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Digital BW, The Print

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Re: Print Editions - Eloquent Statement

2006-05-15 by Tyler Boley

A more in depth writing on the subject is here- http://www.brooksjensenarts.com/catalog01.htm#editions I have a great deal of respect for Brooks as not only a

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Re: [Digital BW] Museo Silver Rag

2006-05-15 by Steve Gledhill

In the UK - http://www.on-linepaper.co.uk/ But supplies are still short due to heavy demand - so discounting isn t likely yet! Steve Gledhill

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Re: Toning using neutral and warm inks

2006-05-15 by Brian Chapman

I realize now that I probably didn t provide enough info in my original email... I m using the R220 printer and the UT-R2 inksets. I currently have the full

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Re: most expensive print sold to date

2006-05-15 by Christer Rosewell

... Nope, it s been super seeded thrice already - maybe more by now..=*^): A 1904 Edward Steichen photo of a moonlit pond has shattered the record for the

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Museo Silver Rag

2006-05-15 by Stephen Kobrin

Can anyone recommend a reasonable source for Museo Silver Rag? Is it being discounted anywhere? Sorry if this has been posted previously; if so I missed it.

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UT-3D vs UT7 vs EZ(warm)

2006-05-15 by Richard Cooke

Hi Folks, I ll throw this out to everybody but Paul might be the only one who can answer this. I Currently have a 2200 using the UT7, a C86 using the EZ(warm)

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Re: Which Epson?

2006-05-15 by Rem Roberti

... Thanks very much for the reply, Clayton. I have already discovered both your site and Paul s. Tremendous resources! I have also seen the R220 on eBay

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[Digital BW] Re: UT7 inkset

2006-05-15 by steveh0607

... Thanks for the information Paul. I ordered some UT7 late last week, so I m looking forward to working with that inkset first to see what it can do. When

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Re: Which Epson?

2006-05-15 by Clayton Jones

Hello Rem, ... At $99 or less the R220 is a great way to get started. It will do BO printing and also uses the R2-N and R2-W grayscale ink sets from MIS.

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Re: 1800 help

2006-05-15 by Steven Karafyllakis

Hi Tim; Something has to have changed in the driver settings to cause this; for instance, if you were using color controls and then switched to ICM you d get

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Print Editions - Eloquent Statement

2006-05-15 by Clayton Jones

Hello All, The most eloquent statement on this subject that I ve ever read is by Brooks Jenson, editor of Lenswork magazine. Here s a link to it

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Re: Print "editions"

2006-05-15 by m87507

I ve been caught in this trap, and have taken the decision from now on to number each individual print as the date it is printed. No more editions, which like

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Which Epson?

2006-05-15 by Rem Roberti

Hi Everyone. I apologize for this question s redundancy, but I am a fairly recent recruit from film, and am intensely interested in B&W printing. At this

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Toning using neutral and warm inks

2006-05-14 by Brian Chapman

Hey, Paul has page on his site where he describes some of the various toning options that are available by using a mixture of warm and neutral inks...

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Re: Print "editions"

2006-05-14 by Andre

... Athur, You might want to check the archives of http://groups.yahoo.com/group/artshow_photo/ as this is a subject that comes up regularly in that group.

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Re: [Digital BW] Print "editions"

2006-05-14 by Richard Smallfield

... Bin them. I can tell you from experience that you lose control of them once they are out of your possession. I know it costs money to make a print, but it

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Re: [Digital BW] Re: Print "editions"

2006-05-14 by Peter De Smidt

How about numbering the prints, and then have pricing tiers such that the first X prints of a given size cost Y, then next X prints cost Z (where Z is more

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Re: Transitions

2006-05-14 by Brian Chapman

Hey Paul, Thanks for the info. The workflow I m using is: 1. Open image in 16 bit RGB (Adobe 1998) from the RAW file 2. Make adjustments including channel

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Re: Print "editions"

2006-05-14 by Jerry L. Hadam

On May 14, 2006, at 9:00 AM, ... If you have decided the edition runs in advance all the certificate of authenticity should relate the information on the sizes

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Re: Print "editions"

2006-05-14 by Clayton Jones

Hello Arthur, Good questions, all, which is why I have the same reply as Bruce. I number my prints sequentially, regardless of size or treatment. I feel that

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Speaking of Print Editions

2006-05-14 by Tim Timmermans

Which do you sell first in an edition of 25? # 1 or # 25. Which is more valuable? At what point in an edition do the prices increase and by what increments. I

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1800 help

2006-05-14 by Tim Timmermans

When I first got my 1800 a month ago it was working fine. Pretty much wysiwyg. Now all of a sudden the prints are extremely dark. REALLY dark. I ve tried head

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RE: [Digital BW] Re: UT7 inkset

2006-05-14 by Paul Roark

... I have a few curves and ICCs posted at http://home1.gte.net/res09aij/UT-3D_Downloads.html Note for the 220 how many glossy papers appear to use the same

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Museo Silver Rag Epson 1280?

2006-05-14 by None

I would like to try the new Silver Rag with my Epson 1280 and UT2 inks and wanted to find out what others are using. Does this paper work well with the Eboni

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Re: [Digital BW] Print "editions"

2006-05-14 by hogarth@snappydsl.net

While you re at it, why not complicate it more? Think about the idea of first editions, and second editions, etc. Why? If something in your workflow changes,

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Print "editions"

2006-05-14 by Arthur Fink

As I m beginning to sell more of my images as art prints (hate that term, but it does communicate), I need to decide how to handle editions. I d like to do

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[Digital BW] Re: Mats

2006-05-14 by Debbi

Interesting observation. Thanks Dennis. Debbi ... -- Debbi in California http://www.pbase.com/debbi Whoever said money can t buy happiness never met a camera

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Re: UT7 inkset

2006-05-14 by steveh0607

... Thanks for the advice. I ll try both the PK and Eboni to see what the difference is.

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Re: UT7 inkset

2006-05-14 by steveh0607

... I read about the the new 3-D inkset and it looks interesting. However, I m not a professional and I don t have the equipment or know-how to make profiles

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[Digital BW] Re: Mats

2006-05-14 by Dennis W. Manasco

... I couldn t agree more. Also, the relative coloration of the mat and its density can make a huge difference in the emotional impact of a print. An example

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RE: [Digital BW] Re: UT7 inkset

2006-05-14 by Daniel Staver

It s correct that Eboni doesn t work on glossy papers, but Paul s glossy UT7 curves cut out the black and essentially use C and M as the black inks, which

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[Digital BW] Re: Mats

2006-05-13 by Debbi

Thank you Jerry! Debbi ... -- Debbi in California http://www.pbase.com/debbi Whoever said money can t buy happiness never met a camera they loved! [Non-text

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Re: Mats

2006-05-13 by Jerry L. Hadam

I also have a custom framing shop and many of my photog clients insist on white mats and black frames. Clean simple, blah, blah. To me it is boring and

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