RE: [Digital BW] Info for Windows Photoshop users that may be of use... (particularly NT, 2000 and XP users)
2002-11-18 by Tim Atherton
can you repost the earlier info about the task manager? thanks tim
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2002-11-18 by Tim Atherton
can you repost the earlier info about the task manager? thanks tim
2002-11-18 by Moreno Polloni
... I believe Ansel Adams printed limited edition portfolios of selected images, and each run was printed in it s entirety. He only did this later on when his
2002-11-18 by Bill Agee
... I think some of the squeeze in thinking comes from the common practice of lithographers and the like to deface their stones after pulling a number of
2002-11-18 by Alan Zinn
... Mark, Photography has survived countless purity purges. That, more often than not, limits those true believer s quality of thinking and seeing. I agree
2002-11-18 by Editor P.O.V. Image Service
Some time back, I noted, that you can alter the priority of PShop from the task manager OR you can change it s default priority in the registry (I don t
2002-11-18 by Keith Krebs
See... http://www.wilhelm-research.com/ If/when this site actually opens, I will owe Henry a compliment for putting in the time and effort to get it going..
2002-11-18 by Rick Colson
on 11/18/02 11:59 AM, DigitalBlackandWhiteThePrint@yahoogroups.com at ... Mark - I ve been called many things in my time but up to now, sleezy hasn t been one
2002-11-18 by Bill Agee
... Laminate them or paint them with artist s matte medium or if you don t like the matte, intermix it with gloss medium and get a semi gloss...or just use the
2002-11-18 by Robert Morrison
Mathew, This is a common technique in ink/pigment labs where we use the Mayer rod for testing small samples. I then adapted this for use with coatings for our
2002-11-18 by Tim Atherton
you might want to contact Norm Levy at Media Street and see how their chip setter is coming along. All the standard printers are done - I think they are
2002-11-18 by Tim Atherton
... I m pretty sure the issue of weak photo/matt blacks on the 2200 etc, when used on EAM and so on has been discussed here
2002-11-18 by Tim Atherton
... Mark, It s an interesting discussion - I meant to ask on your initial post - in your manifesto (sorry - too many syllables..) trashing the file ? Are
2002-11-18 by Julian Thomas
I hate to keep saying this but SOME pigs are worse archivally than SOME dyes. HP pigs are easily beaten by Ilford dyes on the right paper. Why are we being
2002-11-18 by David Dyer-Bennet
Alan Zinn writes on 18 November 2002 at 10:52:23 -0800 ... My layering never becomes even countably infinite, never mind countless .
2002-11-18 by sdmey4@aol.com
In a message dated 11/18/2002 8:18:23 AM Pacific Standard Time, ... Mark, with integegrity, and the utmost in high standards being at the heart of your work,
2002-11-18 by Clayton Jones
Alan, ... Some people build an image from countless layers that they diddle with endlessly. I call that digital illustration. Do you want to do that? ...
2002-11-18 by Tina Manley
... I m using the original Cone quad-black inks on photo rag and my blacks could not be darker. I m matting them with black mats and the blacks in the prints
2002-11-18 by Tina Manley
... My all-time favorite Calvin and Hobbes cartoon: Calvin: People always make the mistake of thinking art is created for them. But really, art is a private
2002-11-18 by Jason DeFontes
I think he was referring to the prints that they publish at Cone Editions, not the contract printing that they do for clients. -Jason ... From: Mark Savoia
2002-11-18 by Mark Tucker
2002-11-18 by Mark Tucker
... and he said ... them all ... _____________ Now THERE is a man with credibility. If this is true, he just got moved upward three giant notches in my Respect
2002-11-18 by Mark Savoia
That sounds ideal, but does he sit on them and not charge his client until they order more? The whole point of the print on demand is to keep the upfront cost
2002-11-18 by Mark Tucker
... there s ... You might be right. Unless I have the patience to wait until after PMA in March, when you might see some third-party offerings from people
2002-11-18 by Jason DeFontes
Mark, I know you were asking about silver prints, but just as a point of reference... I was discussing this issue once with Jon Cone, and he said they print
2002-11-18 by Jason DeFontes
