Re: Not satisfied with r220, should i get 2400 ?
2006-06-04 by ciscomanvann
Let me ask two questions if you dont mind. 1. The eboni black will make that much of a difference? Do I need to do anything to use it? 2. How does the 2400
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++++ TWO SPACES LEFT FOR JUNE PRINT EXCHANGE ++++
2006-06-04 by Tom OConnell
Hi Folks- Still have 2 spaces for the June print exchange: * open to first 15 plus 2 alternates * you send me 14 prints with workflow explanations * I send you
RE: [spam] [Digital BW] Lyson Stonehinge/Epson 4800 problem
2006-06-04 by Steve Bye
Where are you finding Lyson paper profiles for the 2400/4800/7800/9800? I bought the album before finding out that they only have profiles for the
Re: [Digital BW] ferrocyanide/ Moonrise
2006-06-04 by Peter De Smidt
... It s not very poisonous, although it sounds like it is. I once got a splash of it in my mouth, and so I went to the doctor. He said that I d have to have
UT-3D 2200 LensWork Warm ICC posted for Innova
2006-06-04 by Paul Roark
I ve posted an ICC and a curve for the 2200 and Innova F-Type Gloss at http://home1.gte.net/res09aij/UT-3D_Downloads.html In comparing the Permajet Fibre Based
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-04 by Peter De Smidt
... This is an understandable mistake. Beaumont Newhaul (sp?) made it as well, since F64 was often touted as promoting straight photography. It was a
RE: [Digital BW] ferrocyanide/ Moonrise
2006-06-04 by Eric Neilsen
Should have read Thiourea is NOT without... Eric Neilsen Photography 4101 Commerce Street Suite 9 Dallas, TX 75226 http://e.neilsen.home.att.net
Re: [Digital BW] OT framing supply question
2006-06-04 by Cort Anderson
I use matcutter.com for mats, they wholesale in minimum quantities of 25 same size and opening. There is no charge to set up custom sizes for mats and
Re: [Digital BW] 9600 error message
2006-06-04 by Stephen Castello
On Sun, 04 Jun 2006 11:16:19 -0400, MMS had a ... You may not have enough free space on the hard drive the print spool is on. For XP, it
9600 error message
2006-06-04 by MMS
after spooling for about 25 minutes, there appears the following: cannot print program error, My print size is 42 x 56 . I have printed sucessfully at
Re: [Digital BW] Lyson Stonehinge/Epson 4800 problem
2006-06-04 by K2 Chittin
I second this. This is what we recommend to customers printing with the Innova Opus album pages. It s far easier than using a template, or taping the leading
RE: [Digital BW] ferrocyanide/ Moonrise
2006-06-04 by Eric Neilsen
What about all those Sepia Toned prints? Sorry but I think that to be incorrect or not 100% accurate. Thiourea is without environmental concerns either. Eric
Re: [Digital BW] ferrocyanide/ Moonrise
2006-06-04 by deandadin@aol.com
Hello guys, I just wanted to add a comment regarding bleaching. There is a better bleach that does not degrade the image over time and it will bleach to
RE: [Digital BW] ferrocyanide/ Moonrise
2006-06-04 by Paul Roark
... And lots of fine art printers. ... I ve never heard this. What happens? This would include a lot of fine art silver prints. The ability to get the bright
ferrocyanide/ Moonrise
2006-06-04 by djon43
Ferrocyanide was a commonly used by press photographers in the thirties. All prints that been exposed to ferrocyanide are eventually destroyed by it, no matter
Re: Epson R220, MIS-R2N inks, broad surface striping/scuffing (my solution)
2006-06-04 by kryten_camille
Thanks to all the responders. The suggestions that I received helped to further diagnose the problem. On closer inspection the effect was not taking place on
Re: [Digital BW] Lyson Stonehinge/Epson 4800 problem
2006-06-04 by alanrew42
... ... That s what I ve been doing with the Hahnemuhle Digital FineArt Photo Album BTW
I am glad to be back
2006-06-04 by Steve Schaefer
Hey all I have been away from the group for a couple years getting my masters, but I am back and looking forward to firing up the printer and making some
Re: Not satisfied with r220, should i get 2400 ?
2006-06-04 by how786
I have both printers. The 220 gives amazing BO prints with most papers. (Especially Epson Matte papers) Get Eboni Black from MIS and try BO printing. The
Re: Lyson Stonehinge/Epson 4800 problem
2006-06-04 by Nick H. Nugent
Hello Karl, You might want to try taping a 2-4 inch leader to the media, then add the same amount of offset to the top margin for printing. Hopefully the
Re: [Digital BW] Lyson Stonehinge/Epson 4800 problem
2006-06-04 by Peter Marquis-Kyle
... What about inserting the opposite edge of the sheet into the printer (having rotated the image 180 degrees for printing)?
Lyson Stonehinge/Epson 4800 problem
2006-06-04 by wolzphoto
Lyson puts out a portfolio binding system called Stonehinge, which uses pages attached to strips of paper (drilled for moutning in their folder) by clear
RE: [Digital BW] Epson R220, MIS-R2N inks, broad surface striping/scuffing (my solution)
2006-06-04 by Sean Smith
On my Epson R200 you can set the platen gap wider for thicker papers. This is done in the Epson print utillity and I would imagine that you can do the same
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-04 by jim kitchen
Dear Phil and Group, Bruce Barnbaum is an exceptional image maker and image taker... I have the pleasure of knowing Bruce for many years, and the person that
Re: Not satisfied with r220, should i get 2400 ?
