definitely prefer a wide-range, non-exact 1v/oct control....for complete and utter destruction of sound :-) looking fo
2005-10-14 by David Salter
I would definitely prefer the internal VCO to be 1V/oct. There's nothing to stop the unit having an external clk input and use whatever is available for the more experimental sounds. I suppose it's also possible to do it the other way round, use an existing VCO and the external s
2005-10-14 by selfoscillate
the benefit of having an 1v/oct response is also that it is easier to set up an external filter for the bbd, if you want to get rid of the clock noise. i don't know what i'd prefer for the bbd, i'm fine with both solutions. but it is for sure important that the digital delay will
2005-10-14 by selfoscillate
i haven't found details about the bbd's used in the ibanez ad 230, but i assume that this unit uses mn3005 chips too. best wishes ingo --- In Doepfer_a100@yahoogroups.com, "Anton Coops" wrote: > > Ingo, > > I like the ibanez ad 230, but please don't bother getting details. The >
2005-10-14 by selfoscillate
hello denis, the module you are speaking of is the clocked digital delay. afaik the digital delay will be 1v/oct. best wishes ingo --- In Doepfer_a100@yahoogroups.com, denis goekdag wrote: > > if i remember correctly, at the musikmesse Dieter spoke about a > karplus-strong module
2005-10-14 by Florian Anwander
Hi Anton >>Exact 1V/Oct is a MUST! > Personally speaking I like the idea of no range switch, it's probably better for > insane multitap-like fx? Just speculating... The best would be a separate Control-Clock-VCO. But it would be assumingly too expensive to produce two modules wit
2005-10-14 by Anton Coops
> Sorry, to jump in: a VC-delay with a wide range VCO, which is NOT exact > 1V/oct, is useless. The wide range is required finally only for the > usage of the as a sound generator which uses a resonance/delay based > synthesis (Karplus Strong, Granular or similar). But what shoul
2005-10-14 by David Salter
I agree with that statement Florian. 1V/oct is a must. Rgds David David Salter Senior Project Manager Reuters Ltd Tel +44 20 7542 2402 Mob +44 7990562402 email david.salter@reuters.com RM david.salter.reuters@reuters.net ________________________________ From: Doepfer_a100@yahoogr
2005-10-14 by Florian Anwander
Hi > wide range VCO that covers the whole range fom a few > hundred Hz to 200kHz or alternatively VCO with smaller > CV range and an additional range switch (I'd prefer > the wide range VCO as one could go through all clock > frequencier/delay times without range switching, the >
2005-10-13 by Bakis Sirros
dieter says: "we are still about to discuss the front panel controls and some features, for example positive/off/negative feedback switch (probably yes) feedback loop insert (probably yes) clipping shift control, maybe even voltage controlled (not yet sure, would allow asymmetric
2005-10-13 by Anton Coops
Ingo, I like the ibanez ad 230, but please don't bother getting details. The new batch Moogerfooger delays would be the alternative, but the price is crazy Anton On 13 Oct 2005, at 12:42, selfoscillate wrote: > > hello anton, > > which bbd-delay is that you are speaking of? > may
2005-10-13 by Anton Coops
Hi Ingo, hi Florian, What I mean with 'solid' is wobble-free bass down to about 150 Hz. I don't really care about the high frequencies, that's what tape echo's are for. One of my bbd-delays has 'solid' sound but no vc, so that's why I asked Dieter for one.. :-) Greetings Anton On
2005-10-13 by Anton Coops
I will stop complaining :-)) Just one question: the BBD-module has an external clock, and I wonder if the frequency of this clock can be quantized with the a- 156, or maybe with the a-148 for multitap-like use? Greetings Anton On 13 Oct 2005, at 13:39, Dieter Doepfer wrote: > > J
2005-10-13 by Florian Anwander
Hi David > I sort of get now. Interested in hearing the prototype when it's up and > running Dieter. Yes, after the vactrol Series there is a new range of modules which makes me really looking happily forward for great features. Florian
2005-10-13 by Anton Coops
Hello Dieter, I'm in favour of the additional front panels, I would have mine replaced. Greetings Anton On 13 Oct 2005, at 13:39, Dieter Doepfer wrote: > Ernst, > > the reason is very simple: Originally the spring system was mounted to the > pc board (you still see the mounting h
