Re: Printer advice
2004-02-16 by Mark Hahn
IMO you have to add the price of IP to the 2200 cost if you are doing b&w. I can only comment on it and the 1160, but the 2200+IP, the 2200 is much more plug
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2004-02-16 by Mark Hahn
IMO you have to add the price of IP to the 2200 cost if you are doing b&w. I can only comment on it and the 1160, but the 2200+IP, the 2200 is much more plug
2004-02-16 by Allen Birnbach
I need to get going with some printing for a portfolio, so although I might want to get a 4000, I need something right away. I have a few options. One is an
2004-02-16 by luisvcool
I m experimenting with prismacolored pencils and pastels on Moab Entrada Natural 300. The paper takes the colors very well and I m guessing I should spray them
2004-02-16 by Peter A. Klein
Robert: I have an FS-4000, and I find it *much* better than the 2700 dpi scanner that it replaced. 2700 dpi and ISO 400 silver film do some nasty aliasing.
2004-02-16 by Stephen Kobrin
I shoot Portra B&W at 320. I can t speak to digital versus film quality, but I find I much prefer manual cameras. My local lab can develop a roll of C41 very
2004-02-16 by Robert
Alan: Which scanner are you using for your Tri-X? My Canon FS4000 doesn t take to Tri-X too well -- adding quite a bit of grain and messing with the tonal
2004-02-16 by A. Huntley
Hello Robert, I have yet to find digitally produced B&W to be to my liking...maybe, it s just too many years of shooting B&W film. Since I use medium and large
2004-02-16 by Rocky J. Boudreaux
I use the Fuji S2 set to its highest resolution. Are you using RAW, TIFF or JPG? Rocky Houston, TX ... From: Jake Hellbach
2004-02-16 by Mark Hahn
I see it under fluorescent lighting, but really, the paper itself has a bit of a yellow cast and is really what I think is giving the prints the color cast and
2004-02-16 by Clayton Jones
Hello Arlene, ... It is possible that just some settings need to be changed. Does the image look good (able to see the shadow detail) on screen? If so, the
2004-02-16 by Radimus
Mark, under what kind of lighting are you seeing a green tint? And are you seeing it with all of your prints or just some. I have not had much chance to
2004-02-16 by Mark Hahn
I am shooting more film than digital, but have no problems with digital b&w (curves and channel mixer). Grain is a touchy issue as it often adds to the
2004-02-16 by Peter A. Klein
A big thank-you to everyone who replied to my queries about Black- Only printing on an Espon 1280. I use Picture Window Pro, which doesn t do dot gain. So I
2004-02-16 by Jake Hellbach
Hi Robert, I use the Fuji S2 set to its highest resolution. I ve tried just about all the color to b/w conversion s I ve read about but I started using a PS
2004-02-16 by J Vee
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2004-02-16 by Peter A. Klein
Arlene: In BO printing you need to compensate for dot gain, which is what makes the pictures too dark. Our own Clayton Jones explains it here:
2004-02-16 by Robert
Jake: What digital camera body do you do most of your b&w work on? When you convert to b&w in PS, what technique do you use? Robert ... and convert ... you
2004-02-16 by lovelipp
I use PS7, Windows and Epson 3000 w/ MIS quadtones. Tried a BO and was amazed at the richness and smoother transtions. However, details in the shadows are lost
2004-02-16 by Bernie Ess
Hi, I print UT1 on an 1160, and shoot on a Fuji S2 pro since last year. One has to be careful about not burning out the highlights, but otherwise my results in
2004-02-16 by Jake Hellbach
Hi Robert, Personally, I now do all my b/w digitally. I shoot in color mode and convert to b/w in Photoshop. I feel I get better tones digitally and none of
2004-02-16 by Alan Zinn
... Colin, Framers have always used brown paper glued to back of wood frames. I think the best way is to use foam core or builder s sheet foam. It keeps the
2004-02-16 by J Vee
I do really like the product and have used it extensively. It makes me nervous not to be able to find any tests on its archival usefullness though. I don¹t
2004-02-16 by Robert
To get your best b&w work using Epson s Ultrachrome printers, do you generally shoot your subjects on film and scan it in? Have you tied shooting digitally,
2004-02-16 by Nicholas Hartmann
... Mark - I haven t mounted any, but I did find that they can be flattened slightly by using a dry-mounting press on the lowest possible temperature. More
2004-02-16 by Nicholas Hartmann
... Compared to black-only prints with pigment ink on matte paper using an Epson 1160: - Image tone is best described as unobtrusive : the prints look like
2004-02-16 by Richard Sintchak
Sunday, February 15, 2004, 11:46:19 PM, you wrote: EPOVIS Richard, it seems demonstrably (see below) and patently apparent you EPOVIS have a personal axe to
2004-02-16 by Richard Sintchak
Sunday, February 15, 2004, 11:06:10 PM, you wrote: ... EPOVIS I m glad we have such selfless list police as yourself. If people here want to discuss it in
2004-02-16 by MartyF2938@aol.com
In a message dated 2/16/2004 6:44:42 AM Eastern Standard Time, DigitalBlackandWhiteThePrint@yahoogroups.com writes: Protecting the back Use Acide Free Foam
2004-02-16 by Bob Frost
Richard, Have you got the latest NI update? It is faster than the previous one. But I know what you mean; even my P4 2.8 with 2GB ram takes ages on a big file.
