Moving house with a CFS system.
2001-10-17 by rrhawks@mac.com
Any tips / experiences on moving house with a CFS system? I have an MIS system on an Epson 980. Do I need to dismantle the entire system before moving.. or
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2001-10-17 by rrhawks@mac.com
Any tips / experiences on moving house with a CFS system? I have an MIS system on an Epson 980. Do I need to dismantle the entire system before moving.. or
2001-10-17 by dsmall9917@aol.com
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2001-10-17 by Martin Wesley
Metin, A wonderful gallery of images. Love the B&W of course for which we all have love here. very well done indeed! How are you printing? Are you doing
2001-10-17 by Todd Flashner
Paul Have you done any fade testing of the MIS VM WARM curve? Just wondering if the untoned MIS inks fare better or worse than Piezo inks, and if since they re
2001-10-16 by Steadman Uhlich
Paul, I am continually amazed at your patience and persistence in the testing department. If I had an ink company...you would be Testing Honcho and given the
2001-10-16 by Paul Roark
In the latest fade test series, I put test strips of Piezo on Hahnemuhle German Etching, MIS VM (nc curve) on EAM, and an experimental variable-tone called VM
2001-10-16 by lon_c@hotmail.com
I need a, very, very, inexpensive used copy of Adobe PressReady (Mac Version) Is there any list member that has outgrown their copy of Adobe PressReady? Adobe
2001-10-16 by Robert G. Morrison
Jack...you re hired...you can do the official Inkhaus tour posters! The pays not great...but hey...you get a free coating at every concert. $^) Robert ...
2001-10-16 by JackG
Hi Steadman, Original color machine prints may be purchased for $20 each. This includes the print being sent back to the lab and it is textured and sprayed. It
2001-10-16 by Shaun Granleese
My process is as follows: - insanely careful examination of nozzle check pattern and head alignment pattern (using a loupe, bright light and the same paper you
2001-10-16 by Steadman Uhlich
Jack, Thanks again for posting details. If every one of your color prints is sprayed (by the lab) and you hate glass, how are the larger prints displayed? I
2001-10-16 by Maris V. Lidaka, Sr.
I love the pictures but hate the sound effects. Maris ... From: metin akkas To: Sent:
2001-10-16 by JackG
... Hi Steadman, ... a category all by themselves. This is true, I m trying to relate some things that might apply to both. The standards and practices are
2001-10-16 by Robert Morrison
Thanks Paul, Robert ... Robert Morrison rmorrison@pobox.com 310-397-2704 4131 Bledsoe Ave. Los Angeles, CA 90066
2001-10-16 by Jean-Michel Paris
... pigments de carbone Note that pigments is almost always used in the plural form. ... Could be Tirage aux pigments de carbone , Tirage pigments de
2001-10-16 by Steadman Uhlich
Good Morning JackG! Thanks for posting the insights and your experience. Portrait photographs done by commercial portrait studios seem to fall into a category
2001-10-16 by Steadman Uhlich
The sticky sheets come with some of the packages of EAM and specifically say that they are intended for only a few of the Epson printer line...as I recall the
2001-10-16 by Steadman Uhlich
Robert, I think you may be the group s lyricist. You have the potential to turn any phrase into lines or praise or allusion...sometimes to the groups
2001-10-16 by Nij
Sounds like: Digital Inkhaus and the Mothers of Contention Nij
2001-10-16 by JackG
Hi Robert, I just woke up I guess, forgot about glass breaking. Because of breakage, do you feel that museum grade plastic would be best? Have you used
2001-10-16 by JackG
Good Morning Steadman, While all of the color prints we sell are coated, it is not for U.V. protection. When we started doing/having this done years ago, the
2001-10-16 by metin akkas
from istanbul to miami BW from medatirenian to redsea UW PHOTOGRAPHY at www.metinakkas.com [Non-text portions of this message have been removed]
2001-10-16 by SKID Photography
... Your experience of the non fading of the silver print fits with what I would expect. As I understand it, the silver image is made by light refracting off
2001-10-16 by Paul Roark
Martin, Here is a 300 hr. fade test that included Hahnemuhle German Etching with Piezo, standard MIS VM, nc, on EAM, and my latest variable-tone inkset -- call
2001-10-16 by Paul Roark
Robert, ... From: Robert Morrison [mailto:rmorrison@pobox.com] Sent: Saturday, October 13, 2001 9:41 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com
