Multiple paper printing workflow document added to files-doc-folder
2008-03-04 by dmwket
I assembled a workflow I developed so I could print a B&W image to different papers using QTR without having to do a different soft proof for each one. Roy has
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2008-03-04 by dmwket
I assembled a workflow I developed so I could print a B&W image to different papers using QTR without having to do a different soft proof for each one. Roy has
2008-03-04 by dmwket
joel, I have had that happen to me a couple of times. The reason seemed to be that I had forgotten to quit Photoshop. So, the procedure I developed is: take
2008-03-04 by Joel Conison
David, Thanks for getting back to me. Sorry I got a bit ahead of my self. What I was supposed to do was make the profile from the ink descriptor file first. I
2008-03-04 by dmwket
David, The answers to your questions depend on the printer you are using. It seems that the easiest way to answer the question is to print something that makes
2008-03-04 by dmwket
Cody, I understand your point. I think your question goes to how Photoshop, the OS and the printer driver interact. It is my understanding that when a file is
2008-03-04 by Harry Lockwood
Terrific, John! Thanks very much. Harry ... Harry F. Lockwood [Non-text portions of this message have been removed]
2008-03-04 by cteditions
Hi David, Yes, I have read that documentation but what exactly is the Source Space of the Untagged Calibration Files in QTR. In other words, when Roy (I am
2008-03-04 by danielstaver
... Curve Creator is ... in all the wrong spots? Sorry, it s a windows only app. You can create curves on mac too, but the procedure is different. You have to
2008-03-04 by David
I ve been creating transparencies with a dot/grain pattern in them. I ve been using the 1440x1440 super transparency setting, but I was wonder how this is
2008-03-04 by dmwket
Cody, There are three Gray color spaces included with the QTR software; Gray Lab, Gray Matt paper and Gray Photo Paper. Roy has included a paper in the QTR
2008-03-04 by dmwket
Joel, There are several possible causes. Apparently, the droplet rejects the file if there is not a steady progression from light to dark. If for example you
2008-03-04 by Brian Corll
Well, the inks work on Hahnemuhle Fine Art Pearl, which is similar. I may just give Crane a swing and see what happens. ... Brian Corll Brian Corll, Inc. 1002
2008-03-04 by John Vitollo
... On the bottom of the Layers palette is the icon that is half black and half white, that s the Adjustment Layer icon where the B+W conversion is. Also a
2008-03-03 by cteditions
Hi Harry & John, I originally posted this and thank you for your feedback. In thinking about the conversion to Grayscale from RGB I have stumbled upon another
2008-03-03 by Harry Lockwood
This looks interesting. But all I could find was a conversion applied to the original background as opposed to an adjustment layer which would be accessible
2008-03-03 by jconison77
Hello, I m new & having a few questions as I go through calibrating. I m running Leopard. I ve made my ink descriptor file and printed the 21 step wedge. Using
2008-03-03 by Harry Lockwood
No, but I¹m on my way there right now. Thanks. Harry ... -- Harry F. Lockwood [Non-text portions of this message have been removed]
2008-03-03 by gcmori
One more newbie question: I have the Mac OS X version of QTR and the Curve Creator is nowhere to be found. Is it a Windows only app or am I just looking in all
2008-03-03 by Paul Roark
... Not all carbon is always warm. A very neutral print can be made with Eboni MK. See http://www.paulroark.com/BW-Info/R1800-Glossy.pdf and the print tone
2008-03-03 by gcmori
Thanks Daniel. This is useful info. I have not tried placing the GLOP in a color slot. I l certainly give your curves and this technique a try. Best!
2008-03-03 by gcmori
Hi Steve. I ve read enough about how these printers work to know you re certainly correct. The difference I m seeing experimenting with a few different papers
2008-03-03 by John Vitollo
... Have you tried the new B+W adjustment layer in Photoshop CS3? Better than Calculations or Channel Mixer IMHO...
