RE: [Digital BW] Lightroom and PSCS3
2008-03-04 by Eric Neilsen
Mark et la, Before you start bang n the drum for DNG as a universal solution to RAW conversion, can you or anyone tells us what is getting trashed in the
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Re: GLOP or spray?
2008-03-04 by kenseidman
... wrote: ... Glossy paper is harder to work with because the reflective surface is less forgiving of mistakes i.e. uneven spray laydown or
Re: Signing Prints
2008-03-03 by pglombick
When I sign the mat I use a number 2 pencil, if on the print or the back of the print I use an ultra-fine Sharpie. ... I would not use Sharpie, as they are
Re: Printer for black and white photos
2008-03-03 by jlsjapan
When you say you use a combination, does that mean that you can mix the cartridges from more than one MIS ink set? Thanks, Jeri-
Re: Printer for black and white photos
2008-03-03 by Roger
I use an R220 with MIS UTR2 inks and it s a great combination. I use a mix of the warm and neutral (in fact, cool) set for a look that s a bit warmer than
Re: [Digital BW] B9180 vs Piezography
2008-03-03 by Roger
What kind of Dmax difference are you seeing on matte papers? I m surprised there s that big a difference among modern pigment blacks.
Re: [Digital BW] Re: Signing Prints
2008-03-03 by Gary Weaver
Hi, Sorry to butt in but when the embosser was mentioned, I wondered about the relaxability of heavy cotton paper. I m probably way off base : ) I also
For Sale: LeafScan45/Mac G3/Radius Pressview 17 SR
2008-03-03 by George Hartzell
[slightly off topic, but this might be interesting to someone who needs to scan large format or b&w negatives] I m selling my complete LeafScan45/Mac G3/Radius
Re: [Digital BW] B9180 vs Piezography
2008-03-03 by Harold Jackson
I also print with an HP pigment based printer (Z3100) and wholeheartedly agree with you. However, I also use an Epson R1800 and don t have the nozzle clogging
B9180 vs Piezography
2008-03-03 by warinstephan
I had the opportunity to dedicate a SP1290 to BW. I finally ordered a neutral K6 set of piezography inks with a CIS. Inkjetmall sent me a Lyson CIS. Not
Re: [Digital BW] Re: Signing Prints
2008-03-03 by David Crosby
That simple, huh! I ll give it a try. Thanks for the suggestion. David Crosby ... [Non-text portions of this message have been removed]
Re: [Digital BW] Re: Signing Prints
2008-03-03 by Josh Hackney
Yes. I sign my prints on both textured and smooth matte surface prints with a 2B pencil. I find it perfect. It s very subtle. If clients want to put a mat
Re: [Digital BW] Re: Signing Prints
2008-03-03 by David Crosby
Thanks for the reply, Steve. Does anyone have a solution for signing textured and smooth mat finish art papers on the coated side? David Crosby
Re: Signing Prints
2008-03-03 by MartyF2938@aol.com
Hi Marty: Embossing sounds like a simple and elegant method. Technically speaking, how do you do this? Leslie Otterbein I use a simple hand embosser, the kind
Re: [Digital BW] Lightroom and PSCS3
2008-03-03 by Mark Savoia
Converting everything over to DNGs is the best thing to do anyway, very compatible with many applications, even simple programs like iPhoto 8. The Leica M8
Re: Signing Prints
2008-03-03 by Andre Moreau
Hello Paul, Since a few months I ve changed the way I sign my prints. I now run the print again (backside this time) through the printer and print a signature
Re: [Digital BW] Lightroom and PSCS3
2008-03-03 by Lawrence Beals
You can use the free Adobe DNG converter to convert the raw files to DNG and then CS2 can open them in its version of camera raw. All said and done CS3 is a
Re: [Digital BW] Lightroom and PSCS3
2008-03-03 by Stephen Kobrin
Thanks Paul, It turns out that I have to upgrade to CS3 anyway as processing raw files from my new Canon G9 requires Camera Raw 4.2 which is not backward
UT 3D split printing workflow
2008-03-03 by arcibombolina
Hi everyone, I ve just tried to split printing and I m wondering wich is the right way to achieve good results, comparable to the one with dedicated icc (for
RE: [Digital BW] Re: Signing Prints
2008-03-03 by stephengledhill
Sorry, can t help ... I ve only used them on the glossy type papers. Steve Gledhill www.virtuallygrey.co.uk ... How do these pens work on fine art papers,
Re: [Digital BW] Re: Signing Prints
2008-03-03 by deandadin@aol.com
Hello, I would like to add my 2 cents into this signing issue. I sell photographic prints and I get a pretty good price for a print. When I sell a print the
Re: [Digital BW] Harmon Gloss FB AL & Epson 3800 front loading problem
2008-03-03 by Derrick
I found the answer in the 3800 FAQ on the net. Seems that with front loading The Front Feed prints with 0.12 in (3 mm) left and right margins and 0.79 in (20
Re: [Digital BW] Re: Signing Prints
2008-03-03 by David Crosby
How do these pens work on fine art papers, with coated mat or textured surface? I m thinking Hannemuhle papers - German Etching etc. David Crosby
RE: [Digital BW] Re: Signing Prints
2008-03-03 by gcwagner
Hello S. Martin Freidman, You mention that you emboss your logo on the paper. Would you mind telling what you are using to make the embossing? I have been
RE: [Digital BW] Re: Signing Prints
