Re: [Digital BW] MIS VM from Piezo VP3, 4 Paul and Jerry
2001-09-04 by Todd Flashner
Jerry Thanks for the report on the Somerset papers. With the Eclipse, how do you find the blacks using the VT? So far I m finding them about as deep as Museo,
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2001-09-04 by Todd Flashner
Jerry Thanks for the report on the Somerset papers. With the Eclipse, how do you find the blacks using the VT? So far I m finding them about as deep as Museo,
2001-09-04 by Phil Bard
Yes, Jim. I was responding to Mark s post regarding commercial-offset printing and double-black, as he called it. See his post below. I m not implying this
2001-09-04 by Phil Bard
In my experience, I ve simply found that printers charge by the number of colors running. It s more work to register the dot from 2 printers, and of course 2
2001-09-04 by Todd Flashner
This is a wild guess, so don t get too hung up on it. Have you done many many cleaning cycles? I remember reading about someone who needed to send their
2001-09-04 by ternahan
Diana recently posted this address: http://groups.yahoo.com/printerrepair Good Luck! trish ternahan@gentlelens.net
2001-09-04 by tldeutsch
Hi All, I have a few piezo prints in an exhibition at the Katherine Nash Gallery in Minneapolis . Info about the work (along with sample images) can be found
2001-09-04 by ternahan
Another good option is Ben Wilmores Digital Mastery site...sign up for the Photoshop Tip of the Week and check out the archives at www.digitalmastery.com trish
2001-09-04 by Jann Lipka
I have a regular 1270 printer that was doing quite a good job until yestareday when it went completely dead . The only thing that is alive is all lights
2001-09-04 by Todd Flashner
The best thing I found was the Total Training Photoshop series of Video tapes, for PS 5.5. http://www.totaltraining.com/index2.htm It s authored by Deke
2001-09-04 by Shaun Granleese
Yes, it is now 32 names, I had a dead heat for registration at the last spot - so shoot me :-) This means 31 prints submitted, that s thirty-one prints. If
2001-09-04 by Shaun Granleese
Jim - the print exchange is simply what it sounds like - folks interested in the process of making a B&W print from a digital source who want to see the work
2001-09-04 by Randy L
Jerry, how do you think this paper will print with enhanced generations and mis quads? And will the blacks match archival matte? Randy Laskody
2001-09-04 by Antonis Ricos
... Mark, it looks to me like the result of spreading out of a small tonal range - of excessive local contrast in the 3/4 tones. Unless it s also visible in
2001-09-04 by Martin Wesley
Jerry, Nick s was on Heavy Weight Matte and I did mine on EAM. Both Nick s image and my image contain a lot of stone, stucco, brick, etc. surfaces. In the
2001-09-04 by daschkenas@aol.com
Jerry, thanks for your suggestions in such a timely manner. The only question that I would like to ask again is why it seems that very few, if anyone, print
2001-09-04 by hgporter@yahoo.com
I ve been learning masking techniques and blending layers mostly by trial and error. Anybody got any suggestions about a solid book/ video/CD re: learning
2001-09-04 by Todd Flashner
One more thing. This means some of those old papers, which failed on the blacks, might have new life. Todd
2001-09-04 by Todd Flashner
Here I go, answering myself, as usual. Okay, after I wrote the stuff below I happened two print two grayscales which overlapped, and sure enough, max black was
2001-09-04 by Jerry Olson
Okay, lets kill this thread! You re right. Jerry And yes the pigeons in my neighborhood do have inky lips.
