Spectratone Dmax Envy
2001-08-03 by allentakichi@earthlink.net
Now that is a lot of testing info Dan, I m saving this post. One of the very difficult things to resolve was the variation in hue of the Spectratones on
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2001-08-03 by allentakichi@earthlink.net
Now that is a lot of testing info Dan, I m saving this post. One of the very difficult things to resolve was the variation in hue of the Spectratones on
2001-08-03 by allentakichi@earthlink.net
I ve seen window tests that show Generations Enhanced to prematurely fade on Epson Archival Matt. I assume it s the acid base so I don t even think of using
2001-08-03 by allentakichi@earthlink.net
Sure, I ll drop Dan Burkholder a line and quote your message to him. He just left for one coast or another like yesterday. I m sure that he will be
2001-08-03 by allentakichi@earthlink.net
Tim, The Blatner and Frasier book is invaluable for understanding color management and how photoshop works and I d recommend it even if you had zero interest
2001-08-03 by antonisphoto@yahoo.com
Useful reference for panoramic work is Mark Crabtree s site at: http://homepage.mac.com/crabtree/panoramic.htm He mentions using a #10 Cirkut Camera and
2001-08-03 by antonisphoto@yahoo.com
Martin, do you know about this software from Germany? http://www.fh-furtwangen.de/~dersch/
2001-08-03 by Dan Culbertson
There is an explanation of the Arches Bright White papers at http://www.handprint.com/HP/WCL/paper2a.html. Perhaps the smooth variety that folks are
2001-08-03 by mwesley250@earthlink.net
... Brownlow ... answer. ... there ... seems to ... stitching ... photos ... photography for ... entirely new ... John, I have tried some 360 s with a digital
2001-08-03 by Johnny Deadman
on 8/2/01 11:03 PM, mwesley250@earthlink.net at mwesley250@earthlink.net ... Thanks boss. This is an interesting question. The panoramic format seems to be
2001-08-03 by Michael J. Kravit
Has anyone heard of a Continuous Ink System for the 7000 that actually works? A number of people have suggested that they are out there but none actually work
2001-08-03 by mwesley250@earthlink.net
At the moment I like the EAM for proofing but I will probably try the HWM when my current supply of EAM runs out. Although the price difference seems very
2001-08-03 by sdmey4@aol.com
Anybody on this list using the 7000 without the cone driver for hextone black and white printing? Just got a good deal on a slightly used 7000 and I am
2001-08-03 by antonisphoto@yahoo.com
Another use for fine art papers in desktop roll sizes is simply to avoid handfeeding. Someone using a CIS and making a few dozen prints could let the thing run
2001-08-03 by Dan Culbertson
... Hmmm - don t have a south window but I could do the throw em into the back of the Jeep and let em cook in the Florida sun test. The Weber Valentine
2001-08-03 by Dan Culbertson
For those of you with Spectratone Dmax envy - and to prove Tyler s point that my real life ended when I bought my first spectrophotometer, here is a quick list
2001-08-03 by mwesley250@earthlink.net
Earlier the issue of panorama paper was brought up by John Brownlow (Post #46) and I don t want the thread to die out without an answer. While there are art
2001-08-03 by tflash
... Not at all. The EAM, or even Epson Matte Heavyweight, are just perfect for proofs. And if you use a textured paper like Torchon, the Epson Watercolor Paper
2001-08-03 by antonisphoto@yahoo.com
... Agreed. That and the lighter weight doesn t justify paying more than the Epson. Do you have a better option for proof prints (at EAM cost)? Antonis
2001-08-03 by tflash
... I don t particularly like the base color of these papers. I guess it s from optical brighteners, but they seem to have a slight lavender cast to my eye.
