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Photography That Doesn't Suck

Photography That Doesn't Suck

2013-02-14 by David Lykes Keenan

For those of you who use Facebook, I started a group there entitled
Photography That Doesn't Suck.

In this group, I take a crack at curating photographs that I think don't
suck and posting one or two of these a day. This group was born because so
much photography I see online DOES suck.

The group is still quite new and there are little over 100 members.

If you Facebook and would like to be a part of the group go to this URL
http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
.
Dave.

--
See my 2013 Picture A Week (PAW) Gallery
<http://www.dlkphotography.com/paw>originally begun in 2007.
Please join my photography mailing
list<http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a37b90&id=4dd441d8fe>
.


[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-15 by Ben Schneider

Who wants to have anything to do with Face Book?

All they do is sell you info; steel your privacy.

Ben 

Sent from my iPad

Re: Photography That Doesn't Suck

2013-02-15 by Jacques Caron

I'm over 60, on FaceBook and if you put all your life on it then.. you are selling info and you are downloading your privacy and there is no stealer here.

Sure there's a lot of advertising but… just don't buy! That's it!

As for the group, this is a nice place to see some more pictures, usually well done!


Jacques Caron
Photographe
jacques.caron@...

Re: Photography That Doesn't Suck

2013-02-15 by orbancc

well, this is my question and opinion, too.  Although, FB doesn't really steal privacy, since all their members/users willingly agree to give up their privacy.  FB does monetize that lack of privacy.  An interesting lesson in business models.

And with a billion users, how does one standout in that crowd?  It's the same marketing problem as being on the Internet itself.  I think A. Aubrey Bodine brings far more credibility to FaceBook than FB brings to Bodine.

All my efforts are devoted to marketing Bodine, not trying to make him visible in the FB crowd.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Ben Schneider <benjschneider2@...> wrote:
Show quoted textHide quoted text
>
> Who wants to have anything to do with Face Book?
> 
> All they do is sell you info; steel your privacy.
> 
> Ben 
> 
> Sent from my iPad
>

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-15 by Tina Manley

I took all of my photos off of Facebook because of their terms:

"For content that is covered by intellectual property rights, like photos
and videos (IP content), you specifically give us the following permission,
subject to your privacy <http://www.facebook.com/privacy/> and application
settings <http://www.facebook.com/editapps.php>: you grant us a
non-exclusive, transferable, sub-licensable, royalty-free, worldwide
license to use any IP content that you post on or in connection with
Facebook (IP License). This IP License ends when you delete your IP content
or your account unless your content has been shared with others, and they
have not deleted it."

I still use Facebook to keep up with friends and family but I don't post
any photos!

Tina

On Fri, Feb 15, 2013 at 10:52 AM, Jacques Caron <
jacques.caron@videotron.qc.ca> wrote:

> I'm over 60, on FaceBook and if you put all your life on it then.. you are
> selling info and you are downloading your privacy and there is no stealer
> here.
>
> Sure there's a lot of advertising but… just don't buy! That's it!
>
> As for the group, this is a nice place to see some more pictures, usually
> well done!
>
>
> Jacques Caron
> Photographe
> jacques.caron@...
>
>
>
>
>
>
> ------------------------------------
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-- 
Tina Manley, ASMP
www.tinamanley.com


[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-15 by HarryB

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Clayton Price <clay@...> wrote:
>
> How can you or anyone who considers their photography in a serious way, post their images on Facebook or any other such media?
> 

I'm an 80 yo ex college pofessor and amateur photographer.  I'm not a pro so if someone can make a few $$ off my photos, so be it, altho I seriously doubt that they can.  If you are a pro, fine but if you'e not, you are taking youself and your (dare I call it art) far too seriously.

Re: Photography That Doesn't Suck

2013-02-15 by Jacques Caron

Harry B, you made my day!

I'm a pro and I like looking at others' works. You're right about taking one's art too seriously; as an example, just do a research on the Internet for a picture, and you will see a lot of very good, to outstanding pictures coming from amateurs.

In the old times, maybe a photographer was convince that he had a spectacular image (no way to compare) but now….

I make a living with my travel pictures and I'm not afraid to say that there is a lot of amateurs who beat me flat! In any event, that's. at least. a lesson in humility.

You're right again when you say if someone is making any $$$ with your pics, good for them. As posting images, just put on FaceBook (or the the Web) low res pics. On a screen, everyone can appreciate them, but it's pretty hard to sell a low res pic.


Jacques Caron
Photographe
jacques.caron@...

Re: Photography That Doesn't Suck

2013-02-15 by Clayton Price

How can you or anyone who considers their photography in a serious way, post
their images on Facebook or any other such media?

Are you not aware that Facebook is being sued for many millions of dollars because
they consider any images published there to be theirs? And to mostly do with, as they 
please!  I'm not even close to being a lawyer, but you don't have to be one to 
be aware to keep your images far away from them, AND to register every photograph
you care about with the U.S. Copyright Office!

Clay Price

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-15 by jimbo

Ok this is a post that possibly I shouldn't do.. but I mean it constructive ok?
 First ..I'm not a facebook fan ..I'll admit to using it but it is strickly a social thing as it's intended.. Anything that goes out on face book , images , videos, text posts, responses etc becomes facebooks intelectual property.. They actually say that so their is no secret about it.. What I'm trying to say is that their is no point hating facebook as it doesn't measure up to the security needs of professional shooters.. as that is not what the place is all about.. personally I was more more sceptical about the site promoter that did the original post in this case..He's soliciting imagery that he juries in at his discression and once he says it's ok to go on face book it is then his property also.. Did you guys all miss that?

Anyway, none of the places that we use on line have image liability.. they are all basically unsecure sites for posting our images.. so if anyone takes an image of any of them the host has no liability.. While different it's basically up to us to provide any legal action if their is a compromise.. Here's something to think about.. Pretty much all the hosts have incredible search engines to make sure that specific content is made available to those that are after it..  Not one of the hosts offers image incription for security.. why is that...With incription all one could steel without going to great pains to break the incription is a screen copy..
 
Right now a group of panographers are working on packages to incript images as their fed up with them being stolen and used elsewhere... So, anyway, if retaining your images is at the for front for you.. Then using pretty much all these online hosts is a no no.. as long as your images can be viewed by the general public on line their available.. 
I guess my rant for the day.. :-)

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Clayton Price 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, February 15, 2013 10:36 AM
  Subject: [Digital BW] Re: Photography That Doesn't Suck


    
  How can you or anyone who considers their photography in a serious way, post
  their images on Facebook or any other such media?

  Are you not aware that Facebook is being sued for many millions of dollars because
  they consider any images published there to be theirs? And to mostly do with, as they 
  please! I'm not even close to being a lawyer, but you don't have to be one to 
  be aware to keep your images far away from them, AND to register every photograph
  you care about with the U.S. Copyright Office!

  Clay Price

  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-15 by jimbo

Harry , your perspective is well noted.. makes sense.. I am a full time professional photographer.. I do indeed have some images out on face book.. and I am fully aware of the rules.. but I feel I know what I'm doing.. The imagery I put out their to me are images I choose to share and I'm totally ok with it.. On the other hand I have, for want of a better term, what I call money shots... These don't go on line.. They are my intellectual property and I'll keep it that way.. 
I've seen images from many shooters on this group and I do mean many.. that are so high rez their a PIA to open and view.. Way to much information.. All can be down loaded.. So to me a really poor choice if your an advocate of security.. Security begins with us.. we are the ones that can really make or break it.. If we intend to depend on Facebook, PBase, Flickr or any of them to do it all for us ..well I think we are quite naieve..

jimbo  ----- Original Message ----- 
Show quoted textHide quoted text
  From: HarryB 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, February 15, 2013 10:04 AM
  Subject: [Digital BW] Re: Photography That Doesn't Suck


    

  --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Clayton Price wrote:
  >
  > How can you or anyone who considers their photography in a serious way, post their images on Facebook or any other such media?
  > 

  I'm an 80 yo ex college pofessor and amateur photographer. I'm not a pro so if someone can make a few $$ off my photos, so be it, altho I seriously doubt that they can. If you are a pro, fine but if you'e not, you are taking youself and your (dare I call it art) far too seriously. 



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-15 by HarryB

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Jacques Caron <jacques.caron@...> wrote:
>
> Harry B, you made my day!
> 

Glad I could help! <g>  

I have a few pics on my website (www.harryblaine.com) that might amuse some of you. :-)  I took photos of dancers for many years back in the day and was going to put some of them up too but sadly my webmistress (and dear friend) died, so I'm stuck, can't get into my own website.  Plus I have hundreds of tri-x negs so scanning is somewhat of a problem.  Since I'm retired I have the time but I'm stone lazy! <g> S'why I took a golden handshake and retired early.  And, of course, paying to have them all scanned involves either lots of $$ - or more dmd work to single out the keepers! <g> 

What inspired me to get a website was a photo I took of a Korean priest in a fantastic red outfit, decorated with bells and other things and an amazing peaked hat, dancing in a stylized fashion and leading a funeral procession on a rural Korean road.  You won't find it on my site tho because somehow I lost the d^mned thing in the interveneing 50 or so years between shot and website.  Too many moves (primarily as a college boy but many later too) and no filing system.  Now it exists only in my failing memory.  I wish you could have seen it - best photo I ever took imho even tho it was shot thru the glass window of a 3/4 ton army truck as we drove by.  Harry

Re: [Digital BW] Photography That Doesn't Suck

2013-02-15 by Ernst Dinkla

If only Facebook had an option Sucks next to Like and this thread would not be necessary. I might even join Facebook then.

Ernst Dinkla     op de lei getypt

David Lykes Keenan <ausdlk@...>schreef:

>  
>
>For those of you who use Facebook, I started a group there entitled
>Photography That Doesn't Suck.
>
>In this group, I take a crack at curating photographs that I think don't
>suck and posting one or two of these a day. This group was born because so
>much photography I see online DOES suck.
>
>The group is still quite new and there are little over 100 members.
>
>If you Facebook and would like to be a part of the group go to this URL
>http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
>.
>Dave.
>
>--
>See my 2013 Picture A Week (PAW) Gallery
>http://www.dlkphotography.com/paw>originally begun in 2007.
>Please join my photography mailing
>listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a37b90&id=4dd441d8fe>
>.
>
>[Non-text portions of this message have been removed]
>
>
>
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Re: Photography That Doesn't Suck

2013-02-15 by Seth Rossman

Everyone ought to REALLY get it straight!!  Whether FB steals or not, 
certain apps/modules/whatever DO steal, remove and sell info AND set up 
infections on your system.

Also, I have to laugh at the "from my iPad" and "from Android" 
signatures.  Android is THE MOST hacked phone, followed by Apple. We are 
talking contacts, credit cards, passwords--everything.

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-15 by Seth Rossman

Tina said:

"I took all of my photos off of Facebook because of their terms:...."

Sorry, Tina, once you post, they ARE on the internet.  maybe not on FB, 
but ON the internet.  It's a fact of life.

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-15 by Mark Savoia

Man, is this thread a long way from a black and white print ;)

Mark
http://www.stillrivereditions.com
Show quoted textHide quoted text
On Feb 15, 2013, at 2:17 PM, Seth Rossman wrote:

> Tina said:
> 
> "I took all of my photos off of Facebook because of their terms:...."
> 
> Sorry, Tina, once you post, they ARE on the internet.  maybe not on FB, 
> but ON the internet.  It's a fact of life.

Re: Photography That Doesn't Suck

2013-02-15 by piezobw

Then of course is the fact that Facebook was designed for students - who appreciate and invent really brilliant sarcasm that their parents can't possibly (understand). 

And on the other hand, I have a convenient pictorial history of everything really interesting that I have eaten over the past six years.


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia <mark@...> wrote:
Show quoted textHide quoted text
>
> Man, is this thread a long way from a black and white print ;)
> 
> Mark
> http://www.stillrivereditions.com
> 
> On Feb 15, 2013, at 2:17 PM, Seth Rossman wrote:
> 
> > Tina said:
> > 
> > "I took all of my photos off of Facebook because of their terms:...."
> > 
> > Sorry, Tina, once you post, they ARE on the internet.  maybe not on FB, 
> > but ON the internet.  It's a fact of life.
>

[Digital BW] Re: Photography That Doesn't Suck

2013-02-15 by HarryB

I'll do my best to get it back on track:  I have a few fairly decent 8x10 B/W dance prints around here somewhere.  Ti-X on gloss paper.  :-)


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia <mark@...> wrote:
Show quoted textHide quoted text
>
> Man, is this thread a long way from a black and white print ;)
> 
> Mark
> http://www.stillrivereditions.com
>

Re: Photography That Doesn't Suck

2013-02-15 by HarryB

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "piezobw" <jon@...> wrote:
>
>> And on the other hand, I have a convenient pictorial history of everything really interesting that I have eaten over the past six years.
> 

Please put them on Facebook!  <g>

RE: [Digital BW] Photography That Doesn't Suck

2013-02-15 by EJ Neilsen

Dave, Do you fully explain how FB works to your members; not just tell them
to read the privacy agreement? Do they know that submitting a photo to
Photos that Don't Suck, that you plan to repost them? 

 

Why the hell would anyone promote the creation of orphaned images. I am
sorry you older guys, here at 53, but the fact that your 80 and you don't
care what happens to the profession that you made your living at pisses me
off. I got mine now go figure out how to get yours? Now that is a bit tongue
in cheek but just a little. 

 

Now granted, Facebook is not Professional photography, it is social media
but it does use professional and non professional photography alike. Too
full of one self, ? sure there are many photos that were licensed at a value
which I'd consider full of it. 

 

$10 can buy you a web hosting package and another $50 to $100 for a domain;
Photos that don't suck. Once you have a hosted site, there are only the
regular avenue of theft on the internet, as if that's not already bad
enough.  I tell clients NOT to post valuable work on any social media, let
alone FB. I regularly see attribution for writers on FB post. I almost NEVER
see a credit to a photographer. People just expect to be able to use one
however they see fit.

 

So , sharing good photos - grand idea. Doing it on the net? You get what you
pay for.  

 

Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301

 

www.ericneilsenphotography.com

SKYPE ejprinter
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of David
Lykes Keenan
Sent: Thursday, February 14, 2013 4:50 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Photography That Doesn't Suck

 

  

For those of you who use Facebook, I started a group there entitled
Photography That Doesn't Suck.

In this group, I take a crack at curating photographs that I think don't
suck and posting one or two of these a day. This group was born because so
much photography I see online DOES suck.

The group is still quite new and there are little over 100 members.

If you Facebook and would like to be a part of the group go to this URL
http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
.
Dave.

--
See my 2013 Picture A Week (PAW) Gallery
http://www.dlkphotography.com/paw>originally begun in 2007.
Please join my photography mailing
listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
32a37b90
<http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
37b90&id=4dd441d8fe> &id=4dd441d8fe>
.

[Non-text portions of this message have been removed]





[Non-text portions of this message have been removed]

Re: [Digital BW] Photography That Doesn't Suck

2013-02-15 by jimbo

Ya know EJ ...I could grow to really like you..... :-)

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: EJ Neilsen 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, February 15, 2013 1:59 PM
  Subject: RE: [Digital BW] Photography That Doesn't Suck


    
  Dave, Do you fully explain how FB works to your members; not just tell them
  to read the privacy agreement? Do they know that submitting a photo to
  Photos that Don't Suck, that you plan to repost them? 

  Why the hell would anyone promote the creation of orphaned images. I am
  sorry you older guys, here at 53, but the fact that your 80 and you don't
  care what happens to the profession that you made your living at pisses me
  off. I got mine now go figure out how to get yours? Now that is a bit tongue
  in cheek but just a little. 

  Now granted, Facebook is not Professional photography, it is social media
  but it does use professional and non professional photography alike. Too
  full of one self, ? sure there are many photos that were licensed at a value
  which I'd consider full of it. 

  $10 can buy you a web hosting package and another $50 to $100 for a domain;
  Photos that don't suck. Once you have a hosted site, there are only the
  regular avenue of theft on the internet, as if that's not already bad
  enough. I tell clients NOT to post valuable work on any social media, let
  alone FB. I regularly see attribution for writers on FB post. I almost NEVER
  see a credit to a photographer. People just expect to be able to use one
  however they see fit.

  So , sharing good photos - grand idea. Doing it on the net? You get what you
  pay for. 