2005-10-13 by David Salter
Cheers Ingo/Florian for the explanation. I sort of get now. Interested in hearing the prototype when it's up and running Dieter. Rgds David David Salter Senior Project Manager Reuters Ltd Tel +44 20 7542 2402 Mob +44 7990562402 email david.salter@reuters.com RM david.salter.reute
2005-10-13 by selfoscillate
the first moogerfooger delay was a 2 x 4096 stage delay, it uses two mn3005 chips which are not available anymore. i guess this is the same for the new batch. i'm not sure about the ibanez, have to look a bit closer. best wishes ingo --- In Doepfer_a100@yahoogroups.com, "Anton Co
2005-10-13 by Florian Anwander
Hi Bakis > it's a Switched Capacitor filter. don't ask me though > anything more, i do not know. i guess that it sounds > quite different from the other filter modules? dieter? All early Akais samplers (S612, S700, S900, S950) used switched capacitor filters. A SC-Filter can (but
2005-10-13 by Dieter Doepfer
Ernst, the reason is very simple: Originally the spring system was mounted to the pc board (you still see the mounting holes on the pc board) but later we decided to enclose the spring system unassambled so that it can be placed anywhere within the system. We still have about 50-
2005-10-13 by Dieter Doepfer
> Just one remark: personally I wouldn't mind an additional bbd > module that's optimized for solid sound at delay times around 500 > ms or longer, but just as an extra, you know... ;-) Sorry - with the 2048 stages BBD this is not possible (and daisy-chainging several BBDs leads
2005-10-13 by Florian Anwander
Hi Anton > Just one remark: personally I wouldn't mind an additional bbd > module that's optimized for solid sound at delay times around 500 > ms or longer, but just as an extra, you know... ;-) I think, for delays with "solid sound" over 200ms BBDs should not be used but a stand
2005-10-13 by David Salter
Thanks for that Bakis, means nothing to me either. That makes it quite exciting though :) David Salter Senior Project Manager Reuters Ltd Tel +44 20 7542 2402 Mob +44 7990562402 email david.salter@reuters.com RM david.salter.reuters@reuters.net ________________________________ Fr
2005-10-13 by Anton Coops
Hi all, Before there were plans for several bbd-modules, but it sounds like there will be only one big fat extremely cool 'universal' bbd module now? Great news! Just one remark: personally I wouldn't mind an additional bbd module that's optimized for solid sound at delay times a
2005-10-13 by selfoscillate
hello anton, which bbd-delay is that you are speaking of? maybe i can get some details about the used circuit. best wishes ingo --- In Doepfer_a100@yahoogroups.com, "Anton Coops" wrote: > > Hi Ingo, hi Florian, > > What I mean with 'solid' is wobble-free bass down to about 150 Hz
2005-10-13 by selfoscillate
hello anton, :-) this is also better done with a digital delay module. best wishes ingo --- In Doepfer_a100@yahoogroups.com, "Anton Coops" wrote: > > I will stop complaining :-)) > > Just one question: the BBD-module has an external clock, and I > wonder if the frequency of this
2005-10-13 by Bakis Sirros
hello david, it's a Switched Capacitor filter. don't ask me though anything more, i do not know. i guess that it sounds quite different from the other filter modules? dieter? best regards, bakis. --- David Salter wrote: > Fantastic. > > I'm really looking forward to the sound fil
2005-10-13 by David Salter
Fantastic. I'm really looking forward to the sound files for the BBD module, very interesting. I may have missed something but any ideas on what the " SC-filter " is? Rgds David David Salter Senior Project Manager Reuters Ltd Tel +44 20 7542 2402 Mob +44 7990562402 email david.sa
2005-10-13 by Bakis Sirros
dieter says: "we are very busy as we want to show some new modules at the NAMM in January. During the last few days the prototype of the BBD module was assembled, tested and corrected/improved and I'm confidential that it will be ready for NAMM. After the first tests with the new
2005-10-13 by selfoscillate
hello anton, 500 ms delays on a bbd-module would greatly decrease the frequency range of the audio signal. even the biggest bbd-based delays cannot output frequencies greater than 1 khz with a delay time of 500 ms. so digital delays are much better for such tasks. best wishes ing
2005-10-13 by selfoscillate
