[Digital BW] Re: Digital Silver/Platinum
2002-05-01 by Paul Roark
Mike, I think it is very appropriate that digital negatives be discussed on this list. In fact, I have had some contact with another list member who is
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2002-05-01 by Paul Roark
Mike, I think it is very appropriate that digital negatives be discussed on this list. In fact, I have had some contact with another list member who is
2002-05-01 by Steadman Uhlich
Paul and Mike, I completely agree with Paul s points below and have an interest in the same end-results. Nicely put Paul. Steadman ... From: Paul Roark To:
2002-05-01 by Paul Roark
I will, hopefully, be able to work on the 7000-Mac VM curves next week. Paul ... From: goldsmithphoto [mailto:jaygoldsmith@attbi.com] Sent: Wednesday, May 01,
2002-05-01 by Jim Panzer
I was wondering if you can, or if there is any benefit to, using this stuff on Epson Archival Matte? Does it increase the d-max? All this spraying/coating
2002-05-01 by Richard Wolfson
I ve had good results with Generations ProPhoto Lustre, too. This paper will take a LOT of ink. To get the best Dmax I find I must print CMYK so I can put down
2002-05-01 by mkravit
Thanks Steadman. You have been very quiet latley. Mike ... making ... we very ... printers, but I ... jet ... flows, their ... the sink ... of ... digital ...
2002-05-01 by mkravit
Don, Yes, I gave up platinum 1-1/2 years ago for a number of reasons including allergy to the Potassium Oxalate. I have found that I have a huge demand for
2002-05-01 by Steven Schaefer
I just printed a Photo on Epson Premium Luster (Because I could buy it locally) and have laid down two coast of Karyon UV Resistant Clear. It looks remarkably
2002-05-01 by donbga
Mike, ... I think a discussion of producing digital inkjet negatives for silver or alternative process printing would be beneficial. As a matter of fact that
2002-05-01 by Steadman Uhlich
Hello Mike, Congrats on getting in the exhibition. Good luck on the DigitalPlatinum too. Steadman ... From: Michael J. Kravit To:
2002-05-01 by Editor P.O.V. Image Service
... GREAT NEWS!! Thanks for all the work Robert. Of course, you do realize that we are all a tad obsessed.. LOL [Keith] [Non-text portions of this message
2002-05-01 by Robert Morrison
I tested yet another luster paper yesterday with very interesting results. Media Street s Generations ProPhoto Lustre 10 mil, gives the least rub off of any
2002-05-01 by Michael J. Kravit
I was wondering if anyone would object to the discussion of making digital negatives for silver and platinum printing. I know that we very often get into long
2002-05-01 by David J. Bookbinder
Just for kicks, I wrote to the editors to express my astonishment at the limitations of their vision and definition of photography. So far, no response. -
2002-05-01 by Martin Wesley
Stephen, As Paul said you looked at my sample wedges of FS blends. To answer your question though, the differences are much more noticeable in the paper prints
2002-05-01 by Lawrence Smith
On 5/1/02 10:41 AM, marktuckerdotcom wrote: Well, I ve pre-odered a 7600. Delivery is conditional on my approving output samples.
2002-05-01 by marktuckerdotcom
... wrote: I m still concerned about metamerism. ... This is a post to the Epson9000 group today, from a guy who works for Epson. He mentions, in
2002-05-01 by Bob Obenland
Paul answered all my questions and fixed my typo/spelling error ... also ... of ... for ... the ... do ... Using the histogram method I get similar results: FS
2002-05-01 by Lawrence Smith
... Thanks for the link. They look great on paper. Have you actually seen the output from either of these printers? I m still concerned about metamerism. I
2002-05-01 by marktuckerdotcom
http://printworks-usa.com/html/juicy.html The NDA is over. Here is a peek. There is also a link on this page for a large downloadable PDF. 7-color pigments,
2002-05-01 by goldsmithphoto
... and am tearing ... with the Epson ... posterization using ... them. Paul Roark s ... but I feel sure ... problem, ... ink pattern was ... me or ... Mac.
2002-05-01 by Editor P.O.V. Image Service
... Sounds like gamut issues to me... Have you checked the image before printing for out of gamut areas? ... What printer are you using? Keith
2002-05-01 by Thom McGraw
Hi Rick, As I posted earlier, the strong magenta cast with Lysonic Quad Blacks is one reason I gave up on them (as well as cost). Have you tried printing on
2002-05-01 by Darren Collins
Maybe shooting in colour and converting to B&W gave them the opportunity to play around with colour filters *after* shooting to achieve their desired look? ...
