Re: [Digital BW] Re: 2400 - Worth Every Penny
2008-01-02 by AnnMarie Tornabene
I think user-friendly is the better expression here. I really would hate to think that my time, education and aesthetic would be diluted by the analogy of a
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Re: [Digital BW] Re: 2400 - Worth Every Penny
2008-01-02 by Richard Smallfield
Same here, but with a 2100 .... agonies with MIS inks!!! Perfect prints with Epson inks and nothing a cleaning cycle won t fix. And colour when I need it:) I m
Re: 2400 - Worth Every Penny
2008-01-02 by pr_roark
... I have no doubt that most will opt for the OEM solutions, and they re not bad at all. Our involvement with these 3rd party inks and approaches was mostly
Re: 2400 - Worth Every Penny
2008-01-02 by arlenelove3@aol.com
Clayton, Bob Frost, et al: Thanks for giving me permission to go the easy route. I was so wedded to the idea of carbon pigment, so orthodox in my belief, that
[Digital BW] OT cross posted Polaroid items for sale
2008-01-02 by David Aschkenas
Very off topic, I have an 8x10 Pola Printer, this make 8x10 Polaroid prints from 35mm slides And an 8x10 Polaroid Film processor with film holder for sale.
Re: [Digital BW] Wilhelm Tests (was archival framing)
2008-01-02 by Richard Smallfield
Thanks Clayton - so what you re saying is that he s testing fading and not colour shift from yellowing of the paper? I m amazed that Epson hasn t come up with
Re: [Digital BW] 2400 - Worth Every Penny
2008-01-02 by samcc@vom.com
Thanks, Clayton, for this interesting case study and coherent collection of data points. -- Sam
Re: Another post on Cone vs UT7 for 2100/2200
2008-01-02 by Clayton Price
David Whistance wrote:
Re: R220 and 308gsm
2008-01-02 by Paul Whiting
Andre, I ve had a lot of trouble getting Moab Kayenta (205 gsm) to load in my R220. Can you tell me what you mean by outside bend and inside bend ? Maybe
RE: [Digital BW] Epson 2400 and 9800 banding
2008-01-02 by Eric Neilsen
Michael, Are these digital capture files or scans? What happens if you rotate your file 90 degrees? And is this banding micro banding or wide ¼ or so? The
Re:Epson 2400 and 9800 banding
2008-01-02 by john kelly
Having closely inspected lots of 2400 work by multiple B&W photographers on various fine art papers, including various Hahnemeules, I ve never seen banding.
Re: refillable cartridges/CIS for 2400 AGAIN ......
2008-01-02 by colossal-man
Lyson has refillable carts for the R2400. ... any ... empties ... as ... I
Re: Epson 2400 and 9800 banding
2008-01-02 by Clayton Jones
Hello Michael, ... ImagePrint 6. Assuming you get perfect nozzle checks and a head alignment doesn t help, I would first try making a print with the built in
Re: [Digital BW] 2400 - Worth Every Penny
2008-01-02 by Bob Frost
Clayton, ... In 100% agreement! No clogs, no problems, beautiful prints out-of-the-box. Bob Frost. ... From: Clayton Jones
[Digital BW] Re: Another post on Cone vs UT7 for 2100/2200
2008-01-02 by ferdinand_paris
Thanks for all responses. My decision isn t any easier, but it is now even better informed. F_P
RE: [Digital BW] Re: Another post on Cone vs UT7 for 2100/2200
2008-01-02 by Terry Ritz
... If you re comfortable creating your own profiles, it is possible to have toning options using one set of Cone inks. I use the following: K - Eboni; Sepia
Re: Wilhelm Tests (was archival framing)
2008-01-02 by pr_roark
Wilhelm limites EEM to 110 years due to yellowing. In the latest 9880 tests at http://www.wilhelm-research.com/epson/9880.html
Wilhelm Tests (was archival framing)
2008-01-02 by Clayton Jones
Hello Richard, ... give Ultrachrome prints on Epson Enhanced Matte and Watercolour Radiant White better longevity than prints on Epson Velvet Fine Art - which
Re: [Digital BW] Re: archival framing
2008-01-02 by Richard Smallfield
I just remarked about Wilhelm giving better figures for EEM than VFA ... I just realised that my figures were for the older K2 not K3 UC inks. Yet he gives the
Re: archival framing
2008-01-02 by Mark Rogers
Some links: http://www.artfacts.org/ http://www.wilhelm-research.com/ http://www.framedestination.com/picture_frame_mounting.html There are different levels of
Re: [Digital BW] refillable cartridges/CIS for 2400 AGAIN ......
2008-01-02 by Charlie Thomson
Try talking to Ron at this email... E-mail Address(es): efillinkservice@yahoo.com I use his CSI and I have no major problems and it is very professional.
Re: [Digital BW] archival framing
2008-01-01 by Richard Smallfield
Clayton, ... Something I ve never understood is how Wilhelm has always managed to give Ultrachrome prints on Epson Enhanced Matte and Watercolour Radiant White
Re: [Digital BW] refillable cartridges/CIS for 2400 AGAIN ......
2008-01-01 by Peter De Smidt
_I have and recommend the Ink Republic CIS for the R2400, as long as you don t print on both PK and MK papers.
refillable cartridges/CIS for 2400 AGAIN ......
