Re:Problem with monitor - print matching
2007-09-27 by john kelly
Assuming you ve never studied/practiced formal Zone System methodology in a wet darkroom, and assuming you ve never perfected color correction skills in a
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2007-09-27 by john kelly
Assuming you ve never studied/practiced formal Zone System methodology in a wet darkroom, and assuming you ve never perfected color correction skills in a
2007-09-27 by onehorsestudio
First posting so please be patient. I really have tried to find the answer without any luck so far. So here goes. I would like to profile my iPF5000 for black
2007-09-27 by deandadin@aol.com
Hello Richard, I had the same problem with my printing recently. If your prints are consistantly too dark or too light, All you have to do is change the
2007-09-27 by chriskjezp
Sorry, forgot to mention I m using the standard UC K3 inks.
2007-09-27 by chriskjezp
I d like to try out the split-tone capability of QTR on some Premier Art Hot Press 205. I don t have the equipment or knowledge to make my own curves, so I m
2007-09-26 by Richard Smallfield
... I just sprayed one with Lyson Print Guard which cleared up the bronzing and gloss differential - except for the solid matt black area which is matt. I
2007-09-26 by Richard Smallfield
Thanks a lot ... I usually look at proofs under a full-spectrum fluorescent light. But I have been leaving the big window at the back of the room unblinded
2007-09-26 by CDTobie@aol.com
... Ambient light levels, and especially proofing light levels, are the usual culpret. Sounds obvious when worded this way but: if you shine a brighter light
2007-09-26 by Charlie Thomson
I never received the rebates due me and Epson ignored my complaint! Big business is just that BIG . CLT ... From: Steven Karafyllakis To:
2007-09-26 by Richard Smallfield
Hi, I print about half colour and half black and white. In both cases, despite different work flows, the prints are darker and contrastier than the monitor. My
2007-09-26 by Steven Karafyllakis
Has anyone tried to cash in their settlement rebates at the Epson store? I just did. The system will only accept one per order. Not only can you not get a real
2007-09-26 by Charles Becker
Richard- to eliminate the bronzing spray your print with PremierArt Print Shield Spray, works for me! www.premierimagingproducts.com Charles Richard Smallfield
2007-09-26 by Chris Kresser
Thanks for your suggestion, John. I m on a Mac, though, and Qimage isn t available for Mac. :
2007-09-26 by Howard Shaw
Arlene I had a similar experience with UT7 and a 2100 (2200) where Paul s curves inexplicably stopped working properly. I turned to QTR and haven t looked back
2007-09-26 by Vincent Orlando
Disgusting. And I only went to your web site. Almost lost my breakfast vinny www.wulfsden.com ... the publication of my ... available as a PDF for free ... in
2007-09-26 by John
The C87 is equal to C88, R230 = R220 and finally R390 = R380. Paul Roarke mentioned R260 is equal to the Asia Pacific model R270, which share the engine as
2007-09-26 by Peter Marquis-Kyle
... I believe the R230 is most similar to the R220, but set up for Australian power supply (240V instead of 110V). If you search the list archives you ll find
2007-09-26 by Ronald K. Johnson
Hi, currently use HP8750 for my printing, pretty happy with BW and Ilford papers. I follow Paul Roark s pages with interest. Would like to try full BW printing
2007-09-26 by Richard Smallfield
Hi, Just got samples of Platinum Rag and did a test print from my 2100 with UC inks & QTR ... with Matt K. The solid black areas are great (never seen such
2007-09-26 by brouwerkent
Question regarding minor issue with 2200 using K4 inks. I am printing some photographs with quarter inch black borders. I notice that only on the border
2007-09-26 by michaelrosensf
Adults only. If sexual art gives you a bad feeling, read no further. I m a long time lurker/learner/questioner on this list, announcing the publication of my
2007-09-25 by Paul Roark
I should have been more specific. I write curves for 2880 and use that. Paul www.PaulRoark.com _____ From:
2007-09-25 by Paul Roark
Hi Arlene, You might want to be sure the inks are loaded correctly. See the test files at http://www.paulroark.com/BW-Info/Test-files.htm Paul
2007-09-25 by CorrPro96@aol.com
In a message dated 9/24/2007 10:09:23 P.M. Eastern Daylight Time, e.neilsen2@worldnet.att.net writes: Anyone going to Photo Expo next month and want to get
2007-09-25 by Paul Roark