  Eric Neilsen

  4101 Commerce Street, Suite 9

  Dallas, TX 75226

  214-827-8301

  www.ericneilsenphotography.com

  SKYPE ejprinter

  From: DigitalBlackandWhiteThePrint@yahoogroups.com
  [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of David
  Lykes Keenan
  Sent: Thursday, February 14, 2013 4:50 PM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: [Digital BW] Photography That Doesn't Suck

  For those of you who use Facebook, I started a group there entitled
  Photography That Doesn't Suck.

  In this group, I take a crack at curating photographs that I think don't
  suck and posting one or two of these a day. This group was born because so
  much photography I see online DOES suck.

  The group is still quite new and there are little over 100 members.

  If you Facebook and would like to be a part of the group go to this URL
  http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
  .
  Dave.

  --
  See my 2013 Picture A Week (PAW) Gallery
  http://www.dlkphotography.com/paw>originally begun in 2007.
  Please join my photography mailing
  listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
  32a37b90
  http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
  37b90&id=4dd441d8fe> &id=4dd441d8fe>
  .

  [Non-text portions of this message have been removed]

  [Non-text portions of this message have been removed]



  
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  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

Re: [Digital BW] Photography That Doesn't Suck

2013-02-15 by cathys fan

We keep our photos on flickr, where they have to work a little harder.
On Feb 15, 2013 4:27 PM, "jimbo" <mrjimbo@...> wrote:

> **
>
>
> Ya know EJ ...I could grow to really like you..... :-)
>
> jimbo
> ----- Original Message -----
> From: EJ Neilsen
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Sent: Friday, February 15, 2013 1:59 PM
> Subject: RE: [Digital BW] Photography That Doesn't Suck
>
> Dave, Do you fully explain how FB works to your members; not just tell them
> to read the privacy agreement? Do they know that submitting a photo to
> Photos that Don't Suck, that you plan to repost them?
>
> Why the hell would anyone promote the creation of orphaned images. I am
> sorry you older guys, here at 53, but the fact that your 80 and you don't
> care what happens to the profession that you made your living at pisses me
> off. I got mine now go figure out how to get yours? Now that is a bit
> tongue
> in cheek but just a little.
>
> Now granted, Facebook is not Professional photography, it is social media
> but it does use professional and non professional photography alike. Too
> full of one self, ? sure there are many photos that were licensed at a
> value
> which I'd consider full of it.
>
> $10 can buy you a web hosting package and another $50 to $100 for a domain;
> Photos that don't suck. Once you have a hosted site, there are only the
> regular avenue of theft on the internet, as if that's not already bad
> enough. I tell clients NOT to post valuable work on any social media, let
> alone FB. I regularly see attribution for writers on FB post. I almost
> NEVER
> see a credit to a photographer. People just expect to be able to use one
> however they see fit.
>
> So , sharing good photos - grand idea. Doing it on the net? You get what
> you
> pay for.
>
> Eric Neilsen
>
> 4101 Commerce Street, Suite 9
>
> Dallas, TX 75226
>
> 214-827-8301
>
> www.ericneilsenphotography.com
>
> SKYPE ejprinter
>
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of David
> Lykes Keenan
> Sent: Thursday, February 14, 2013 4:50 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: [Digital BW] Photography That Doesn't Suck
>
> For those of you who use Facebook, I started a group there entitled
> Photography That Doesn't Suck.
>
> In this group, I take a crack at curating photographs that I think don't
> suck and posting one or two of these a day. This group was born because so
> much photography I see online DOES suck.
>
> The group is still quite new and there are little over 100 members.
>
> If you Facebook and would like to be a part of the group go to this URL
> http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
> .
> Dave.
>
> --
> See my 2013 Picture A Week (PAW) Gallery
> http://www.dlkphotography.com/paw>originally begun in 2007.
> Please join my photography mailing
>
> listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
> 32a37b90
> http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
> 37b90&id=4dd441d8fe> &id=4dd441d8fe>
> .
>
> [Non-text portions of this message have been removed]
>
> [Non-text portions of this message have been removed]
>
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13
>
> [Non-text portions of this message have been removed]
>
>  
>


[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-16 by Julian Kaiser

Some years ago an Art Buyer at a big time Ad Agency told me that we photographers had ruined the photography  business  by selling ourselves too cheap.
And so it goes.
Julian Kaiser

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-16 by Bill Kennedy

Kodak used to keep statistics on the photography market, including the average income of working photographers.


A friend, Kodak engineer, told me years ago that the median income for photographers had steadily declined (adjusted for inflation) since the 1960's.


Economically, photographers have been their own worse enemy. And, despite the good efforts by a number of professional trade organizations and schools that have created business education curriculum for photographers, the trend continues.


Bill Kennedy
Professor of Photocommunications
Area Coordinator
St. Edward's University
Austin, Texas USA
Show quoted textHide quoted text
-----Original Message-----
From: Julian Kaiser <Jlkmmw@earthlink.net>
To: DigitalBlackandWhiteThePrint <DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Sat, Feb 16, 2013 10:26 am
Subject: [Digital BW] Re: Photography That Doesn't Suck


  
    
                  
Some years ago an Art Buyer at a big time Ad Agency told me that we photographers had ruined the photography  business  by selling ourselves too cheap.
And so it goes.
Julian Kaiser
    
             

  
 


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-16 by cathys fan

We have to sell to middle class, who have taken a real hit lately.  Also,
the dancers spend a lot on costuming, not much left for photos.
On Feb 16, 2013 11:26 AM, "Julian Kaiser" <Jlkmmw@...> wrote:

> **
>
>
> Some years ago an Art Buyer at a big time Ad Agency told me that we
> photographers had ruined the photography business by selling ourselves too
> cheap.
> And so it goes.
> Julian Kaiser
>  
>


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-16 by CDTobie

>>Some years ago an Art Buyer at a big time Ad Agency told me that we photographers had ruined the photography business by selling ourselves too cheap.

It's a slippery slope, where no single step causes the end result. But even if pros held their pricing, many categories (most notably travel, landscape, senior portraits, and photojournalism) would still have been undermined by enthusiastic amateurs, happy to provide images for little or nothing. 

C. David Tobie
Global Product Technology Manager
Imaging Color Solutions
Datacolor inc. 
cdtobie@...
www.datacolor.com

On Feb 16, 2013, at 8:26 AM, Julian Kaiser <Jlkmmw@...> wrote:

> Some years ago an Art Buyer at a big time Ad Agency told me that we photographers had ruined the photography business by selling ourselves too cheap.

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-16 by John Castronovo

Right. So long as there's no license required to sell photographs, there's 
no way to stop people from underbidding the market. The only way up is to do 
better work in a niche market and then keep quiet about it.
Show quoted textHide quoted text
-----Original Message----- 
From: CDTobie
Sent: Saturday, February 16, 2013 12:03 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck

>>Some years ago an Art Buyer at a big time Ad Agency told me that we 
>>photographers had ruined the photography business by selling ourselves too 
>>cheap.

It's a slippery slope, where no single step causes the end result. But even 
if pros held their pricing, many categories (most notably travel, landscape, 
senior portraits, and photojournalism) would still have been undermined by 
enthusiastic amateurs, happy to provide images for little or nothing.

C. David Tobie
Global Product Technology Manager
Imaging Color Solutions
Datacolor inc.
cdtobie@...
www.datacolor.com

On Feb 16, 2013, at 8:26 AM, Julian Kaiser <Jlkmmw@...> wrote:

> Some years ago an Art Buyer at a big time Ad Agency told me that we 
> photographers had ruined the photography business by selling ourselves too 
> cheap.


------------------------------------

Please visit the Group Homepage to check the Files, and other resources as 
they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to 
unsubscribe, please edit your Membership preferences by visiting this same 
page.

Please follow these basic guidelines:
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- Good manners are required at all time. No personal attacks or flames. 
Hostile, aggressive or argumentative users may be removed from the 
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W 
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the membership.
- By posting on this forum you agree to abide by the group rules and 
guidelines, and to abide by the actions and decisions of the group Owner and 
Moderators. See \u201cGroup Topic, Rules and Guidelines\u201d in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT 
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE \u201cOWNER\u201d AND 
\u201cMODERATORS\u201d OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU 
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY 
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, 
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  \u201cOWNER\u201d AND 
\u201cMODERATORS\u201d OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE 
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY 
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR 
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY 
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER 
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.
Yahoo! Groups Links





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Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-17 by robert wilkinson

There was 80Billion Photos taken last year Just in The United States.Also these Stock Companies to build there Libraries Took Everyone From Hobbyist to expert,they didnt care they just number crunched ,so if you had 10 good photos fine,if youhad a 100 fine/
Also Competing Against A $1 photo is pretty hard.
Thats not even Including all "THE FINEART SIGHTS" selling 8x10s for $7.99
Robert
 

________________________________
Show quoted textHide quoted text
 From: John Castronovo <jc@...>
To: DigitalBlackandWhiteThePrint@yahoogroups.com 
Sent: Saturday, February 16, 2013 1:43:30 PM
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck
  
 
   
 
Right. So long as there's no license required to sell photographs, there's 
no way to stop people from underbidding the market. The only way up is to do 
better work in a niche market and then keep quiet about it.

-----Original Message----- 
From: CDTobie
Sent: Saturday, February 16, 2013 12:03 PM
To: mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck

>>Some years ago an Art Buyer at a big time Ad Agency told me that we 
>>photographers had ruined the photography business by selling ourselves too 
>>cheap.

It's a slippery slope, where no single step causes the end result. But even 
if pros held their pricing, many categories (most notably travel, landscape, 
senior portraits, and photojournalism) would still have been undermined by 
enthusiastic amateurs, happy to provide images for little or nothing.

C. David Tobie
Global Product Technology Manager
Imaging Color Solutions
Datacolor inc.
mailto:cdtobie%40datacolor.com
www.datacolor.com

On Feb 16, 2013, at 8:26 AM, Julian Kaiser mailto:Jlkmmw%40earthlink.net> wrote:

> Some years ago an Art Buyer at a big time Ad Agency told me that we 
> photographers had ruined the photography business by selling ourselves too 
> cheap.

------------------------------------

Please visit the Group Homepage to check the Files, and other resources as 
they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to 
unsubscribe, please edit your Membership preferences by visiting this same 
page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep 
them short.
- Good manners are required at all time. No personal attacks or flames. 
Hostile, aggressive or argumentative users may be removed from the 
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W 
printing. Users who persistently make off-topic posts may be removed from 
the membership.
- By posting on this forum you agree to abide by the group rules and 
guidelines, and to abide by the actions and decisions of the group Owner and 
Moderators. See “Group Topic, Rules and Guidelines� in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT 
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE “OWNER� AND 
“MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU 
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY 
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, 
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE  “OWNER� AND 
“MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE 
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY 
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR 
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY 
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER 
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.
Yahoo! Groups Links

-----
No virus found in this message.
Checked by AVG - www.avg.com
Version: 2013.0.2899 / Virus Database: 2639/6100 - Release Date: 02/12/13

   
         

[Non-text portions of this message have been removed]

RE: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by E.Neilsen

And while we constantly battle the circular motion around the bowl pulling the whole industry under the break even point, more and more photo enthusiasts are contributing to the shear volume of photos; good and bad.  Finding a price point that doesn't sell you out and customers still willing to pay for quality is amazingly interesting.  
 
Eric Neilsen
Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226
 
www.ericneilsenphotography.com
skype me with ejprinter
Let's Talk Photography
 
  _____  
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of robert wilkinson
Sent: Sunday, February 17, 2013 2:58 AM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck
 
  
There was 80Billion Photos taken last year Just in The United States.Also these Stock Companies to build there Libraries Took Everyone From Hobbyist to expert,they didnt care they just number crunched ,so if you had 10 good photos fine,if youhad a 100 fine/
Also Competing Against A $1 photo is pretty hard.
Thats not even Including all "THE FINEART SIGHTS" selling 8x10s for $7.99
Robert


________________________________
From: John Castronovo jc@...m <mailto:jc%40technicalphoto.com> >
To: DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>  
Sent: Saturday, February 16, 2013 1:43:30 PM
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck


  

Right. So long as there's no license required to sell photographs, there's 
no way to stop people from underbidding the market. The only way up is to do 
better work in a niche market and then keep quiet about it.

-----Original Message----- 
From: CDTobie
Sent: Saturday, February 16, 2013 12:03 PM
To: mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck

>>Some years ago an Art Buyer at a big time Ad Agency told me that we 
>>photographers had ruined the photography business by selling ourselves too 
>>cheap.

It's a slippery slope, where no single step causes the end result. But even 
if pros held their pricing, many categories (most notably travel, landscape, 
senior portraits, and photojournalism) would still have been undermined by 
enthusiastic amateurs, happy to provide images for little or nothing.

C. David Tobie
Global Product Technology Manager
Imaging Color Solutions
Datacolor inc.
mailto:cdtobie%40datacolor.com
www.datacolor.com

On Feb 16, 2013, at 8:26 AM, Julian Kaiser mailto:Jlkmmw%40earthlink.net> wrote:

> Some years ago an Art Buyer at a big time Ad Agency told me that we 
> photographers had ruined the photography business by selling ourselves too 
> cheap.

------------------------------------

Please visit the Group Homepage to check the Files, and other resources as 
they are often being updated.

http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint

If you wish to receive no emails or just a daily digest, or you wish to 
unsubscribe, please edit your Membership preferences by visiting this same 
page.

Please follow these basic guidelines:
- As threads develop, trim off excess portions of earlier messages to keep 
them short.
- Good manners are required at all time. No personal attacks or flames. 
Hostile, aggressive or argumentative users may be removed from the 
membership without notice.
- Keep your posts and threads related to the group topic of digital B&W 
printing. Users who persistently make off-topic posts may be removed from 
the membership.
- By posting on this forum you agree to abide by the group rules and 
guidelines, and to abide by the actions and decisions of the group Owner and 
Moderators. See “Group Topic, Rules and Guidelines� in the Files section:
http://groups.yahoo.com/group/DigitalBlackandWhiteThePrint/files/

BY PARTICIPATING IN AND/OR POSTING MESSAGES TO THE DIGITAL BW, THE PRINT 
YAHOO! GROUP YOU EXPRESSLY UNDERSTAND AND AGREE THAT THE “OWNER� AND 
“MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP SHALL NOT BE LIABLE TO YOU 
FOR ANY DIRECT, INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL OR EXEMPLARY 
DAMAGES, INCLUDING BUT NOT LIMITED TO, DAMAGES FOR LOSS OF PROFITS, 
GOODWILL, USE, DATA OR OTHER INTANGIBLE LOSSES (EVEN IF THE “OWNER� AND 
“MODERATORS� OF DIGITAL BW, THE PRINT YAHOO GROUP HAVE BEEN ADVISED OF THE 
POSSIBILITY OF SUCH DAMAGES), RESULTING FROM: (i) THE USE OR THE INABILITY 
TO USE THE DIGITAL BW, THE PRINT YAHOO GROUP; (ii) UNAUTHORIZED ACCESS TO OR 
ALTERATION OF YOUR TRANSMISSIONS OR DATA; (iii) STATEMENTS OR CONDUCT OF ANY 
THIRD PARTY ON THE DIGITAL BW, THE PRINT YAHOO GROUP; OR (iv) ANY OTHER 
MATTER RELATING TO THE DIGITAL BW, THE PRINT YAHOO GROUP.
Yahoo! Groups Links

-----
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Checked by AVG - www.avg.com
Version: 2013.0.2899 / Virus Database: 2639/6100 - Release Date: 02/12/13

[Non-text portions of this message have been removed]



[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-18 by orbancc

Finding the price point turned out to be easy in my case ...

When I started the effort to sell A. Aubrey Bodine reprints and note cards in 2000, I looked at the "industry" (basically, Nash Editions) and saw 16x20s, done on the IRIS printer, going for $500.  So I tried that.  I had to outsource the printing since I couldn't afford the IRIS, and managed to net $50 per sale.  I sold exactly 16 prints in the first year.  

Then the equipment went through a revolution -- printers, scanners, hard drives, computers, software -- all became cheaper and better and that transformed the problem. I dropped the price to $50 for a 16x20, and over the last 12 years I have printed and sold more than 30,000 prints in 5 sizes from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30 ($100).  Plus I offer archival for quite a bit more -- some people need the better quality distinction, but only about 2%.

