Hawk Mountain Papers
2009-03-19 by David Sinai
I am trying to buy some Hawk Mountain Papers. I am not having any luck at their website or by phone. Does anyone know what might be happening here?
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2009-03-19 by David Sinai
I am trying to buy some Hawk Mountain Papers. I am not having any luck at their website or by phone. Does anyone know what might be happening here?
2009-03-19 by David Sinai
Two questions: 1) Do I need to have color inks in the non-black slots? In other words, I plan to keep cleaning cartridges in all the slots but MK, PK, and
2009-03-18 by pr_roark
... Yes, thanks for the information -- to both Bob and Elena. ... No doubt some inks are better matched to the printer than others. I expect the OEM to do a
2009-03-18 by RobLee
I don t seem to have any problem with OCP inks here on R1800. ... From: Greg Subject: [Digital BW] Re: Use of 3rdparty inks To:
2009-03-18 by Greg
I would say that I m not at all surprised that there was a difference between the inks. I bet you even get differences like this between different batches of
2009-03-18 by Walker Blackwell
I have used 3rd party inks since 2002 with no problems. Maybe there are a few out there that have the wrong surface tension, viscosity, etc, but 3rd generation
2009-03-18 by Tyler Boley
of course this is very interesting, and the effort impressive. But I have to say it s a big leap to say that this single experience is indicative of 3rd party
2009-03-18 by Gary Weaver
I dream of having a interface to the epson setup program along the lines of the SSC service utility : ) gar *********** REPLY SEPARATOR ***********
2009-03-18 by Bob Frost
I thought some of you might be interested in this post by Elena on the EpsonWideFormat list (copied with her permission). There s more on that list. Bob Frost.
2009-03-18 by Sam McCandless
... I have not, Dave. It doesn t have anything to do with the spam attached to your question, does it? -- Sam
2009-03-18 by dsmall9917@aol.com
Have any of you used GF STN files with QTR, It seems that QTR does not recognize STN files. Dave Small **************Great Deals on Dell 15 Laptops - Starting
2009-03-18 by Greg
Just thought I would pass along a tip... Just tried some Geographics Everyday glossy paper... JUNK! Tried it with Claria dye inks and it was horrible, the ink
2009-03-17 by pr_roark
... In my tests, the 2 carbon inks seem to be very close to equal. In the long run, I d guess that Eboni would have a slight advantage. This is because I
2009-03-17 by Gary Wagner
Paul, Does K4-PK have the same archival properties as Eboni K? Thanks, Gary Wagner From: DigitalBlackandWhiteThePrint@yahoogroups.com
2009-03-16 by Richard Smallfield
Hi AnneMarie, summer is ending here and time is short, so this project will have to wait for another summer ... but I m keen to do it one day. What paper are
2009-03-16 by AnnMarie Tornabene
I am also about to embark on cyanotypes with digital negatives...at least when the weather gets slightly warmer. Photographers have been doing this for many
2009-03-16 by Joost Horsten
... What a coincidence... Yesterday I just followed the first lesson of a course in photographic intaglio... very cumbersome way to make a B&W print, but
2009-03-16 by Kevin Bjorke
You might find Charthrob helpful: http://hybridphoto.com/forums/archive/index.php/t-36-p-4.html has some specific discussion about using it for calotype
2009-03-16 by Andrew Darlow
Hi Greg: Thanks for your comments. There are probably 20-30 RIPs that are used in production by different companies. I chose a sampling of those that I thought
2009-03-15 by steveh0607
Hello Everyone, Lately the R2400 has been printing light. I ve had to reduce the brightness by (-8) to get a screen match. This problem has never happen
2009-03-15 by Gary Weaver
SO, true !! even on my Gemni 10x dot matrix back in the 80s - though not using old photo processes. For special effects with the enlarger I sometimes used
2009-03-15 by pr_roark
... Yes. I use distilled water to wash our re-fillable 1400 carts. If the next ink is very dilute, I ll just leave it at that or maybe use a bit of C6 base
2009-03-15 by Mark Savoia
Making digital negs for alternate processes on inkjet printers has been going on for many years, just do a Google search. There are even plenty of books on how
2009-03-15 by ender100
Richard, Yep, there are a whole lot of folks out there doing all sorts of alt processes with digital negatives. -- Best Wishes, Mark Nelson Precision Digital
2009-03-15 by Richard Smallfield
Hi, it has just occurred to me that being able to output a digital negative at any size makes techniques from the 1840 s appealing. Sun prints, which are
2009-03-15 by Gary Wagner
Paul, As you are doing many tests on the 1400 with many variations of ink are you taking your refillable cartridges and just washing them out with water
2009-03-15 by pr_roark
I ve made a minor update of my PDF, below, to make clear that this is a modification of UT14 (but with a different name to avoid confusion). See
2009-03-15 by pr_roark
... http://www.paulroark.com/BW-Info/R220-K6.zip is a copy of my QTR Profiles folder that I used for this ink setup. I make no guarantees as to what all is in
2009-03-15 by Greg
... Wasatch? Evolution? I m sure I could come up with a few more if I really worked on it.
