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Digital BW, The Print

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Re: K3 vs Eboni Dmax

2008-01-11 by john dean

That s interesting. Tonight I am printing a color print with Ultrachrome that had a 100% black background. I m printing on Photorag and Museum Etching as

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Re: K3 vs Eboni Dmax

2008-01-11 by Clayton Jones

Well, that didn t work. Is this any better? Paper___________________Eboni_____K3 ... H. Photo Rag_____________1.72_____1.65 E. Velvet Fine

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Re: K3 vs Eboni Dmax

2008-01-11 by Clayton Jones

Here s an experiment with the tag: Paper Eboni K3 ... H. Photo Rag 1.72 1.65 E. Velvet Fine Art 1.71

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Re: Search For Best Non-OBA Matte Paper

2008-01-11 by Clayton Jones

Hello Tyler, ... Someone suggested I try it (my apology for forgetting to mention it) but it s so expensive I hesitate to buy a box. If anyone can send me a

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Re: K3 vs Eboni Dmax

2008-01-11 by Clayton Jones

... Why can t the smart people who invent this stuff make HTML handle spaces?

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Re: Search For Best Non-OBA Matte Paper

2008-01-11 by Tyler Boley

... Perhaps Museum Etching, lovely paper. But the Innova you ve discovered is very nice and hard to beat. It may not be 100% rag, but I m not sure that s as

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K3 vs Eboni Dmax

2008-01-11 by Clayton Jones

Hello All, When the K3 printers arrived in 2005 several people noted that HPR, long time top dog for matte paper dmax, didn t look as good with K3 as compared

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Search For Best Non-OBA Matte Paper

2008-01-11 by Clayton Jones

Hello All, I ve been using mostly VFA for a long time because it has great dmax, depth, richness, etc., really gorgeous paper. But it s so white it s hard to

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Re: New papers comparison made

2008-01-11 by Scott Jones

... Alas Clayton I do not have any info on that but can tell you I have been using EPSG for years and have noticed no problems at all, but have not run any

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AfterCapture Articles

2008-01-11 by Mark Gilvey

There is the beginning of a 2 part series on printing in b/w in this months issue of AfterCaputure. aftercapture.com It s a free magazine subscription if you

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Papers to Avoid - Which Ones?

2008-01-11 by Mark Gilvey

There has been a great deal of talk about which papers to purchase, but for the newby who wants to make sure he knows what to avoid, what would you suggest he

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Re: New papers comparison made

2008-01-11 by Clayton Jones

Hello Scott, ... Thanks very much for the report. I ve mostly used matte papers with aoccasional tests of Silver Rag and a few others, so your perspective is

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New papers comparison made

2008-01-11 by Scott Jones

Hi there, My local photo store finally got in many of the new fiber papers and after reading all the very excited discussions of these products online I was

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Re: BO-3 question...

2008-01-10 by dgattarino

Hello Robert, would you share the QTR curves you use for 3MK and 4MK with the R220? I would like to try them on my R2400 which has twice the nozzles as the

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Re: Dilemma - 2200 or new printer?

2008-01-10 by dlruckus

... I would simply repeat the last paragraph of my post. It has more to do with careful thought and application. As regards OEM, they were Not the leaders in

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[Digital BW] Re: Eboni-6 tones, etc.

2008-01-10 by pr_roark

... Mine is now pumping out nice carbon prints. These old workhorses, hopefully, have a lot of life left in them for these specialized purposes. I think these

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[Digital BW] Re: Eboni-6 tones, etc.

2008-01-10 by pr_roark

... I just ordered some from B&H. Even Samy s in L.A. didn t stock it any more. Among the wetting agents we used in the darkroom, Photo Flo 600 is going to be

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[Digital BW] Re: Eboni-6 tones, etc.

2008-01-10 by pr_roark

... like ... Photo Flo has glycol in it. That could be where some this comes from. It feels a lot like the inks. I always used it at less than the

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Re: [Digital BW] Eboni-6 tones, etc.

2008-01-10 by pr_roark

... I ve ... problem? I m not sure. However, I think of outgassing as a glossy barrier paper problem. In matte papers it does not happen, in part, I m told,

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Re: Eboni-6 tones, etc.

2008-01-10 by Paul Whiting

Paul, I think you ve answered a question that I ve been thinking of posting on this forum... my thread subject line would have read something like There s BO

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Re: Dilemma - 2200 or new printer?

2008-01-10 by djon43

3rd party ink experiences with 1200 and other antique ink machines (1280/1270) are irrelevant to 2200 and more modern pigment machines. 2200 requires much

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Re: Eboni-6 tones, etc.

2008-01-10 by djon43

...as to Photo Flo, I m always surprised when anybody has used it at more than 3 drops per 500cc...that s been recommended forever. ...as to glycerine...it

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Re:Epson Exhibition Fiber experience?

2008-01-10 by Rick Colson

Posted by: Scott Jones wrote: This paper is not available in rolls so I am confused by your post... Scott - you are absolutely right. I was mistaken. (Late

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Re: [Digital BW] Eboni-6 tones, etc.

2008-01-10 by Ernst Dinkla

... I have mentioned the possible advantage in glass haze reduction of BO printing with the 1800. The black ink used in total is frugal, the droplets very

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Re: [Digital BW] Eboni-6 tones, etc.

2008-01-10 by Mark Gilvey

I just got a comment from a member of the Epson Wide Format group that he places a sheet of paper on top of his prints and lets them gasout and replaces the

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Re: Dilemma - 2200 or new printer?

2008-01-10 by Lawrence Beals

Thanks everyone for all the input on the 2200 and 2400. Based on the very well reasoned emails I got (almost an anomaly on the internet anymore) I am going to

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Re: profiles

2008-01-10 by John

If it s ICC profiles and a Windows XP PC, put in C: WINDOWS system32 spool drivers color For QTR s profiles(.qidf), at C: Program Files QuadToneRIP Profiles

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profiles

2008-01-10 by deandadin

Hi guys, I figure that this is the place for an anawer so here goes. Can anybody tell me where to put a profile after you download it on the desktop on a PC.

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Re:Epson Exhibition Fiber experience?

2008-01-10 by Scott Jones

This paper is not available in rolls so I am confused by your post. ... 50 ft. ... than the ... It s surface ... almost cardboardish ... white, but a ...

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Re: Eboni-6 tones, etc.

2008-01-10 by dlruckus

... As I think back to my days in the dark it comes to mind that photoflow had somewhat strange properties. It seemed to be susceptible to forming long chains

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Re: [Digital BW] Eboni-6 tones, etc.

2008-01-10 by Roger

Paul, thank you very much. Very helpful. All, I am thinking these carbon inks are a solution to a major problem I ve observed with the UltraChrome inks, to

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Re:Epson Exhibition Fiber experience?

2008-01-10 by Rick Colson

I can only respond in the most general way, but I found it (24-inch 50 ft. roll used on 9800) to be a very nice paper with a bit less heft than the Museo I

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