2002-05-01 by Robert Morrison
Thanks for making these available, Keith. I m getting some really interesting things on my monitor. Unfortunately I can t get anything that remotely
2002-05-01 by dickbo
But what was the advantage as the stock must have added to production costs more than somewhat, or does the film industry lack the ability to process B&W movie
2002-05-01 by Robert Morrison
Has anyone seen or shot with the new Leica Digilux 1? Robert ... Robert Morrison rmorrison@pobox.com 310-397-2704 4131 Bledsoe Ave. Los Angeles, CA 90066
2002-05-01 by antonisphoto
Julian, try the Ilford Galerie Smooth Pearl: 280 gsm, prints with piezoBW inks smoothly and holds an uncoated dmax of 1.94. Eggshell surface (like real =
2002-05-01 by antonisphoto
Keith, and everyone interested: There is a link in our bookmarks (at the list home page) at
2002-05-01 by Joel Kurtz
You took the words out of my mouth...! Joel Kurtz jdkurtz@earthlink.net ... capturing ... of
2002-05-01 by Robert Morrison
I think it is exactly the way they felt...frustrated with the stuck in the mud conservatives from the academy! Robert ... Robert Morrison rmorrison@pobox.com
2002-05-01 by lyonscox
I wonder if that s how the impressionists, futurists, cubists, fauves, blue riders, expressionists, abstracts etc felt too. Seems each time we explore a method
2002-05-01 by Robert Morrison
... That s a great reason to not read either of their magazines...the thought that practicing photography is limited to the equipment or
2002-04-30 by William Cobb
Digital Imaging ... ... From: J Greer To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Tuesday, April 30, 2002 5:43 PM Subject: Re: [Digital BW] Re:
2002-04-30 by Rick Schiller
I posted my HELP w/ new 860 a couple of days ago and seem to have the work flow sorted out. Now the big question, are these inks really Black. All my
2002-04-30 by J Greer
The publishers of PHOTOVISION are keeping things separate (digital vs. non-digital). The recent issue of the magazine (March/April 2002) contains an ad for the
2002-04-30 by Bruce Kinch
... Sorry for delayed response, but as no one else seemed to pick it up.... TMWWNT was shot on color neg stock, printed B&W. Like scanning RGB and converting
2002-04-30 by Robert Morrison
... Sorry, perhaps its my misreading...but I thought they said ink set s . If they had simply said: can be obtained with our high-stability zero-gamut
2002-04-30 by CDTobie@aol.com
... Nor to they need to for this claim; basicly they are sayng they last like their Lysonic quads, which is likely to be true. You are inferring that this
2002-04-30 by Robert Morrison
... Yep...I spray outside and I m thinking about pulling out the respirator...the Krylon is the best...but it does smell nasty. Its also worth a try with the
2002-04-30 by tomoc
Robert- I didn t know people were promoting Lyson inks as archival...their website definitely addresses life expectancy. I m pretty willing to accept the 20+
2002-04-30 by Editor P.O.V. Image Service
... And? Let s try ENGLISH... A zero gamut monochrome inkset is not necessarily a pigment based inkset.. All that means is that the inkset has a single hue...
2002-04-30 by Robert Morrison
... Absolutely. Just because I don t like something doesn t mean that people can t talk about them. I m simply questioning why someone would use them...and
2002-04-30 by kdidhjhu
Robert, I believe the name of this forum is the Digital Black & White The Print. It would be my understanding that all inks, papers and methods are welcome
2002-04-30 by Robert Morrison
This is the claim they make on their site: Furthermore, prints made with Lysonic SG ink sets will exhibit superior light fading resistance, similar to
2002-04-30 by Editor P.O.V. Image Service
... Lumping the Lyson SG s in with an EPSON inkset (th 1270/870/1280/1290 set) that has a cyan dye so faulty that it can fade in as little as one day is just
2002-04-30 by Robert Morrison
... Because, IMO they are not an archival ink set...and are being sold as one. I also didn t consider the Epson 1270 inks a real archival option. Perhaps this
2002-04-30 by kdidhjhu
Hi Thom, What I ve been doing is using the EAM to do my proofing with the Small Gamut inkset, then the final prints are printed onto Lyson Standard Fine Art,
2002-04-30 by Robert Morrison
Glad to hear that you liked it Julian. I m using it with the Epson Premium Glossy profile in the Piezo driver...I screened all the glossy profiles and found
2002-04-30 by Paul Roark
Stephen, I think you are probably looking at Martin s mixing experiment scans. The FS-N v. FS fade/warming test that was just posted did not include any mixes