Re: Lightroom 'Chic Art' presets - Why Pay For Them?
2008-10-15 by p5198
The OnOne site describes these as Demos implying a price hidden somewhere in the deal. That said, Davis is a wizard with PShop manipulations. ... from onOne
Yahoo Groups archive
Messages
Page 322 of 2186 · 109257 messages matched
2008-10-15 by p5198
The OnOne site describes these as Demos implying a price hidden somewhere in the deal. That said, Davis is a wizard with PShop manipulations. ... from onOne
2008-10-15 by martinrspellman
Everyone, Thanks for your help. I took Paul s and Bishop s advice and ordered the refurbed Epson 1400 and the Eboni-6 inks. Thanks again. Marty ...
2008-10-15 by pr_roark
... I have Carbon-6 in my 2200, and it works fine. It s about the same as Eboni-6. One caviate is that I specified LK = M in the mix. This is fine with the
2008-10-15 by David Whistance
From conversations with one of the founders of Innova I understand that one of their aims in creating their Soft/Rough Textured papers was to make them fairly
2008-10-15 by ElEstudio
... Innova Soft Texture is pretty scuff resistant on it s own, but as David said, Glamour II does a great job in protecting the surface. I tried it yesterday
2008-10-15 by arthurkrick
Eboni-6 with the Epson 2100. Has anyone had any experience of using this combination ? Will it work ? My initial intention was to use the Eboni-6 in my old
2008-10-15 by Ernst Dinkla
... Any clear varnish dispersion with water will look white (same reason milk does), not opaque white though. So a clear (aliphatic) urethane dispersion will
2008-10-15 by Joost Horsten
... Max ... really ... Thanks Clayton, I must say I have read your article already several times in the past, but there s some much info in it that apparently
2008-10-15 by Joost Horsten
... Thanks for the info, so it s probably acrylics indeed and most likley not fundamentally different than the sample I got. I ll test a bit more with this
2008-10-15 by Clayton Jones
Hello Joost, ... The physically toughest matte paper I ve tested, by far, is Museo Max by InteliCoat. You can t scrape the ink off with a thumbnail, really
2008-10-14 by Robert W Shearer
Great commentary, Shoshanna. I moved your post to my save file. I value every darkroom lesson but have no desire for a refresher course. _____ From:
2008-10-14 by Louis Dina
... Yes...when in the original container, it is an opaque white and it does have a mild, sweet smell. When I spray canvas (or matte fine art paper) I dilute
2008-10-14 by Joost Horsten
... Indeed I got the same info from the website of Breathing Color Glamour. How does it look like when wet? Opaque white? That could point to acrylics.
2008-10-14 by Louis Dina
Joost, I have both the Breathing Color Glamour II and Clearshield Type C laminate in gallon buckets. Neither product lists any ingredients on the label. They
2008-10-14 by David Whistance
Joost I ll check the packaging on my samples tomorrow to see if there is any clue on the ingredients. My guess is that it is an acrylic of some kind as it is
2008-10-14 by Joost Horsten
David, Louis, Thanks for sharing your experience and the pointer. I checked out their website. There s no info what material this is. Any idea? Polyurethane?
2008-10-14 by Louis Dina
Joost, Matte fine art prints coat very well with Breathing Color Glamour II coating, which gives them a little extra pop and Dmax in the process. Glamour II
2008-10-14 by David Whistance
Hi Joost I ve an unframed exhibition showing at a local photographic museum at the moment. I used Innova Soft Texture as I like the surface finish. I nearly
2008-10-14 by Joost Horsten
In a few months I have an exhibition that would benefit from displaying the photos unframed. I plan to stick the photos on foamboard or plywood. But there s no
2008-10-14 by M. Bishop Bastien
You might also want to check the following link on the Epson site...a refurbished 1400 for $179...pretty good deal...
2008-10-14 by Gary Weaver
The 1270 is fine unless you want your work to look like it s from another printer. I use mine for Black channel printing - rather than gray ink printing. Try
2008-10-14 by James Irelan
Shoshanna, This is a good post from someone obviously qualified to make these observations. I first fell in love with photography when I saw my first image
2008-10-14 by pr_roark
... The FS inks in the 1270 might be a reasonable way to start, but I m not sure I d want to go that far back in terms of the hardware, inksets, or workflows.
