Re: K3 vs Eboni Dmax
2008-01-11 by john dean
That s interesting. Tonight I am printing a color print with Ultrachrome that had a 100% black background. I m printing on Photorag and Museum Etching as
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2008-01-11 by john dean
That s interesting. Tonight I am printing a color print with Ultrachrome that had a 100% black background. I m printing on Photorag and Museum Etching as
2008-01-11 by Clayton Jones
Well, that didn t work. Is this any better? Paper___________________Eboni_____K3 ... H. Photo Rag_____________1.72_____1.65 E. Velvet Fine
2008-01-11 by Clayton Jones
Here s an experiment with the tag: Paper Eboni K3 ... H. Photo Rag 1.72 1.65 E. Velvet Fine Art 1.71
2008-01-11 by Clayton Jones
Hello Tyler, ... Someone suggested I try it (my apology for forgetting to mention it) but it s so expensive I hesitate to buy a box. If anyone can send me a
2008-01-11 by Clayton Jones
... Why can t the smart people who invent this stuff make HTML handle spaces?
2008-01-11 by Tyler Boley
... Perhaps Museum Etching, lovely paper. But the Innova you ve discovered is very nice and hard to beat. It may not be 100% rag, but I m not sure that s as
2008-01-11 by Clayton Jones
Hello All, When the K3 printers arrived in 2005 several people noted that HPR, long time top dog for matte paper dmax, didn t look as good with K3 as compared
2008-01-11 by Clayton Jones
Hello All, I ve been using mostly VFA for a long time because it has great dmax, depth, richness, etc., really gorgeous paper. But it s so white it s hard to
2008-01-11 by Scott Jones
... Alas Clayton I do not have any info on that but can tell you I have been using EPSG for years and have noticed no problems at all, but have not run any
2008-01-11 by Mark Gilvey
There is the beginning of a 2 part series on printing in b/w in this months issue of AfterCaputure. aftercapture.com It s a free magazine subscription if you
2008-01-11 by Mark Gilvey
There has been a great deal of talk about which papers to purchase, but for the newby who wants to make sure he knows what to avoid, what would you suggest he
2008-01-11 by Clayton Jones
Hello Scott, ... Thanks very much for the report. I ve mostly used matte papers with aoccasional tests of Silver Rag and a few others, so your perspective is
2008-01-11 by gvalansi
Thanks Scott! very helpfull. Did you try the Epson Premium luster? and the Oriental fiber glossy?
2008-01-11 by Scott Jones
Hi there, My local photo store finally got in many of the new fiber papers and after reading all the very excited discussions of these products online I was
2008-01-11 by Mark Gilvey
Thanks Keith, I must have confused myself. I ll check out the articles. Mark ... [Non-text portions of this message have been removed]
2008-01-11 by Gabriel Valansi
Thanks Charles! Did you try the Oriental glossy fiber?, or the new Hauemulle Baryta Fb?
2008-01-11 by Keith R.
I m not Brad, but I came across an artical in the Digital Outback Photo website concerning their(favorable) experience with Blurb. The artical explains the
2008-01-11 by Carl Schofield
No, I don t have any microbanding in my prints. First thing to do would be a nozzle check and head cleaning if necessary. If the nozzle check is perfect then
2008-01-11 by Charles Becker
PremierArt Platinum Rag works for me. Charles ... From: gvalansi To: DigitalBlackandWhiteThePrint@yahoogroups.com Sent: Monday,
2008-01-10 by Charles Becker
Try some PremierArt Smooth 205 or 325gsm. No brighteners and smooth surface, excellent paper. www.premierimagingproducts.com Charles ... From: Richard
2008-01-10 by dgattarino
Hello Robert, would you share the QTR curves you use for 3MK and 4MK with the R220? I would like to try them on my R2400 which has twice the nozzles as the
2008-01-10 by ex0cute
Carl, I printed on Ilford Gild silk for the first time last night using your 3-PK curve with Quadtone RIP on an Epson R1800. The prints look outstanding
2008-01-10 by dlruckus
... I would simply repeat the last paragraph of my post. It has more to do with careful thought and application. As regards OEM, they were Not the leaders in
2008-01-10 by pr_roark
... Mine is now pumping out nice carbon prints. These old workhorses, hopefully, have a lot of life left in them for these specialized purposes. I think these
2008-01-10 by Ajay Jhaveri
Paul Will you be at the PMA show in Vegas at the end of the month Ajay Argentum Photo Lab, Inc 6650 Sunset Blvd Hollywood, CA 90028 323.461.2775
