Re: [Digital BW] contact sheets, again...
2003-01-08 by randy laskody
I have done it this way and it works reasonably well.
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2003-01-08 by randy laskody
I have done it this way and it works reasonably well.
2003-01-08 by John Luke <jjlphoto@yahoo.com>
I use the Sunny16 or Basic Daylight Exposure (BDE) rules to test true ISO. That means exposing at ƒ16 by using the true film speed as the shutter speed to
2003-01-08 by Sam A. McCandless
Is the mis-fed sheet the only sheet in the printer at the time, Bruce? Whether the paper is relatively thick or not, I think it feeds more reliably if there is
2003-01-08 by cschaible94111 <cschaible@cooley.com>
Bruce: It may be that your rollers need cleaning, but what you really need is a backing board of some kind. The best are made of foamcore board cut to the
2003-01-08 by Ernst Dinkla
... Will share my first experiences as soon as I have them. But they postponed delivery till Januari 15th. The Netherlands, Europe. Ordered it through my local
2003-01-08 by jeades947 <jeades1@sc.rr.com>
Help!!! I have a Nikon coolpix 5700 and a coolpix 995. I have been playing with photography for the past 30 years off and on. One of the first things I learned
2003-01-08 by jeades947 <jeades1@sc.rr.com>
Help!!! I have a Nikon coolpix 5700 and a coolpix 995. I have been playing with photography for the past 30 years off and on. One of the first things I learned
2003-01-08 by smhoward70 <smhoward70@hotmail.com>
I am considering acquiring a monochrome monitor for accurate B&W image representation as well as color separations, viewed in greyscale. Has anyone used one of
2003-01-08 by Paul Roark
Robert, With IJC if, for example, a variable-tone curve were written for one printer type -- say a 7500 -- would it work just as well on a 1280? Or, will we
2003-01-08 by Austin Franklin
Ernst, ... Actually, I believe it s misnamed. This has been discussed with Ed Hamrick and should be in the archives. It does not change the actual gain
2003-01-08 by Austin Franklin
Hi George, ... I don t believe what you outline here actually works. No matter how many scans you make, you will get the EXACT same tonal range information
2003-01-08 by George DeWolfe <dewolfe04679@yahoo.com>
There are a great many solutions to controlling contrast in digital photography that perform the same things as Zone System exposure and development used to.
2003-01-08 by Loris Medici
XP2 Super have a very wide latitude. No need to fiddle with development. Just be sure to expose it enough - it doesn t tolerate underexposure. Overexposure: I
2003-01-08 by Keith Cooper
How does all of this relate to C41 films such as XP2 where you can t fiddle with development and you have a rather different curve from real b/w film? bye
2003-01-08 by steven0356 <stevenr@mindspring.com>
I have seem mentioned the use of interleaving paper when storing prints. What is it, and what is it made out of? does it help to cut down on the friction
2003-01-08 by Editor P.O.V. Image Service
Sounds like your rubber rollers need cleaning.. There is a note on it at: http://home.att.net/~arwomack01/#ejectpaper There have been explanations on how to
2003-01-08 by Edward Wiseman
Jamie.. Sorry..absolutely NO heat with a drymount press on 3M #568.. You either use the blue spreader that comes with the rolls, or that machine you are
2003-01-08 by Jo Brunenberg
Hi Sandy, Sounds great but I am not convinced.... Try the following: Take a B&W stepwedge, Convert to RGB. Print on Epson 2200 at 2880 dpi, Color. Results will
2003-01-08 by Robert Morrison
On 1/7/03 5:52 AM, Jean-Marc Humbert ... No, but it is supported by the new Inkjet Control driver. Robert
2003-01-08 by Ernst Dinkla
... From: Austin Franklin To: Sent: Wednesday, January 08, 2003 4:41 AM Subject: RE:
2003-01-08 by Austin Franklin
Kevin, ... Actually, there is quite a difference. 10**1.7 = 50 and 10**2 = 100. A density range of 2.0 is 2x that of 1.7. There is a doubling of density for
2003-01-08 by Evelyn Grant
Thanks Roger, I ll give it a try and see what happens. I ll let you know. Evelyn ... === message truncated ===
2003-01-08 by Evelyn Grant
Ken, I would really appreciate that. You can send me your address off list and I ll get a CD right out to you. Thanks so much. Evelyn ...
