[Digital BW] Re: Baryta Fiber Gloss Media & Monochrome
2008-11-15 by djon43
I like it a lot, liked Kayenta. Zero grief. It s as bright as the brightest white and seems to stay that way (for the several years I ve used it anyway). It d
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2008-11-15 by djon43
I like it a lot, liked Kayenta. Zero grief. It s as bright as the brightest white and seems to stay that way (for the several years I ve used it anyway). It d
2008-11-14 by kolwicz@minetfiber.com
Joseph, I ve been using LaSal s predecessor Kayenta for years, until they discontinued it and never coat it. Some of the images are framed under plexiglass,
2008-11-14 by Andrew Darlow
Hi folks: I d like to invite all the members of DigitalBlackandWhiteThePrint to a wine and cheese reception next Friday evening from 6-8pm at Alfa Art Gallery
2008-11-14 by Steve
Kip: Thank you for your prompt response and all the useful information. Steve
2008-11-14 by john dean
Moab Entrada used to be extremely sensitive to scuffing and flaking. I believe they have improved their coating for what they sell now and a lot of people like
2008-11-14 by Kip Babington
I started with a couple of C84s and now have two C88s dedicated to B&W. Both use MIS pigment inks, one with a continuous feed system and one with cartridges.
2008-11-14 by Tyler Boley
I don t spray, others do. I take great care with the handling and storage of the prints, far more than was necessary for darkroom materials, and rarely have
2008-11-14 by Steve
I have just purchased a digital slr kit and I am wanting to make the transition from b&w film to digital. I have an epson c86 printer that I understand I can
2008-11-14 by Joseph Chandler
I have a quaesion for the group: I just printed some beautiful pictures on MOAB LASAL Matte paper on my Epson 2400 and I am quite delighted with the
2008-11-14 by john dean
Yes, when you download new printer driver updates it overrides the the previous version when the computer is restarted. What I was referring to as a media
2008-11-14 by E Neilsen
Thanks Mark, So it sounds like a good test patch for that might be a 225 profile target or something like that. Well defined color patches that can give you a
2008-11-14 by James W Veenstra
John, I really appreciate this info. I also use the 3100 and probably am missing something. Why no profile (your printer/paper/temp/ humidity etc) from
2008-11-14 by mccormick.mark59
... the dyes ... rate of ... The destabilizing effects of dye mixtures and their respective dye concentrations which leads to the commingling of the dyes
2008-11-14 by Scott Jones
I am having print match problems with my monitor and need advice. I currently run dual Synchmaster 930B 19 monitors. I am calibrated with the Monaco XR
2008-11-14 by john dean
Tyler, I m going to send you several tomorrow. I ll send the grayscale version and the srgb version that is toned to Ilfobrom hue. When I look at these on a
2008-11-13 by E Neilsen
John, If I am reading your post correctly, you are saying that as the dyes mix together, that act, is causing them to fade. Any idea what they are doing? And
2008-11-13 by sinar001
South window tests are good indicators on how an unknown paper/ink combination will work, when compared to a known combo . Putting samples in the window
2008-11-13 by santacruztacean
I m currently using a 7600 UC w/ QTR - 50/50 mix of coolsepia/sepia. Before I invest in an Epson 1400 as a dedicated b/w printer, I would like to see how the
2008-11-13 by Tyler Boley
John, thanks so much for the report. Can you describe the surface, compared to IGFS? The the base hue, is it acceptable or that blue I love to hate? Tyler
2008-11-13 by Matthew Newhook
Great info! Thanks! Any input on the number of 13x19 prints I can expect from a cart set (UT14 or Eboni)? How difficult are the carts to refill, BTW? Regards,
2008-11-13 by Ernst Dinkla
... Mark, It isn t a scientific test, far from it. The windows happen to be at the east side so at least there s no direct sun exposure after 12 in the
2008-11-13 by john dean
Said I would report back about the tests I did with the Hahnemuhle Photorag Baryta paper on the Z3100 with gloss enhancer channel utilized. I m going to make
2008-11-12 by Bill Wandel
I use Picture Window. It doesn t have layers but that doesn t bother me. One thing that I dodn t like is that it will not let you use profiles for a black and
2008-11-12 by Patrick Kealey
Michael, you might try this site, Norman has high regard for the program. http://www.normankoren.com/PWP_intro.html#PW_Pro Patrick ... From: Michael-K