2008-10-14 by rebphoto
I bought a refurb Epson 2400 from the Epson Store for just a bit over $500. It has three black inks. Does a wonderful job on B&W! Russ R.E. Baker Photography
2008-10-14 by Shoshanna Moser
Over the years I had to set up more-or-less permanent darkrooms for myself in eleven different countries, and temporary (for 2-3 months or less) darkrooms in
2008-10-13 by David Neely
Could someone re-post the Link to his site please. I would like to try these. Thanks ... [Non-text portions of this message have been removed]
2008-10-13 by martinrspellman
Hi, I hope this question isn t too common. I searched but didn t find anything too relevant. I am also a newbie as far as B&W printing is concerned, so I
2008-10-13 by colingruk
... bottom ... in ... turns ... Paul, Thank you for this. I forgot to menton that I am using a (dis?) continuous flow system. I also forgot to shorten the
2008-10-13 by Sam McCandless
... OK, but I don t believe that keeps his advertisement of them on this list from being spam. ... I might, but that seems to me to also be beside the point.
2008-10-13 by jerryhadam
... Not spam. I am using some of Gavin s actions in PS that were free and they are great. Didn t download these yet, but wouldn t hesitate. Unless you would
2008-10-13 by Jules
You shouldn t be saddened, more went on in those darkrooms than just printing! Lol. And as for sheets of paper not knowing what it is. Yes I have lots of
2008-10-13 by E Neilsen
I am saddened that so many of you suffered in smelly darkrooms. Good ventilation is the difference between enjoyable darkroom time and a dark dangerous place.
2008-10-13 by ilford100
Jack Davis built 85 great presets for Lightroom and ACR that are free from onOne Software. You can download them at
2008-10-13 by Jules
Why do you think it is a confusing interface? What s confusing about it? Jules
2008-10-13 by Barrett Benton
... This is the reason why I ve stuck with HP s 8750 for both my color and b/w printing: archival dye inks (which do need to be used with HP s papers for
2008-10-13 by Mike Krochter
Thanks I ll give them a try Mike ... From: Gavin Phillips To: DigitalBlackandWhiteThePrint@yahoogroups.com Date: Sun, 12 Oct 2008
2008-10-12 by Clayton Jones
Hello Shoshanna, ... Well Said! You painted a perfect picture. I have to admit, however, of a tiny bit of nostalgia...but not much. I m going to save this in
2008-10-12 by Steven Karafyllakis
Hi Jean- Marc; I ve been using Qimage for color work for years, and you re right it is a confusing interface, and has gotten more so over the years. I use it
2008-10-12 by Sam McCandless
... I think you re spamming us. -- Sam
2008-10-12 by Jules
Re your last paragraph, do you mean Hue/Saturation when you say Black and White menu (as this does not exist). This step is crutial to a great b&w image and
2008-10-12 by Jules
I read that article the other from the link on DPR. Looking at the first two images that they show I prefer the single exposure image any day. The HDR one
2008-10-12 by Jules
The advantages? Where do I begin. The greatest one is that you never have to use the ghastly PS/Epson interface to print again. I just don t understand how it
2008-10-12 by Gavin Phillips
Hi, Has anyone been using presets in Lightroom? They are similar to Photoshop actions , but faster. Lightroom 2 has some great new creative features that you
2008-10-12 by Jean-Marc Humbert
Hi, I print with an Epson 3800 almost only B&W pics. Use for that the ABW Epson driver option (option: dark) (with a 51 gray step .icc profile through
2008-10-12 by pr_roark
You re probably right that it s air in the outlets. You might try priming the carts to pull the air out. I use a modified MIS bottom fill adapter on a
2008-10-12 by colingruk
I am using Eboni in the Y, MK and PK positions, PKN in the C,R and B positions, PK is spare but has PK in it and Glop is in the Glop position. I managed to get
2008-10-12 by Michael King
You can print with the matte inks onto satin or semi-gloss no problem. You just need to finish the print with either a glop over print or spray varnish, to get
2008-10-12 by Pacific New Media
Thanks Paul. I will start to set up the ink and printer using your suggestions. I find there is still a need for B&W inkjet printing onto a more glossy paper
2008-10-12 by Shoshanna Moser
... . It was always a staple in my darkroom, as were blue and (to a lesser extent) red toners-- and I wholeheartedly agree with you that they stank to high
2008-10-11 by E Neilsen
Have you ever toned with Sepia toner; sulfide stinks. It may be more in reference to smell than taste; like or dislike. Eric Neilsen Photo 4101 Commerce