Re: [Digital BW] Re: papers
2002-09-20 by Ernst Dinkla
... From: Antonis Ricos To: Sent: Friday, September 20, 2002 6:10 AM Subject:
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2002-09-20 by Ernst Dinkla
... From: Antonis Ricos To: Sent: Friday, September 20, 2002 6:10 AM Subject:
2002-09-20 by Ernst Dinkla
... Thank you for all the work done, nice to see the wished results. Quads and hexatones for an Epson 3000 and 9000 with an Ultrachrome black and Ultrachrome
2002-09-20 by Mark Romine
Jeff: ... Thanks. ... I think the later. Regards, Mark -- Mark Romine MARK ROMINE PHOTOGRAPHY 227 Fairway Drive Bloomington, IL 61701 309-662-4258
2002-09-20 by Martin Wesley
Antonis, Is the UC black weaker than FS black on Photo Rag and the other H. papers? Martin Wesley http://www.borderless-photos.de/guests.html ... From:
2002-09-20 by Loris Medici
Isn t Portra BW different than T400CN in base color? (Portra clear, T400CN orange) I think these are different films, not the same (like implied using
2002-09-20 by Robert Morrison
... Not unheard of. EAM was also better for GenElite black. MIS DD was close to equal on the two papers. Hahnemuhle really likes dyes (probably because of
2002-09-20 by Antonis Ricos
James, beware of non-Lyson papers, especially the ones that look and feel like Lyson papers. They are made by Hahnemuhle, but have a coating specifically
2002-09-20 by bgs
All that matters in art is the end result. If someone practices a saxophone for 10,000 hours nobody cares or thinks about it . What they hear at the
2002-09-20 by Paul Roark
Robert, Is the UltraChrome matte black weaker on PhotoRag than EAM? That would be a first. Paul ... From: Robert Morrison [mailto:rmorrison@pobox.com] Sent:
2002-09-20 by Antonis Ricos
Paul, since I did this test: yes! And PR is the only one (so far) that doesn t sheen in the blacks. Go figure... ! Antonis ... would be a
2002-09-20 by sdmey4@aol.com
In a message dated 9/19/2002 9:44:27 PM Pacific Daylight Time, ... You might find Lyson Standard Fine Art Paper cheaper under its other names. Orwell, and
2002-09-20 by Antonis Ricos
Mitch, for the color part of your questions, you may be better served discussing it over at the archivalphoto or Epson 9000 etc groups. For the bw, and for
2002-09-20 by James Kellar
Hi all, I m new to the group, and just loaded my first Lyson Quadblack inks in to my Epson 1280. I ve had pretty good results being that I just started. Now my
2002-09-20 by Ian
Hello Antonis, Thanks that s great - I was looking in the database. It s past my bedtime. Cheers, Ian ... From: Antonis Ricos [mailto:antonisphoto@yahoo.com]
2002-09-20 by Antonis Ricos
... Ian, look in our files section under Papers. (Visit the group home page) Is Mediastreet Royal Renaissance (Photo Rag) ... 308gsm? Yes. FYI: Only
2002-09-20 by Ian
Greetings all, I know there is a list somewhere showing the names of the various papers used by different resellers but I can t remember where to find it.
2002-09-20 by jean wall penland
oh dear, it just occurred to me that when i told the lucy story, i forgot to say that it was a 60 s or 70 s Schultz (Schulz?) Peanuts cartoon! i assumed
2002-09-20 by Jeff Randall
... action also break the vacumm? ... Mark: There is no significant vacuum once the carts are filled with ink. The original vacuum is *replaced* with the ink
2002-09-20 by Robert Morrison
Shouldn t be a problem...just don t mix the inks in a cart of bottle. I don t think that head capping cross contamination is a serious threat for any of these
2002-09-20 by Jeff Randall
Craig: Which MIS inkset are you using and what workflow? If you are using the VM or Sepia hextone inkset, then Paul Roark s workflows are the ones to use. If
2002-09-20 by Jerry Olson
Paul, would the ultrachrome matte black be compatible with either generations or MIS inks though? Jerry
2002-09-20 by Robert Morrison
Thanks Paul. I have a 7600 cart of matte black that I am going to use to fill a 7000 and 1280 black cart (as soon as they arrive from MIS) and then run them
2002-09-20 by Paul Roark
The fade test of the UltraChrome B&W test strip in my fluorescent light fader has reached 300 hours. It was tested against the MIS Archival pigments (with
2002-09-20 by thedigitaldog
... Magenta makes troubles. I m seeing NO metamerism on dozens of B&W prints from the RIP under all nature of light sources (including a Judge II light box)!