So now, like most things in the economy, it is a marketing issue.  Which technology, again, in the internet, has transformed.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "E.Neilsen" <e.neilsen2@...> wrote:
Show quoted textHide quoted text
>
> And while we constantly battle the circular motion around the bowl pulling the whole industry under the break even point, more and more photo enthusiasts are contributing to the shear volume of photos; good and bad.  Finding a price point that doesn't sell you out and customers still willing to pay for quality is amazingly interesting.  
>  
> Eric Neilsen
> Eric Neilsen Photography
> 4101 Commerce Street, Suite 9
> Dallas, TX 75226
>  
> www.ericneilsenphotography.com
> skype me with ejprinter
> Let's Talk Photography
>  
>

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by Paul Roark

E.Neilsen <e.neilsen2@...> wrote:

> **
>
>
> ...  Finding a price point that doesn't sell you out and customers still
> willing to pay for quality is amazingly interesting.
> ...
>

That is part of what is behind my dye v. carbon pigment approaches   The
walk-by customers that make up the numerical bulk of Gallery Los Olivos's
customers are very price sensitive and don't care about longevity.  The
collectors don't like the low prices I need to put on work to sell to these
people.  So, we'll see if I can have 2 different media that can make both
markets at least somewhat happy.

I'm having a show in September where the front room will be entirely dye
prints.  In a separate space the carbon prints will be hanging, with higher
prices, including one that will be an edition of 1 with a very high price.
We'll see what happens.

Paul
www.PaulRoark.com


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by Tony Sleep

On 18/02/2013 14:53, orbancc wrote:
>
> Then the equipment went through a revolution -- printers, scanners, hard
> drives, computers, software -- all became cheaper and better and that
> transformed the problem. I dropped the price to $50 for a 16x20, and over
> the last 12 years I have printed and sold more than 30,000 prints in 5
> sizes from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30
> ($100). Plus I offer archival for quite a bit more -- some people need the
> better quality distinction, but only about 2%.

That suggests you've maybe grossed ~$150,000 in 12 years. Less (say) 40% 
for overheads and costs (printers, ink, paper, space, energy, computers, 
s/w etc), that leaves $90k - a net average income of ~$7,500/year. For how 
many hours work, and other time spent and direct costs incurred in the 
photography?

Finding a price point at which people will buy but you earn nothing is 
quite easy...

-- 
Regards

Tony Sleep
http://tonysleep.co.uk

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by jimbo

Hi Paul,
While I'm doing this on group...it's intended for you.. I have learned a few very bitter lessons thru the years in the area of marketing.. In our quest to satisfy all we often shoot ourselves right in the foot.. The idea of selling work that is marketed to two or more groups in the same place or show event.. is really really complex.. If is screws up you actually loose ground on both ends.. The discovery I made along the way is that your collector or really serious buyers that pay the premeum for really outstanding collectable work actually don't like being in the space of the other group.. they feel compromised and cheapend... I have actually had conversations with some very special clients along the way.. I have a client in Colorado that attends the CM Russell show that I do every year.. As with any show the quality of our traffic in the past few years had degraded somewhat.. He will walk by my room until it is clear so he can be one on one in a quality way.. So ...no clue if the two room concept will get you around it.. but I wish you luck.. I really do.. I suggest staffing it such that your free to do what you need to do.. ..I'd also appreciate hearing how it goes .. no kidding..  I have done a few gallery shows in my area where the gallery is open to the public until 5 PM ..We shut down for an hour. Then open again by invitation from 6 to 9.. I got quite a bit of flack from the day attendees... So far I really haven't found the answer that actually makes me comfortable short of totally seperate shows that the work focuses on the intended market.. And beleive me I've tried a few crazy things..  Anyway good luck with that..

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Paul Roark 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Monday, February 18, 2013 8:57 AM
  Subject: Re: [Digital BW] Re: Photography That Doesn't Suck


    
  E.Neilsen e.neilsen2@...> wrote:

  > **
  >
  >
  > ... Finding a price point that doesn't sell you out and customers still
  > willing to pay for quality is amazingly interesting.
  > ...
  >

  That is part of what is behind my dye v. carbon pigment approaches The
  walk-by customers that make up the numerical bulk of Gallery Los Olivos's
  customers are very price sensitive and don't care about longevity. The
  collectors don't like the low prices I need to put on work to sell to these
  people. So, we'll see if I can have 2 different media that can make both
  markets at least somewhat happy.

  I'm having a show in September where the front room will be entirely dye
  prints. In a separate space the carbon prints will be hanging, with higher
  prices, including one that will be an edition of 1 with a very high price.
  We'll see what happens.

  Paul
  www.PaulRoark.com

  [Non-text portions of this message have been removed]



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-18 by orbancc

Not quite -- you're off by an order of magnitude, and I have very low overhead since I work from my basement.  And do my own programming (inhouse and the website), bookkeeping, and whatever graphic design is needed.  I'm a computer guy/engineer and don't really know much about art - other than growing up with a darkroom in my parents home.

We have also done three books -- the latest will be released this month:  Bodine's Industry, to join Bodine's Chesapeake Bay Country and Bodine's City in this series of photography books published by Schiffer Books.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tony Sleep <TonySleep@...> wrote:
Show quoted textHide quoted text
>
> On 18/02/2013 14:53, orbancc wrote:
> >
> > Then the equipment went through a revolution -- printers, scanners, hard
> > drives, computers, software -- all became cheaper and better and that
> > transformed the problem. I dropped the price to $50 for a 16x20, and over
> > the last 12 years I have printed and sold more than 30,000 prints in 5
> > sizes from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30
> > ($100). Plus I offer archival for quite a bit more -- some people need the
> > better quality distinction, but only about 2%.
> 
> That suggests you've maybe grossed ~$150,000 in 12 years. Less (say) 40% 
> for overheads and costs (printers, ink, paper, space, energy, computers, 
> s/w etc), that leaves $90k - a net average income of ~$7,500/year. For how 
> many hours work, and other time spent and direct costs incurred in the 
> photography?
> 
> Finding a price point at which people will buy but you earn nothing is 
> quite easy...
> 
> -- 
> Regards
> 
> Tony Sleep
> http://tonysleep.co.uk
>

Re: Photography That Doesn't Suck

2013-02-18 by reallybelgium

I am surprised (shocked) by these prices.
This weekend I visited 2 fine art galleries in Belgium, and these were the prices of the photographs hanging over there:

120 X 150 cm ( 48 inches x 60 inches ) édition of 9. The price begins at 9.000 euros tax and frame diasec included.

150 X 200 cm ( 60 inches x 80 inches ) edition of 9. 
The price begin at 10.890 euros tax and frame diasec included

200 cm x 260 cm ( 80 inches x 100 inches ) edition of 2.
The price begin at 40.000 euros tax and frame diasec included


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "orbancc" <ro@...> wrote:
Show quoted textHide quoted text
>
> Finding the price point turned out to be easy in my case ...
> 
> When I started the effort to sell A. Aubrey Bodine reprints and note cards in 2000, I looked at the "industry" (basically, Nash Editions) and saw 16x20s, done on the IRIS printer, going for $500.  So I tried that.  I had to outsource the printing since I couldn't afford the IRIS, and managed to net $50 per sale.  I sold exactly 16 prints in the first year.  
> 
> Then the equipment went through a revolution -- printers, scanners, hard drives, computers, software -- all became cheaper and better and that transformed the problem. I dropped the price to $50 for a 16x20, and over the last 12 years I have printed and sold more than 30,000 prints in 5 sizes from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30 ($100).  Plus I offer archival for quite a bit more -- some people need the better quality distinction, but only about 2%.
> 
> So now, like most things in the economy, it is a marketing issue.  Which technology, again, in the internet, has transformed.
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "E.Neilsen" <e.neilsen2@> wrote:
> >
> > And while we constantly battle the circular motion around the bowl pulling the whole industry under the break even point, more and more photo enthusiasts are contributing to the shear volume of photos; good and bad.  Finding a price point that doesn't sell you out and customers still willing to pay for quality is amazingly interesting.  
> >  
> > Eric Neilsen
> > Eric Neilsen Photography
> > 4101 Commerce Street, Suite 9
> > Dallas, TX 75226
> >  
> > www.ericneilsenphotography.com
> > skype me with ejprinter
> > Let's Talk Photography
> >  
> >
>

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by jimbo

Tony,
Please don't get mad at me..... well too mad ok? I mean this well and it'll maybe be hard to chew. What is very clear from your response is that your not a professional  or full time photographer.. that needs to buy bread and my ever famous saying "beer" from our efforts.. 

You went a place you really didn't need to go and it was actually non productive in the end.. I say that because .. you've most likely not walked his walk.. Being a committed full time photographer or artist for that matter is one of the scariest things on the planet today.. You want to under stand faith and commitment.. well a good place to look maybe is a shooter that just can't quit... The past say 5 years have been very difficult.. It doesn't mean we work less in truth it means we work different and harder in many cases..  Do you, sir , have that level of commitment? 

The world has been moving to the Walmart mentality.. ( Sorry I just had to say it that way..) So it's like this ..adapt, reconfigure or die.. The neat part  and I say neat part is .. we're in a funny space for a while.. Cameras every where.. images everywhere.. confusion everywhere... when the dust settles .. the real shooters or their succesors will win.. So let it be written.. Their is no substitute for hard work and talent..
 
I'm doing things today that I thought I'd never have to do.. My whole life is about making meaningful imagery.. interacting with people, clients that are willing to trade their hard erned money for a part of me to hang on their wall, in their office or my new place video..  etc.. that's what I need .. it's what drives me. So maybe I'm flawed.. When it works .. it drives me to a greator place.. I think that's how it's supposed to work.. not sure..

So .. to sum up.. and this is just for you to contemplate ok? You were looking at numbers when you saw that the poster sold 30,000 images.. over I guess 12 years.. Divide that by 12 dude.. that's his exposure.. Do you know how to understand what the side line benefits of that kind of exposure really is? So Jimbo says lets root for this guy.. not try to take him down.. You drive him away and you won't learn shit from him.. .. but then maybe that doesn't matter to you..

jimbo




  ----- Original Message ----From: Tony Sleep 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
Show quoted textHide quoted text
  Sent: Monday, February 18, 2013 9:45 AM
  Subject: Re: [Digital BW] Re: Photography That Doesn't Suck


    
  On 18/02/2013 14:53, orbancc wrote:
  >
  > Then the equipment went through a revolution -- printers, scanners, hard
  > drives, computers, software -- all became cheaper and better and that
  > transformed the problem. I dropped the price to $50 for a 16x20, and over
  > the last 12 years I have printed and sold more than 30,000 prints in 5
  > sizes from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30
  > ($100). Plus I offer archival for quite a bit more -- some people need the
  > better quality distinction, but only about 2%.

  That suggests you've maybe grossed ~$150,000 in 12 years. Less (say) 40% 
  for overheads and costs (printers, ink, paper, space, energy, computers, 
  s/w etc), that leaves $90k - a net average income of ~$7,500/year. For how 
  many hours work, and other time spent and direct costs incurred in the 
  photography?

  Finding a price point at which people will buy but you earn nothing is 
  quite easy...

  -- 
  Regards

  Tony Sleep
  http://tonysleep.co.uk



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

RE: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by EJ Neilsen

Really Belgium, There is NO WAY to make a living at those prices. Simply
impossible.  Our cost is higher than that.  There are certainly materials
around that can be sold for that, but not fine art. Not without everything
else being free. 

 

Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301

 

www.ericneilsenphotography.com

SKYPE ejprinter
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of
reallybelgium
Sent: Monday, February 18, 2013 1:20 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Photography That Doesn't Suck

 

  

I am surprised (shocked) by these prices.
This weekend I visited 2 fine art galleries in Belgium, and these were the
prices of the photographs hanging over there:

120 X 150 cm ( 48 inches x 60 inches ) édition of 9. The price begins at
9.000 euros tax and frame diasec included.

150 X 200 cm ( 60 inches x 80 inches ) edition of 9. 
The price begin at 10.890 euros tax and frame diasec included

200 cm x 260 cm ( 80 inches x 100 inches ) edition of 2.
The price begin at 40.000 euros tax and frame diasec included

--- In DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , "orbancc" wrote:
>
> Finding the price point turned out to be easy in my case ...
> 
> When I started the effort to sell A. Aubrey Bodine reprints and note cards
in 2000, I looked at the "industry" (basically, Nash Editions) and saw
16x20s, done on the IRIS printer, going for $500. So I tried that. I had to
outsource the printing since I couldn't afford the IRIS, and managed to net
$50 per sale. I sold exactly 16 prints in the first year. 
> 
> Then the equipment went through a revolution -- printers, scanners, hard
drives, computers, software -- all became cheaper and better and that
transformed the problem. I dropped the price to $50 for a 16x20, and over
the last 12 years I have printed and sold more than 30,000 prints in 5 sizes
from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30 ($100).
Plus I offer archival for quite a bit more -- some people need the better
quality distinction, but only about 2%.
> 
> So now, like most things in the economy, it is a marketing issue. Which
technology, again, in the internet, has transformed.
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , "E.Neilsen" wrote:
> >
> > And while we constantly battle the circular motion around the bowl
pulling the whole industry under the break even point, more and more photo
enthusiasts are contributing to the shear volume of photos; good and bad.
Finding a price point that doesn't sell you out and customers still willing
to pay for quality is amazingly interesting. 
> > 
> > Eric Neilsen
> > Eric Neilsen Photography
> > 4101 Commerce Street, Suite 9
> > Dallas, TX 75226
> > 
> > www.ericneilsenphotography.com
> > skype me with ejprinter
> > Let's Talk Photography
> > 
> >
>





[Non-text portions of this message have been removed]

RE: [Digital BW] Photography That Doesn't Suck

2013-02-18 by EJ Neilsen

Thanks Jimbo.   I am certainly NOT against people getting out and having fun
with photography or even making a living doing it. But between the retired
Doctors using the highest quality equipment which produces exceedingly well
made images on AUTO and giving it away (photos) and college students looking
to take ANY job to payoff student loans. WOW. I may become a West Texas
whore. or a back alley dealer. 

 

 

Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301

 

www.ericneilsenphotography.com

SKYPE ejprinter
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of jimbo
Sent: Friday, February 15, 2013 3:27 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Photography That Doesn't Suck

 

  

Ya know EJ ...I could grow to really like you..... :-)

jimbo
----- Original Message ----- 
From: EJ Neilsen 
To: DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>  
Sent: Friday, February 15, 2013 1:59 PM
Subject: RE: [Digital BW] Photography That Doesn't Suck

Dave, Do you fully explain how FB works to your members; not just tell them
to read the privacy agreement? Do they know that submitting a photo to
Photos that Don't Suck, that you plan to repost them? 

Why the hell would anyone promote the creation of orphaned images. I am
sorry you older guys, here at 53, but the fact that your 80 and you don't
care what happens to the profession that you made your living at pisses me
off. I got mine now go figure out how to get yours? Now that is a bit tongue
in cheek but just a little. 

Now granted, Facebook is not Professional photography, it is social media
but it does use professional and non professional photography alike. Too
full of one self, ? sure there are many photos that were licensed at a value
which I'd consider full of it. 

$10 can buy you a web hosting package and another $50 to $100 for a domain;
Photos that don't suck. Once you have a hosted site, there are only the
regular avenue of theft on the internet, as if that's not already bad
enough. I tell clients NOT to post valuable work on any social media, let
alone FB. I regularly see attribution for writers on FB post. I almost NEVER
see a credit to a photographer. People just expect to be able to use one
however they see fit.

So , sharing good photos - grand idea. Doing it on the net? You get what you
pay for. 

Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301

www.ericneilsenphotography.com

SKYPE ejprinter

From: DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> ] On Behalf Of David
Lykes Keenan
Sent: Thursday, February 14, 2013 4:50 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
Subject: [Digital BW] Photography That Doesn't Suck

For those of you who use Facebook, I started a group there entitled
Photography That Doesn't Suck.

In this group, I take a crack at curating photographs that I think don't
suck and posting one or two of these a day. This group was born because so
much photography I see online DOES suck.

The group is still quite new and there are little over 100 members.

If you Facebook and would like to be a part of the group go to this URL
http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
.
Dave.

--
See my 2013 Picture A Week (PAW) Gallery
http://www.dlkphotography.com/paw>originally begun in 2007.
Please join my photography mailing
listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
32a37b90
http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
37b90&id=4dd441d8fe> &id=4dd441d8fe>
.