2004-02-16 by colingruk
Hi, When mounting and framing a print (for hanging) under glass, I need to protect the back of the mount board from the environment by placing a barrier
2004-02-16 by Richard Smallfield
Hi, thanks - I have Neat Image Pro Plus - I hadn t thought of using that, as my celeron 600 (700mb Ram) takes at least three months to process my 70mb scans
2004-02-16 by Bob Frost
Steven, With PS7, my scratch files used to be in multiples of 2GB. So you wouldn t find a 4GB file, but two (or three or four) x 2GB files, if it ever needed
2004-02-16 by Bob Frost
Richard, Have you tried scanning at 8x or 16x ? It takes much longer but averaging multiple scans gets rid of most of the electronic noise which is random and
2004-02-16 by Ernst Dinkla
... From: Martin Sluka To: Sent: Monday, February 16, 2004 9:04 AM Subject: Re: [Digital
2004-02-16 by Martin Sluka
At 12:41 -0500 10.2.2004, Editor P.O.V. Image Service wrote: ... I have seen the R800 of PaperWorld in Frankfurt (Germany) two weeks ago. They printed from the
2004-02-16 by Editor P.O.V. Image Service
... Richard, it seems demonstrably (see below) and patently apparent you have a personal axe to grind. I d firstly suggest taking your commentary along those
2004-02-16 by Editor P.O.V. Image Service
... I m glad we have such selfless list police as yourself. -- Keith Krebs Just some guy, caretaker of the Multiverse s largest EPSON printer User Community
2004-02-16 by Richard Sintchak
Man, I quit the Epson group because of OT threads like this that tend to go on and on.... I know it can be seen to relate to this group as many of us use PS
2004-02-16 by Harry Saddler
... I finally contacted MIS, and they immediately sent me a new prefilled cart & tube set, which solved the problem. Finally! They re examining the old one to
2004-02-16 by Steven Karafyllakis
I ve noted some rather sluggardly behavior also; related to a memory leak? I don t know. What I m getting is an absolute refusal by CS to use more than 4GB of
2004-02-16 by Editor P.O.V. Image Service
Ok, once again, here I go providing negative news on a beloved graphics icon, I m sure it will endear me in the hearts of many (NOT).. But, I ll report it
2004-02-16 by Frank J Mares
I have 2 sets of Piezotone inks for 1280; one set of Selenium the other Carbon Sepia. The black ink is Museum and the other Portfolio. All are 4 oz. bottles
2004-02-16 by flyfishingusa2002
I have both installed on my system and Noise Ninja does a better job. Neat image has the advantage of being able to be used as a plugin with Photoshop. Very
2004-02-16 by Steven Karafyllakis
... wrote: Alan; The manuals for that printer can be downloaded from http://www.nighthawksolutions.com/ As for flushing only one ink, if they
2004-02-16 by Tom Husband
... grain is visible. That s good, but in the shadows, it makes it hard to get solid blacks, as there are white specks of grain in there. ... practical. ...
2004-02-16 by Richard Smallfield
Hello, since I got my *wonderful* Minolta SE5400, I find that every bit of grain is visible. That s good, but in the shadows, it makes it hard to get solid
2004-02-16 by skundell
Hopefully someone can give advice on my epson 7000. It sat around unused for several months. I purged inks, then installed piezotones. I get a great nozzle
2004-02-15 by njfranknj
I neglected to say that I m using an 1160 on a Win2K machine. Frank
2004-02-15 by foodfeak
Hi Have just put a copy of ImagePrint 5.6 for sale on eBay UK http://cgi.ebay.co.uk/ws/eBayISAPI.dll? ViewItem&item=3460735410&category=14303 US
2004-02-15 by André Vallejo
So we come and go,come and go... Bought a new 1160 to dedicate to BW. Still playing around with it s color inks,until new FS inks come out,so I decided to test