You just need to go hang around outside Mark s studio. I think there s going to be one flying out the window any day now... -Jason ... From: Rick Colson
2002-11-18 by Jason DeFontes
I saw a retrospective of his at the Brooklyn Museum about ten years ago that included all of that. Since then, he s been doing only the aerial landscape stuff,
2002-11-18 by Roger L Sopher
Hi Mark, Except for the misguided souls that limit their editions many of the successful photographer/printmakers (silver gelatin) I know or know about print
2002-11-18 by Richard Sintchak
Sunday, November 17, 2002, 11:31:50 PM, Loris Medici wrote: LM You have much more control over the process in Silverfast s Unsharp Mask LM Filter (use it in
2002-11-18 by Clayton Jones
Mark, ... am I the only guy who sees the utter transparency of this hokey marketing approach, or what? Or, does everybody just get sucked into it slowly,
2002-11-18 by Mark Tucker
... very tough and it ... magazine this size ... possible to ... Then, in that case, if the guy had one ounce of sincerety in him, he d just STATE THAT in his
2002-11-18 by Mark Tucker
I d like to know if serious silver printers print ALL of their entire edition at one time, in one run? I m not talking about art fair guys; I m talking about
2002-11-18 by Clayton Jones
Mark, Thanks for the links. Sheds new light on the subject - I d heard that he destroyed everything. I really liked the 2nd link with the workshop photos
2002-11-18 by Mark Tucker
... wrote: Thus, I would also ... stating ... specify if ... size or in ... This is your ... stick to ... There are buyers of photographs who
2002-11-18 by Clayton Jones
Bill, ... Well said, all. I think you have eloquently stated what many of us feel about moving from SG to digital. You make some important points: ...inkjet
2002-11-18 by Thomas Keesling
Paul wrote:
2002-11-18 by Andrew Biggs
Mark- I took a look at your 1997 Body Image Show: What you Eat , and I cannot help giggling at some of the entries. But the one that stands out has to be Jim
2002-11-18 by Rick Colson
Re: limited Editions A few thoughts on your recent posts Mark. First, I believe that a small watermark in a relatively obscure part of a print, one that
2002-11-18 by David Place
those of you who are doing editions ... how large are the editions ? dplace www.DLPimages.com
2002-11-18 by David Place
... Jason: what s Emmet Gowin doing recently ... haven t seen his newer work ... remember the family stuff ... the monument ... the flight images ... david
2002-11-18 by Julian Thomas
This happened to me a while back - I bought a field camera because I wanted only a small area in focus, so I was screwing around with movements but didn t
2002-11-18 by Julian Thomas
... Mark, I m playing around with the idea of dyes precisely because I want a good black. There are only two worth looking at IMO - the Lincoln s
2002-11-18 by Julian Thomas
. ... I look forward to every issue - always some interesting stuff- also had something published in the last issue (shameless plug) Julian
2002-11-18 by Loris Medici
You have much more control over the process in Silverfast s Unsharp Mask Filter (use it in the expert mode)... ... From: Scott Jolliff
2002-11-18 by Bill Agee
Mark, Clayton, et al... To add my two cents...I am a good black and white printer, both of commercial portrait/model prints as well as fine art
2002-11-18 by John/Julie Gittins
Art, I ve been using LUMIJET IMAGE SHIELD, an aerosol acrylic spray that s distributed by Luminos, for 3+ years, and I remain pleased with it. A can will do
2002-11-18 by sdmey4@aol.com
In a message dated 11/17/2002 9:18:56 PM Pacific Standard Time, ... actually seen the magazine, and this particular issue (oct) featured photography issues!
2002-11-18 by Kevin Gulstene
Art, ... Every thrown a slider with a football? Don t set you sights lower. Set them differently. There are some aspects of silver prints that you
2002-11-18 by Jason DeFontes
... see weak blacks. That s the funniest thing I ve read all day! By the way Steve, kudos on the article in Art Business News! I just saw it last night. Well
2002-11-18 by sdmey4@aol.com
In a message dated 11/17/2002 7:46:38 PM Pacific Standard Time, cj@cjcom.net ... Lets see, If you destroy your negs at 80, Then there won t be any estate
2002-11-18 by Jason DeFontes
I stopped by the other day to take a look. Nice prints. There s also a good show of panoramic landscapes (color) in a gallery on the first floor. They were