2003-01-08 by kubeatsou <bmckinney@thinkinnovative.com>
Has anyone experienced paper misfeed issues on an Epson 1280 when using papers such as Ilford Fine Art or Museo? My 1280 either will not pull the sheet into
2003-01-08 by Truman Prevatt
I think there is more latitude with scanning and printing digitally than with printing to paper. But I don t know how much. I have two images that seem to be
2003-01-08 by Kevin Gulstene
Truman, Also it is going to depend a lot on the film/developer you are using. Using pg 247 of the negative the N curve is steeper than the N-1 curve, as you
2003-01-08 by Kevin Gulstene
Hi Austin, ... Yes, when I said fill in the gaps I had a image of a histogram with nasty gaps that could be interpolated. But as you say, if you interpolated
2003-01-08 by Austin Franklin
Hi Kevin, ... I am surprised none of the current high end consumer scanners do it...it just isn t that hard, or costly. ... BTW, did you understand that? It
2003-01-08 by Austin Franklin
Kevin, ... I believe, you get better tonal separation from + development, as that increases the image density on the film, therefore giving more overall
2003-01-08 by Jonah, Jim
I ve been using the 3M positionable adhesive for a while. It s available in different widths. It works just fine with the squigee that s included. I ve also
2003-01-08 by Kevin Gulstene
... Yes. My conclusion seemed counterintuitive. Your answer helped fill in some of the gaps . ... That would be add a whole new meaning to the auto-exposure
2003-01-08 by david_bookbinder@sprynet.com
Polaroid makes a free dust and scratch removal tool that is available both as a standalone program and as a PS plugin. It handles both light and dark spots and
2003-01-08 by Truman Prevatt
This assumes that the highlights don t saturate the film - hence losing detail. I think you have a bit more latitude with a scanner when it comes to
2003-01-08 by Kevin Gulstene
Hi Ken, Let s take your high contrast scene. Lets assume that 14 stops of scene brightness are mapped to a a film density range of .05 to 1.8 with the zone
2003-01-08 by Jamie Gannon
List, In reply to my own previous post I have since learned a few things regarding adhesives.. for what it s worth to others.. Sorry if the topic strays from
2003-01-08 by Ken Carney
Evelyn: If you will send me a CD with an image, I would be glad to send you a couple of prints with different curves in the VM-S inks. Others on this list
2003-01-08 by Ken Carney
Here is a quick and effective technique, though not a plugin. After you have sharpened the image, apply the PS dust and scratches filter with an extreme
2003-01-08 by Ken Carney
From my perspective, the point of the zone system is to get a negative with reasonable shadow and highlight tones. If you have a negative with a blown-out
2003-01-08 by Austin Franklin
Hi Kevin, ... Agree in conclusion, but I think you were missing some details there as to how things work. ... Hum. If you use N+- exposure to compress/expand
2003-01-08 by Austin Franklin
... Thank you John. ... Exactly, and don t worry about film curves, because, unlike traditional darkroom printing, you can adjust the tonal curve of the
2003-01-08 by Kevin Gulstene
Hi Austin, Thanks for the detailed answer. I m not sure if you are agreeing or disagreeing though :) After reading your response I think I can still say
2003-01-08 by Paul Roark
... surface sheen on resin paper....But I found a solution ... ... Yes, I would like to know the details. I ve started experimenting with the Epson Archival
2003-01-08 by Paul Roark
Evelyn, ... I have not tried the Cone sepia inks. However, my understanding is that they are the carbon tone after all dyes, etc. are gone -- like the old MIS
2003-01-08 by Jamie Gannon
What dry mounting sheets are being used? Is this method cool with the diehard archivists out there? I d like to try the dry mounting method. Is it definitely
2003-01-08 by Kevin Gulstene
Stan, thanks for your resposne. ... If I am reading the characteristic curves correctly, isn t the shoulder a function of the amount of exposure and not the
2003-01-08 by Thomas Keesling
Eddie wrote ... Eddie, Which printer are you using and are you using a CIS? If so, did you start from scratch with new carts and bottles when you made the
2003-01-08 by John Vitollo <johnnyv@comcast.net>
... ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ Rest of post Clipped!!! Austin, Excellent post. I totally agree with you! You lost me a little - a lot - with the
2003-01-08 by Austin Franklin
Hi Jerry, Mine just arrived today, as recommended by this group. I know it s uncharacteristic of me, but I ll let you know what I think... ;-)
2003-01-08 by Austin Franklin
Hi Kevin, ... An excellent question. It is ABSOLUTELY relevant. What you are doing by using the Zone system is placing as wide a tonal range as you can on
2003-01-08 by frankg_photo <fh.gross@sympatico.ca>
... scanning printed ... purpose of ... transparency unit ... sheets ... over 8 by ... as a ... could be ... there ... You can pick up an old Microtek III with