[Non-text portions of this message have been removed]

[Non-text portions of this message have been removed]

No virus found in this message.
Checked by AVG - www.avg.com
Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13

[Non-text portions of this message have been removed]





[Non-text portions of this message have been removed]

Re: [Digital BW] Photography That Doesn't Suck

2013-02-18 by jimbo

Hey EJ.. your special.. I will always appreciate you .. you speak fairly, from a good vantage point.. Sometimes you let me see somethings I missed or didn't see right cause I had my head up my ass.. Thanks for you being you..  

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: EJ Neilsen 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Monday, February 18, 2013 1:57 PM
  Subject: RE: [Digital BW] Photography That Doesn't Suck


    
  Thanks Jimbo. I am certainly NOT against people getting out and having fun
  with photography or even making a living doing it. But between the retired
  Doctors using the highest quality equipment which produces exceedingly well
  made images on AUTO and giving it away (photos) and college students looking
  to take ANY job to payoff student loans. WOW. I may become a West Texas
  whore. or a back alley dealer. 

  Eric Neilsen

  4101 Commerce Street, Suite 9

  Dallas, TX 75226

  214-827-8301

  www.ericneilsenphotography.com

  SKYPE ejprinter

  From: DigitalBlackandWhiteThePrint@yahoogroups.com
  [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of jimbo
  Sent: Friday, February 15, 2013 3:27 PM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Subject: Re: [Digital BW] Photography That Doesn't Suck

  Ya know EJ ...I could grow to really like you..... :-)

  jimbo
  ----- Original Message ----- 
  From: EJ Neilsen 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com

  Sent: Friday, February 15, 2013 1:59 PM
  Subject: RE: [Digital BW] Photography That Doesn't Suck

  Dave, Do you fully explain how FB works to your members; not just tell them
  to read the privacy agreement? Do they know that submitting a photo to
  Photos that Don't Suck, that you plan to repost them? 

  Why the hell would anyone promote the creation of orphaned images. I am
  sorry you older guys, here at 53, but the fact that your 80 and you don't
  care what happens to the profession that you made your living at pisses me
  off. I got mine now go figure out how to get yours? Now that is a bit tongue
  in cheek but just a little. 

  Now granted, Facebook is not Professional photography, it is social media
  but it does use professional and non professional photography alike. Too
  full of one self, ? sure there are many photos that were licensed at a value
  which I'd consider full of it. 

  $10 can buy you a web hosting package and another $50 to $100 for a domain;
  Photos that don't suck. Once you have a hosted site, there are only the
  regular avenue of theft on the internet, as if that's not already bad
  enough. I tell clients NOT to post valuable work on any social media, let
  alone FB. I regularly see attribution for writers on FB post. I almost NEVER
  see a credit to a photographer. People just expect to be able to use one
  however they see fit.

  So , sharing good photos - grand idea. Doing it on the net? You get what you
  pay for. 

  Eric Neilsen

  4101 Commerce Street, Suite 9

  Dallas, TX 75226

  214-827-8301

  www.ericneilsenphotography.com

  SKYPE ejprinter

  From: DigitalBlackandWhiteThePrint@yahoogroups.com

  [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com
  ] On Behalf Of David
  Lykes Keenan
  Sent: Thursday, February 14, 2013 4:50 PM
  To: DigitalBlackandWhiteThePrint@yahoogroups.com

  Subject: [Digital BW] Photography That Doesn't Suck

  For those of you who use Facebook, I started a group there entitled
  Photography That Doesn't Suck.

  In this group, I take a crack at curating photographs that I think don't
  suck and posting one or two of these a day. This group was born because so
  much photography I see online DOES suck.

  The group is still quite new and there are little over 100 members.

  If you Facebook and would like to be a part of the group go to this URL
  http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
  .
  Dave.

  --
  See my 2013 Picture A Week (PAW) Gallery
  http://www.dlkphotography.com/paw>originally begun in 2007.
  Please join my photography mailing
  listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
  32a37b90
  http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
  37b90&id=4dd441d8fe> &id=4dd441d8fe>
  .

  [Non-text portions of this message have been removed]

  [Non-text portions of this message have been removed]

  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13

  [Non-text portions of this message have been removed]

  [Non-text portions of this message have been removed]



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

Re: Photography That Doesn't Suck

2013-02-18 by rossfmj

That's what I thought.  9.000 Euros = 9,000.00 Euros (=$12,000.00+).

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "pdesmidt tds.net" <pdesmidt@...> wrote:
Show quoted textHide quoted text
>
> European practice is to use a "." where Americans use a "," when it comes
> to numerals.    :)
> 
> 
> [Non-text portions of this message have been removed]
>

RE: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by EJ Neilsen

Now there is a living. Glad someone here understand fine art    ; )   look
out, we're all moving to Belgium. 

 

Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301

 

www.ericneilsenphotography.com

SKYPE ejprinter
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of rossfmj
Sent: Monday, February 18, 2013 3:45 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Photography That Doesn't Suck

 

  

That's what I thought. 9.000 Euros = 9,000.00 Euros (=$12,000.00+).






[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by John Castronovo

European photographers have a history of protecting the professional market. 
There was a time when you needed to be authorized to purchase professional 
films and equipment and there was a process or protocol not unlike becoming 
accepted into an exclusive guild to arrive at that level. I'm sure the 
digital age has changed a lot of that, but that history and the resulting 
respect that the craft deserves is something we never had here in the 
states. Just the opposite, when a proposal to license photographers came 
before the New Jersey state legislature in the late 70s photographers were 
the ones who were most opposed to it.
Show quoted textHide quoted text
-----Original Message----- 
From: EJ Neilsen
Sent: Monday, February 18, 2013 4:58 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] Re: Photography That Doesn't Suck

Now there is a living. Glad someone here understand fine art    ; )   look
out, we're all moving to Belgium.



Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301



www.ericneilsenphotography.com

SKYPE ejprinter



From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of rossfmj
Sent: Monday, February 18, 2013 3:45 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Photography That Doesn't Suck





That's what I thought. 9.000 Euros = 9,000.00 Euros (=$12,000.00+).






[Non-text portions of this message have been removed]



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Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by John Castronovo

You can make all the "meaningful imagery" you want and work tirelessly at it 
too. Make it perfect if you like. I don't care if you're the most skilled 
artist and craftsman the world has ever known. All of that means nothing to 
the buyers, most of whom are turned on by the photograph's subject and other 
things we'd never imagine were important, but not our craft which is the 
thing we value. I make reproductions for one of the best artists to have 
ever lived. His work is jaw dropping, just totally awesome in concept, scope 
and execution. Yet he's broke, barely has enough money to feed himself, and 
he's known only to a few patrons who appreciate him and collect his work. He 
does it because that's what he does and there's nothing else for him in this 
life. Craft isn't now and has never been a way for serious artists to make a 
living. People will collect pictures of dogs because they like dogs. They'll 
buy the print of a sunset through rocks, a Corvette or cute puppy taken with 
a cell phone before considering a perfectly hand crafted surrealist 
extravaganza if they find the subject matter not to their liking. So long as 
people value subjects more than art, it doesn't much matter how it's done 
whether it's a snap shot with a cell phone or from large format professional 
equipment. Who the artist was doesn't matter either unless it's an 
investment grade collectible piece, and then nothing matters except what it 
was last sold for at auction.
Show quoted textHide quoted text
-----Original Message----- 
From: jimbo
Sent: Monday, February 18, 2013 3:48 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck

Tony,
Please don't get mad at me..... well too mad ok? I mean this well and it'll 
maybe be hard to chew. What is very clear from your response is that your 
not a professional  or full time photographer.. that needs to buy bread and 
my ever famous saying "beer" from our efforts..

You went a place you really didn't need to go and it was actually non 
productive in the end.. I say that because .. you've most likely not walked 
his walk.. Being a committed full time photographer or artist for that 
matter is one of the scariest things on the planet today.. You want to under 
stand faith and commitment.. well a good place to look maybe is a shooter 
that just can't quit... The past say 5 years have been very difficult.. It 
doesn't mean we work less in truth it means we work different and harder in 
many cases..  Do you, sir , have that level of commitment?

The world has been moving to the Walmart mentality.. ( Sorry I just had to 
say it that way..) So it's like this ..adapt, reconfigure or die.. The neat 
part  and I say neat part is .. we're in a funny space for a while.. Cameras 
every where.. images everywhere.. confusion everywhere... when the dust 
settles .. the real shooters or their succesors will win.. So let it be 
written.. Their is no substitute for hard work and talent..

I'm doing things today that I thought I'd never have to do.. My whole life 
is about making meaningful imagery.. interacting with people, clients that 
are willing to trade their hard erned money for a part of me to hang on 
their wall, in their office or my new place video..  etc.. that's what I 
need .. it's what drives me. So maybe I'm flawed.. When it works .. it 
drives me to a greator place.. I think that's how it's supposed to work.. 
not sure..

So .. to sum up.. and this is just for you to contemplate ok? You were 
looking at numbers when you saw that the poster sold 30,000 images.. over I 
guess 12 years.. Divide that by 12 dude.. that's his exposure.. Do you know 
how to understand what the side line benefits of that kind of exposure 
really is? So Jimbo says lets root for this guy.. not try to take him down.. 
You drive him away and you won't learn shit from him.. .. but then maybe 
that doesn't matter to you..

jimbo




  ----- Original Message ----From: Tony Sleep
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Sent: Monday, February 18, 2013 9:45 AM
  Subject: Re: [Digital BW] Re: Photography That Doesn't Suck



  On 18/02/2013 14:53, orbancc wrote:
  >
  > Then the equipment went through a revolution -- printers, scanners, hard
  > drives, computers, software -- all became cheaper and better and that
  > transformed the problem. I dropped the price to $50 for a 16x20, and 
over
  > the last 12 years I have printed and sold more than 30,000 prints in 5
  > sizes from 8x10 ($20), 11x14 ($30), 16x20 ($50), 20x24 ($75) and 24x30
  > ($100). Plus I offer archival for quite a bit more -- some people need 
the
  > better quality distinction, but only about 2%.

  That suggests you've maybe grossed ~$150,000 in 12 years. Less (say) 40%
  for overheads and costs (printers, ink, paper, space, energy, computers,
  s/w etc), that leaves $90k - a net average income of ~$7,500/year. For how
  many hours work, and other time spent and direct costs incurred in the
  photography?

  Finding a price point at which people will buy but you earn nothing is
  quite easy...

  -- 
  Regards

  Tony Sleep
  http://tonysleep.co.uk




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Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-18 by Peter Marshall

Eric,

9.000 euros is around $12,000 so it doesn't seem a bad price.  I think 
the cost of a  48x60 diasec from a lab might be roughly a thousand euros 
(it isn't a cheap process), so if a gallery sold the full edition there 
would be a net income of around 70,000 euros from the edition.   Not a 
bad living surely!

Peter

(And 9,00 Euros is about $12.00)
Show quoted textHide quoted text
On 18/02/2013 20:49, EJ Neilsen wrote:
> Really Belgium, There is NO WAY to make a living at those prices. Simply
> impossible.  Our cost is higher than that.  There are certainly materials
> around that can be sold for that, but not fine art. Not without everything
> else being free.
>
>   
>
> Eric Neilsen
>
> 4101 Commerce Street, Suite 9
>
> Dallas, TX 75226
>
> 214-827-8301
>
>   
>
> www.ericneilsenphotography.com
>
> SKYPE ejprinter
>
>   
>
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of
> reallybelgium
> Sent: Monday, February 18, 2013 1:20 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: [Digital BW] Re: Photography That Doesn't Suck
>
>   
>
>    
>
> I am surprised (shocked) by these prices.
> This weekend I visited 2 fine art galleries in Belgium, and these were the
> prices of the photographs hanging over there:
>
> 120 X 150 cm ( 48 inches x 60 inches ) \ufffddition of 9. The price begins at
> 9.000 euros tax and frame diasec included.
>
> 150 X 200 cm ( 60 inches x 80 inches ) edition of 9.
> The price begin at 10.890 euros tax and frame diasec included
>
> 200 cm x 260 cm ( 80 inches x 100 inches ) edition of 2.
> The price begin at 40.000 euros tax and frame diasec included
>
>

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by Tony Sleep

On 18/02/2013 20:48, jimbo wrote:
> Tony,
> Please don't get mad at me..... well too mad ok? I mean this well and
> it'll maybe be hard to chew. What is very clear from your response is that
> your not a professional or full time photographer.. that needs to buy
> bread and my ever famous saying "beer" from our efforts..

Er, not quite Jimbo. Full time pro for 33years. One of the mods/directors 
of EPUK (www.epuk.org). I have a painfully intimate grasp just how screwed 
the pro photography business is among our 1,100 pro members, and of course 
from my own bank account. UK is some way ahead of the USA in terms of a 
wrecked photo-ecosystem. I do not need telling how much blood there is on 
the floor. Plenty of it is mine.

-- 
Regards

Tony Sleep
http://tonysleep.co.uk

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by jimbo

Hey Tony, 
I'm just a down to earth guy.. I didn't mean to upset or make you mad.. but your posture was odd for what I'm used too for who you say you are ok? I mean it really was.. So I apologise.. if I rubbed you wrong with my post I meant no harm.. I mean that.. I guess maybe I'm  weird..... at heart I'm a service guy in a way... but I still need recognition to keep feeding me so I can go on.. It keeps showing up.. so I keep rowing the boat.. Not sure what to say here except that maybe.. Believe and reach higher.. don't quit.. we really are special.. we contribute to something called culture.. :-)

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: Tony Sleep 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Monday, February 18, 2013 5:24 PM
  Subject: Re: [Digital BW] Re: Photography That Doesn't Suck


    
  On 18/02/2013 20:48, jimbo wrote:
  > Tony,
  > Please don't get mad at me..... well too mad ok? I mean this well and
  > it'll maybe be hard to chew. What is very clear from your response is that
  > your not a professional or full time photographer.. that needs to buy
  > bread and my ever famous saying "beer" from our efforts..

  Er, not quite Jimbo. Full time pro for 33years. One of the mods/directors 
  of EPUK (www.epuk.org). I have a painfully intimate grasp just how screwed 
  the pro photography business is among our 1,100 pro members, and of course 
  from my own bank account. UK is some way ahead of the USA in terms of a 
  wrecked photo-ecosystem. I do not need telling how much blood there is on 
  the floor. Plenty of it is mine.

  -- 
  Regards

  Tony Sleep
  http://tonysleep.co.uk



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13


[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by Tony Sleep

On 19/02/2013 01:19, jimbo wrote:
> I didn't mean to upset or make you mad.. but your posture was odd for what
> I'm used too for who you say you are ok?

Jimbo, I'm not angry nor upset with you nor anyone else. Let me explain...

The OP had said he'd sold 30,000 prints in 12 years, which is a truly 
impressive number. I used to print and sell similar numbers back in 
darkroom days when prints were the standard medium of supply, or they 
wanted prints for reference, but nowadays buyers only want files. Not 
surprising as I work on commission, for repro. But like most pro's I have 
about a third as much paying work as I actually need, fees are stuck in 
the early 1990's, and the trouble with files is that they get stolen and 
orphaned and copyright abused. I've abandoned my public website since I 
did an audit of just 6 pics out of the 500 or so, and found infringing 
uses outnumbered legit, licensed use by 14:1. It's like trying to run a 
shop in a neighbourhood full of looters.

Anyhow, I've sold about a  dozen prints in the last 5 years. So anyone 
who's doing that well in the current environment is doing something 
interesting to me. As you say, adapt and survive. I'd love to be able to 
figure out some means to support more personal projects.

So I was interested enough to make some rough back of an envelope 
estimations based around my costs.

My own print pricing is very similar to the OP's but it's one thing if 
your business is based around commission fees and occasional stock sales, 
plus selling an occasional print.

It's a different proposition if print sales are the main source of revenue 
that must carry the whole cost of photography as well. And based on my 
costs, it was clear that even if I did somehow manage to sell similar 
numbers to the OP I still wouldn't make any money.

There are two possibilities at this point:
- Either the OP is using prices plucked from thin air in the hope things 
will work out well, but hasn't actually sat down and done any 
reality-checking with Excel. This is a tragically commonplace mistake.
- Or the OP has radically lower costs and makes a viable profit. Which is 
what he has subsequently said is the situation.

