Re: Da Vinci Fibre Gloss Paper
2006-02-15 by scott_now_coming
Chip, By looking at their website, it doesn t look like they have a US distributor. If you can get samples fron Britain and you like it, maybe you can become
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Current state of
2006-02-15 by sybersitizen
Hello, first post to the group... I have an aging but still okay Epson 1270 that I use for color prints. At one point a few years back there was a lot of
Re: [Digital BW] PS CS2 Adjustment layers question . . .
2006-02-15 by Howard Shaw
Link the adjustment layers to the second image layer by holding down the Alt key (on a PC) and clicking with the mouse when you see the cursor change when
RE: [Digital BW] ImageLife Delta Matt Fibre from perma jet
2006-02-15 by Paul Roark
PermaJet Delta has been out for quite a while, and it s very good paper. I prefer the non-optically-brightened Alpha, but they all print very well. I don t
RE: [Digital BW] Matte versus gloss papers for tone
2006-02-15 by Paul Roark
... The glossy papers also win with respect to this traditional definition of tone. Truth is, the paper companies appear to have figured out how to put micro
Re: [Digital BW] Re: Nikon Capture 4.4 for the rest of the world?
2006-02-15 by El Estudio
Hi Tom Agreed! That s what I use it for mostly! Pablo __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the
Re: [Digital BW] PS CS2 Adjustment layers question . . .
2006-02-15 by Ellie Kennard
Hi Walt, Create a layer set with your partial layer and adjustment layers and then the adjustment layers within it will apply just to the set. Take care to
ImageLife Delta Matt Fibre from perma jet
2006-02-15 by joaskild
It seems all companyes are now comming with there own fiber paper. Has any bady tryed this paper? It seems to be something similar to the new Crane silver rag.
PS CS2 Adjustment layers question . . .
2006-02-15 by wwodets
I am wondering how to do the following: I have a background image layer with a levels and curves layer above it in the stack. I then want to place a second
Re: [Digital BW] Re: Nikon Capture 4.4 for the rest of the world?
2006-02-15 by Tom Baker
All true. However, the real power of Nikon Capture 4 is in its raw(NEF) processing capabilities. Tom Baker El Estudio wrote: Hi Tom &
Re: [Digital BW] Re: Nikon Capture 4.4 for the rest of the world?
2006-02-15 by El Estudio
Hi Tom & Frank, In my experience with Nikon Capture 4.4, any TIFF or JPEG file can be converted to black & white, including those with layer adjustments added
Re: [Digital BW] Matte versus gloss papers for tone
2006-02-15 by djon43
This confusion may come from prevailing careless of tone. In wet darkroom usage, tone refers specifically to the color or treatment of a B&W print, as in
Re: ConvertToBW Pro vs Channel Mixer
2006-02-15 by hgrill1@verizon.net
Same here...wouldlove a copy as well. Howard
Re: Da Vinci Fibre Gloss Paper
2006-02-15 by chipcarterdc
Is there a U.S. distributor of this paper to request samples from?
RE: [Digital BW] Matte versus gloss papers for tone
2006-02-15 by John Moody
Clarence, It may take a re-read to grasp what Jon had written. Non-matte has a greater tonal range than matte, so his point may have been finer than the
Re: Da Vinci Fibre Gloss Paper
2006-02-15 by scott_now_coming
They re claiming a D-max of 2.7
Re: Matte versus gloss papers for tone
2006-02-15 by Clayton Jones
Hello Clarence, ... This is really hard to answer because it s so subjective. Terms like depth , tone and recieve the ink as well mean different things
Re: Da Vinci Fibre Gloss Paper
2006-02-15 by Clayton Jones
... Same here. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
Matte versus gloss papers for tone
2006-02-15 by Clarence Walker
In reading an article containing the thoughts of Jon Cone it was mentioned that while matte papers excel in their ability to reproduce tones and depth, none of
Re: Da Vinci Fibre Gloss Paper
2006-02-15 by john dean
With a name like that it better be exquisite. john
Re: Da Vinci Fibre Gloss Paper
2006-02-15 by bwbonkers
Helen Many thanks. Look forward to hear what you think of this paper. Regards Peter.
Re: [Digital BW] Suggestions for replacement plugs for MIS 2400 spongeless carts ?
2006-02-15 by Steve Kale
Sticky tape and ask MIS nicely to add a couple of extra plugs in with your next order...
Suggestions for replacement plugs for MIS 2400 spongeless carts ?
2006-02-15 by elsieforman
The Murphy s law came abbout. One of the replacement plugs for my MIS spongeless 2400 carts bounced down the drain. Anyone have experience with using an
Re: Photoshop converting to BW from RAW etc
2006-02-15 by scott_now_coming
Gavin, Thanks, I ll give this a try when I have some time. Scott
Re: Museo Silver BO
2006-02-15 by Clayton Jones
Hello Shilesh, ... Interesting report, thanks. What part of the print is showing GD - is it along borders between large density differences? Or in particular
[Digital BW] 1520 and UV cure
2006-02-15 by Greg
... Yup, you can get that RIP on Ebay for about $40 now. It was extremely limited to Epson papers, but it also (from memory) passes CMYK files through without
Re: [Digital BW] Re: page computers?
