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2003-03-10 by Robert Morrison
Yep, this is the link...but unfortunately no info. I ve spoken with Oriental s US paper rep. The Fiber-Based paper has the same base as Oriental s silver
2003-03-10 by Paul Roark
Roy, ... Congratulations. ... Yes, the vm-s is what I ve used in my 3000 for some time. I now have the new VM 4.3 (.5 -- just a slightly modified toner) in
2003-03-10 by Barbara White
I just purged my old piezography inks and reinstalled my CIS with MIS inks (with new cartridges) and now am getting NOTHING out of the magenta nozzle. Yes, I
2003-03-10 by Jerry Olson
Well, it s still the Enhanced black for me then. The Cone Museum black is way too light for me. Jerry
2003-03-10 by Jerry Olson
Hi Robert, The numbers are fantastic, but I can t stand glossy or pearl type papers for a fine art print. I have not noticed any fading or color shifting in
2003-03-10 by Jeff Magidson
I have an Epson 2450. It is a great scanner for scanning prints and flat art and it is OK as far as a film scanning goes.. certainly worth the price. I was
2003-03-10 by Jerry Olson
Thanks paul. Right now, my printer is down, and I have to call epson. Their recorded message says I would have to wait about 48 minutes, so will try later.
2003-03-10 by sceptre12345
Loris, I would qualify that with 6x4.5 its for A3+ size and below. But with a 6x7 or 6x9 negative it would be interesting to see what can be achieved with the
2003-03-10 by Chris Hargens
You can find a reference to the new paper on the Oriental site here -- http://www.orientalphotousa.com/products/inkjet.asp -- however, the specs have yet to be
2003-03-10 by Steven Karafyllakis
Sorry: THe browser did something odd & I didn t realize the first one went through Steve
2003-03-10 by Steven Karafyllakis
... I wasn t very clear I guess; I meant to say Eboni was a tad bit darker. But in truth, the difference is so slight that I can convince myself of the
2003-03-10 by Steven Karafyllakis
... I wasn t very clear I guess; I meant to say Eboni was a tad bit darker. But in truth, the difference is so slight that I can convince myself of the
2003-03-10 by scrber
... wrote: Epson Pro Glossy is great, the Ilford ... the ... been ... Hi Robert, I too am waiting on the 4.3 to solve my Ilford and coating
2003-03-10 by Alessandro Pardi
Hi Kevin, I m scanning Portra400BW 6x7 with the Epson3200, so I should not be too far off. I think you ll be satisfied with the 3200. Outsourcing your scans,
2003-03-10 by Ernst Dinkla
... From: Roy Harrington To: Sent: Monday, March 10, 2003 8:55 AM Subject: [Digital BW]
2003-03-10 by Ernst Dinkla
... off the ... and springs ... call. It is all quite easy. I ve used the method Steve describes very often on 9000 s. The begin and end of the ink lines are
2003-03-10 by Roy Harrington
All these new inks and ink sets have been very interesting. I m finally going to take possession of a 7500 this week, so I have to order some inks. I ve liked
2003-03-10 by Paul Roark
Steve, ... It s possible the sample of Eboni I have is an earlier one and that MIS has changed the formula a bit. However, I suspect there might be a
2003-03-10 by Loris Medici
... I second this... (BTW, Andre you meant for A3+ size and below I presume?) Kevin, I have a 2450 and it is good for 6x enlargements (but one needs to do
2003-03-10 by Steven Karafyllakis
My two cents worth- I ve already received a bottle of the Eboni K ( good timing and proximity I guess) and I did swab tests of that, the Museum K, Epson Arc-K
2003-03-10 by sceptre12345
Kevin, There arent many choices at the moment if you want a one size fits all scanner and dont want to spend mucho deneiro to get it. The Epson 3200 scanner
2003-03-10 by Steven Karafyllakis
... Bob are you asking for advice on the digital only? I shoot a lot of Konica 750nm, IMO the HEI processed normaly (with those atrocious shadows and blown-out
2003-03-10 by Thomas Fors
I received an answer from ColorByte today to some of the questions I ve had lately on the 2200. I believe much, if not all, of this applies to the
2003-03-10 by visart7
Hi all, A recently developed respirtory problem has forced me out of the darkroom and into the digital darkroom. My budget is low, and my quality needs are
2003-03-10 by Robert Morrison
The 100 year rating didn t include testing the black...only the colors which don t contain dye...a problem with Wilhelm s old test methods. I believe he also