2001-09-04 by Jerry Olson
Yes, the correct ink you want definitely has the smell of alcohol and glycol in it. It s unmistakable, as the others don t seem to have an odor. I d simply
2001-09-04 by Tyler Boley
... Martin, he sent me one too, I have it in front of me. ... Yup, as Nick was trying to tell us, for the type of image, and image structure, it works really
2001-09-04 by Jerry Olson
Steve, MIS makes FIVE different black inks! Tell Bob you want the blackest ink they sell!!!! Jerry
2001-09-04 by Jerry Olson
What paper, Martin? On the Epson matte, the little artifacts/banding/screendoor patterns, etc were not good looking. It didn t look at all like a nice even
2001-09-04 by Jerry Olson
Hi Dave, ... Yes, Excellent Quality with the MIS variable tone Hextone inks and Paul Roark s curves. ... Save up for another printer. You don t want to change
2001-09-04 by Tyler Boley
... soak a piece of paper in ink, all the way through. If the ... How dark a given black is when closely packed miniscule ... stays up in the coating is really
2001-09-03 by Jerry Olson
Todd, I printed the somersets. Here s the results: They all printed identically, with the same blacks. Not quite as good as Epson archival. If you didn t have
2001-09-03 by sdmey4@aol.com
Jerry! I am thinking I do don t have MIS s best black. The smell is the same as the other inks. and Its obviously lighter than piezo black so maybe is double
2001-09-03 by Jerry Olson
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2001-09-03 by Martin Wesley
Jerry, For the type of work you are doing, and myself for that matter, I don t see the mono-ink method as the way to go. I mostly work with 4x5 or medium
2001-09-03 by J. Arthur Davis
Phil: I think what you are referring to here is a multi color press using separate printing plates. Each carrying a different grade of black ink. This can also
2001-09-03 by Jerry Olson
Hi Steve, I ve printed many a print lately on the cold tone VM MIS inkset. I swear to God it s blacker than piezo black. Again, wer e picking nits here. the
2001-09-03 by sdmey4@aol.com
Paul as far as I can tell they all smell the same! I can t smell the piezo inks, they are in the printer. I ordered these inks before I even got the printer
2001-09-03 by Jerry Olson
Sam, I just tried printing with black only ink MIS Variable Hextone black, on Epson Archival matte paper. The image was full of bizzare little artifacts,
2001-09-03 by J. Arthur Davis
Shaun: I am new to this list. What is the print exchange. Jim Davis http://www.visual-artists.com jarthurdavis@verizon.net support@inkjetstores.com Fine art
2001-09-03 by daschkenas@aol.com
I ve been lurking for a few weeks on the piezography list, and am brand new to this list. I ve been thinking about getting the nomorecarts CIS system for the
2001-09-03 by Paul Roark
... The MIS set is just different dilutions of the MIS archival black ink. MIS sells the base so that you can make your own dilutions. Piezo is not that
2001-09-03 by Martin Wesley
... Mark, Every technology seems to have it s own vocabulary which is rapidly changing in meaning as technology increases. I also thought it referred to a way
2001-09-03 by Todd Flashner
Well, I got the feeling if the print were being back-lit the extra density would have made a difference, but once enough is put down to be opaque over the
2001-09-03 by Tyler Boley
... It s clearly there Mark. Are you saying you can print this file with another paper without the problem? Tyler
2001-09-03 by Paul Roark
Steve, Of the blacks I ve tried from MIS, the VM black, which is also sold as the FS black, is the best, in my view. The samples I have are so close to Piezo
2001-09-03 by Tyler Boley
... A dip and dunk test tells you what happens when you completely soak a piece of paper in ink, all the way through. If the conclusions bear resemblence to
2001-09-03 by Martin Wesley
Rodolpho, First the quads appear to be dilutions but may also have a slight shift in tints to increase tonal differences. If you want to mix your own then MIS
2001-09-03 by sdmey4@aol.com
Jerry I don t need a dip and dunk test the Piezo black is obviously darker than MIS black VM-HEX-4-K ON EAM. I just printed a 100% plain black patch through
2001-09-03 by Sam A. McCandless
... [big snip] ... And I hope so too. Incidentally, I think one or two early adopters of Epson s 5500 have been enthusiatic about the black-and-white prints
2001-09-03 by Moreno Polloni
... MIS sells a clear base stock for this purpose. Check out Custom Tinting towards the bottom of their Quadtone page.
2001-09-03 by Mark Tucker
... running ... For some reason, I thought the double-dot black was done in the engraving film somehow. So that a client could save money by running the job on
2001-09-03 by Jerry Olson
Dilute them with WHAT? water? Nope, it changes the ink colors. Jerry
2001-09-03 by Mark Tucker
... Fine Art also!so this ... much smoother in an ... Steve, Tyler, I thought I could quickly show how this mottling is showing up. I scanned a print that
2001-09-03 by Jerry Olson
Todd, I ve also noticed that SOME times you can indeed get a perfect registration. I couldn t hardly believe it. It sure is odd you didn t get any denser
2001-09-03 by Jerry Olson
Steve, I have tried all the inks on most of the papers mentioned on the list. Without reservation, the MIS Variable tone Black and the Generations black are