2006-06-04 by Shilesh Jani
The R220 with Epson stock inks is not a particul;arly good option for b/w. You will do much better with the R2400. If you want the same dynamic range as what
[Digital BW] Re: Moonrise - was Signing prints question
2006-06-04 by sinar001
Unless you have seen aspen trees back lit in person, it is hard to appreciate the illuminated from both sides look . I know that AA used all kinds of darkroom
Re: [Digital BW] Epson R220, MIS-R2N inks, broad surface striping/scuffing (my solution)
2006-06-04 by CDTobie@aol.com
... Typically its some buildup on the head that makes contact. Ink residue, cat hair, coating buildup; whatever it is can usually be removed by running a thick
Re: [Digital BW] Epson R220, MIS-R2N inks, broad surface striping/scuffing (my solution)
2006-06-04 by Tom Baker
Something is quite wrong if the print head is touching the media. You might investigate why that is happening. It would seem that correcting that problem
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-04 by Bruce
One of the AA Aspen prints that I saw appeared to be heavily ferricyanided (i.e. chemically bleached). I don t know if it was by AA print or by an
Not satisfied with r220, should i get 2400 ?
2006-06-04 by ciscomanvann
I puchased a r220 from staples a few days back. I have 14 days to take it back for a full refund. Im not very happy with its output on heavy weight matte
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by Phil Morse
This is probably OT in this discussion ;-) but in most of AA s Aspens images the tree trunks appear to be illuminated from both sides but not the front.
Epson R220, MIS-R2N inks, broad surface striping/scuffing (my solution)
2006-06-03 by kryten_camille
When printing pictures with a majority of near Dmax areas I was getting broad (regular 1/8-1/4 inch) texture scuffing look, both horizontal and vertical. I
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by hogarth@snappydsl.net
... Absolutely. No one was more educated than Ansel. No one s educated guess would carry more weight than his. -- Bruce Watson
Re: Something wrong with new batch FS/FSN?
2006-06-03 by dlruckus
I have recent #s from the UTFS setup with Premier Premium matt and Epson DS matt. For PPDSM they are: K=1.71 d log, C=1.43 M=0.70 Y=0.56 For EPDSM they are:
RE: [Digital BW] Something wrong with new batch FS/FSN?
2006-06-03 by Paul Roark
I don t have benchmark densities for the FSN inks. However, errors do sometimes occur, so I d contact MIS. Your speculation of a 1.5 for the FS-C density is
[Digital BW] Re: inkjet color and eboni ink
2006-06-03 by Kevin
I get great results w/ MIS Eboni for Black Only printing w/ my 1280. However, I ve never tried the 2400. Additionally, I ve not got the space for the 2400.
Something wrong with new batch FS/FSN?
2006-06-03 by John Custodio
Epson 4000, FSN C, M, Y on the left side, FS C, M, Y on the right side (in the LC, LM, LK positions), Eboni Black. Using QTR. Hahnemuehle Photo Rag 308. QTR
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by Brian Ellis
From his book Examples, The Making of 40 Photographs where he talks about making this photograph, he says I was at a loss with the subject luminance values,
Re: [Digital BW] Illford Gallerie
2006-06-03 by Carl Schofield
Sorry, I meant to send this off-list to Paul.
Re: [Digital BW] Illford Gallerie
2006-06-03 by Carl Schofield
Paul, Attached are some data for one of my old Oriental Seagull (selenium toned) silver prints. I just collected spot measurements from different areas of the
Re: Epson 2400 B&W vs. QTR
2006-06-03 by wwodets
Kevin- The Epson Advanced Black and White mode is using the three blacks, light cyan, light magenta, and a small amount of yellow. I don t know what the QTR
RE: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by Ken Carney
I remember John (I think it was John) saying that AA would keep Moonrise rejects. When some student came by to show him prints, he would look at the student
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by hogarth@snappydsl.net
I didn t say he wasn t prepared. And Ansel said in his own accounts that he couldn t find a meter quickly enough, so he made a guess based on his experience:
RE: [Digital BW] Moonrise - was Signing prints question
2006-06-03 by Paul Roark
... Yet the early (drab, in my view) version s value is, no doubt, based on the later version s dramatic, higher contrast sky. ... Yes, it was not a guess.
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by Walt Mucha
I couldn t agree more. Moonrise is a good example of post visualation that most of us experience occasionally. We are so moved by a scene when we make the
[Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by Richard Orban
It s been interesting to me to read this thread about Ansel Adams darkroom technique. Clearly I don t understand the F64 club. I had thought it was a
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by hogarth@snappydsl.net
Of all of Ansel s images, this is without doubt the worst to use to judge the Zone System by. Ansel s ideas for the zone system were to visualize what you
Re: Moonrise - was Signing prints question
2006-06-03 by Andre
... Hi Clayton, Gene Smith had his own proprietary printing system and to his death never allowed anyone to touch his negatives. The Center for Creative
Re: Moonrise - was Signing prints question
2006-06-03 by Clayton Price
Greetings, About 4 years ago I saw three original prints of Moonrise in a New York gallery. They were fascinating, and it gave a real insight into how Adam s
Re: [Digital BW] Re: Moonrise - was Signing prints question
2006-06-03 by Brian Ellis
He couldn t find a light meter, so he guessed. Well if you consider knowing the luminance of the moon in candle feet off the top of your head, also knowing