There is no more to it than that. There is a complete answer: it works for 
the OP, it can't work for me as my costs are as low as I can get them but 
still prohibitive.
-- 
Regards

Tony Sleep
http://tonysleep.co.uk

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by David Whistance

Hello Tony, 
 
I was going to reply before but held off, however if you look through your analysis I think you will find that you have the maths wrong - you seem to be allowing $5 per print whilst his actual print prices are considerably higher than that, from 4 to 20 times from memory. Depending on the ratio of large to small prints sold that will make a significant difference to his bottom line.  
 
With regard to your sentiment I couldn't agree more as I suspect is the case for most, if not all, of the photographers I print for.  Whilst a few of my clients print volumes have held up, in some cases I have printed only one or two medium sized prints in the last year.  Needless to say the scanning work for those photographers has also dried up.  We are indeed living in tough times!
 
David Whistance 

________________________________
Show quoted textHide quoted text
 From: Tony Sleep <TonySleep@...>
To: DigitalBlackandWhiteThePrint@yahoogroups.com 
Sent: Tuesday, 19 February 2013, 11:48
Subject: Re: [Digital BW] Re: Photography That Doesn't Suck
  
 
   
 
On 19/02/2013 01:19, jimbo wrote:
> I didn't mean to upset or make you mad.. but your posture was odd for what
> I'm used too for who you say you are ok?

Jimbo, I'm not angry nor upset with you nor anyone else. Let me explain...

The OP had said he'd sold 30,000 prints in 12 years, which is a truly 
impressive number. I used to print and sell similar numbers back in 
darkroom days when prints were the standard medium of supply, or they 
wanted prints for reference, but nowadays buyers only want files. Not 
surprising as I work on commission, for repro. But like most pro's I have 
about a third as much paying work as I actually need, fees are stuck in 
the early 1990's, and the trouble with files is that they get stolen and 
orphaned and copyright abused. I've abandoned my public website since I 
did an audit of just 6 pics out of the 500 or so, and found infringing 
uses outnumbered legit, licensed use by 14:1. It's like trying to run a 
shop in a neighbourhood full of looters.

Anyhow, I've sold about a  dozen prints in the last 5 years. So anyone 
who's doing that well in the current environment is doing something 
interesting to me. As you say, adapt and survive. I'd love to be able to 
figure out some means to support more personal projects.

So I was interested enough to make some rough back of an envelope 
estimations based around my costs.

My own print pricing is very similar to the OP's but it's one thing if 
your business is based around commission fees and occasional stock sales, 
plus selling an occasional print.

It's a different proposition if print sales are the main source of revenue 
that must carry the whole cost of photography as well. And based on my 
costs, it was clear that even if I did somehow manage to sell similar 
numbers to the OP I still wouldn't make any money.

There are two possibilities at this point:
- Either the OP is using prices plucked from thin air in the hope things 
will work out well, but hasn't actually sat down and done any 
reality-checking with Excel. This is a tragically commonplace mistake.
- Or the OP has radically lower costs and makes a viable profit. Which is 
what he has subsequently said is the situation.

There is no more to it than that. There is a complete answer: it works for 
the OP, it can't work for me as my costs are as low as I can get them but 
still prohibitive.
-- 
Regards

Tony Sleep
http://tonysleep.co.uk/

   
         

[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by Tony Sleep

On 19/02/2013 12:09, David Whistance wrote:
> I was going to reply before but held off, however if you look through your
> analysis I think you will find that you have the maths wrong - you seem to
> be allowing $5 per print whilst his actual print prices are considerably
> higher than that, from 4 to 20 times from memory. Depending on the ratio
> of large to small prints sold that will make a significant difference to
> his bottom line.

Hi David,

That's me making a silly mistake then. I did assume a median price of $50 
per print, but somehow lost a zero.

30,000 * $50 is of course $1,500,000. Not $150,000 as I wrote.

T/o of $125,000 year then, and overheads would likely be less than the 40% 
I assumed, with that kind of volume.

So I am impressed, and fascinated that this is (still) possible. That's a 
probable profit ~GBP 60k, which would be firmly in the top few percentile 
for income among UK pro's. 
http://www.british-photographic-council.org/survey/2010

My apologies to all for the misdirection.


-- 
Regards

Tony Sleep
http://tonysleep.co.uk

Re: Photography That Doesn't Suck

2013-02-19 by orbancc

Tony -

Let me clarify my situation a little bit.  My wife is the daughter of A. Aubrey Bodine.  He was (1906-1970) a photojournalist/feature photographer for The Baltimore Sun for 47 years.  He left behind a family collection of mostly 11x14 glossy photograph, and a large body of work of 16x20 exhibition photograph -- mostly matte -- that were exhibited all over the world in Salon competitions.  These were (mostly) camera club competitions - juried.  Bodine was accepted in over 800 Salon shows and won over 1000 awards.  His acceptance rate made him one of the top rated photographers of his day.

This was the glory age of the pictorialists.  We have 800 Salon catalogs that were printed for the shows, and they represent the finest photographers of the 1930 through 1960 time frame.  At some point we will scan them and put up a website to let other people enjoy this work.

We have scanned around 12,500 of Bodine's images and we offer them for sale on our website www.AAubreyBodine.com and through retail locations.  At one time (before the American retail economy cratered) we had more than 200 resellers carrying our reprints and note cards. (We now have about a dozen). Also, I have printed and sold over 185,000 note cards -- A7 size, i.e. 5"x7" folded, blank inside, with image on the front and title, date and description on the back.

I see the economy recovering, slowly to be sure, but recovering.  When I started this business in 2000 (to coincide with a television show on Maryland Public Television about six Maryland photographers, including Bodine) I had been living with the collection of photographs for over 30 years.  The gallery world did not know, and still does not know, how to market and sell original photographs.  That is, we would sell maybe one or two photographs per year, but most years sold none.

I'm not an artist, I'm a computer geek -- 1970 MIT EE degree, but I took all the computer courses (like maybe 4 were offered) and hung out at the AI lab, then went to work at Stanford AI Lab.  So when the computer equipment innovations started happening in early 2000s, I was ready to put it all together.

I think I have just begun to scratch the surface of what is possible with Bodine's body of work.  It is now a marketing effort.

I could go on and on, but my basic feeling is that anyone can do what I have done.  In short, art sells.

My costs are low.  I'm an engineer so I do all the work.  I wrote the website -- I'm guessing it would have cost >$200,000 to have a website company write the website in 2000 when I did it -- it took me a year and mountain of credit card debt before I put down the keyboard and picked up the sample case and hit the streets to start lining up retailers.  The graphic design of the website is crappy, I know that.  But I'm too busy to spend the time needed to make it more attractive (i.e. pretty AND sticky) but I've got a ton of ideas.

I have no secrets and I am happy to explain how I do things and what my market situation is.  Just ask if interested.  From my perspective, after having sold a million dollars of product, is most people are doing it wrong.

Of course, Bodine did incredible work -- none of this would have been possible without his eye and talent and skill in the darkroom.  But that's another story.

Art Sells!

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tony Sleep <TonySleep@...> wrote:
Show quoted textHide quoted text
>
> The OP had said he'd sold 30,000 prints in 12 years, which is a truly 
> impressive number. I used to print and sell similar numbers back in 
> darkroom days when prints were the standard medium of supply, or they 
> wanted prints for reference, but nowadays buyers only want files. Not 
> surprising as I work on commission, for repro. But like most pro's I have 
> about a third as much paying work as I actually need, fees are stuck in 
> the early 1990's, and the trouble with files is that they get stolen and 
> orphaned and copyright abused. I've abandoned my public website since I 
> did an audit of just 6 pics out of the 500 or so, and found infringing 
> uses outnumbered legit, licensed use by 14:1. It's like trying to run a 
> shop in a neighbourhood full of looters.
> 
> Anyhow, I've sold about a  dozen prints in the last 5 years. So anyone 
> who's doing that well in the current environment is doing something 
> interesting to me. As you say, adapt and survive. I'd love to be able to 
> figure out some means to support more personal projects.
> 
> So I was interested enough to make some rough back of an envelope 
> estimations based around my costs.
> 
> My own print pricing is very similar to the OP's but it's one thing if 
> your business is based around commission fees and occasional stock sales, 
> plus selling an occasional print.
> 
> It's a different proposition if print sales are the main source of revenue 
> that must carry the whole cost of photography as well. And based on my 
> costs, it was clear that even if I did somehow manage to sell similar 
> numbers to the OP I still wouldn't make any money.
> 
> There are two possibilities at this point:
> - Either the OP is using prices plucked from thin air in the hope things 
> will work out well, but hasn't actually sat down and done any 
> reality-checking with Excel. This is a tragically commonplace mistake.
> - Or the OP has radically lower costs and makes a viable profit. Which is 
> what he has subsequently said is the situation.
> 
> There is no more to it than that. There is a complete answer: it works for 
> the OP, it can't work for me as my costs are as low as I can get them but 
> still prohibitive.
> -- 
> Regards
> 
> Tony Sleep
> http://tonysleep.co.uk
>

[Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by orbancc

One other thing in my favor when I started selling Bodine.  Everyone and their uncle had a digital camera and all these folks were shooting color.  So, therefore, according to my retailers, Black and White was "new" again.

There is a reflection of this in the Instagram filters that provide sepia and other b&w effects.

And even after 12 years, Black and White is still desirable.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tony Sleep <TonySleep@...> wrote:
Show quoted textHide quoted text
>
> On 19/02/2013 12:09, David Whistance wrote:
> > I was going to reply before but held off, however if you look through your
> > analysis I think you will find that you have the maths wrong - you seem to
> > be allowing $5 per print whilst his actual print prices are considerably
> > higher than that, from 4 to 20 times from memory. Depending on the ratio
> > of large to small prints sold that will make a significant difference to
> > his bottom line.
> 
> Hi David,
> 
> That's me making a silly mistake then. I did assume a median price of $50 
> per print, but somehow lost a zero.
> 
> 30,000 * $50 is of course $1,500,000. Not $150,000 as I wrote.
> 
> T/o of $125,000 year then, and overheads would likely be less than the 40% 
> I assumed, with that kind of volume.
> 
> So I am impressed, and fascinated that this is (still) possible. That's a 
> probable profit ~GBP 60k, which would be firmly in the top few percentile 
> for income among UK pro's. 
> http://www.british-photographic-council.org/survey/2010
> 
> My apologies to all for the misdirection.
> 
> 
> -- 
> Regards
> 
> Tony Sleep
> http://tonysleep.co.uk
>

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by Ernst Dinkla

On 02/18/2013 08:19 PM, reallybelgium wrote:

> 120 X 150 cm ( 48 inches x 60 inches ) \ufffddition of 9. The price begins at
> 9.000 euros tax and frame diasec included.
>
> 150 X 200 cm ( 60 inches x 80 inches ) edition of 9.
> The price begin at 10.890 euros tax and frame diasec included
>
> 200 cm x 260 cm ( 80 inches x 100 inches ) edition of 2.
> The price begin at 40.000 euros tax and frame diasec included

A rough estimation is that the artist expects to earn 40K Euro per 
image, today or in 10 years or never. With a gallery percentage of 40 in 
the selling price. The initial investment: 3 prints at a total of 6K 
Euro, media + Diasec. The prints could either be Lightjet or made on the 
wide formats with water based inks we know but not the largest prints, 2 
meter is too wide.


-- 
Met vriendelijke groet, Ernst Dinkla

http://www.pigment-print.com/spectralplots/spectrumviz_1.htm
December 2012: 500+ inkjet media paper white spectral plots.

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by Walker Blackwell

As a digital printmaker and artist directly interested in and surviving in, the art world, I'm extremely depressed by the current economic state of affairs. 

That said, I think we can all adapt. Well, we'll have to. Lowering ones overhead is key. I survived on $12,000 last year--personal rent and food included in that number. That was so I could rebuild Black Point Editions into a different organization more in-tune with what is going on in the community.

I print for a lot of big names. Many of them are struggling more than I because they have lifestyles to live and health insurance to pay and families to feed. They also have international shows to support and galleries are not funding shipping and framing like they used to. Now you can be in the top 200 of artists and have 5 huge shows a year and not be able to afford a studio or health insurance while you can be a relatively unknown artist selling to the budget market and making a handsome
profit. It's all kinda crazy.

In the end, I believe the people who buckle down and do the real work will be fine when the dust settles. But we are also the people who will define the landscape once that dust is settled. Either us or the wider financial market that seems hell-bent on downward costs and lower profits for working artists to the benefit of well-known galleries and art investors. There's a perceptual fight to be had.

Best,
Walker

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-19 by jimbo

Hey .. it got a tad derailed but in the end it worked out..  we all got to see something.. So that's kool...

jimbo----- Original Message ----- 
Show quoted textHide quoted text
  From: Tony Sleep 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Tuesday, February 19, 2013 7:46 AM
  Subject: Re: [Digital BW] Re: Photography That Doesn't Suck


    
  On 19/02/2013 12:09, David Whistance wrote:
  > I was going to reply before but held off, however if you look through your
  > analysis I think you will find that you have the maths wrong - you seem to
  > be allowing $5 per print whilst his actual print prices are considerably
  > higher than that, from 4 to 20 times from memory. Depending on the ratio
  > of large to small prints sold that will make a significant difference to
  > his bottom line.

  Hi David,

  That's me making a silly mistake then. I did assume a median price of $50 
  per print, but somehow lost a zero.

  30,000 * $50 is of course $1,500,000. Not $150,000 as I wrote.

  T/o of $125,000 year then, and overheads would likely be less than the 40% 
  I assumed, with that kind of volume.

  So I am impressed, and fascinated that this is (still) possible. That's a 
  probable profit ~GBP 60k, which would be firmly in the top few percentile 
  for income among UK pro's. 
  http://www.british-photographic-council.org/survey/2010

  My apologies to all for the misdirection.

  -- 
  Regards

  Tony Sleep
  http://tonysleep.co.uk



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13
  Internal Virus Database is out of date.


[Non-text portions of this message have been removed]

[Digital BW] Re: Photography That Doesn't Suck

2013-02-20 by tboleyyh

exactly.. precisely.. etc.. this is what I am seeing and experiencing as well. But not only are accomplished artists competing with amateurs selling on the budget market, even licensing their work for next to nothing for the fun of it, but also "artists" not required to be viable financially because they are otherwise funded.. spouses of the 1%, etc.
But I have to say.. in my experience photographers are their own worse enemies.. particularly in the assignment world, accepting lower and lower fees, giving away rights, giving up viable percentages of their stock, thinking they will somehow be competetive.. no, now they are just broke.. and of course health insurance a myth from past legends around the camp fire.
Perhaps photography that doesn't suck will be just dandy, and an exception, but on line sharing I am seeing is being "curated" and hosted by people who have no idea what they are talking about, and simultaneously providing, knowingly or not (FB knows EXACTLY what they are doing) essentially a free grab bag of content.
My friend Lauren Henkin just chewed out the flack photo dude in public to the point he was speechless, and the growing crowd around gave her an ovation at the wrap up...
You think he's even heard of, oh I don't know.. Samuel Bourne? Albert Renger-Patzsch? Do you think he knows John Paul Caponigro has a dad.. living.. a master?

We're eating ourselves up from the inside out. Where's the cultural continuity of our loved medium? The history? 

Sorry for the rant.
Tyler



--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Walker Blackwell <forums@...> wrote:
Show quoted textHide quoted text
>
> As a digital printmaker and artist directly interested in and surviving in, the art world, I'm extremely depressed by the current economic state of affairs. 
> 
> That said, I think we can all adapt. Well, we'll have to. Lowering ones overhead is key. I survived on $12,000 last year--personal rent and food included in that number. That was so I could rebuild Black Point Editions into a different organization more in-tune with what is going on in the community.
> 
> I print for a lot of big names. Many of them are struggling more than I because they have lifestyles to live and health insurance to pay and families to feed. They also have international shows to support and galleries are not funding shipping and framing like they used to. Now you can be in the top 200 of artists and have 5 huge shows a year and not be able to afford a studio or health insurance while you can be a relatively unknown artist selling to the budget market and making a handsome
> profit. It's all kinda crazy.
> 
> In the end, I believe the people who buckle down and do the real work will be fine when the dust settles. But we are also the people who will define the landscape once that dust is settled. Either us or the wider financial market that seems hell-bent on downward costs and lower profits for working artists to the benefit of well-known galleries and art investors. There's a perceptual fight to be had.
> 
> Best,
> Walker
>

RE: [Digital BW] Re: Photography That Doesn't Suck

2013-02-20 by E.Neilsen

Burning Man _ Camera , but with piles of old Ink Jet, cameras, etc. We make
a mass pilgrimage to some place in Utah, where pollution is highly accepted
and burn the holy cap out of the worthless, near worthless, make a make in
the deserts of the high plains. Video , FB, YouTube. .. Rant the F away
Tyler, I am with you : ) 
 
 a giant incinerator..   We could of invite any number of well to do with
their gear and convince them it's all for a good cause.. take their gear and
throw it in. 
 
