Re: [Digital BW] Bright Cube & Piezo ink
2002-05-04 by Robert Morrison
... Yes and the enormous dmax gain as Julian mentioned. ... I d say that Brightcube Semi-Matte and Generations Prophoto Lustre could be framed underglass...the
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2002-05-04 by Robert Morrison
... Yes and the enormous dmax gain as Julian mentioned. ... I d say that Brightcube Semi-Matte and Generations Prophoto Lustre could be framed underglass...the
2002-05-04 by Robert Morrison
... I certainly hope he didn t get any commission! Robert
2002-05-04 by jt
Steadman, I ve tried this! If you put the print behind glass without spraying you miss out on the huge dmax increase. Well worth persevering with. My main
2002-05-04 by jt
Ican t get krylon in Europe. I ve been using ghiant whichis ok, but my regular supplier is out of stock - Julian ... From: Robert G. Morrison
2002-05-04 by jrandall1149
Martin has kindly posted the workflow I used to produce my RGB partitioned quad curves. The file name is profile_make2.pdf. It s located in Files Ink Sets,
2002-05-04 by Steadman Uhlich
I am curious Robert.... Spraying the print after 24 hours.... I take it this is to coat the print so that the pigment does not wipe off. What if you left the
2002-05-04 by Robert G. Morrison
Use Krylon UV-Resistant Clear (#1305). About 1/6 the price and much easier to use in my opinion. You will have to spray outside...or in a fume hood though.
2002-05-04 by Robert G. Morrison
I ve posted quit a bit on this recently...check the archives. The best profile is Epson Premium Photo Glossy. You will need to spray the paper 24hr after you
2002-05-04 by tomoc
Keith- Glad to see someone in the boat with me . I know it isn t a perfect solution, but it is to my mind, the very best glossy one available today. The
2002-05-03 by vinyo88
Has anyone printed on Bright Cube Semi Matt with the Piezo drivers and Piezo Ink? If so how did you like it and what driver did you use Vinny
2002-05-03 by David J. Bookbinder
As I am not familiar with adjusting dotgain, etc., descreening sounds like the way to go. Also, it is impossible for me to discern typical halftone dots on
2002-05-03 by Jim Panzer
Hey people, well, today I made my first B&W print with my 1280, running MIS VM inks and using Tyler s Plat curve. I am really happy with the outcome, thank
2002-05-03 by Tim Spragens
... Horrible, how? Smells bad, makes prints run? Tim -- Tim Spragens http://www.borderless-photos.de http://www.borderless-photos.com
2002-05-03 by vinyo88
... I just returned from a trip in Ca. and Nevada. I shipped my film out there by US Postal to a friend and carried it all back with me, 100 ready loads 12
2002-05-03 by jt
It forms ridges and rings on the print - it is much thicker than my usual stuff. Julian ... From: Tim Spragens To:
2002-05-03 by jt
has anyone used printguard to spray glossy prints? I bought some today and just tried to spray a couple of prints before meeting up with Nij and co tomorrow
2002-05-03 by jrandall1149
... all ... Yes (or at least pretty sure--maybe some Epson guru will set the record straight). With only one curve, how would the driver know to lay down
2002-05-03 by Carolyn Frayn
There was that one rather stoney fellow with the, uh, sword... C
2002-05-03 by craig_spaulding
Jeff, Are you sure that the Epson driver with the Woolf workflow mixes all the inks equally? I would expect to see dots in the 0-20% range, which I don t? I
2002-05-03 by jrandall1149
Craig: The outlined method I posted is for creating a partitioned RGB curve set (one that controls each of the three shade of gray seperately). The Woolf
2002-05-03 by Editor P.O.V. Image Service
... Geez! You are making me feel really old.. Back to the days when even 16mB of Memory was something reserved for top level PhotoShop gurus at pre-press
2002-05-03 by craig_spaulding
Jeff, Wow, thanks for the details. This will keep me going for a while... Craig Spaulding ... digital ... and ... use ... feature ... image ... the ...
