Tansitions 2006: Old School/New School
2006-08-04 by salongo lee
Hello Fellow Photographer, You may have gotten this call for art work from the Third Eye Black, Google group. If so i apologize for this duplication. If not
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2006-08-04 by salongo lee
Hello Fellow Photographer, You may have gotten this call for art work from the Third Eye Black, Google group. If so i apologize for this duplication. If not
2006-08-03 by Ken Carney
... That is an interesting observation. Maybe the inkjet RC papers would thus be better than the crappy multi-layer darkroom RC papers, which always seemed to
2006-08-03 by Lance Richardson
Thanks...very helpful. Lance Richardson, F.Ph., CPP Lance Richardson Photography Associates 1600 East Franklin Street # 100 Chapel Hill, NC 27514
2006-08-03 by dlruckus
The physics are exactly the same and instruments will show higher d max on gloss and luster papers with equivalent ink loads. Richer is somewhat subjective
2006-08-03 by Mark Rabiner
cal print making. Is it true that you get better, ... But there are also intangibles or non obvious variables... For instance the photographic printing
2006-08-03 by foa208
I ve just purchased a R220 with the idea of ordering MISPRO inks and Ebony to do both color and B&W in the same printer with matte paper and using the BO mode
2006-08-03 by Greg
... No, the same physics applies to both types of printing. Luster and gloss papers have a better dmax.
2006-08-03 by lancephoto99
I m getting ready to purchase an Epson 4800 for my first venture into fineart B&W printing. Prior to this a professional with 30 years in chemical print
2006-08-03 by colossal-man
Just a quick reminder about my upcoming workshop. We still have openings, and the registration deadline is September 1st. Visit
2006-08-02 by Rob Greer
... It s actually NOT explained in the manual. And I did read the manual-- several times. If you saw it in the manual yourself, where did you see it and on
2006-08-02 by Steve Kale
Start by reading the manual. All is explained in B&W. ;-) From: Rob Greer Reply-To:
2006-08-02 by Rob Greer
Here s the reply that I received from Epson: START REPLY ... Thank you for taking the time to contact Epson. It is my pleasure to respond to your inquiry. The
2006-08-02 by Roy Harrington
... Rob, Unfortunately this is just the way the printer works -- the Pro printers are different from the desktops printers. With sheets you must have a
2006-08-02 by Greg
To get a workflow that uses a minimum of color inks, and is fully color managed, would be a lot more complex (also expensive). You would need a good CMYK RIP
2006-08-02 by Rob Greer
... I ... Thanks for the advice! However, I ve tried changing that setting but it didn t help in this case. Anyone else? Rob
2006-08-02 by Greg
... disk? ... ????? Must have me confused with someone else.
2006-08-02 by Phil Radlick
Rob, on my Epson 4000 machine when this happens it is usually because I forgot to check the center image box in the paper setup with Epson Printer Driver
2006-08-02 by Gregory Schern
Hello everyone. It has been quite sometime since I ve been able to visit the group. I thought I would drop a quick note about George DeWolfe s upcoming
2006-08-02 by Rob Greer
4800 Margin Problems – Please Help! Yesterday I received a new 4800 to add to my small stable of other printers which also includes a R2400. Everything went
2006-08-02 by Ernst Dinkla
For everyone who did send me information: Thank You. I will report back what the solution with the SpectroCam is. Ernst -- -- Ernst Dinkla
2006-08-02 by fleming_and_john
Joost, I have an Epson 2200 for color and just got a cheap R220 to dedicate for B&W. I got the UT-R2 Warm with Eboni Black (for Matte paper). I think I will
2006-08-02 by Bob Michaels
BO works with my photo style but it s not for everyone. Try the UT-2 inkset, it s about as bulletproof as you can get. And the Paul Roark workflows work great.