Eric Neilsen
Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226
 
www.ericneilsenphotography.com
skype me with ejprinter
Let's Talk Photography
 
  _____  
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of tboleyyh
Sent: Tuesday, February 19, 2013 6:09 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Photography That Doesn't Suck
 
  
exactly.. precisely.. etc.. this is what I am seeing and experiencing as
well. But not only are accomplished artists competing with amateurs selling
on the budget market, even licensing their work for next to nothing for the
fun of it, but also "artists" not required to be viable financially because
they are otherwise funded.. spouses of the 1%, etc.
But I have to say.. in my experience photographers are their own worse
enemies.. particularly in the assignment world, accepting lower and lower
fees, giving away rights, giving up viable percentages of their stock,
thinking they will somehow be competetive.. no, now they are just broke..
and of course health insurance a myth from past legends around the camp
fire.
Perhaps photography that doesn't suck will be just dandy, and an exception,
but on line sharing I am seeing is being "curated" and hosted by people who
have no idea what they are talking about, and simultaneously providing,
knowingly or not (FB knows EXACTLY what they are doing) essentially a free
grab bag of content.
My friend Lauren Henkin just chewed out the flack photo dude in public to
the point he was speechless, and the growing crowd around gave her an
ovation at the wrap up...
You think he's even heard of, oh I don't know.. Samuel Bourne? Albert
Renger-Patzsch? Do you think he knows John Paul Caponigro has a dad..
living.. a master?

We're eating ourselves up from the inside out. Where's the cultural
continuity of our loved medium? The history? 

Sorry for the rant.
Tyler

--- In DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , Walker Blackwell
wrote:
>
> As a digital printmaker and artist directly interested in and surviving
in, the art world, I'm extremely depressed by the current economic state of
affairs. 
> 
> That said, I think we can all adapt. Well, we'll have to. Lowering ones
overhead is key. I survived on $12,000 last year--personal rent and food
included in that number. That was so I could rebuild Black Point Editions
into a different organization more in-tune with what is going on in the
community.
> 
> I print for a lot of big names. Many of them are struggling more than I
because they have lifestyles to live and health insurance to pay and
families to feed. They also have international shows to support and
galleries are not funding shipping and framing like they used to. Now you
can be in the top 200 of artists and have 5 huge shows a year and not be
able to afford a studio or health insurance while you can be a relatively
unknown artist selling to the budget market and making a handsome
> profit. It's all kinda crazy.
> 
> In the end, I believe the people who buckle down and do the real work will
be fine when the dust settles. But we are also the people who will define
the landscape once that dust is settled. Either us or the wider financial
market that seems hell-bent on downward costs and lower profits for working
artists to the benefit of well-known galleries and art investors. There's a
perceptual fight to be had.
> 
> Best,
> Walker
>



[Non-text portions of this message have been removed]

Re: [Digital BW] Re: Photography That Doesn't Suck

2013-02-20 by John Castronovo

I love it when you're pro-active Eric. Yes, a positive suggestion at last.
Show quoted textHide quoted text
-----Original Message----- 
From: E.Neilsen
Sent: Tuesday, February 19, 2013 8:27 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: RE: [Digital BW] Re: Photography That Doesn't Suck

Burning Man _ Camera , but with piles of old Ink Jet, cameras, etc. We make
a mass pilgrimage to some place in Utah, where pollution is highly accepted
and burn the holy cap out of the worthless, near worthless, make a make in
the deserts of the high plains. Video , FB, YouTube. .. Rant the F away
Tyler, I am with you : )

a giant incinerator..   We could of invite any number of well to do with
their gear and convince them it's all for a good cause.. take their gear and
throw it in.

Eric Neilsen
Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226

www.ericneilsenphotography.com
skype me with ejprinter
Let's Talk Photography

  _____

From: DigitalBlackandWhiteThePrint@yahoogroups.com
[mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of tboleyyh
Sent: Tuesday, February 19, 2013 6:09 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: [Digital BW] Re: Photography That Doesn't Suck


exactly.. precisely.. etc.. this is what I am seeing and experiencing as
well. But not only are accomplished artists competing with amateurs selling
on the budget market, even licensing their work for next to nothing for the
fun of it, but also "artists" not required to be viable financially because
they are otherwise funded.. spouses of the 1%, etc.
But I have to say.. in my experience photographers are their own worse
enemies.. particularly in the assignment world, accepting lower and lower
fees, giving away rights, giving up viable percentages of their stock,
thinking they will somehow be competetive.. no, now they are just broke..
and of course health insurance a myth from past legends around the camp
fire.
Perhaps photography that doesn't suck will be just dandy, and an exception,
but on line sharing I am seeing is being "curated" and hosted by people who
have no idea what they are talking about, and simultaneously providing,
knowingly or not (FB knows EXACTLY what they are doing) essentially a free
grab bag of content.
My friend Lauren Henkin just chewed out the flack photo dude in public to
the point he was speechless, and the growing crowd around gave her an
ovation at the wrap up...
You think he's even heard of, oh I don't know.. Samuel Bourne? Albert
Renger-Patzsch? Do you think he knows John Paul Caponigro has a dad..
living.. a master?

We're eating ourselves up from the inside out. Where's the cultural
continuity of our loved medium? The history?

Sorry for the rant.
Tyler

--- In DigitalBlackandWhiteThePrint@yahoogroups.com
<mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , Walker Blackwell
wrote:
>
> As a digital printmaker and artist directly interested in and surviving
in, the art world, I'm extremely depressed by the current economic state of
affairs.
>
> That said, I think we can all adapt. Well, we'll have to. Lowering ones
overhead is key. I survived on $12,000 last year--personal rent and food
included in that number. That was so I could rebuild Black Point Editions
into a different organization more in-tune with what is going on in the
community.
>
> I print for a lot of big names. Many of them are struggling more than I
because they have lifestyles to live and health insurance to pay and
families to feed. They also have international shows to support and
galleries are not funding shipping and framing like they used to. Now you
can be in the top 200 of artists and have 5 huge shows a year and not be
able to afford a studio or health insurance while you can be a relatively
unknown artist selling to the budget market and making a handsome
> profit. It's all kinda crazy.
>
> In the end, I believe the people who buckle down and do the real work will
be fine when the dust settles. But we are also the people who will define
the landscape once that dust is settled. Either us or the wider financial
market that seems hell-bent on downward costs and lower profits for working
artists to the benefit of well-known galleries and art investors. There's a
perceptual fight to be had.
>
> Best,
> Walker
>



[Non-text portions of this message have been removed]



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Re: Photography That Doesn't Suck

2013-02-20 by Seth Rossman

NOT Utah!!  It's too pretty.  Go to some god-forsaken place like Calif.  
They won't notice the smoke ;-) .

And Feinstein hasn't passed Camera Control laws there yet.

Seth

[Digital BW] Re: Photography That Doesn't Suck

2013-02-20 by Alan

David,
We do live in a free market economy.  If you have the audience then you can establish the market.  If others are either as savvy or as talented and make the market more reasonable, then they have the power and either you change your paradigm, join the club, or gather your toys and go home.  Undermined has a negative connotation, and I'm reasonably sure that the 'amateurs' [look it up - really those who love the field as much or more than you], don't want to sully the profession, they may realize that they cannot command the exorbitant prices most 'pros' command and would rather sell a few images at their pricepoint instead of none at yours.
And, btw, NO photography 'sucks', just different eyes and brains process the information.  This thread just has an elitist viewpoint [and I must say that I can be in that category sometimes, as well].  
A.J. Berkson
Owner
Omages Fine Art
omages.com  

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, CDTobie <CDTobie@...> wrote:
Show quoted textHide quoted text
>
> >>Some years ago an Art Buyer at a big time Ad Agency told me that we photographers had ruined the photography business by selling ourselves too cheap.
> 
> It's a slippery slope, where no single step causes the end result. But even if pros held their pricing, many categories (most notably travel, landscape, senior portraits, and photojournalism) would still have been undermined by enthusiastic amateurs, happy to provide images for little or nothing. 
> 
> C. David Tobie
> Global Product Technology Manager
> Imaging Color Solutions
> Datacolor inc. 
> cdtobie@...
> www.datacolor.com
> 
> On Feb 16, 2013, at 8:26 AM, Julian Kaiser <Jlkmmw@...> wrote:
> 
> > Some years ago an Art Buyer at a big time Ad Agency told me that we photographers had ruined the photography business by selling ourselves too cheap.
>

[Digital BW] Re: Photography That Doesn't Suck

2013-02-20 by tboleyyh

I hasten to add that I have no problem with anyone of any income level being active in photography. In fact some of those with more discretionary income than most, are helping keep some of the rest of us afloat, seriously committed to their work, and insisting on high quality services. I have a few clients who are dedicated to their work and would prefer a large gorgeous print of an image of theirs over a painting from an art gallery, in their home, thank goodness!
It's the surrounding community that has tapered off support of those artists who can not afford to finance their own shows etc... and also the rise of these on line venues that literally offer nothing whatsoever to the artists but a pat on the back and exposure to rights violations. I was talking to a very successful person involved in all of this, and he said quite blatantly.. all this has resulted in content being almost valueless, and the money is in the delivery systems. Kinda looked at me like I was crazy for being an "artist".
All these things are the result of a crap economy and of course the arts always take a huge hit. Problem is, many of us thought this bottomed out a few years back, but it continues on down... 
To all of you experiencing this, hey I'm in it with you.. all I can say is your imagery is your life's work, having taken everything you have and many years of commitment to develop. Just because it seems valueless to the public at large these days, doesn't mean it is valueless to you, or history, or culture, or me and others like us. Don't let it be misused..
More ranting..
Tyler

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "E.Neilsen" <e.neilsen2@...> wrote:
Show quoted textHide quoted text
>
> Burning Man _ Camera , but with piles of old Ink Jet, cameras, etc. We make
> a mass pilgrimage to some place in Utah, where pollution is highly accepted
> and burn the holy cap out of the worthless, near worthless, make a make in
> the deserts of the high plains. Video , FB, YouTube. .. Rant the F away
> Tyler, I am with you : ) 
>  
>  a giant incinerator..   We could of invite any number of well to do with
> their gear and convince them it's all for a good cause.. take their gear and
> throw it in. 
>  
> Eric Neilsen
> Eric Neilsen Photography
> 4101 Commerce Street, Suite 9
> Dallas, TX 75226
>  
> www.ericneilsenphotography.com
> skype me with ejprinter
> Let's Talk Photography
>  
>   _____  
> 
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of tboleyyh
> Sent: Tuesday, February 19, 2013 6:09 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: [Digital BW] Re: Photography That Doesn't Suck
>  
>   
> exactly.. precisely.. etc.. this is what I am seeing and experiencing as
> well. But not only are accomplished artists competing with amateurs selling
> on the budget market, even licensing their work for next to nothing for the
> fun of it, but also "artists" not required to be viable financially because
> they are otherwise funded.. spouses of the 1%, etc.
> But I have to say.. in my experience photographers are their own worse
> enemies.. particularly in the assignment world, accepting lower and lower
> fees, giving away rights, giving up viable percentages of their stock,
> thinking they will somehow be competetive.. no, now they are just broke..
> and of course health insurance a myth from past legends around the camp
> fire.
> Perhaps photography that doesn't suck will be just dandy, and an exception,
> but on line sharing I am seeing is being "curated" and hosted by people who
> have no idea what they are talking about, and simultaneously providing,
> knowingly or not (FB knows EXACTLY what they are doing) essentially a free
> grab bag of content.
> My friend Lauren Henkin just chewed out the flack photo dude in public to
> the point he was speechless, and the growing crowd around gave her an
> ovation at the wrap up...
> You think he's even heard of, oh I don't know.. Samuel Bourne? Albert
> Renger-Patzsch? Do you think he knows John Paul Caponigro has a dad..
> living.. a master?
> 
> We're eating ourselves up from the inside out. Where's the cultural
> continuity of our loved medium? The history? 
> 
> Sorry for the rant.
> Tyler
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , Walker Blackwell
> wrote:
> >
> > As a digital printmaker and artist directly interested in and surviving
> in, the art world, I'm extremely depressed by the current economic state of
> affairs. 
> > 
> > That said, I think we can all adapt. Well, we'll have to. Lowering ones
> overhead is key. I survived on $12,000 last year--personal rent and food
> included in that number. That was so I could rebuild Black Point Editions
> into a different organization more in-tune with what is going on in the
> community.
> > 
> > I print for a lot of big names. Many of them are struggling more than I
> because they have lifestyles to live and health insurance to pay and
> families to feed. They also have international shows to support and
> galleries are not funding shipping and framing like they used to. Now you
> can be in the top 200 of artists and have 5 huge shows a year and not be
> able to afford a studio or health insurance while you can be a relatively
> unknown artist selling to the budget market and making a handsome
> > profit. It's all kinda crazy.
> > 
> > In the end, I believe the people who buckle down and do the real work will
> be fine when the dust settles. But we are also the people who will define
> the landscape once that dust is settled. Either us or the wider financial
> market that seems hell-bent on downward costs and lower profits for working
> artists to the benefit of well-known galleries and art investors. There's a
> perceptual fight to be had.
> > 
> > Best,
> > Walker
> >
> 
> 
> 
> [Non-text portions of this message have been removed]
>

Re: [Digital BW] Photography That Doesn't Suck

2013-02-20 by Alan

Eric,  
I think I'll take offense at your statement that 'retired Doctors' taking images on auto etc. are not up to your standards and are giving it away, while you consider yourself a 'pro' and are charging a fair fee for your wares.  And your site is pokey, out of date, has misspellings, and I could go on but maybe I should address this to you personally.  Oh â€" can’t do that as your link for feedback does not work.
A.J. Berkson
Omages Fine Art
Omages.com
Owned by Alan J Berkson, DDS, Periodontics and Dental Implants [not yet, but close to retired], dedicated amateur, and hardly ever uses AUTO on my Nikon, Leica, or Hasselblad.