2002-05-03 by marktuckerdotcom
This is a 5meg Quicktime movie that illustrates his method of getting the most out of taking a color image, and converting to B/W. Could be useful for anyone
2002-05-03 by antonisphoto
Kevin, try Krylon 1305. Also, the paper is made by Hahnemuhle and rebranded by Lumi. This may help you look up other sources for competitive prices. See our
2002-05-03 by jrandall1149
... the ... I ve had better luck setting the b/w points during scanning than setting in my image editing software (your results may vary). I use VueScan as my
2002-05-03 by Editor P.O.V. Image Service
Ok, you all know I am a confirmed sceptic.. In fact, some say I built Diogenes bathtub for him... But I am also a fan of a product that does one thing well
2002-05-03 by craig_spaulding
David, Thanks for the answers. re: setting the black/white points of the wtep-wedge: Sorry I was unclear - No, I was just stating that as a reason why I
2002-05-03 by jrandall1149
... b@d... wrote: ... the ... The ... David: Seems like you are using a transfer curve to get your printer to print what you see on your monitor. I
2002-05-03 by David Dyer-Bennet
... Are you suggesting taking a digital photo of the step wedge instead of using the scanner? In theory this should work okay. The one obvious way to ruin it
2002-05-03 by Tim Spragens
Julian, you ve been holding out! Where are your dead-naked-famly- friends Holga pictures? Tim ... -- Tim Spragens http://www.borderless-photos.de
2002-05-03 by Paul Roark
EAM is now called Enhanced Matte. Atlex.com is my source for most paper, but so far I don t see the 24 rolls there. At
2002-05-03 by CDTobie@aol.com
... Since it is in B&W, you can scan at high res, and keep the original line screen, instead of having it screened anew... by correcting the white point, then
2002-05-03 by William Cobb
Where can us civilians find EAM in rolls to fit the 3000? The Epson site only lists widths for the 7000/9000/10000 series printers ... :-( ... From: Paul
2002-05-03 by David J. Bookbinder
NOTE: I m cross-posting to the DigitalBlackandWhite and the Scan lists. A friend of mine has asked me to scan an old postcard she will be using on a book
2002-05-03 by Paul Roark
Mitch, I use roll EAM with the 3000. I ve fed it in with no flattening at all. At least when the curl is in the same direction as the roller, it works.
2002-05-03 by craig_spaulding
Jeff, I have several questions re your transfer curves technique: 1) Can the black and white points be set in Photoshop instead of the scanner after the
2002-05-03 by Jay Goldsmith
on 5/2/02 4:45 PM, ruhrfoto at ruhrfoto@yahoo.de wrote: Bo, I tried MIS VM on a 1270, a 1290 and a 7500. Randomly got very good (quasi perfect) results, which
2002-05-03 by Mitch Alland
Currently printing with Piezography on an Epson 1160, I am considering getting an Epson 3000 to be able to make 16x24 inch prints. As this size has to be
2002-05-03 by Thom McGraw
... Give Eclipse Satine White a go. Closest to neutral or at least less green as compared to EAM, German Etching, PRag, and Museo. Thom
2002-05-03 by Bruce
on 5/2/2002 5:15 PM, DigitalBlackandWhiteThePrint@yahoogroups.com at ... Just to scare you... A film I was working on in November sent a 2nd unit to DC to
2002-05-03 by jt
year after ... Ahhh OK... so if i do that with the HOLGA am I retro, neo, or pseudo... Julian
2002-05-03 by David Dyer-Bennet
... I find that when I set up a transfer curve (for use in Jerry Nevin s workflow) using the equally spaced spikes approach, I get results that look nice,
2002-05-03 by butchhul
And the usual 50-60% comissions. Butch ... already ... the ... down ... sales
2002-05-03 by sdmey4@aol.com
IMHO PhotoRag looks the best in any lighting conditions especially Florescent w/ FS inks. Piezo inks also look greenish under florescents on many of the
2002-05-03 by Bill Agee
... My feelings for a long time have been that the Photo Gallery establishment is the Taliban of the art world. They are very tradition bound and have a very
2002-05-03 by Michael J. Kravit
Photographing your monitor? Yikes! What s up with that? Mike
2002-05-03 by btmcelhaney
Interesting observations, Mike! I also noticed the Museo prints were more olive than Sommerset PE from the get go. All prints look more neutral, after viewing
2002-05-03 by stevekphoto
That sounds like enough of a PITA to keep me using my ceurrent solution, at least for the hand-coated Liquid Light prints: photographing the completed image of
2002-05-03 by Michael J. Kravit
Steve, I have read that the PQGF does not work well for digital negatives. It imparts a gritty texture to the print. What I have ascertained from the reading I
2002-05-03 by stevekphoto
HI all; Here s my 2 cents worth on digital negs: the idea of printing digital negs is what finally got me to buy into the whole computer thing 3 years ago-but