2008-01-01 by evanj1969
My 2200 crapped out about a month and a half after the warranty expired. I m planning on a 2400 as I wish to do some color as well, but have the intent of
2400 - Worth Every Penny
2008-01-01 by Clayton Jones
Hello All, I just got an email from someone asking my opinion about K3 printers. Ink costs with these printers are a big concern for many and it so happened I
[Digital BW] Re: Epson 2400 arrives
2008-01-01 by Clayton Jones
Hello AnnMarie, ... That s what it s all about. Say goodbye to the old days. Be prepared to spend some weeks trying various papers and settings. After a while
Re: R220 and 308gsm
2008-01-01 by p5198
If you go to the Epson USA site and troubleshoot your R220, you ll be told that anything heavier than, say, Enhanced Matte exceeds the paper weight
Epson 2400 and 9800 banding
2008-01-01 by Michael Soo
I posted this in FM and was forwarded to post this question here in hopes someone can help. I am using an Epson 2400 printer to print my B&W. The tonality is
Re: [Digital BW] Re: Epson 2400 arrives
2008-01-01 by James Irelan
... Doesn t matter. That s what it s all about! James
Re: [Digital BW] Re: Epson 2400 arrives
2008-01-01 by AnnMarie Tornabene
Dear Clayton - Thank you for your links. I will print them out for reference. I just want to share that I am currently printing on the epson matte paper
[Digital BW] Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by pr_roark
... So true. I think there might be some generalities. With respect to smoothness, more inks firing generally gives a smoother image, but the quality of the
RE: [Digital BW] Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by Eric Neilsen
FP, I have been a Cone Peizotone user since they came out in my 7000 with IP to drive it. Before that I was working at a studio that started with their ultra
RE: [Digital BW] Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by David Whistance
Hi Ferdinand As you ve got the 2400 for glossy when you need it why not go for the best matte performance with the Cone inks? The latest K7 ones are great and
Re: [Digital BW] Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by CorrPro96@aol.com
I agree with Tyler. I have set up several printers over time to print with different brands of B/W inksets, starting with Cone s PiezoTone cool tone inks in a
Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by Clayton Price
Posted by: ferdinand_paris ... Ferdinand - I ve wondered the same thing at times, but it s probably more that most on this list simply use the other ink
[Digital BW] Re: Epson 2400 arrives
2008-01-01 by Clayton Jones
Hello AnnMarie, ... ABW - the Advanced Black and White mode on the 2400. It uses primarily the three grayscale inks with small amounts of color inks for
Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by Tyler Boley
I just don t think there s a blanket answer to that. It depends on so many individual subjective things, particularly the nature of your imagery, and your
Re: archival framing
2008-01-01 by Clayton Price
Hi Paul, I was using archival foam core for a long time, because it s an easy way to float prints in the frame as opposed to cutting mattes. The archival
Re: [Digital BW] Epson 2400 arrives
2008-01-01 by AnnMarie Tornabene
epson driver...what is the roy harrington QTR? ... [Non-text portions of this message have been removed]
Re: [Digital BW] Re: Epson 2400 arrives
2008-01-01 by AnnMarie Tornabene
Clayton, You will have to explain a few of the acronyms for me as I am still getting into the digital printing aspect of things. ABW, VFA and HPR? What do they
Re: archival framing
2008-01-01 by Jerry L. Hadam
Anyone looking into conservation framing should check out this organization. http://www.artfacts.org/index.html In the standards main is the most pertinent
Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by ferdinand_paris
... I guess the bottom line question remains: are the pluses of Cone worth the considerable extra cost? F_P
Re: [Digital BW] archival framing
2008-01-01 by Clayton Jones
Hello Frank, ... In addition to those quotes, it s a demonstrable fact that OBAs are not the same in all papers. EEM is probably the worst offender, turning
Re: Epson 2400 arrives
2008-01-01 by Clayton Jones
Hello AnnMarie, ... Congrats on the 2400. I m sure you ll find it to be a great printer. ... Well, I don t think it s your imagination, it really is a fine
Re: Another post on Cone vs UT7 for 2100/2200
2008-01-01 by pr_roark
... I don t think the group shrinks from controversy. You probably just summarized the main points, so no need to add more. I currently have my 100% carbon,
Re: [Digital BW] Re: archival framing
2007-12-31 by Gary Weaver
Good points. Part of the issue is that much of what is made to today is filled with additives - from gas to knife steel. And knife steel ain t what it used to
Re: [Digital BW] Epson 2400 arrives
2007-12-31 by samcc@vom.com
Congratulations, AnnMarie, and happy new year. -- Sam
Re: Another post on Cone vs UT7 for 2100/2200
2007-12-31 by ferdinand_paris
Can I take it that this question (Cone vs MIS) is too sensitive to warrant a public reply? I d be happy to receive private comments. F_P
Re: [Digital BW] Epson 2400 arrives
2007-12-31 by Frank Jay
Good for you AnnMarie. Are you using the Epson Driver or the Roy Harrington QTR. thanks Frank AnnMarie wrote: I just wanted to share my
Re: archival framing
2007-12-31 by Rick Colson
I don t mean to be a contrarian, but I would be very careful with anything you frame. There is a big difference between materials in the open air and materials