4000 Banding
2009-12-29 by shileshjani
I have not had any response to the following at the wide-format forum. Anyone here can help with my banding problem? Shilesh The bands are darker than
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MIS UT-7 C & LC Densities
2009-12-29 by shileshjani
Does anyone here know how the ink densities of MIS C and LC inks compare to the LK and LLK inks of the Epson K3 set? Thank you. Shilesh
Re: Two more PK papers worthy of mention for B&W
2009-12-29 by john
Very Interesting, and the Premiere matte also. Hahnemuhle sent me a short roll of their new Baryta FB. With the Z3100 it looks as close to a silver print as I
Two more PK papers worthy of mention for B&W
2009-12-28 by tboleyyh
Please excuse duplication of info on other list posts- Pictorico Gekko Green- http://diamond-jet.com/gekkogreen.aspx Despite some serious drawbacks this paper
Re: [Digital BW] Premier Alise in Inventory at InkjetMall
2009-12-28 by piezobw
Hi John, We no longer have any working 2200 printers in house. We are not planning on getting out all the remaining printers and creating new Curves for any
Re: [Digital BW] Premier Alise in Inventory at InkjetMall
2009-12-28 by john eckenrode
Hi Jon I have just begun playing with the Alise Natural and BW, it seems great with a couple early messing around prints. My question: On a 2200 system using
Re: Epson 1400 -UT-14, BO and Quad Tone RIP questions
2009-12-28 by peace4all01
Thank you Mr. Roark. Tim
Premier Alise in Inventory at InkjetMall
2009-12-28 by piezobw
I just brought in the full inventory of Premier Alise BW. This paper is the bomb. It is every inch as good as the Hahnemuhle Photo Rag in terms of dMax,
Black and White Photography show in Orlando, FL
2009-12-28 by lindenblade
For anyone that is interested and will be in the Orlando area in January, I m having a small show at the Artistree Co-op in College Park. Reception will be
Re: Epson 1400 -UT-14, BO and Quad Tone RIP questions
2009-12-28 by pr_roark
... The UT14 inkset will print on matte paper with a reasonable image with no special profiles. Follow the settings in
Re: Carbon-6 & 7800 update
2009-12-28 by pr_roark
(Re-post/correction) I ve posted some print tone information for the 7800 - Carbon/Eboni-6 combination. See http://www.paulroark.com/BW-Info/C6-7800-tones.jpg
Epson 1400 -UT-14, BO and Quad Tone RIP questions
2009-12-27 by mistylightphotography
Hello. I have done a search for the following questions. I just want to make sure I got it right. I am not interested in chemistry or graphs so perhaps I
Carbon-6 & 7800 update
2009-12-26 by pr_roark
The 7800 with Carbon-6, using the C6c base variation (Tergitol surfactant added to this latest version -- see http://www.paulroark.com/BW-Info/Ink-Mixing.pdf),
Re: Ink for print stamp
2009-12-25 by rogerdarl
I believe Indiana Stamp tries to work with people looking for ink for specialized applications -- http://www.indianastamp.com/our-products/inks-
Best black and white photos of 2009
2009-12-24 by Randy Man
Some nice stuff here: Best B&W Photos 2009 [Non-text portions of this message
Re: [Digital BW] HDR & B&W
2009-12-24 by Glenn
... True HDR is 32 bit floating point, which nothing can display - let alone print. On a normal monitor it is so lacking in contrast it actually looks like
FW: Re: HDR
2009-12-23 by nospam
From: Scott [mailto:scott@scotthendershot.com] Sent: Tuesday, December 22, 2009 11:51 PM To: DigitalBlackandWhiteThePrint@yahoogroups.com Subject: Re: HDR
Re: [Digital BW] HDR & B&W
2009-12-23 by pr_roark
... I assume that is the main point of HDR. I suppose reducing noise in the shadows even if they are nominally within range has some value. Are there other
RE: [Digital BW] Calibrating my monitor
2009-12-23 by John Slaughterbeck
Got it, thank you From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of bwinkjet Sent: Tuesday,
Re: [Digital BW] HDR & B&W
2009-12-23 by Glenn
His work is quite spectacular and a proper use of HDR. Though you d more likely say he s compensating for the limited dynamic range of the camera using
Re: HDR & B&W
2009-12-23 by pr_roark
... This is the Luminous Landscape article. http://www.luminous-landscape.com/essays/hdr-plea.shtml Paul www.PaulRoark.com
Re: [Digital BW] HDR & B&W
2009-12-23 by bill storm
What I love about creative processes is that everyone has the opportunity to approach them in their own way. What may be an ideal work flow for one artist may
Re: [Digital BW] Calibrating my monitor
2009-12-23 by bwinkjet
Hi, http://tech.groups.yahoo.com/group/datacolor_group Paul
RE: [Digital BW] Calibrating my monitor
2009-12-23 by John Slaughterbeck
Ok, I give up, can you post a link to the Datacolor group, I ve been searching all day From: DigitalBlackandWhiteThePrint@yahoogroups.com
RE: [Digital BW] HDR & B&W
2009-12-23 by Mike Johnston
I have seen some beautiful B/W images online that used HDR. Mike J. ... From: DigitalBlackandWhiteThePrint@yahoogroups.com
RE: [Digital BW] Re: New Printer? again