2008-03-02 by stephengledhill
Who knows why these links get screwed up. It went through perfectly to another Yahoo Group. Here it is again ... If it doesn t come through this time try
[Digital BW] Re: Signing Prints
2008-03-02 by Clayton Jones
Hello Carolyn, Nice to hear from you. ... Good point. It s nice to be reminded of these other print arts. I was of course thinking just of darkroom print
RE: [Digital BW] Re: Signing Prints
2008-03-02 by stephengledhill
Coincidently a friend just asked me the same question. Here s my reply ... The pen is a Pilot Drawing Pen - DR Pigment Ink in Black size 02 (other thicknesses
RE: [Digital BW] Lightroom and PSCS3
2008-03-02 by Paul Grant
Bridge in CS3 is nothing like Lightroom. The Camera Raw of CS3 is almost identical to Lightroom although there are a few subtle differences. Paul From:
Lightroom and PSCS3
2008-03-02 by Stephen Kobrin
I current use both Lightroom an PSCS2. I really like the ability to organize photographs in lightroom and use some of the raw adjustments on JPEGs ( I
Re: [Digital BW] Signing Prints
2008-03-02 by Carolyn Frayn
... Hi Megan, It depends on presentation... I sign both if possible. If the print is matted, I sign the front, on the print paper under the image, as others
Re: [Digital BW] Re: Signing Prints
2008-03-02 by Carolyn Frayn
On 1-Mar-08, at 10:54 PM, Clayton Jones wrote: Hi Clayton... ... One gallery here has only accepted the drymount approach for both digital and darkroom prints
Re: [Digital BW] Re: Signing Prints
2008-03-02 by Leslie Otterbein
Hi Marty: Embossing sounds like a simple and elegant method. Technically speaking, how do you do this? Leslie Otterbein ... There is a crack in every thing
RE: [Digital BW] Re: Signing Prints
2008-03-02 by Tom Maugham
When I sign the mat I use a number 2 pencil, if on the print or the back of the print I use an ultra-fine Sharpie. If the mat is black I us a white pen
Re: Signing Prints
2008-03-02 by TFielder
Do you guys typically sign in ink or pencil? If in ink, what type of pen or ink do you use?
[Digital BW] Re: What Software to Use
2008-03-02 by goldner_jeff
My $0.002 LR: I really like Lightroom because it makes more sense to the photographer in me (he s in there somewhere). I particularly liked how easy it was to
really off topic here - not technical
2008-03-02 by AnnMarie
I ve plugged here before and hope it s legal to do it - Finally, I have my Illuminated Journey series up on my site. I have also made a few changes to the
Re: Signing Prints
2008-03-02 by MartyF2938@aol.com
I always sign the mat under the print, but I also emboss my logo on the paper the print is made on. This chop mark as it is called is a tried and true method
RE: [Digital BW] Signing Prints
2008-03-02 by Eric Neilsen
Megan, You can sign both. Also if you put a piece in a frame, with barrier paper, etc, I also sign and label the back of the completed package. Clayton made
Re: GLOP or spray?
2008-03-02 by danielstaver
... Whether you change the curve points or reduce the ink limit doesn t matter. A curve with 0 100 100 50 and a 50% ink limit is the same as a curve with 0 50
Re: Signing Prints
2008-03-02 by Phill Potter
Sign the artwork/photograph. Signing the mat looks good, but in reframing, the signature is lost.
Re: GLOP or spray?
2008-03-02 by arcibombolina
... So, if glop gives problem I d better limitate again ink and not glop channel? (ie to 0 50, 100 20 ?), and If I have a default ink limit (ie 55%)setted I
Re: [Digital BW] Signing Prints
2008-03-02 by Megan Milligan
What about signing the back of the piece? Megan
Re: Signing Prints
2008-03-02 by Clayton Jones
Hello Paul, ... This floating mount has been a common and widely used method for fine art prints and preferred by collectors, dealers, etc for many years.
RE: [Digital BW] Re: What Software to Use
2008-03-02 by Gary Weaver
No argument. But I and many others have no desire to become imaging junkies. I could be playing Pong or FreeCell : ) gar *********** REPLY SEPARATOR
RE: [Digital BW] Signing Prints
2008-03-02 by Eric Neilsen
Your signature needs to be directly on the piece. I sign the front under the image if on paper and on the back when on canvas. If the buyer wants to reframe
RE: [Digital BW] Re: What Software to Use
2008-03-02 by Eric Neilsen
The knowledge that makes PS useful come from making prints in the darkroom, but tool required in the digital age is PS. And the most useful of those is PS CS3
Re: [Digital BW] Re: What Software to Use
2008-03-02 by Gary Weaver
Hey Michael, That s what I recommended for my photographer buddy. He s not a geek, teaches English, and had been using Elements v3 (v2?). Everyone suggested he
Re: [Digital BW] Signing Prints
2008-03-02 by Mark Savoia
Sign the back. Mark http://www.stillrivereditions.com
RE: [Digital BW] Signing Prints
2008-03-02 by Tom Maugham
I either sign the mat or I print on large enough paper where I sign the paper below the actual print then either sell just the print for the customer to mat
Signing Prints
2008-03-02 by pglombick
I have been to a few exhibits lately and I am showing a few of my own pieces, and I am wondering what the consensus is (if any) on signing prints. I have seen