2002-09-19 by Moreno Polloni
... art? ... Let s not confuse craftsmanship with art. You can t attach value a to work of art by the sweat equity that it took to produce it.
2002-09-19 by Julian Thomas
I m doing the same game! First Piezo then Randall, then back again. I put new cis carts in yesterday which helped, although I ve just ordered a new 1160 from
2002-09-19 by Richard Sintchak
Thursday, September 19, 2002, 2:19:52 PM, jean wall penland wrote: jwp anyway, i do not pretend to be perfect on any plane, so i apologize jno No offense
2002-09-19 by jean wall penland
didn t intend it that way (am almost sick with grief over my dying mom so if i was unkind, i am sorry, i try not ever to be) i was quoting the first sentence
2002-09-19 by Truman Prevatt
Epson s response to my question was 6 pin to 4 pin. While the Firewire interfact may not impact the scanning speed it will impact the performance of other
2002-09-19 by Mitch Alland
To: Robert Morrison ... Come to think of it, the 7600 had the photo black ink and I used the an Epson profile for photo black. I was
2002-09-19 by Richard Sintchak
Thursday, September 19, 2002, 1:27:47 PM, jean wall penland wrote: jwp What difference should it make how much time is spent on a work of art? But it does.
2002-09-19 by Richard Sintchak
Thursday, September 19, 2002, 1:27:47 PM, jean wall penland wrote: jwp What difference should it make how much time is spent on a work of art? jwp Lucy, in
2002-09-19 by Loris Medici
You may be completely right. I know nothing about Firewire. Let me clear it: if the six wire cable s plug has 5 corners ( like: ## ) and four wire cable s
2002-09-19 by photographyworks
... Nonsense! Magenta makes troubles. ... (they make ... software ... is trying ... custom profiles ... this isn t ... the Epson ... range. ... doesn t ...
2002-09-19 by photographyworks
Mitch, You can definitely estimate the output quality of a printer not until you have calibrated and profiled the beast. You need profiling software and a
2002-09-19 by CDTobie@aol.com
... You can, and for some factors should, use two cards. This does take up a second slot however. Be forewarned that unless the color primaries on the two
2002-09-19 by jean wall penland
What difference should it make how much time is spent on a work of art? Lucy, in Peanuts, once said, Everyone knows it takes at least 45 minutes to make a
2002-09-19 by Robert Morrison
... Driver settings and profiling are critical issues here. Various options in the epson driver change gamut substantially. The issue really comes down to
2002-09-19 by bmphoto
... During the past few years of selling photographs at fine art fairs I ve learned a bit about people s expectations. They want my photos to have been taken
2002-09-19 by Kip Babington
I need to get a US passport for my daughter. I have downloaded the application form from the State Department s site, along with its instructions. The
2002-09-19 by Mitch Alland
I have been thinking about replacing my 1290 for color and 1160 (with Piezography) for B&W with a 2200. Subsequently, I started thinking about getting a 7600
2002-09-19 by Bruce Kinch
As the school I teach at will switch to OS X in Jan, I will have to go along (and hope a workable Piezo driver materializes). I d also like to add a second
2002-09-19 by Richard Sintchak
Thursday, September 19, 2002, 10:54:57 AM, Chris Hargens wrote: CH a lot of wonderful CH manipulations/tricks can be performed in the darkroom, and I don t
2002-09-19 by Chris Hargens
Seems to me that if a photographer is worried that potential buyers may suspect that his/her work is heavily Photoshopped, then the best route would be to
2002-09-19 by Murray Zaharia
I had the same problem on my 1160 a few months back. I tried everything that you mentioned. I finally gave up thinking that I needed a head replacement. I took
2002-09-19 by Richard Sintchak
Thursday, September 19, 2002, 9:00:00 AM, Jerry Olson wrote: JO Alex, JO What difference should it make how much time is spent on a work of art? JO
2002-09-19 by workmantx@aol.com
Doug, Thanks for your recommendations. Thanks to Martin and Jim as well. So far with my scanning and B&W digital printing, I ve been happiest with the
2002-09-19 by Richard Sintchak
Thursday, September 19, 2002, 8:51:08 AM, Jerry Olson wrote: JO Too bad they think the technique by which the picture is made is more important JO to them
2002-09-19 by Martin Wesley
... From: Mark Romine To: Sent: Thursday, September 19, 2002 6:28 AM Subject: [Digital BW]
2002-09-19 by Jerry Olson
Alex, What difference should it make how much time is spent on a work of art? Remember, the most important thing with using all these filters and such. You