2001-08-03 by Dan Culbertson
... Acck! More true than I like to admit. However, I am rolling up all those test prints into paper logs and storing them so if I ever do get back out into
2001-08-03 by Jerry Olson
I believe Media streets Glacier is the same paper. Quite reasonably priced from them, also. Jerry
2001-08-02 by mwesley250@earthlink.net
Peter, Thanks for that bit of info. Should still be possible for use in the U.S. with a step tranformer. The 50-60HZ is okay and a 120V to 240V transformer
2001-08-02 by mwesley250@earthlink.net
Phil, Well 8x10 is large enough to be interesting for contact printing and affordable as well. Thanks for the reminder on the Summit. I got the call for
2001-08-02 by Peter Marquis-Kyle
... I m in Australia, not the EU, but this might help: My 1160, according to the label near the power inlet, needs 220-240V at 50-60Hz (and the Setup Guide
2001-08-02 by Phil Bard
Everyone, A conversation with my friend John Richardson at Calumet LA this morning revealed that they are considering carrying ConeTech products. What exactly
2001-08-02 by mwesley250@earthlink.net
Varnishing Piezo (or Inkjet) Prints, Part 2 This was also posted on the Piezo List. The one thing to keep in mind in using this information to varnish over
2001-08-02 by Phil Bard
Had a brief conversation with A&I this afternoon, and the particular Lightjet they are using to output film for enlargment only goes up to 8x10. In that they
2001-08-02 by antonisphoto@yahoo.com
... Yes, they are as far as I know. They look the same and weigh the same. ... This had been debated at the piezo list and Jon said something to the effect
2001-08-02 by mwesley250@earthlink.net
Roger, Victoria s message made me think to check Epson s main website and various country sites. The 1160 appears in their product line up everywhere I checked
2001-08-02 by Victoria Bampton
Roger Where are you? I m in the UK, and the other day I spotted that Dabs.com still had them available. Hope that helps. Victoria ... From: Roger Smith
2001-08-02 by mwesley250@earthlink.net
Antonis, Aren t the ConeTech Matte and the Lyson Photo Matte rebranded Hahnemule Photo Matte? I have tested the ConeTech Matte and the Lumijet Soft Suede (also
2001-08-02 by Bob Tyson
... It is possible to create forms in a PDF. It s beyond me at this point, both in learning curvature and time, but might be something to think about. Maybe
2001-08-02 by antonisphoto@yahoo.com
Todd, take a look at the paper database (prices per each letter-size sheet): Epson Archival Matte = 192 gsm and $0.23 at Atlantic Exchange ConeTech Matte =
2001-08-02 by tyork@accesscable.net
Does anyone on this list use duotones from colored ink to produce selenium-toned b/w? I would appreciate hearing from you and what you are doing. Tim
2001-08-02 by tyork@accesscable.net
Does anyone on this list use a duotone formula with colored inks to produce selenium-toned black and whites? I would be really interested in your experiences
2001-08-02 by antonisphoto@yahoo.com
Tim, (and others who have asked) a pdf version is in the works. Bear in mind that not only is that not searchable / sortable as it would be in a db program,
2001-08-02 by Tim Spragens
FWIW, sent by a trusted source. - Tim ... Stopped in at [local dealer] earlier this week, and they re predicting it will be a *long* time before the CoolScan
2001-08-02 by mwesley250@earthlink.net
Allen, You just cut through to the quick of a long running discussion that started up on the Piezo list. Apparently many people, myself included, really like
2001-08-02 by tflash
Thanks Allen, I am in full agreement with all you say. I use the EAM for proof prints, and what little self-promotion material I send out. The sad thing is I
2001-08-02 by allentakichi@earthlink.net
Todd, You may want to reconsider buying epson Archival Matt. I used my ph pen from light impressions on it to find that the surface coating is acid free and
2001-08-02 by mwesley250@earthlink.net
Allen, Once again a wealth of information. I will send Dan Burkholder an invitation to join this group but, as you are in contact with him, I would appreciate
2001-08-02 by allentakichi@earthlink.net
Tyler, Sizing watercolor papers is a batch to batch process since the raw ingrediants change when they make the paper (also know as pulp de jour ) All of the
2001-08-02 by mwesley250@earthlink.net
Todd, It was letter size but I bought a whole bunch a couple of months back so it might not be representative of what s currently available. I actually
2001-08-02 by mwesley250@earthlink.net
Phil, I am curious about the capability but due to the huge costs involved it is not something I could pursue at the moment. From reading View Camera I know
2001-08-02 by Jerry Olson
I think it was the cold. The Hot Pressed papers are smoother, no? The stuff I bought is VERY stiff and thick. Lots of texture too. But not expensive. 25 sheets
2001-08-02 by mwesley250@earthlink.net
Ron, Appreciate the workflow and resources. I will get Dan Burkholder s book. I have the first edition but I imagine a lot has changed. I will check out his
2001-08-02 by allentakichi@earthlink.net
Martin, We just need verification that the inks go through the new printers. The problem printer I have encountered is the 1160 with the split drop
2001-08-02 by mwesley250@earthlink.net
Tim, Try calling 800-894-8439. You are supposed to be able to order back issues from them that way. Let me know if that works. Martin ... 894- ... let ...
2001-08-02 by tflash
Royal Riviera @ Mediastreet. Todd
2001-08-02 by allentakichi@earthlink.net
Jerry, So did you buy the Hot or Cold as originally released? Can you compre the two of them? The Geletin I m talking about is the internal sizing and so they