hello david, a sc-filter is a switched capacitor filter. besides the forthcoming sc-filter from doepfer there is a switched-capacitor filter available from blacet research, named the "final filtre". the sc-filter has a very clean sound. blacets design has a 30db slope and i guess
2005-10-13 by Ernst Karel
The A-199 spring reverb module is 10 HP wide, but I can't see any reason why it couldn't be the standard 8 HP -- the electronics are less wide than that and there are no knobs or jacks on the right side of the faceplate. I'm actually thinking about trying to trim the faceplate do
2005-10-13 by Ernst Karel
Can anyone report on having tried this mu-metal in a suitcase with the old power supply? Does it completely eliminate the hum? thanks, Ernst --- In Doepfer_a100@yahoogroups.com, "thomasborax" wrote: > > > hello- > great link. thx! expensive yes, though the amount needed is > smal
2005-10-13 by Doepfer_a100@yahoogroups.com
The following Doepfer_a100 poll is now closed. Here are the final results: POLL QUESTION: Would you like doepfer to release (in the future) a Granulizer module? (this module possibly could/should load samples and give manual and voltage control over: pitch, grain size, grain enve
2005-10-12 by selfoscillate
yes, exactly. best wishes ingo --- In Doepfer_a100@yahoogroups.com, "trebcavxx" wrote: > > So it samples the VOLTAGE LEVEL of the input ? > Richard > > --- In Doepfer_a100@yahoogroups.com, "selfoscillate" > wrote: > > > > > > hello richard, > > > > it doesn't make a difference wh
2005-10-12 by trebcavxx
So it samples the VOLTAGE LEVEL of the input ? Richard --- In Doepfer_a100@yahoogroups.com, "selfoscillate" wrote: > > > hello richard, > > it doesn't make a difference which signal is presented > to the s&h input, you can use any signal. > the result is always a constant voltage
2005-10-12 by selfoscillate
hello richard, it doesn't make a difference which signal is presented to the s&h input, you can use any signal. the result is always a constant voltage at the s&h output, no matter what signal is used as input. the s&h doesn't track frequencies, so it is no pitch-to-voltage conve
2005-10-12 by trebcavxx
I have a question about white noise and random notes. In my own setup (most of it Doepfer, but not all) - I generate random notes by inputting the noise generator into the sample & hold module, and then getting my random frequency tones by inputting a trigger into the S&H from a
2005-10-12 by Dieter Doepfer
Matthew, the full depth (outer measure) is 240 mm. The usable width for modules is much less as you have to take into consideration the space required for the power supply, bus boards, rails and so on. The usable width for modules is only about 140 mm. For the suitcase version th
2005-10-12 by Florian
Hi >>http://www.doepfer.de/a170.htm > Thanks Julian. Ahhh....so much more to buy. The A170 is of course capable of doing a lot more than smoothing squarewaves (Portamento, AR-Envelope, creating time dependend differential values...). But if you just want to smooth the edges, and
2005-10-12 by n keller
A-170 Dual Slew Limiter (top section) nk >From: "cbphoto2003" >Reply-To: Doepfer_a100@yahoogroups.com >To: Doepfer_a100@yahoogroups.com >Subject: [Doepfer_a100] Newbie Question - Clicks from LFO Square Wave >Date: Tue, 11 Oct 2005 22:20:38 -0000 > >This might be REALLY basic, but
2005-10-12 by RSA
http://search.ebay.com/_W0QQfgtpZ1QQfrppZ25QQsassZr1tual thanks, RSA
2005-10-11 by Julian
> This might be REALLY basic, but when using my 145 or 146 lfos' square > waves to modulate, for example, filter cutoff, I get alot of unpleasant > clicking when the state changes. Back when I used to use a Nord there > was a "module" called smoothing or something like that, whic
2005-10-11 by cbphoto2003
--- In Doepfer_a100@yahoogroups.com, "Julian" wrote: > > > This might be REALLY basic, but when using my 145 or 146 lfos' square > > waves to modulate, for example, filter cutoff, I get alot of unpleasant > > clicking when the state changes. Back when I used to use a Nord there >
2005-10-11 by cbphoto2003
This might be REALLY basic, but when using my 145 or 146 lfos' square waves to modulate, for example, filter cutoff, I get alot of unpleasant clicking when the state changes. Back when I used to use a Nord there was a "module" called smoothing or something like that, which rounde