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "EJ Neilsen" <e.neilsen2@...> wrote:
Show quoted textHide quoted text
>
> Thanks Jimbo.   I am certainly NOT against people getting out and having fun
> with photography or even making a living doing it. But between the retired
> Doctors using the highest quality equipment which produces exceedingly well
> made images on AUTO and giving it away (photos) and college students looking
> to take ANY job to payoff student loans. WOW. I may become a West Texas
> whore. or a back alley dealer. 
> 
>  
> 
>  
> 
> Eric Neilsen
> 
> 4101 Commerce Street, Suite 9
> 
> Dallas, TX 75226
> 
> 214-827-8301
> 
>  
> 
> www.ericneilsenphotography.com
> 
> SKYPE ejprinter
> 
>  
> 
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of jimbo
> Sent: Friday, February 15, 2013 3:27 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Photography That Doesn't Suck
> 
>  
> 
>   
> 
> Ya know EJ ...I could grow to really like you..... :-)
> 
> jimbo
> ----- Original Message ----- 
> From: EJ Neilsen 
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com>  
> Sent: Friday, February 15, 2013 1:59 PM
> Subject: RE: [Digital BW] Photography That Doesn't Suck
> 
> Dave, Do you fully explain how FB works to your members; not just tell them
> to read the privacy agreement? Do they know that submitting a photo to
> Photos that Don't Suck, that you plan to repost them? 
> 
> Why the hell would anyone promote the creation of orphaned images. I am
> sorry you older guys, here at 53, but the fact that your 80 and you don't
> care what happens to the profession that you made your living at pisses me
> off. I got mine now go figure out how to get yours? Now that is a bit tongue
> in cheek but just a little. 
> 
> Now granted, Facebook is not Professional photography, it is social media
> but it does use professional and non professional photography alike. Too
> full of one self, ? sure there are many photos that were licensed at a value
> which I'd consider full of it. 
> 
> $10 can buy you a web hosting package and another $50 to $100 for a domain;
> Photos that don't suck. Once you have a hosted site, there are only the
> regular avenue of theft on the internet, as if that's not already bad
> enough. I tell clients NOT to post valuable work on any social media, let
> alone FB. I regularly see attribution for writers on FB post. I almost NEVER
> see a credit to a photographer. People just expect to be able to use one
> however they see fit.
> 
> So , sharing good photos - grand idea. Doing it on the net? You get what you
> pay for. 
> 
> Eric Neilsen
> 
> 4101 Commerce Street, Suite 9
> 
> Dallas, TX 75226
> 
> 214-827-8301
> 
> www.ericneilsenphotography.com
> 
> SKYPE ejprinter
> 
> From: DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> ] On Behalf Of David
> Lykes Keenan
> Sent: Thursday, February 14, 2013 4:50 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> Subject: [Digital BW] Photography That Doesn't Suck
> 
> For those of you who use Facebook, I started a group there entitled
> Photography That Doesn't Suck.
> 
> In this group, I take a crack at curating photographs that I think don't
> suck and posting one or two of these a day. This group was born because so
> much photography I see online DOES suck.
> 
> The group is still quite new and there are little over 100 members.
> 
> If you Facebook and would like to be a part of the group go to this URL
> http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
> .
> Dave.
> 
> --
> See my 2013 Picture A Week (PAW) Gallery
> http://www.dlkphotography.com/paw>originally begun in 2007.
> Please join my photography mailing
> listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
> 32a37b90
> http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
> 37b90&id=4dd441d8fe> &id=4dd441d8fe>
> .
> 
> [Non-text portions of this message have been removed]
> 
> [Non-text portions of this message have been removed]
> 
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13
> 
> [Non-text portions of this message have been removed]
> 
> 
> 
> 
> 
> [Non-text portions of this message have been removed]
>

RE: [Digital BW] Photography That Doesn't Suck

2013-02-20 by EJ Neilsen

AJ, if you take offense at it, well… The truth of the matter is there are some doctors literally giving their work away. They use the same or better equipment that many professionals use to make the images. The same equipment across the board.  That directly undermines the livelihood of someone trying to actually sell it. To say it’s a free market economy and if you can’t compete go sit down, is the same BS rational that can be applied to teaching at any level. If you have the toys you win. Control the production process you win. You may not have the best art work, the best ideas or the best value, but you do have the market. The others that don’t have it? It is a sad world when those that have want even more at the expense of those try just to get by. And while the shit may sell, the market suffers, much like it suffers with millions and millions of garbage shots. Which I believe is the whole point of Photo that Don’t suck Web site. Someone trying to  elevate some photos above the chaos. 

 

As to my dated web site, the look is a choice, I even mention it on the site. Not everything need to be Flash, Ipad, driven technocrap. Does that type of look gather more eyes? Some see past the lack of glitz and enter. Others may get up on the free market driven glitzy view and move on. I see that as even more of buy into the pedantic movement of overly made up models, babies hanging from every structure known to man, ridiculous HDR, etc, etc. 

 

The link for feedback may have gotten broken lately when the hosting company changed some setting and since I maintain the site , and several others, it has fallen through the cracks.  There are ample places to find an email address.  Do you try and host a forum? Try keep all the hackers out and oh, yeah make prints and do the photography. 

 

I will gladly put my prints up against your images at any respected gallery or audience sir AJ. Several here have seen the quality. Perhaps you’d like to teach a class on platinum printing? Or silver, or cyanotype or ….  

 

Photographic writers have for years  pointed out the problem with auto cameras diluting or changing the nature of photography. Not every doctor is simply buying their way in, but the world of photography is geared that way. Some actually do have talent in image making, and great for them.  So take even more offense if you must.   

 

Rather than go to workshops, I teach them, set them up and generally I am on the side that makes attendees learn and enjoy their visits.  

 

Eric Neilsen

4101 Commerce Street, Suite 9

Dallas, TX 75226

214-827-8301

 

www.ericneilsenphotography.com

SKYPE ejprinter
Show quoted textHide quoted text
From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Alan
Sent: Wednesday, February 20, 2013 2:43 PM
To: DigitalBlackandWhiteThePrint@yahoogroups.com
Subject: Re: [Digital BW] Photography That Doesn't Suck

 

  


Eric, 
I think I'll take offense at your statement that 'retired Doctors' taking images on auto etc. are not up to your standards and are giving it away, while you consider yourself a 'pro' and are charging a fair fee for your wares. And your site is pokey, out of date, has misspellings, and I could go on but maybe I should address this to you personally. Oh â€" can’t do that as your link for feedback does not work.
A.J. Berkson
Omages Fine Art
Omages.com
Owned by Alan J Berkson, DDS, Periodontics and Dental Implants [not yet, but close to retired], dedicated amateur, and hardly ever uses AUTO on my Nikon, Leica, or Hasselblad.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> , "EJ Neilsen" wrote:
>
> Thanks Jimbo. I am certainly NOT against people getting out and having fun
> with photography or even making a living doing it. But between the retired
> Doctors using the highest quality equipment which produces exceedingly well
> made images on AUTO and giving it away (photos) and college students looking
> to take ANY job to payoff student loans. WOW. I may become a West Texas
> whore. or a back alley dealer. 
> 
> 
> 
> 
> 
> Eric Neilsen
> 
> 4101 Commerce Street, Suite 9
> 
> Dallas, TX 75226
> 
> 214-827-8301
> 
> 
> 
> www.ericneilsenphotography.com
> 
> SKYPE ejprinter
> 
> 
> 
> From: DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> ] On Behalf Of jimbo
> Sent: Friday, February 15, 2013 3:27 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> Subject: Re: [Digital BW] Photography That Doesn't Suck
> 
> 
> 
> 
> 
> Ya know EJ ...I could grow to really like you..... :-)
> 
> jimbo
> ----- Original Message ----- 
> From: EJ Neilsen 
> To: DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> 
> Sent: Friday, February 15, 2013 1:59 PM
> Subject: RE: [Digital BW] Photography That Doesn't Suck
> 
> Dave, Do you fully explain how FB works to your members; not just tell them
> to read the privacy agreement? Do they know that submitting a photo to
> Photos that Don't Suck, that you plan to repost them? 
> 
> Why the hell would anyone promote the creation of orphaned images. I am
> sorry you older guys, here at 53, but the fact that your 80 and you don't
> care what happens to the profession that you made your living at pisses me
> off. I got mine now go figure out how to get yours? Now that is a bit tongue
> in cheek but just a little. 
> 
> Now granted, Facebook is not Professional photography, it is social media
> but it does use professional and non professional photography alike. Too
> full of one self, ? sure there are many photos that were licensed at a value
> which I'd consider full of it. 
> 
> $10 can buy you a web hosting package and another $50 to $100 for a domain;
> Photos that don't suck. Once you have a hosted site, there are only the
> regular avenue of theft on the internet, as if that's not already bad
> enough. I tell clients NOT to post valuable work on any social media, let
> alone FB. I regularly see attribution for writers on FB post. I almost NEVER
> see a credit to a photographer. People just expect to be able to use one
> however they see fit.
> 
> So , sharing good photos - grand idea. Doing it on the net? You get what you
> pay for. 
> 
> Eric Neilsen
> 
> 4101 Commerce Street, Suite 9
> 
> Dallas, TX 75226
> 
> 214-827-8301
> 
> www.ericneilsenphotography.com
> 
> SKYPE ejprinter
> 
> From: DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> 
> [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> ] On Behalf Of David
> Lykes Keenan
> Sent: Thursday, February 14, 2013 4:50 PM
> To: DigitalBlackandWhiteThePrint@yahoogroups.com <mailto:DigitalBlackandWhiteThePrint%40yahoogroups.com> 
> 
> Subject: [Digital BW] Photography That Doesn't Suck
> 
> For those of you who use Facebook, I started a group there entitled
> Photography That Doesn't Suck.
> 
> In this group, I take a crack at curating photographs that I think don't
> suck and posting one or two of these a day. This group was born because so
> much photography I see online DOES suck.
> 
> The group is still quite new and there are little over 100 members.
> 
> If you Facebook and would like to be a part of the group go to this URL
> http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
> .
> Dave.
> 
> --
> See my 2013 Picture A Week (PAW) Gallery
> http://www.dlkphotography.com/paw>originally begun in 2007.
> Please join my photography mailing
> listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
> 32a37b90
> http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
> 37b90&id=4dd441d8fe> &id=4dd441d8fe>
> .
> 
> [Non-text portions of this message have been removed]
> 
> [Non-text portions of this message have been removed]
> 
> No virus found in this message.
> Checked by AVG - www.avg.com
> Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13
> 
> [Non-text portions of this message have been removed]
> 
> 
> 
> 
> 
> [Non-text portions of this message have been removed]
>





[Non-text portions of this message have been removed]

Re: [Digital BW] Photography That Doesn't Suck

2013-02-21 by John Anderson

G'day All,

Well, I tried hard to resist but ...

First I should let you know where I fit into the photo community. I have
very recently retired from managing a major website (several hundred
thousand pages). I love photography, my first camera WAS a Box Brownie. My
current photographic enthusiasms tend to fall into the
nature/landscape area. I print on an Epson 3800 - both colour and B&W (why
I joined this group). I occasionally sell prints up to A2 as well as cards
to support my interest  through local outlets. For larger prints, both for
myself and for others, I use the services of first class printing
professionals.

So:

1. EJ, your website sucks! Not because of the technology you have/haven't
used but because it just does not work for a user. The architecture and UI
comes across as self-indulgent, and arrogant while the text reinforces that
impression and is occasionally whiny to boot. It is probably doing your
business more harm than not having a website at all.

2. More generally, photography has changed. To produce an acceptable
quality image requires far less skill and experience than driving yourself
across town safely. The ability to produce a good image is somewhat rarer
but still more common than good driving skill. Neither skill is
really sale-able though there will always be hacks. To make a living at
driving you either have to be exceptional (F1 driver) or be very good and
drive something that uses technology beyond the norm. Same with
photography.

3. The fine art photography space in general does not use technology beyond
the reach of most non-professionals so to make a living in this space you
have to be exceptional. It's no use complaining that because you were one
of the few who could safely pilot one of the initial horseless carriages
and were well paid to do so, you are owed a living driving a modern car. If
you are not exceptional, you are playing in a non-professional space and
you are pwned!

4. There will always be room for the professionals who know how to drive
specialist technologies. Jimbo and Tyler can produce a quality of print
that I can only dream about because of their specialist skills and
experience in digital printing. My prints are good but ... ! Similarly a
very good fashion photographer with all the specialist lighting and studio
gear (and the skill and experience to get the most out of them) can make a
living  and me with my speedlights and living room cannot take food off
their table even if I wanted to. For these sort folk its probably only
their marketing skills that restrict their income (or their specialist
niche is too small).

5. One effect of the democratisation of photography is that people are
becoming more visually literate and many more can readily differentiate
between the genuinely engaging image and the merely twee (FX - any
instagram user can do that, or alt printing of images for the sake of using
alt processes). This is also an effect causing grief for some professionals
who based their work around leveraging the effects or processes they could
employ. Note that I am not saying that an effect cannot be used to add
emotional impact to an already strong nor that some images will not work
better if they are printed using an alt process.

6. This all started with  a FB scam that played on the desire of many
photographers to have someone (anyone) validate their work. That's natural
but its an admission that you think the OPs sense of what does and does not
suck is better than yours. That may be true.

regards,

John







On 21 February 2013 08:11, EJ Neilsen <e.neilsen2@...t> wrote:

> **
>
>
> AJ, if you take offense at it, well� The truth of the matter is there are
> some doctors literally giving their work away. They use the same or better
> equipment that many professionals use to make the images. The same
> equipment across the board. That directly undermines the livelihood of
> someone trying to actually sell it. To say it�s a free market economy and
> if you can�t compete go sit down, is the same BS rational that can be
> applied to teaching at any level. If you have the toys you win. Control the
> production process you win. You may not have the best art work, the best
> ideas or the best value, but you do have the market. The others that don�t
> have it? It is a sad world when those that have want even more at the
> expense of those try just to get by. And while the shit may sell, the
> market suffers, much like it suffers with millions and millions of garbage
> shots. Which I believe is the whole point of Photo that Don�t suck Web
> site. Someone trying to elevate some photos above the chaos.
>
> As to my dated web site, the look is a choice, I even mention it on the
> site. Not everything need to be Flash, Ipad, driven technocrap. Does that
> type of look gather more eyes? Some see past the lack of glitz and enter.
> Others may get up on the free market driven glitzy view and move on. I see
> that as even more of buy into the pedantic movement of overly made up
> models, babies hanging from every structure known to man, ridiculous HDR,
> etc, etc.
>
> The link for feedback may have gotten broken lately when the hosting
> company changed some setting and since I maintain the site , and several
> others, it has fallen through the cracks. There are ample places to find an
> email address. Do you try and host a forum? Try keep all the hackers out
> and oh, yeah make prints and do the photography.
>
> I will gladly put my prints up against your images at any respected
> gallery or audience sir AJ. Several here have seen the quality. Perhaps
> you�d like to teach a class on platinum printing? Or silver, or cyanotype
> or �.
>
> Photographic writers have for years pointed out the problem with auto
> cameras diluting or changing the nature of photography. Not every doctor is
> simply buying their way in, but the world of photography is geared that
> way. Some actually do have talent in image making, and great for them. So
> take even more offense if you must.
>
> Rather than go to workshops, I teach them, set them up and generally I am
> on the side that makes attendees learn and enjoy their visits.
>
> Eric Neilsen
>
> 4101 Commerce Street, Suite 9
>
> Dallas, TX 75226
>
> 214-827-8301
>
> www.ericneilsenphotography.com
>
> SKYPE ejprinter
>
> From: DigitalBlackandWhiteThePrint@yahoogroups.com [mailto:
> DigitalBlackandWhiteThePrint@yahoogroups.com] On Behalf Of Alan
> Sent: Wednesday, February 20, 2013 2:43 PM
>
> To: DigitalBlackandWhiteThePrint@yahoogroups.com
> Subject: Re: [Digital BW] Photography That Doesn't Suck
>
> Eric,
> I think I'll take offense at your statement that 'retired Doctors' taking
> images on auto etc. are not up to your standards and are giving it away,
> while you consider yourself a 'pro' and are charging a fair fee for your
> wares. And your site is pokey, out of date, has misspellings, and I could
> go on but maybe I should address this to you personally. Oh �" can’t do
> that as your link for feedback does not work.
> A.J. Berkson
> Omages Fine Art
> Omages.com
> Owned by Alan J Berkson, DDS, Periodontics and Dental Implants [not yet,
> but close to retired], dedicated amateur, and hardly ever uses AUTO on my
> Nikon, Leica, or Hasselblad.
>
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com , "EJ Neilsen" wrote:
> >
> > Thanks Jimbo. I am certainly NOT against people getting out and having
> fun
> > with photography or even making a living doing it. But between the
> retired
> > Doctors using the highest quality equipment which produces exceedingly
> well
> > made images on AUTO and giving it away (photos) and college students
> looking
> > to take ANY job to payoff student loans. WOW. I may become a West Texas
> > whore. or a back alley dealer.
> >
> >
> >
> >
> >
> > Eric Neilsen
> >
> > 4101 Commerce Street, Suite 9
> >
> > Dallas, TX 75226
> >
> > 214-827-8301
> >
> >
> >
> > www.ericneilsenphotography.com
> >
> > SKYPE ejprinter
> >
> >
> >
> > From: DigitalBlackandWhiteThePrint@yahoogroups.com
> > [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com ] On Behalf Of
> jimbo
> > Sent: Friday, February 15, 2013 3:27 PM
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> > Subject: Re: [Digital BW] Photography That Doesn't Suck
> >
> >
> >
> >
> >
> > Ya know EJ ...I could grow to really like you..... :-)
> >
> > jimbo
> > ----- Original Message -----
> > From: EJ Neilsen
> > To: DigitalBlackandWhiteThePrint@yahoogroups.com
> >
> > Sent: Friday, February 15, 2013 1:59 PM
> > Subject: RE: [Digital BW] Photography That Doesn't Suck
> >
> > Dave, Do you fully explain how FB works to your members; not just tell
> them
> > to read the privacy agreement? Do they know that submitting a photo to
> > Photos that Don't Suck, that you plan to repost them?
> >
> > Why the hell would anyone promote the creation of orphaned images. I am
> > sorry you older guys, here at 53, but the fact that your 80 and you don't
> > care what happens to the profession that you made your living at pisses
> me
> > off. I got mine now go figure out how to get yours? Now that is a bit
> tongue
> > in cheek but just a little.
> >
> > Now granted, Facebook is not Professional photography, it is social media
> > but it does use professional and non professional photography alike. Too
> > full of one self, ? sure there are many photos that were licensed at a
> value
> > which I'd consider full of it.
> >
> > $10 can buy you a web hosting package and another $50 to $100 for a
> domain;
> > Photos that don't suck. Once you have a hosted site, there are only the
> > regular avenue of theft on the internet, as if that's not already bad
> > enough. I tell clients NOT to post valuable work on any social media, let
> > alone FB. I regularly see attribution for writers on FB post. I almost
> NEVER
> > see a credit to a photographer. People just expect to be able to use one
> > however they see fit.
> >
> > So , sharing good photos - grand idea. Doing it on the net? You get what
> you
> > pay for.
> >
> > Eric Neilsen
> >
> > 4101 Commerce Street, Suite 9
> >
> > Dallas, TX 75226
> >
> > 214-827-8301
> >
> > www.ericneilsenphotography.com
> >
> > SKYPE ejprinter
> >
> > From: DigitalBlackandWhiteThePrint@yahoogroups.com
> >
> > [mailto:DigitalBlackandWhiteThePrint@yahoogroups.com
> > ] On Behalf Of David
> > Lykes Keenan
> > Sent: Thursday, February 14, 2013 4:50 PM
> > To: DigitalBlackandWhiteThePrint@...m
> >
> > Subject: [Digital BW] Photography That Doesn't Suck
> >
> > For those of you who use Facebook, I started a group there entitled
> > Photography That Doesn't Suck.
> >
> > In this group, I take a crack at curating photographs that I think don't
> > suck and posting one or two of these a day. This group was born because
> so
> > much photography I see online DOES suck.
> >
> > The group is still quite new and there are little over 100 members.
> >
> > If you Facebook and would like to be a part of the group go to this URL
> > http://on.fb.me/Yjqq1D and ask to join. Hope to see you there..
> > .
> > Dave.
> >
> > --
> > See my 2013 Picture A Week (PAW) Gallery
> > http://www.dlkphotography.com/paw>originally begun in 2007.
> > Please join my photography mailing
> >
> listhttp://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c48175
> > 32a37b90
> >
> http://dlkphotography.us2.list-manage2.com/subscribe?u=3d9dfbb5b18c4817532a
> > 37b90&id=4dd441d8fe> &id=4dd441d8fe>
> > .
> >
> > [Non-text portions of this message have been removed]
> >
> > [Non-text portions of this message have been removed]
> >
> > No virus found in this message.
> > Checked by AVG - www.avg.com
> > Version: 2013.0.2899 / Virus Database: 2639/6099 - Release Date: 02/12/13
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
> [Non-text portions of this message have been removed]
>
>  
>