2001-10-16 by Todd Flashner
My alignment is good, but I ve never cleaned the transport mechanism. Do you know how to make the sheet sticky? Did I hear someone say they sprits a sheet of
2001-10-16 by Todd Flashner
... No, I look forward to. ... Have you tried coating Torchon? I thought it looked like it had a skin disease coated. At least with the coating I saw. My
2001-10-16 by Robert Morrison
All of Steadman s lyrics will be Haiku, I will spray coat the crowd with polymer so they don t fade and Antonis will take our pictures in the dark at ASA 3200
2001-10-16 by Robert Morrison
I m assuming that you have anally checked your alignment? And its perfect under a loupe. I think I also remember something about keeping the paper transport
2001-10-16 by Robert Morrison
... Well you certainly haven t seen my coated prints apparently. My coated prints NEVER look worse than the uncoated ones. With Hahnemuhle papers it is
2001-10-16 by Todd Flashner
I m getting microbanding from my 1160 with the Epson driver. Is there a cure? Todd
2001-10-16 by Todd Flashner
... Some coated prints looked worse than their uncoated counter part-- Those I d want to hide behind glass. ... Those coated prints which looked better than
2001-10-16 by Robert Morrison
Bum...mer $^) ... Robert Morrison rmorrison@pobox.com 310-397-2704 4131 Bledsoe Ave. Los Angeles, CA 90066
2001-10-16 by Martin Wesley
Uh.... Sorry, Robert. Not quite my thing. Martin ... From: Robert Morrison To: Sent:
2001-10-16 by Robert Morrison
Definitely German Techno from the 1980 s...back when I was using a 300dpi laserprinter (wow was that amazing) and a dot-matrix printer with a multicolor
2001-10-16 by Robert Morrison
... Absolutely. I love that velvety surface too...its one of things that really unique about Piezo...I just wish I could have it with the Dmax and luminosity
2001-10-16 by Robert Morrison
... UV rays aren t the whole story...particularly with pigments. With dyes UV is the main enemy. ... Glass does not protect the print from air...which is what
2001-10-16 by Steadman Uhlich
I don t know...InkHaus sounds like an Industrial band or maybe a TechnoJazz group...fusion? Keep smiling folks... Steadman ... From: ternahan To:
2001-10-16 by Todd Flashner
... I think it really depends on the quality of the coatings/coator. I was really gung-ho on the coating concept, but none of my tests, nor those I saw from
2001-10-16 by Steadman Uhlich
Yeah...I have an opinion on this very subject.... I think the coating idea is a good one for certain effect and certain needs. However, I believe (and it is a
2001-10-16 by Steadman Uhlich
Cleavis, Good Points about how the museums use this stuff. I also liked your comments about sharing the prints like a fine wine. Well put. Affection, care,
2001-10-16 by Robert Morrison
Just did a quick experiment with several coated prints. Put the coated and non-coated prints behind glass (I m afraid it was cheap glass) separated with a 8
2001-10-16 by lyonscox@mindspring.com
I want to completely agree with Steadman in his post on glass...in fact I would like Martin to archive it for reference. The Vermeer show in Washington DC (not
2001-10-16 by Robert Morrison
Careful, all this talk might make somebody Glicee...and its not that kind of a discussion list. Ok, Martin, you better spank me now...I deserve it. $^) Robert
2001-10-16 by Steadman Uhlich
Jean-Michel, I love it! Thanks for posting (seriously). Now I can paste that on my Carbon Pigment Tirage and really get people s attention. Say...how does one
2001-10-16 by Jean-Michel Paris
I am new to this list (4 days) and already it seems that, collectively, you have covered nearly all the words contained in the French version of my COA. In any
2001-10-16 by Steadman Uhlich
Nina, Please send me your email address. Steadman steadmanuhlich@knology.net ... From: ncm To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Monday,
2001-10-16 by John Vitollo
... doesn t have unfortunate connotations in any of them. (g) ... spice things up a bit. ... How about calling our technique: manaj-a-tirage That should do it!
2001-10-16 by Steadman Uhlich
Nina, Good point. We definitely need a double entendre or two to spice things up a bit. Steadman ... From: ncm To:
2001-10-16 by Tyler Boley
Another side note... or shenanigan as it were... I just saw a little exhibit at a long established photography gallery called Photography at the Crossroads .