2008-01-10 by pr_roark
... I just ordered some from B&H. Even Samy s in L.A. didn t stock it any more. Among the wetting agents we used in the darkroom, Photo Flo 600 is going to be
2008-01-10 by Eric Neilsen
Happily for you, you never have clog problems with your third party inks, and happily for me I ve only had to do a cleaning routine twice in 5 years with my
2008-01-10 by John Labovitz
... I m with you! My old 7500 has been gathering dust here for a while, and needs a thorough cleaning and workover. Once that s done, though, I m looking
2008-01-10 by Eric Neilsen
I have not been on this list for more than two + years, but I have never seen hard data where someone has gone in and inspected, measured, or done any
2008-01-10 by djon43
Eric, this Forum contains excellent hard data...it s right here if you really want it. Yes, 3rd party inks work beautifully for some, terribly for others..as
2008-01-10 by pr_roark
... like ... Photo Flo has glycol in it. That could be where some this comes from. It feels a lot like the inks. I always used it at less than the
2008-01-10 by pr_roark
... I ve ... problem? I m not sure. However, I think of outgassing as a glossy barrier paper problem. In matte papers it does not happen, in part, I m told,
2008-01-10 by Eric Neilsen
probably has to do with erratic quality of all 3rd party inks Do you have any data to back that up? I would suspect individual working environments before
2008-01-10 by Paul Whiting
Paul, I think you ve answered a question that I ve been thinking of posting on this forum... my thread subject line would have read something like There s BO
2008-01-10 by djon43
3rd party ink experiences with 1200 and other antique ink machines (1280/1270) are irrelevant to 2200 and more modern pigment machines. 2200 requires much
2008-01-10 by djon43
...as to Photo Flo, I m always surprised when anybody has used it at more than 3 drops per 500cc...that s been recommended forever. ...as to glycerine...it
2008-01-10 by Rick Colson
Posted by: Scott Jones wrote: This paper is not available in rolls so I am confused by your post... Scott - you are absolutely right. I was mistaken. (Late
2008-01-10 by Tony Sleep
... Yes, I always found Photoflo a bit smeary/greasy if used at anything like the recommended dilution. I had lots of trouble with it, especially the more
2008-01-10 by Ernst Dinkla
... I have mentioned the possible advantage in glass haze reduction of BO printing with the 1800. The black ink used in total is frugal, the droplets very
2008-01-10 by Mark Gilvey
Brad, Was the profile easy to find? I would like to have it. Mark ... [Non-text portions of this message have been removed]
2008-01-10 by Mark Gilvey
If you are going to make a sample book, if you are in the US, I would be interested in buying it. Just place lots of notes on the pages. I have the Blurb book
2008-01-10 by Mark Gilvey
I just got a comment from a member of the Epson Wide Format group that he places a sheet of paper on top of his prints and lets them gasout and replaces the
2008-01-10 by Lawrence Beals
Thanks everyone for all the input on the 2200 and 2400. Based on the very well reasoned emails I got (almost an anomaly on the internet anymore) I am going to
2008-01-10 by John
If it s ICC profiles and a Windows XP PC, put in C: WINDOWS system32 spool drivers color For QTR s profiles(.qidf), at C: Program Files QuadToneRIP Profiles
2008-01-10 by deandadin
Hi guys, I figure that this is the place for an anawer so here goes. Can anybody tell me where to put a profile after you download it on the desktop on a PC.
2008-01-10 by Scott Jones
This paper is not available in rolls so I am confused by your post. ... 50 ft. ... than the ... It s surface ... almost cardboardish ... white, but a ...
2008-01-10 by dlruckus
... As I think back to my days in the dark it comes to mind that photoflow had somewhat strange properties. It seemed to be susceptible to forming long chains
2008-01-10 by Roger
I should add that I don t spray or coat my prints at all. Am I about to get a lecture? Roger ... Paul, thank you very much. Very helpful. All, I am thinking
2008-01-10 by Roger
Paul, thank you very much. Very helpful. All, I am thinking these carbon inks are a solution to a major problem I ve observed with the UltraChrome inks, to
2008-01-10 by Rick Colson
I can only respond in the most general way, but I found it (24-inch 50 ft. roll used on 9800) to be a very nice paper with a bit less heft than the Museo I