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Digital BW, The Print

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Re: [Digital BW] Japanese Papers

2001-10-11 by Robert Rex

Try M-207 from Paper Connection Int l (www.paperconnection.com). they are a direct importer from Japan. I did some tests on our 1270 (epson oem ink) and 860

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Fog

2001-10-11 by grdglass@aol.com

Is there a way to create realistic looking fog in PS or with a third party filter? I have tried filling a layer with white, lowering opacity, adding noise,

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Japanese Papers

2001-10-11 by grdglass@aol.com

I thought the list might be interested in some tests I did on 5 Japanese papers designed for inkjet printing. The tests were done on an 1160 with MIS VM inks,

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Re: Print Exchange 4 Bernd et al.

2001-10-11 by Shaun Granleese

The mafia weren t interested so I set up a table at a flea market... Here s all the news that s fit to print regarding the ongoing exchange: - Wow! Nice work

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Re: Print Exchange 4 Shaun

2001-10-11 by Ruhrfoto/Bernd L.

... wrote: Sorry, Shaun, this was for Shaun Granleese, who was the moderator of the ongoing print exchange. I really fear he went

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Re: Why try to achieve Neutral Gray?

2001-10-11 by Tyler Boley

... snip... ... Bingo! I also think the print hue s appeal has a lot to do with the surface, and density range of the materials. A print color that looks

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longevity of Epson 1160

2001-10-11 by albatros.bee@web.de

Hi, I have now an 1160 since 2 months and it seems indeed a good printer for b&w prints with archival ink. Being given that the 1160 is out of production since

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Re: MIS/Piezo/daylight/tungsten

2001-10-11 by Martin Wesley

Steve, There are two opinions on this. One is to go with the graphic arts standard 5000K color temperature illumination that is used in color reproduction and

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Re: MIS/Piezo/daylight/tungsten

2001-10-11 by TerryR

Steve, I thought that I remembered seeing a post or two along these lines (too lazy to go through the archives I guess ). Most of my available time has been

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Re: Piezography Review

2001-10-11 by Martin Wesley

... wrote: (snip) ... Piezo ... direct ... and ... using ... but ... Terry, YES, YES, YES and YES. I have remarked upon all of the above and it has been noted

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Re: Why try to achieve Neutral Gray?

2001-10-11 by Martin Wesley

Cleavis, Excellent points. Most particularly what is neutral. I think the discussion is centered around two issues. One, the quad ink sets have tended to be

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