2009-12-23 by Mike Johnston
So you are using the 1400 as a Black and White printer only? Thanks Mike J. ... From: DigitalBlackandWhiteThePrint@yahoogroups.com
Re: [Digital BW] HDR & B&W
2009-12-23 by Ken Alexander
I tried HDR but my results were as horrible as the majority of what I see on the web. It s discouraged me from spending much time on it. One of the few
Re: HDR & B&W
2009-12-22 by Glenn
Paul, Do you have a link to the article and forum discussion ? thanks Glenn
Re: [Digital BW] Calibrating my monitor
2009-12-22 by C D Tobie
... Monitor calibration is at least as important for B&W work as for color, plus a few specialized B&W issues, so its certainly appropriate here. If it has to
Re: Arches & Carbon
2009-12-22 by pr_roark
... That s the only one of the papers you mentioned that I ve tested. The dmax was very low. Too bad, because the tone was amazingly neutral. Do you have
Re: HDR & B&W
2009-12-22 by steveoshoots
... I us HDR as I would any other tool/method. ... another dis is the misuse and over cooking of images mentioned as well. If the tool is used with thought and
Re: [Digital BW] HDR & B&W
2009-12-22 by C D Tobie
... We see in color, so color processing tends to be about making things like right or realistic ... we don t see in B&W so we have the luxury of optimizing
Re: HDR & B&W
2009-12-22 by substudiocr
That s also the method I use Paul. I m a little more extreme about it, because, my work is a bit surreal. This etching away method you describe is very
Re: Arches & Carbon
2009-12-22 by mantinieri
Hello Paul, I have been following with much interest your work on Arches paper, that complement what I have been doing in the two-three years. I still use
Re: [Digital BW] RC Papers
2009-12-22 by Ernst Dinkla
... I m sure Mark has a more thorough reply, I think the answer to that is more complex. Before barite was introduced in inkjet papers TiO2 was used and still
Re: [Digital BW] Re: RC Papers
2009-12-22 by Shoshanna Moser
If they were properly processed they held up very well indeed. The other day I was looking through a series of RC 8x10s I made 35 years ago-- shots I d taken
Re: HDR & B&W
2009-12-22 by kwalsh74
Hi Paul, I m on the road and haven t had time to read the whole LL article, though I saw and bookmarked it this morning. A few quick comments though: - I
RE: [Digital BW] HDR & B&W
2009-12-22 by Gary
Paul, I also have been using the technique you described below. This technique is described in the book by Harold and Phyllis Davis titled the The Photoshop
HDR & B&W
2009-12-22 by pr_roark
Luminous Landscape currently has an article and forum thread on HDR. I don t want to duplicate it here, but I m curious if people on this forum are finding
Re: [Digital BW] Arches & Carbon
2009-12-22 by pr_roark
... The only pre- & post-soaking I ve done is to get rid of water marks in jet black skies. With a try of distilled water I ve quickly pulled the print
Re: [Digital BW] Arches & Carbon
2009-12-22 by John Labovitz
... Exciting experiments! In my very first forays into quadtone printing, back in the late 1990s, I used a lot of uncoated Somerset Velvet (with Piezography
Arches & Carbon
2009-12-22 by pr_roark
I ve summarized my latest findings in this effort at http://www.paulroark.com/BW-Info/Arches.pdf One of the significant things I ve found is that briefly
Re: [Digital BW] RC Papers
2009-12-21 by pr_roark
... I ve experimmented a bit with TiO2 on the Arches to accomplish localized and controlled brightening (to subtly pull the eye into the print). Do you think
K7 Inks for Epson R1900 Printer for Sale
2009-12-21 by Paula
I switched to another ink set so I am selling remaining bottles of K7 inks for the R1900 printer. The amount of remaining inks vary: Shade 1 – ¾ full; Shade
[Digital BW] Re: RC Papers
2009-12-21 by Mark
I should also mention I was talking about RC color prints only when I said the RC base problem is largely cracking of the PE layer. For RC B&W prints, those
Re: [Digital BW] RC Papers
2009-12-21 by C D Tobie
... Not unusual, as recycled cotton (rag) typically has brighteners in it from a previous life... C. David Tobie Global Product Technology Manager Digital
[Digital BW] Re: RC Papers
2009-12-21 by Mark
... Yes, I too, have some RC prints I made over 25 years ago, framed and always having been on display, and they are still crack free with only subtle
Re: [Digital BW] RC Papers
2009-12-21 by Mark
... Inspection by UV blacklight reveals that the Chromata White Canvas has no fluorescing compounds in the coating, but somewhat surprizingly there are OBAs in
Re: [Digital BW] Re: RC Papers
2009-12-21 by Mark Savoia
Gee, I have some 30 year old RC prints and no brown. They might have not been fixed and washed enough. Not that that should take more then a few minutes. Might
Re: RC Papers
2009-12-21 by Jules
Before digital We used to sell expensive quality prints on fibre papers and cheap ones on resin coated. The RC ones often turned brown after a couple of years.