Re: [Digital BW] Re: Solarization
2011-05-05 by Susan Koons
I followed your suggestion, and the prints are coming out great. Thanks Dan ________________________________ From: Paul To:
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2011-05-05 by Susan Koons
I followed your suggestion, and the prints are coming out great. Thanks Dan ________________________________ From: Paul To:
2011-05-05 by Paul
... That is a good sign. In my PDF on Eboni-6, I recommend people start with the Epson driver. See http://www.paulroark.com/BW-Info/Eboni-6.pdf In fact, I m
2011-05-05 by Susan Koons
Hello, I have searched for the topic on what appears to be solarized tones and need some help. I am just started using an epson 1400 with the eboni 6 set. If
2011-05-03 by John
Epson 2880
2011-05-03 by Mark Savoia
Which printer? Mark http://www.stillrivereditions.com
2011-05-03 by John
I purchased this printer in 2009. It has never been out of the box. I will guarantee against defect. I am going to list it on Ebay but I thought that I would
2011-05-02 by c1asia
i don t have first hand experience with this product but it looks promising. company is in australia. http://bit.ly/muBCAL
2011-05-01 by Paul
... Very impressive! ... My friend and I are old (literally) film guys, used to Tri-X. I used Tri-X at a 1:3 dilution of D-76 which gave me very fine grain but
2011-05-01 by Paul
... Ah, my bad. I thought the 1400 had the same number of color slots as the 1800. ... I didn t know that either... thanks! As you say, compromise seems to be
2011-04-30 by Paul
... I printed a Black Only test strip with my rather aged 1400. This was with a profile that ships with QTR, Eboni MK, and Ultra Premium Presentation Matte
2011-04-30 by Paul
... No, I was talking about having 3 1400 positions be Eboni. So, it would be a 3-MK setup in a hextone printer,leaving only 3 other spots available. ... No,
2011-04-30 by Paul
... But he could still do color on matte paper, though, right? Wouldn t the remaining five carts be OEM color, as in the R1800/3MK setup? (I use cleaning fluid
2011-04-30 by Paul
I ve been printing 8x10 test prints on various glossy papers with the HP PK + MIS Gloss Optimizer ( HpGO -- see
2011-04-29 by Paul
... The 1900 might be about like the 1800, but not having actually tested one, I could not say. The 1400 and 1100 are the 13 printers I now use. ... I m
2011-04-29 by Paul
A friend was admiring some of my BO prints at a show and asked how he could get started. I m using an R1800 with the 3MK approach, but of course that printer
2011-04-29 by Richard Smallfield
Hi, I wondered what working space people prefer to use, to tone BW images for CMYK use in publications. I was told to use aRGB which would then be converted by
2011-04-28 by Mark Sonners
Vinny, Enjoy ... [Non-text portions of this message have been removed]
2011-04-28 by Mark Sonners
Terry, Using ConeColor in their refillable. ... [Non-text portions of this message have been removed]
2011-04-28 by Vinny
Wow, what a great idea. I will have to try it Thanks Vinny www.wulfsden.com
2011-04-28 by Terry Ritz
It looks like 3rd party colour would run $10 to $12 per swap. Much more palatable. Which ink set are you using? Terry.
2011-04-28 by Mark Sonners
I create a 16x25 inch canvas on a 2 ply , cheap matte board stock, and print a target template. This consists of 12 up copies of the disc imprint, 3 across
2011-04-28 by Mark Sonners
Well yes, I also use 3rd party so the actual cost isn t as much ... [Non-text portions of this message have been removed]
2011-04-28 by Terry Ritz
... That s 45ml total, or $40 to $45 (Canadian) to go from colour to monochrome (plus maintenance tank costs). Does that sound about right Mark? I knew it
2011-04-28 by Vinny
How do you print on cd disks with a 3800? Vinny www.wulfsden.com
2011-04-28 by Marks
Terry, I switch between b/w inkset and color inkset on my 3800. It takes 3 full power cleans to fully flush out the previous inkset. A full power head clean
2011-04-28 by Terry Ritz
I was spoiled with how easy it was to swap between colour and b/w inks in my 2200. Now I find myself wondering if it¹s at all realistic to do the same with my
2011-04-28 by Terry Ritz
Thanks Paul. Terry.