2006-08-01 by Tyler Boley
... No, the only B&W approach that is systematically similar to color, that would therefore use the same CM tools, would be printing B&W with the color inkset
2006-08-01 by Tom Baker
B&W workflow would NOT be the same as color. Tom Baker horstenj wrote: Thank you all for the advice on a CMS. I ll take that into
2006-08-01 by Ernst Dinkla
Could someone send me a file that is created with the Eye One and Measure Tool so I can edit files made with the SpectroCam that it suits QTR-Linearize-Data
2006-08-01 by Lance Richardson
Greg...Can you get the pix of the little girl from Beaufort onto a disk? parents asked Becky .. Lance Richardson, F.Ph., CPP Lance Richardson Photography
2006-08-01 by Gary Brown
This is not an appropriate question for this forum Gary ... From: R.T. McCants To:
2006-08-01 by horstenj
Thank you all for the advice on a CMS. I ll take that into consideration. Most of you did not go into the question if a workflow for B&W would be the same or
2006-08-01 by Paul Roark
... Not easily. If you have a rip and are good at making your own curves it might work. I ve never tried B&W inks in an 1800. Paul www.PaulRoark.com
2006-08-01 by Paul Roark
... Yes. I think they even hold up about as well as the more expensive printers. If you like the best matte prints, the R220 would have the edge. It has the
2006-08-01 by Greg
... recommend ... It s ... need to ... another ... products. I think I would worry more about the Pulse going away than I would the i1 spectro going away. I
2006-08-01 by Peter De Smidt
I recently bought Colorvision PrintFix Pro suite (PFP101), which includes monitor and print hardware calibrators. I can t compare it to the more expensive
2006-08-01 by Dale Lum
Hello, I ve got an Epson 1280 which has three clogs from hell. I ve tried every cleaning method I can find, with no luck. I think it s time to throw it out.
2006-08-01 by Dale Lum
Hello, I ve got an Epson 1280 which has three clogs from hell. I ve tried every cleaning method I can find, with no luck. I think it s time to throw it out.
2006-08-01 by Mark Rabiner
I m used to the quality I get on Hahnemühle papers from a 2200 printer typically 8.5x11 through 13x19 I have portfolios in several sizes. 50 50 black and
2006-08-01 by Paul Roark
Bernard, ... Don t expect pigment black to reach the same dmax as a dye. This may be one difference you re noticing. ... Matching the monitor to the print
2006-08-01 by John Moody
Deliberately overexpose several shots by different amounts so that you can see the banding and posterization that will happen at the silhouette transition.
2006-08-01 by AdventureCam Photo
Joost, If you re considering a color management system, I would seriously recommend that you take a look at the X-Rite Pulse with the OPTIX colorimeter. It s
2006-08-01 by R.T. McCants
-Thank you Danny, yes it does help... I m going to practice on some silhouette shots and I will let you know how they come out.... thanks again -- In
2006-08-01 by Bernard Wolf
I have been using a 1280 for about 3 yrs now.. originally I used the epson Black ink Only and got great results printing directly out of Photoshop. Recently I
2006-08-01 by John Moody
It sounds like you did get real world information; there is no silver bullet in the new Canon. Best regards, John Moody ... From:
2006-08-01 by Danny Raphael
... May I suggest you consider taking the pictures in color. By doing so you will have more contol and flexibility for creating a more dramatic result by
2006-08-01 by Denise
I print on the 1280 with MIS UTFS inks via IJC/OPM and the prints are beyond gorgeous. mowens wrote: I
2006-08-01 by Jim Coffee
Good evening.... I am a 1280 (4) owner and am in love with BO printing. My first thought reading your post is that perhaps you are not printing large enough
2006-08-01 by mowens
I figure the 1280 is as easy a place to start as any. the r220 and others are smaller, so I can use th 1280 for larger color if need be. I went with eboni
2006-08-01 by john dean
You got me. I became so tired of waiting for any real world info that I ve forgotten all about the Canons. That Canon Large Format Yahoo Group is totally dead.
2006-08-01 by steveh0607
... I ve printed toned photos using photoshop and the results are hit or miss. It seems to depend on the profile. I ve since given up on that approach. I now
2006-07-31 by Tom OConnell
Hi Folks- August Print exchange sign up is now open. ** Prints do on West Coast USA by August 21 ** open to first 15 people to sign up ** you send and 14
2006-07-31 by lancephoto99
This will be my first venture into large, fine art printing. Been a pro 30 years doing regular chemical prints and Epson 1280 s for proofing. This new Canon
2006-07-31 by osiobrown
The BC Canvas has sold. The Eco Printshield is still available.