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Digital BW, The Print

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Re: 1400 & what to get?

2008-11-07 by Matthew Newhook

... Actually, what I *really* meant was the eboni-6 page on the same site :) http://www.inksupply.com/eb6.cfm

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Re: 1400 & what to get?

2008-11-07 by pr_roark

... At http://www.inksupply.com/ut14_black_and_white.cfm there is, first, a table with the bulk inks, and, second, a table with the UT14 cartridges listed. ...

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Re: GLOP idea

2008-11-07 by the_des_bois

Spray gun: Many use HVLP Spray Guns. Like this one: http://www.rockler.com/product.cfm?page=10469&cookietest=1 I guess you d need some sort of compressor. I ve

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Re: [Digital BW] GLOP idea

2008-11-06 by Ernst Dinkla

... Alright, I do not have as much experience with the Fiber papers and didn t think of them when I wrote that. Collected several samples that I still have to

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1400 & what to get?

2008-11-06 by Matthew Newhook

I ve been doing darkroom black & white for a while, and want to give inkjet black and white a try and compare the results. I ve been reading this group with

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Re: Archivability of Papers

2008-11-06 by djon43

Acid doesn t seem to have been used for paper making until some time in the 19th century...Googling appears to support that. If you can cite a link to the

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Re: [Digital BW] GLOP idea

2008-11-06 by john dean

I ll let you know on Monday on this list about my luck with the Photorag Baryta. HP already has media presets and a profile for their new Baryta so I ll start

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Re: [Digital BW] GLOP idea

2008-11-06 by Jim Goshorn

... Even though I do not have a Z, I would be very interested in hearing your impressions of the Photo Rag Baryta paper. Jim

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Re: [Digital BW] GLOP idea

2008-11-06 by john dean

Well he s got a point Ernst, the Z does lay down gloss enhancer superbly for the rc papers, especially their Pro Satin that is totally worked out. However, it

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Re: [Digital BW] GLOP idea

2008-11-06 by Tyler Boley

no, that s not what I was doing. A spot channel was used for GO in the intial pass with the image, totally controllable in all parts of the scale.

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Re: Archivability of Papers

2008-11-06 by pr_roark

... This comment was from Mantinieri, I believe. Unfortunately, I have not yet had the opportunity to tour the old Italian churches. However, many of the

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Re: [Digital BW] GLOP idea

2008-11-06 by Ernst Dinkla

... Basically yes but with a difference. I own a Z3100 too. The difference is that the Z3100 will lay down the gloss enhancer right with the other inks, like

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Re: [Digital BW] GLOP idea

2008-11-06 by James W Veenstra

I think this is basically what my z3100ps GP does with its 12th head of gloss enhancer . J Vee ... [Non-text portions of this message have been removed]

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Re: GLOP idea

2008-11-06 by Tyler Boley

yes that s right, still playing with it on all kinds of papers. Those K7 samples I sent out last spring all had a GO only second pass. Registration is no

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Re: GLOP idea

2008-11-06 by the_des_bois

Why not spray GLOP? Using the special spray guns L... ? Or airbrush or just hair salon spray bottle? Denis

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Re: [Digital BW] GLOP idea

2008-11-06 by Ernst Dinkla

... Yellow, Light Cyan. This has been discussed before, suggestions like using a dedicated machine for the gloss, possibly using more channels. Not to mention

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Re: [Digital BW] GLOP idea

2008-11-06 by brouwerkent

Regarding the glop, here is my solution. I have the Glop in the yellow channel. Using QTR, I made a reverse curve for that channel so that the highlights get

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Re: GLOP idea

2008-11-06 by djon43

Richard...to simulate photo-silkscreen, I found multiple passes on the same paper to have maybe 1/8 registration variation (back when my 2200 was still new

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Re: GLOP idea

2008-11-06 by pr_roark

Richard, ... Carl, Tyler and I, probably among others, were experimenting with this approach when we were all excited about the new generation of glossy

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Re: QTR-UC PK prints v warm (2100)

2008-11-06 by pr_roark

Hi Richard, ... Yes, PK carbon inks on glossy papers are very warm. The only neutral 100% carbon solution I ve found is 100% Eboni (no diluted) that is then

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Re: [Digital BW] GLOP idea

2008-11-06 by Richard Smallfield

Hi Ernst, would you use the yellow channel then? To make sure you only print yellow and no other colours I presume you make a CMYK image with only the Y in it.

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Re: [Digital BW] GLOP idea

2008-11-06 by Ernst Dinkla

... And the least likely channel you want to use for an overspray varnish is a black channel. -- Met vriendelijke groeten, Ernst

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Re: [Digital BW] GLOP idea

2008-11-06 by Michael King

Yes this is an option. The challange is alignment. You can t get a perfect alignment with an overprint. So you have to either accept some misregistration or

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Re: QTR-UC PK prints v warm (2100)

2008-11-06 by djon43

Didn t you have a big problem getting reasonable blacks just a day or two ago? Sounds like bad ink...when you say OEM MK and PK do you mean virginal Epson

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GLOP idea

2008-11-06 by Richard Smallfield

Hi, I m sure someone has thought of this before, but here goes: Currently I love the look of FB lustre prints - but - there s bronzing and gloss differential

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QTR-UC PK prints v warm (2100)

2008-11-06 by Richard Smallfield

Hi, I ve just started printing on Moab Colorado (and various RC papers for proofing) and am getting hues very different from what I m used to with MK ink and

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Re: Archivability of Papers

2008-11-05 by mantinieri

Very interesting paper. Thanks for pointing it out. I will refer to it in my web pages. Almost all fine art papers have sizing to different levels. Some of

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Re: Archivability of Papers

2008-11-05 by pr_roark

... On the other hand, there are papers that are more than 500 years old that look pristine. Museums like the Getty in L.A. have very old books with beautiful

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Re: [Digital BW] Online scans

2008-11-05 by Tony Sleep

... Even if someone else does the drudgery of actually turning film into pixels, you should realistically expect to spend a lot of time post-processing if you

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