2011-04-28 by Paul
... Yes. I m not sure how much difference it all makes, but my memory of combining inks that are high gloss with low gloss is that the transition between the
2011-04-27 by Terry Ritz
... So, in an HP-C5 configuration, using Glop as the base and HP PK for the K, I can still expect some gloss differential in the near-black to black tones.
2011-04-27 by Paul
... I think they serve slightly different markets. The C6 user-mixed base is obviously the least expensive, and it s what I d continue to use if printing only
2011-04-27 by Terry Ritz
... Looks very interesting Paul. Are you more comfortable now with recommending Glop as a base for HP-C6 or HP-C5, rather than the Clear Base formula? Will it
2011-04-27 by fultonpark1
On my Epson 7600 I continually have jams with 8.5 x 11 . I use rolls and larger sheets of the bamboo without any problems. Nor do I have jamming problems with
2011-04-27 by Paul
I m posting my notes on the inkset made with the HP PK diluted with MIS Gloss Optimizer ( HpGO ) at http://www.paulroark.com/BW-Info/1100-HpGO.pdf I ve use 2:1
2011-04-26 by pdesmidt tds.net
That looks promising. [Non-text portions of this message have been removed]
2011-04-26 by Paul
I think combining the best blended neutral ink with the best base in terms of bronzing and gloss differential is a natural. So, I ve mixed 1/3 HP-PK with 2/3
2011-04-26 by iweiner3637
Fred, here is segment of a recent post, this info should get your pyramid started. I urge you to visit the following websites for much more supplementary
2011-04-26 by Ernst Dinkla
For B&W spotting I find the refillable drawing pens very adequate. I have one with PK black and another one with the lightest HP grey ink. That is enough. I
2011-04-26 by E.Neilsen
Coming out of the darkroom side of production, I am quite used to grabbing my spotting brushes; 0 to 00000 in size. If you have been printing for any period of
2011-04-25 by fotofred2
I m looking at upgraded 2 printers in my Studio, an Epson R1900 and an Epson 7600. Both of these current printers are in good condition and are performing
2011-04-25 by Paul
... Which base mix are you using? Specifically, are you using version B with the Edwal? ... That could be from lots of causes. Of course, be sure you have a
2011-04-24 by mrjimbo
Print a partial image on velum ...The ink lays on top and stays wet. I don t think registration is realistically possible. ..I ve used a wetted tiny artist
2011-04-24 by dlwearl26
Hi Paul, I now have the R300 working with the dilutions, and I managed to pick up the Datacolor spectro and Spyder3Print software, as well as QTR. So, now I
2011-04-24 by frankg_photo
It would be interesting to know more about this method. Getting the print back in with perfect register may be a problem, even 1mm off would miss the spot .
2011-04-24 by Ernst Dinkla
There is a difference between the B&W output of my HP Z3100 and the Z3200. The first has a perfect linear B&W output after calibration. The second not. This is
2011-04-23 by robert wilkinson
I read somewhere awhile back You just reprint the section that needs retouching and use that ink to do the work Robert [Non-text portions of this message have
2011-04-22 by anne saint Peter
Great! ... -- annesaintpeter.com [Non-text portions of this message have been removed]
2011-04-22 by frankg_photo
I think I have it ! I decided to download the driver and re-install/overwrite it. It is the exact same one - same version. The original was installed off the
2011-04-22 by frankg_photo
I just tried again: Rotating image in PS (from landscape to portrait). Creating white canvas area around the image to the size of the cut paper - 17W x 26Hin.
2011-04-22 by anne saint Peter
Not sure, but I think the 3800 can be sensitive to margins.... As for orientation...Rotate the image in PS the way you want it to print....in our cases
2011-04-22 by pdesmidt tds.net
Using the same ink that you print with makes a lot of sense, since if there s any changes over time the spotting ink and the print ink should change together.