2003-03-10 by Robert Morrison
... With aging the Museum Black or Eboni Black will be the strongest black the others will loose density and go red...just check Cone s fade data. The
2003-03-10 by Paul Roark
Jerry, ... Yes, MIS also seems to be saying that just putting the new Eboni in the system is OK. Today, in response to my question about this, MIS sent the
2003-03-10 by Tyler Boley
Just a few quick comments about what we saw there. Meeting Jon, Bill, Larry and all from Conetech was a major highlight for me. I think most here are familiar
2003-03-10 by bob_michaels
Anyone with tips, suggestions, or comments about scanning and digitially printing 35mm b&w infrared (HEI). I last shot this film about 25 years ago and would
2003-03-09 by Jerry Olson
Paul, MIS says they are discontinuing several of their black inks, FS, VM, etc. They are replacing it with the 4.3 Eboni black. Nothing should change
2003-03-09 by Jerry Olson
The gen 4 black has a +100 year rating according to MIS. Good enough for me. Jer
2003-03-09 by Jerry Olson
Like I say, the museum black is the lightest black of the 3 cone blacks. The deepest black is still the gen 4 enhanced black. The Eboni black is about the same
2003-03-09 by Jerry Olson
Paul, I would think this would make many users quite unhappy. I have in front of me 12 cone prints, a set of 4 prints each using their Museum Black, Portfolio
2003-03-09 by Shilesh Jani
Charles, I use MIS FS based inksets for my b/w 1280. I am not inclined to go glossy for b/w. For my color 1280, I am testing a couple of ultrachrome
2003-03-09 by (no author)
pson 870 Clogging w/MIS Black Ink Message-ID: User-Agent: eGroups-EW/0.82 MIME-Version: 1.0 Content-Type: text/plain;
2003-03-09 by Robert Morrison
I ve also used this approach in the past...not to use glossy paper but to test different black inks. The key if you want to use the approach for glossy is to
2003-03-09 by Charles Bandes
I think I ll probably try this too once the UC-VM inkset is released. What inkset are you using currently in your 1280?
2003-03-09 by Shilesh Jani
Norm, Both the MIS FS (warmish tone) and FS-Neutral (coolish tone) are fully compatible with the Piezography plug-in. A lot of people in this forum use this
2003-03-09 by Shilesh Jani
Hello All, Like many on this forum, I have been asking myself how I can get both glossy and matte prints using a CIS/CFS committed to an ultra-chrome like (RC
2003-03-09 by normsams
I think I read somewhere on this list of someone who was using the Piezography BW PlugIn with MIS inks. I can t find the reference. Is anyone familiar with
2003-03-09 by mr_misty_44
I know I m on the trailing edge but it is all I can afford at this time.Can anyone be so kind as to tell me the purpose of the Media Type panel on the 3000.
2003-03-09 by Thomas Fors
Try Epson Professional Glossy (S041456) also called Glossy Paper Photo Weight in rolls. I ve had very good results with the 13x19 sheets on a 2200 using photo
2003-03-09 by Carl Schofield
... No bronzing with the Pictorico Photo Gallery Glossy and White film and very minimal with the Dualside and Ilford Smooth Pearl.
2003-03-09 by Paul Roark
If the VM black ink is clogging in the tube, it s likely that the co-solvent base is partially responsible. Switch to the Eboni black. Paul
2003-03-09 by Richard Sintchak
Saturday, March 8, 2003, 4:47:57 PM, Paul Roark wrote: PR The new MIS Eboni black is said to be carbon pigments with no dyes. PR In one of my 300 hour fade
2003-03-09 by mh
Jerry, I am looking for longevity (for fine art bookmaking for instance) and considered the museum black to be the blackest, if you take into account what it
2003-03-09 by mubulg
I have been using the MIS Hexton VM system for a about a year...averaging printing about once to twice a wekk. I do not get print head clogs at all. I
2003-03-09 by Lorne Resnick
Hi, I was wondering about the way the Epson photo black ink sits on Glossy paper printed with the 2200. I ve had great results printing on photorag with mat
2003-03-09 by Paul Roark
Jerry, Eboni and Museum black are about the same. They are about as dark on EAM as the VM/FS/PiezoBW blacks were on the *old* EAM (those blacks lost a lot of
2003-03-09 by Paul Roark
... Eboni black is a matte black for matte paper only. For glossy or semi-gloss, you ll need to use one of the Photo backs, as well as a midtone inkset that