2009-03-15 by Gary Wagner
Paul, Do you have any profiles available for the HP-C6, 50,20,10,5 %, 1/30/09? Thanks, Gary Wagner From: DigitalBlackandWhiteThePrint@yahoogroups.com
2009-03-15 by Andrew Darlow
Hi folks: I recently wrote an article about RIPs (and products that are similar to RIPs) for Professional Photographer magazine. They posted the article in its
2009-03-15 by pr_roark
I have my Epson 1400 in an ink arrangment I m calling NC2 -- Neutral, Carbon, version 2. It combines the various approaches I ve been using lately. It has
2009-03-15 by dlruckus
Hi Steve. Keep in mind that QTR in calibration mode is putting out ink at the maximum rate the printer can send. The various third party inks do differ so
2009-03-14 by pr_roark
Steve Law wrote: Welcome to the group, Steve. There is also a forum devoted just to QTR that might help. See
2009-03-14 by Steve Law
Hi all, I am new to this group, My name is Steve Law, so a little history about me would be nice. I work at a frame shop out in CA and we have an Epson 7600-UC
2009-03-13 by Sarah Renkes
I never gave the likelihood of more fluorescent lighting being used now and in the future much thought; now I certainly shall. Just one more variable to
2009-03-13 by pr_roark
... It s a desease. ... There are lots of alternative setups, depending on what one wants to achieve. For my old 7500 the dot size restricts the flexibility,
2009-03-13 by Joost Horsten
I ve been away for a few months from this group and, of course ;-), Paul has come up with yet another innovative ink set-up. I bow deeply for your creativity
2009-03-13 by Joost Horsten
... As a matter of fact, yesterday I did some further experiments with DxO on images from a Canon 20D / 70-200 2.8L IS combo. The workflow is a hassle, but I m
2009-03-12 by Michael King
Also are you sure you are printing on the right side of the paper? You can get this sort of effect if you are printing on the wrong (non-coated) side. Mike
2009-03-12 by John Vitollo
... When an image becomes soft with upsampling, adding grain can help hide the softness and fool the eye into thinking the image is sharper than it is. Genuine
2009-03-12 by Greg
... Noting beats a tack sharp low noise image. If the image is soft, it only gets worse as the size increases.
2009-03-12 by James W Veenstra
I have followed this thread with interest as I am in the photo/fine art repro printing business. I have been down all the roads discussed, including using my
2009-03-12 by Richard Smallfield
Hi Clayton, thanks a lot for that - will try it out. Richard ... ____________ www.richardsmallfield.com The best way to predict the future is to invent it.
2009-03-12 by Clayton Jones
... Good point. Might be worth a try to increase the ink load. My two primary papers now (with K3 ink in a 2400) are VFA and STA, and STA requires slightly
2009-03-12 by Clayton Jones
Hello Sarah, ... A couple of years ago I did some up-res experiments, trying several techniques and using demos of several commercial products, and posted the
2009-03-12 by djon43
Richard, I don t know Alise but I do know that Entrada s somewhat absorbant, so loses some detail...such as the probable clogging (or nozzle inefficiency with
2009-03-12 by Joost Horsten
... Of course that s true in general, although there is a bit of a gray area. With the use of mathematics (deconvolution) it s possible to retrieve details
2009-03-12 by iweiner3637
Shoot an array of frames(XbyY) with ~20% overlap in both X&Y, use Hugin,PTgui or any good stitching prgm to generate your final image--PP as needed and print
2009-03-11 by Sarah Renkes
Thanks to ALL of you for some great food for thought. That s why I bring my questions here. I m going to experiment a little, most definitely print some