2008-11-12 by Michael-K
OK let s throw Picture Window into the mix as well. Anybody use these with any regularity? Any advocates for either one? -Michael [Non-text portions of this
2008-11-12 by Stephen Kobrin
Sorry for any imprecision. I always send a monochrome file to the 2400. Thanks to all who replied. Steve -- In DigitalBlackandWhiteThePrint@yahoogroups.com,
2008-11-12 by mccormick.mark59
... Artists window tests where prints are taped to a window have a lot of infrared (IR) energy exposure that doesn t occur at locations further into the
2008-11-12 by glemasurier
... wrote: 99 times out of 100 I catch the problem before I print and send a monochrome file to my 2400 in ABW mode. I m not certain of the
2008-11-12 by Bill Morse
These are still for sale- going cheap! They will go one way or another this month. Bill ... -- Regards, Bill Morse Wm. Morse Editions
2008-11-12 by Clayton Jones
Hello Stephen, ... In my tests I never found any print quality advantage to RGB over grayscale. I do find much advantage to the 2/3 reduction in file size of
2008-11-12 by Eric Neilsen
And it makes sense to work with those layers in the luminosity mode rather than normal. While it does not happen all the time or anything more than rarely, I
2008-11-12 by Mark Savoia
Not true, select the option of do not flatten. Mark http://www.stillrivereditions.com ... [Non-text portions of this message have been removed]
2008-11-12 by Stephen Kobrin
Every once in a while, I forget to change the mode to monochrome after I convert to B&W in PS3. After layers are added, it is impossible to convert from RGB
2008-11-12 by Ernst Dinkla
... You should check Picture Window Pro as well. The ICC color management got an overhaul as I understand it and the other features like complete16 bit control
2008-11-12 by Ernst Dinkla
... The low humidity in the samples itself caused by the illumination has been discussed here before. Faster Xenon light testing could show it, even when the
2008-11-12 by steveabrink
If you can live with VFA in 17x22 in. sheets, you can get 25 sheets through Provantage for $90. SteveB ... manually.
2008-11-12 by Michael
While most folks posting here likely use Photoshop, I m curious to know if some use PSP X2? I m downloading the demo but would like to hear from those with
2008-11-12 by Clayton Jones
Hello Roger, ... Great chart, thanks for the link. Speaking of Aardenburg, I received an email from someone there today who, after confirming the calculation
2008-11-11 by Roger
In the Aardenburg tests, for each file (click on the free blue ones) it has text at the beginning explaining light levels vs WIR years
2008-11-11 by cdtobie
On Nov 11, 2008, at 4:53:46 PM, SteveZ wrote: Thanks, David. I was hoping to simply roll out the paper on a flat surface to a 17 length
2008-11-11 by scott_now_coming
... lighting ... another ... Hi Clayton, My info came from the info Livik published sometime ago. A friend of his did the work in Southern Califronia. You re
2008-11-11 by SteveZ
Thanks, David. I was hoping to simply roll out the paper on a flat surface to a 17 length then VERY carefully, using a t-square or ruler, cut with an xacto
2008-11-11 by meeshieck
how I would love to have my studio overlooking the ocean... anyway, let me propose a question then. I gave this thing some thought but would love opinions from
2008-11-11 by edwweaver
Steve, I ve been using the 16 wide rolls of Epson Premium Luster to create 37 pano s on my 3800. No problem. I just made a simple support to keep the
2008-11-11 by cdtobie
On Nov 11, 2008, at 12:00:19 PM, SteveZ wrote: I ve been wanting to try Epson Somerset Velvet paper with my 3800. My plan is to purchase
2008-11-11 by djon43
In an exhibition that closed on Sunday in the University of New Mexico Art Museum there was a roughly 3 X8 inkjet print made with natural dyes. It looked
2008-11-11 by sinar001
Inkjet dispersants, need to keep the pigments in better suspension than fine art grade colors. But Wilhelm says that HP inks are pretty darn near
2008-11-11 by Clayton Jones
Hello Scott, ... Ahh, thank you, that s the kind of info I was hoping for. ... Any idea how much more? Ok, let s stick with 10 mil for now to make it easy and
2008-11-11 by SteveZ
I ve been wanting to try Epson Somerset Velvet paper with my 3800. My plan is to purchase a 24 x 50 roll and cut the paper to 17 widths along the long end.
2008-11-11 by Clayton Jones
Hello Roger, ... Thanks, that makes good sense. Haven t heard much about the ozone hole lately. Regards, Clayton Info on black and white digital printing at