I always use 2880 uni-directional with QTR and whatever printer I m using. It s slow but the dmax is usually better and quality is great. Paul
2007-09-25 by Richard Smallfield
... Aren t the curves written for 1440? Have you made your own for 2880? ta, Richard -- http://smallfield.vze.com http://photos.smallfield.vze.com (Photos web
2007-09-25 by lovelipp
Now that I ve got the 7600 printing, and printing the full image again, I m back to trying to solve the curves problem. I use MIS UT7 ink, CFsystem, PS CS2,
2007-09-25 by Gary Weaver
Duane!! Thanks for the input. I have to measure color values with a scanner and I was getting 3-4 points difference between the two renditions. What you say
2007-09-25 by nsams2002
The following was posted on the QTR site, but thought I d give it a shot here also: I m using an Epson R2400 printer. QTR offers so many printing resolution
2007-09-25 by Paul Roark
Richard, ... My QTR linearization tab for the R260 indicates an Entrada BW 190 dmax of L 16.9. A rip, of course, might do a better job of getting the ink load
2007-09-25 by jrschwaller
... appreciated. ... now, ... on ... be. ... to ... Just a suggestion.... If you want to make your printing life easier, use Qimage. You will not need to do
2007-09-25 by Stephen Kobrin
Thanks Eric, Steve--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Eric ... sounds like ... and off ... of the ... your ... state and
2007-09-25 by michaelrosensf
For each curve, display the curve in Photoshop and use a screen grabber (Grab in OS 10.4) to capture the curve and then save it as a tiff. After you ve saved
2007-09-25 by eihnhoven
Thanks for the suggestions everyone. With work and family coming first, I ll need a few days to try all the suggestions, though I m sure I ll be back with
2007-09-25 by Eric Neilsen
Anyone going to Photo Expo next month and want to get together for a few beers? I should be out there from 16 to 21st +/- Eric Neilsen Photography 4101
2007-09-25 by gcwagner
Eric, Thanks for your response. I followed your settings and made a slight correction in the profile and the prints are looking much better. Gary W. ... From:
2007-09-25 by Eric Neilsen
Steve, This is a simple feat with an action set that you can write for yourself. Some of the other suggestions get you close, but this sounds like something
2007-09-25 by rebphoto
Ok it gets better............. I put the wheels back in and now it prints with out leaving any marks......... This has happened to me before.... Something
2007-09-25 by rebphoto
Well I took the Pizza Wheels out......... Works great until the very end of the print and then the printing head grabs the print and moves it..... The Pizza
2007-09-25 by dlruckus
Hi Gary. Try zeroing out the gray overlap. You have 10% of the gray as going into the full black. That could do what you are seeing. You also have 100% boost
2007-09-25 by rebphoto
Me Again......... I have read on a bunch of places on the inter net that it won t leave pizza wheel marks on Epson paper. I am going to guess that it dries
2007-09-24 by rebphoto
Hi Gang........... Just got my 2400 Printer............ So far I love it for B&W and Color. However..... It is leaving the dreaded Pizza Wheel Marks. I am
2007-09-24 by Richard Smallfield
I ve just been lent a book called Black and White Photography In The Digital Age by Tony Worobiec and Ray Spence - I thought I knew a lot about this subject,
2007-09-24 by Stephen Kobrin
Thanks to all who have chipped in here. I do want to compare the slopes and it sounds like screen capture is the way to go. I use a utility called
2007-09-24 by jnhugo
... contrast ... at ... At ... As I read this post it appears that you just want to see each curve and be able to look at each one to see how the slopes
2007-09-24 by rollin fraser
Steve, What you might consider is, with your image open, make as many new curves layers as you need and then load your saved curves. By turning each one on and
2007-09-24 by chriskjezp
Thanks again to everyone for your replies - they are much appreciated. I ve been able to get the cards to feed in about 50% of the time now, which is I guess
2007-09-24 by Chuck Behrman
Try using Curves Adjustment Layers (Layer New Adjustment Layer curves). You can have as many as you want or need and independently turn each on on or off.
2007-09-24 by Stephen Kobrin
I have. The problem is that you cannot select the duplicate while a curve is open for the original and visa-versa. Screen shots may be the answer here.
2007-09-24 by LeeNWA
Have you tried using duplicate images with each curve applied to see the difference? _____ From: DigitalBlackandWhiteThePrint@yahoogroups.com