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Digital BW, The Print

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Making B&W prints on a epson 1800??

2008-12-06 by gerardthomas517x

I am trying to make some B&W images on my epson 1800. Can anyone suggest as to what paper to use? I ve tried Epson ultra presentation,and a few others. I m

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File Upload Access

2008-12-05 by Brian Corll

I have some curves for the UT-3D inkset that I would like to upload but I don t have upload access. Moderator, if you please ??? ... Brian Corll 1002 East

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Re: [Digital BW] HP Vivera pigments

2008-12-04 by Ernst Dinkla

... Paul, The Vivera B&W ratings are excellent, nothing touches it. I know the argument that the long black generation and no composite greys suit the Wilhelm

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Epson 4000 inksets

2008-12-04 by esharamaki

I ve picked up a used epson 4000 on craigslist. I m thinking of using the MIS UT-3D or the carbon-6 inkset. After using the printer as a color printer for

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Re: [Digital BW] HP Vivera pigments

2008-12-04 by Tyler Boley

an emphatic ditto. Last spring Paul sent me a print using one of his K6 setups that was in the same realm. Otherwise for matte, everything else is playing

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Re: [Digital BW] HP Vivera pigments

2008-12-04 by john dean

Might be able to? I ve had three old Epsons, including a killer mono 10K with them running with Piezography and QTR and Studio Print for years. I m going add a

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Re: [Digital BW] HP Vivera pigments

2008-12-04 by pr_roark

Ernst, ... It seems to be working for me now. ... I don t know. It seems to be used in the stabilization literature to refer to a method of stabilization that

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Re: near-success B&W R800 w/Epson pigs

2008-12-04 by djon43

Oddity..my worst results are with big areas of maximum black. Big deep shadows = bronzing. Images with small areas of max black show no bronzing at all... I

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RE: [Digital BW] My *new* 2100/2200 !

2008-12-04 by David Whistance

Louis I have to say that if you are attracted by the combination of carbon/cotton go for it. There will be a learning curve whatever you do so why not start

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matching monitor to print

2008-12-04 by Stephen Kobrin

Thanks to everyone who provided advice on matching the monitor and print. Two adjustments got me reasonably close. First, I used the advanced rather than the

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Archival carbon and split toning

2008-12-04 by Louis de Stoutz

In my darkroom days, I did some experimenting with very slight split toning, like e.g. warm shadows and cool lights, or cool shadows and warm lights. I would

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Re: [Digital BW] My *new* 2100/2200 !

2008-12-04 by Louis de Stoutz

Thank you so much, David, Richard, and John, for your insights! Being (alas!) a bit of a perfectionist/purist, I feel sort of hypnotized by the carbon/cotton

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Re: [Digital BW] HP Vivera pigments

2008-12-04 by Ernst Dinkla

... Paul, the link in the article: http://www.paulroark.com/BWInfo/Pigment-Stabilization.pdf seems to be disconnected. Wonder if the article you refer to is:

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Re: HP Vivera pigments

2008-12-04 by scott_now_coming

... VERY interesting.... HP s using triethanolamine. The main chemical of my favorite film developer, which was a pyro developer. Here s a link if your

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HP Vivera pigments

2008-12-04 by pr_roark

I put some links to HP Material Data Safety Sheets and other information, as well as some of my notes on these inks at

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near-success B&W R800 w/Epson pigs

2008-12-03 by djon43

Try printing directly from Lightroom 2: Develop Presets. LR comes with several un-toned B&W presets that appear mostly to vary contrast. With 3 Moab papers

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