2008-03-03 by danielstaver
... wondering whether you ... You can eliminate bronzing and gloss differential by adding a cartridge with gloss optimizer (glop). I once made some curves for
2008-03-03 by David Whistance
Hi Brian Those inks are meant to be used on matte papers. Silver Rag is a glossy paper so, if they work at all, they won t work properly. David Whistance
2008-03-03 by skefford_1
... you describe ... wondering whether you ... I do not think that there is an answer. To get a neutral print, it is necessary to use non-black inks. This is
2008-03-03 by Brian Corll
I m using the K7 Neutral inks with my 2200. I m looking for a profile for Crane Museo Silver Rag. Can t seem to find one unless it s gon e right by me. Is
2008-03-02 by gcmori
Hi Diana, I am using an Epson R800 and have exactly the problem with bronzing you describe below. So far I have been unable to fully and satisfactorily address
2008-03-02 by Tyler Boley
... Well I wouldn t say that! Many here seem to successfully do both and not hold mensa memberships... Also, the paper has been around for some time, you might
2008-03-02 by Dan Mitchell
... the ... uses ... Ah, yes. Apologies for asking for profiles. Now that you mention it I do recognize the different terminology of profiles (as in from
2008-03-02 by Harry Lockwood
I was never very happy with Channel Mixer. I¹m now exploring Calculations in PS/CS3 for that purpose. You might have look there too. Harry ... Harry F.
2008-03-02 by Tyler Boley
this nomenclature problem drives me nuts... QTR does not use what the rest of the planet calls profiles. The profiles from the museo site, and the vast
2008-03-02 by cteditions
Hi All, I have successfully created good solid curves, linearized data and ICC profiles through QTR, and have done so using No Color Management at every
2008-03-02 by dddinah311
- I also want this profile, but when I download it and put it in my profiles folder, it doesn t show up in Quadtone. Should I put it somewhere else and does it
2008-03-02 by dddinah311
- I also want this profile, but when I download it and put it in my profiles folder, it doesn t show up in Quadtone. Should I put it somewhere else and does it
2008-03-01 by gcmori
Thanks very much, Peter!
2008-03-01 by Paul Roark
... I make the second pass image larger than the actual printed image. But then I also tend to print at more like 9 x 7 on letter size so the borders are a
2008-03-01 by Paul Roark
Hi Paolo, ... When Eboni matte black is printed in Black Only mode on the 265 it ll print with the same tones as those achieved with the R1800. See
2008-03-01 by Paul Grant
You can find your profile here. http://www.museofineart.com/profiles.aspx?type=silverrag I love this paper. Good luck Paul From: QuadtoneRIP@yahoogroups.com
2008-03-01 by Joseph
Ok, I ve got it nailed down now. Only issue I m experiencing now is getting the glop to spray exactly on top of the last pass – tedious at times but kinda a
2008-03-01 by danielstaver
It seems that my stepwedges will immediately show a visible, sharp step between 100 and 99% black as soon as I do any adjustments to shadow or gamma. 0 shadow
2008-03-01 by danielstaver
I ve recently started to make some curves for my 2100 using a PrintFix Pro. I ve only used a densitometer previously so I m not that used to dealing with AB
2008-03-01 by Dan Mitchell
I m fond of Museo Silver Rag and I ve been experimenting with Museo Silver Rag, but I m afraid I don t see profiles for these papers with Ultrachrome inks on
2008-02-29 by John Wright
Thanks Roy and David. That s reassuring John
2008-02-29 by paolovertullo
Hi everybody, i m trying to print with my Epson R265 (european R260 version) and my new Black and White Refill kit for Epson R260 of RCN Ink with Eboni Black.
2008-02-29 by zonepeter
I am using a 3800 and they are included with QTR for the 3800. I don t know about other printers. I would try other curves designed for glossy papers
2008-02-29 by gcmori
Thanks Peter. It definitely sounds interesting. I ll give them a try. I have looked for the Silver Rag curves in the Files section of the group but I did not
2008-02-29 by zonepeter
I m using the Ilford Gold with UC3 set up. I m using my own curves, but they are slightly modified version of the Silver Rag curves. I would think the
2008-02-29 by gcmori
Has anyone tried this yet? With what curves and results? Thanks, Giancarlo
2008-02-29 by jedder_70118
Problem solved. I had not pulled the chrome-like strips off the MIS cartridges. Since there was still low pressure inside the cartridges, ink would not flow
2008-02-29 by Paulo Baptista
David, thanks for your reply. I ve already solved the problem, which turned out to be a rather silly mistake of my part: having not used the software for a few