2006-02-15 by Peter De Smidt
... About 6 years ago, I bought a 21 Samsung monitor from them. Everything went smoothly, and I m using the monitor as we speak. I too ordered one of the
[Digital BW] 1520 and UV cure was Re: StudioPrint v12 and quads
2006-02-15 by dlruckus
Hello Greg. Are you referring here to the postscript stylus rip? Regards Duane
Re: page computers?
2006-02-15 by how786
I bought the 2400 from them at $675 8 days ago. Last week they sent me the wrong printer. But, today, I actually did receive the 2400 from them. They still
Museo Silver BO
2006-02-15 by Shilesh Jani
I (and others) have previously posted that Silver Rag does not work well with the UC inkset of the 2200, 4000, 7600, etc. printers - too much bronzing and
[Digital BW] 1520 and UV cure was Re: StudioPrint v12 and quads
2006-02-15 by Greg
Not to draw this out more, but I almost ditched my 1520 because I was so unhappy with the results. Then I decided to try that one more thing and threw another
Re: [Digital BW] Re: Nikon Capture 4.4 for the rest of the world?
2006-02-15 by Tom Baker
Nikon Capture 4.4 works with the Nikon scanners raw files. But, not the rest. Also, it doesn t have all of the capability when working with the scanner files
Re: [Digital BW] R200, Media Street Quadtone Inks, Quad RIP
2006-02-14 by Michael Vendrell
Clarence, I have been quite pleased with Paul Roark s UT-R2 (Warm) set for my R220. It is available from MIS and so-far they have been OK for me. It is pure
R200, Media Street Quadtone Inks, Quad RIP
2006-02-14 by Clarence Walker
Have set up the R200 & Media Street Inks. I have just loaded Media Street Quadtone Inks and a new/refurbished Epson R200 as well as the Quadtone RIP software.
Re: Nikon Capture 4.4 for the rest of the world?
2006-02-14 by Frank Kolwicz
Minolta Scan Multi Pro and Vuescan Frank
1160 piezo system
2006-02-14 by alicelydia27
I have an 1160 converted to piezo system, carbon sepia inks, and software. Leaving my space for $150 plus ship. I m in Seattle. Anyone want to mess around
Re: Da Vinci Fibre Gloss Paper
2006-02-14 by helen_bach2003
Peter, I ve just received some samples. It looks a lot like Crane Museo Silver Rag, but is smoother than the CMSR beta sample I have. The D-max of the K3 ABW
Re: [Off List] [Digital BW] StudioPrint v12 and quads
2006-02-14 by Ernst Dinkla
... BTW, I actually think that one of the UV curing Mutoh models still uses the Epson heads as it was based on the low solvent model that also uses Epson
Re: Canon printers
2006-02-14 by koloshor
... 300 or 600. Ciao! Joe
Re: [Digital BW] Re: StudioPrint v12 and quads
2006-02-14 by Steve Kale
I would have expected the Epson driver to be very well tuned for its inks and papers. (Wishful thinking?) Re profiles, there is/was a debate going on on the
Photoshop converting to BW from RAW etc
2006-02-14 by Gavin Phillips
Hi Everyone, I just joined the group. I teach Photoshop for a living and noticed Scott s question about batch converting to BW from RAW. There are two ways
[Digital BW] Re: ConvertToBW Pro vs Channel Mixer
2006-02-14 by jdart3000
Lou --- I d be interested in a copy of that chart myself. I m new to this group, but can you send it to my e-mail? Thanks, John
Re: [Digital BW] Nikon Capture 4.4 for the rest of the world?
2006-02-14 by Tom Baker
What are scanning with? Tom Baker Frank Kolwicz wrote: The discussion of Capture 4.4 has me interested in it s 16 bit B&W conversion
protective sprays?
2006-02-14 by jdart3000
i m printing black-only using Eboni Black on EEM, primarily. has anyone had any experience (good or bad) with protective sprays? will just any old spray for
[Digital BW] Re: paper for multiple book copies
2006-02-14 by helen_bach2003
Innova have their four Bookart papers that are available in a choice of long or short grain. Best, Helen ... idea of ... grain
Re: [Off List] [Digital BW] StudioPrint v12 and quads
2006-02-14 by Roy Harrington
... Virtually all the printers can produce multiple drop sizes, but not on the same print. The variable dot printers refer to selecting 1 of 3 dot sizes on
Re: Lou's chart
2006-02-14 by arlenelove3@aol.com
Lou, Please do send me that chart. I appreciate your generous offer. Arlene _arlenelove3@aol.com_ (mailto:arlenelove3@aol.com) _www.arlenelove.com_
Nikon Capture 4.4 for the rest of the world?
2006-02-14 by Frank Kolwicz
The discussion of Capture 4.4 has me interested in it s 16 bit B&W conversion features, but being a non-Nikon film shooter, can you tell me if there is there a
Re: [Digital BW] page computers?
2006-02-14 by Yoelis Diaz
Now I check in pagecomputer.com And was shipping. matt@matthaber.com wrote: There was a little discussion a few weeeks ago about Page Computers as a possible
Re: [Off List] [Digital BW] StudioPrint v12 and quads
2006-02-14 by Greg
... wrote: It is my understanding that the 7/9000 series machines do have a variable drop, but nothing with hard proof, there is nothing in the