[Non-text portions of this message have been removed]

RE: [Digital BW] Photography That Doesn't Suck

2013-02-21 by E.Neilsen

John, please share with us how it's done. Perhaps the OP can model his site
after your great example. 

Eric Neilsen
Eric Neilsen Photography
4101 Commerce Street, Suite 9
Dallas, TX 75226
 
www.ericneilsenphotography.com
skype me with ejprinter
Let's Talk Photography

Re: [Digital BW] Photography That Doesn't Suck

2013-02-21 by Ernst Dinkla

A moderator should interfere at this point in my opinion.


-- 
Met vriendelijke groet, Ernst Dinkla

http://www.pigment-print.com/spectralplots/spectrumviz_1.htm
December 2012: 500+ inkjet media paper white spectral plots.

Re: Photography That Doesn't Suck

2013-02-21 by rossfmj

Dear all

Isn't it about time this line of discussion was moved to somewhere more appropriate.  Without meaning to belittle the genuine concerns and feelings of participants, there is a little too much abuse and bad feeling being generated.

This group is after all, about the techniques and technologies of B&W.  The broader discussion currently raging might be better served by its own group.

Ross

Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-21 by Tony Sleep

On 21/02/2013 11:07, Ernst Dinkla wrote:
> A moderator should interfere at this point in my opinion.

Possibly, but I'd prefer to revert to discussing the marketing success 
achieved by orbancc with selling prints. That even seems to be roughly on 
topic ;) so I have changed the subject title


"I have no secrets and I am happy to explain how I do things and what my 
market situation is. Just ask if interested. From my perspective, after 
having sold a million dollars of product, is most people are doing it wrong."

That is a very generous offer and I for one would like to learn more.

Looking at the site itself, the only stand-out unusual aspect of the way 
it works is that it is structured toward selling prints rather than 
efficiently browsing a lot of images. Categorisation (via themes and 
galleries) into many small galleries makes the viewer choose a small 
subset to view that matches their interest in a subject. I have seen 
similar elsewhere many times, but the categories are often purely 
geographic and confusing (because not many people have maps in their 
heads), or broad genres. You take a very granular approach, but one that 
avoids the ambiguity of keywords.

It seems safe to assume that the quality of the photographs is the main 
driver of sales, but I'd like to know how you are marketing the site and 
getting potential buyers there in the first place. Are you using this 
granular categorisation of images to reach specific interest based 
communities?
-- 
Regards

Tony Sleep
http://tonysleep.co.uk

Re: Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-21 by jimbo

I have always been told that a website is but a piece of the marketing pie and that for most that our in our business it's the opportunity for a buyer to come back in their own time and review the offerings.. In this case that may not be totally valid as the photographer was extremely well know.. A question I would have is that he has print outlets.. that sell prints ..What is the rough ratio between the two for sales revenue..  I think the real  challenge in marketing goes beyond the just the quality of the work..... it's figuring out how to on an on going basis keep increasing your exposure such that people can identify with you ..then of course the quality of the work actually supports that effort.  I have a new friend that has recently moved out here... He's a wildlife shooter and a good one.. He drives a the small Chrysler PT Cruiser and it's totally cover in vehicle graphics.. The only thing that doesn't have it is the front windshield and the driver and passenger windows... He basically a one man show and this thing gets tons of attention ...but at least for me it's a bit to ostentatious.. So.. like Tony I'm curious.. 

jimbo
Show quoted textHide quoted text
----- Original Message ----- 
  From: Tony Sleep 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Thursday, February 21, 2013 7:45 AM
  Subject: Marketing (was Re: [Digital BW] Photography That Doesn't Suck)


    
  On 21/02/2013 11:07, Ernst Dinkla wrote:
  > A moderator should interfere at this point in my opinion.

  Possibly, but I'd prefer to revert to discussing the marketing success 
  achieved by orbancc with selling prints. That even seems to be roughly on 
  topic ;) so I have changed the subject title

  "I have no secrets and I am happy to explain how I do things and what my 
  market situation is. Just ask if interested. From my perspective, after 
  having sold a million dollars of product, is most people are doing it wrong."

  That is a very generous offer and I for one would like to learn more.

  Looking at the site itself, the only stand-out unusual aspect of the way 
  it works is that it is structured toward selling prints rather than 
  efficiently browsing a lot of images. Categorisation (via themes and 
  galleries) into many small galleries makes the viewer choose a small 
  subset to view that matches their interest in a subject. I have seen 
  similar elsewhere many times, but the categories are often purely 
  geographic and confusing (because not many people have maps in their 
  heads), or broad genres. You take a very granular approach, but one that 
  avoids the ambiguity of keywords.

  It seems safe to assume that the quality of the photographs is the main 
  driver of sales, but I'd like to know how you are marketing the site and 
  getting potential buyers there in the first place. Are you using this 
  granular categorisation of images to reach specific interest based 
  communities?
  -- 
  Regards

  Tony Sleep
  http://tonysleep.co.uk



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date: 02/20/13


[Non-text portions of this message have been removed]

Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-21 by Bert

I agree with Tony about going back to the owner of the A. Aubrey Bodine website.  His offer was generous and I would like to hear more.  His website is not fancy yet he has the sales.  My sales have fallen off drastically yet many who view my prints in person are very enthusiastic.  My images are of flowers from the clear and simple to outrageously interpretive.  Where is the disconnect?

BertGF

--- In DigitalBlackandWhiteThePrint@...m, Tony Sleep <TonySleep@...> wrote:
Show quoted textHide quoted text
>
> On 21/02/2013 11:07, Ernst Dinkla wrote:
> > A moderator should interfere at this point in my opinion.
> 
> Possibly, but I'd prefer to revert to discussing the marketing success 
> achieved by orbancc with selling prints. That even seems to be roughly on 
> topic ;) so I have changed the subject title
> 
> 
> "I have no secrets and I am happy to explain how I do things and what my 
> market situation is. Just ask if interested. From my perspective, after 
> having sold a million dollars of product, is most people are doing it wrong."
> 
> That is a very generous offer and I for one would like to learn more.
> 
> Looking at the site itself, the only stand-out unusual aspect of the way 
> it works is that it is structured toward selling prints rather than 
> efficiently browsing a lot of images. Categorisation (via themes and 
> galleries) into many small galleries makes the viewer choose a small 
> subset to view that matches their interest in a subject. I have seen 
> similar elsewhere many times, but the categories are often purely 
> geographic and confusing (because not many people have maps in their 
> heads), or broad genres. You take a very granular approach, but one that 
> avoids the ambiguity of keywords.
> 
> It seems safe to assume that the quality of the photographs is the main 
> driver of sales, but I'd like to know how you are marketing the site and 
> getting potential buyers there in the first place. Are you using this 
> granular categorisation of images to reach specific interest based 
> communities?
> -- 
> Regards
> 
> Tony Sleep
> http://tonysleep.co.uk
>

Re: [Digital BW] Photography That Doesn't Suck

2013-02-21 by tboleyyh

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, John Anderson <ccjrand@...> wrote:
...
John, I appreciate your comment that Jimbo or I may be able to produce a superior print.. true or not <G>.. but...

> 2. More generally, photography has changed. To produce an acceptable
> quality image requires far less skill and experience than driving yourself
> across town safely. The ability to produce a good image is somewhat rarer
> but still more common than good driving skill. Neither skill is
> really sale-able though there will always be hacks. To make a living at
> driving you either have to be exceptional (F1 driver) or be very good and
> drive something that uses technology beyond the norm. Same with
> photography.

I just have to disagree with almost all of this.. in fact looking at most of the work we are talking about on sites along the lines of this discussion, I'd say evidence clearly points to the contrary...
But that may be the opinion of an elitist <G>.

Anyway, to try and relate this more to what this group used to be about... the advancement of techniques and high craft standards in the pursuit of making a stunning B&W prints as an object... it would be interesting to consider how these on line image "sharing" communities and the world of creating art objects will ever begin to converge somehow.
Tyler

Re: [Digital BW] Photography That Doesn't Suck

2013-02-21 by jimbo

Tyler,
Jimmie here..  I have literally tons of respect and admiration for you.. I mean that .. I would like to suggest that their is some validity to his words.. Let me share ..

I am and have a full time photographer for over 40 years.. It is exponentially easier for me to get a quality image today then it was 40 years ago , 30 years ago, or 20 years ago.. I am living proof of that ..It doesn't mean that I can sleep in ..I still have to get my butt out of bed and be in the space of that incredible image ...you get what I'm saying ...The capture process is incredibly improved.. With my D4's I can damn near shoot in the dark.. My dynamic range is the best the photographic industry has ever ever had..

Ok so now lets see where it's going.. I think if we want to see the future we have to watch what's going on with video not camera's as we know them.... Canon released a 4k (video) DSLR late last year this is an industry first... Red, Sony & Panasonic all have 4k & 5k video cameras.. 8k video is on the design & build  board now and 16k video is a viable spec.. The point is that within but a couple of years an image that we see coming out of a DSLR with be coming off a single video frame.. along with whatever light gathering improvements will come to pass during this time.. So.. the glut of imagery will get yet more confusing.. I'm working with a guy right now playing with getting 5k video frames on paper.. The point I'm trying to get to is that I'm sure most can hopefully embrace...... It will be easier to get many of the magic images.. and the glut or volume of them will increase.. That is just the direction it's going.. Even an unskilled shooter can get really lucky.. 

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: tboleyyh 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Thursday, February 21, 2013 2:18 PM
  Subject: Re: [Digital BW] Photography That Doesn't Suck


    


  --- In DigitalBlackandWhiteThePrint@yahoogroups.com, John Anderson wrote:
  ...
  John, I appreciate your comment that Jimbo or I may be able to produce a superior print.. true or not .. but...

  > 2. More generally, photography has changed. To produce an acceptable
  > quality image requires far less skill and experience than driving yourself
  > across town safely. The ability to produce a good image is somewhat rarer
  > but still more common than good driving skill. Neither skill is
  > really sale-able though there will always be hacks. To make a living at
  > driving you either have to be exceptional (F1 driver) or be very good and
  > drive something that uses technology beyond the norm. Same with
  > photography.

  I just have to disagree with almost all of this.. in fact looking at most of the work we are talking about on sites along the lines of this discussion, I'd say evidence clearly points to the contrary...
  But that may be the opinion of an elitist .

  Anyway, to try and relate this more to what this group used to be about... the advancement of techniques and high craft standards in the pursuit of making a stunning B&W prints as an object... it would be interesting to consider how these on line image "sharing" communities and the world of creating art objects will ever begin to converge somehow.
  Tyler



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date: 02/20/13


[Non-text portions of this message have been removed]

Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-22 by orbancc

Yeah, well every website is a work in progress.   The core of the website is over 10 years old. It was written in ASP using Visual InterDev with an MS SQL Server database. At the very least I need to move it into the latest MS toolset.

The website is hosted by web.com for $20 per month, plus $1 per month for a fixed IP address for the secure server certificate (for the shopping cart). Unlimited storage, unlimited bandwidth with MS SQL Server & MySQL, ASP.NET , PHP etc.

The categories reflect the original organization of the family collection. They were grouped somewhat by subject and moved into archival boxes. We know virtually nothing about these 4500 images. Unless the subject is obvious or we can date them by cars or shoes.

In addition to the website there is a backend database written in MS Access (which can be "trivially" upsized to MS SQL Server). This backend database is how we "work" the collection. 

Later we scanned 8500 photographs from the Sunpapers archive. This gave us publication dates and maybe a cut line and sometimes a sentence or two on the back. All entered into our database.  All visible to us but invisible on the website. There is some duplication of images between the two collections.

Then we added Themes which cut across categories - the website provides the most effective way to show images to resellers, interior designers, and customers for a specific decorating or design purpose.

Obviously, a search function would be useful. My plan is to do a couple hundred word voice dictation description of each image. Then the more typical keywords can be extracted automatically for searching. I need an intern - or an extra 20 hours per day.

So far most of our sales are accidental - browse by sales. We get 100 to 200 unique visitors per day - average 125.  However, 85% are less than 5 minute duration, so obviously they are a mistake.
 
Typical sale is a $20 8x10 reprint or a $30 reprint.   But we also get $300 to $1000 office decorating jobs.  A local insurance company ordered 100 24x30.

We are not marketing the website per se - it is just a sales tool right now. I tried both Google search advertising and Yahoo article advertising for several months. It was totally worthless without a much larger time effort than I am willing or able to commit.

The internet is all about building relationships. We have hundreds of topics that will be of interest to many other websites. Working the possibilities for increased exposure will be its own full time job. This is the direction I will be going. I don't need to give eyeballs to Google or Yahoo or Facebook.

I've got a lot to say - this may not be the best way.

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Tony Sleep <TonySleep@...> wrote:
Show quoted textHide quoted text
> 
> Looking at the site itself, the only stand-out unusual aspect of the way it works is that it is structured toward selling prints rather than efficiently browsing a lot of images. Categorisation (via themes and galleries) into many small galleries makes the viewer choose a small subset to view that matches their interest in a subject. I have seen similar elsewhere many times, but the categories are often purely geographic and confusing (because not many people have maps in their heads), or broad genres. You take a very granular approach, but one that avoids the ambiguity of keywords.
> 
> It seems safe to assume that the quality of the photographs is the main driver of sales, but I'd like to know how you are marketing the site and getting potential buyers there in the first place. Are you using this granular categorisation of images to reach specific interest based communities?
>

Re: [Digital BW] Photography That Doesn't Suck

2013-02-22 by CorrPro96@...

Hi J &T....

Let me jump in here.
I remember when Nikon first put out its motor drive F camera. The sound  
of that thing became the "must have" in any group of "pro's" shooting at  
an event. Of course, here in NYC there were and are ALWAYS events  
calling for a bevy of photographers. I went out and bought one, just to  
be able to sound like a "pro". I'm getting into my 50th year in  
photography, was trained to take at least two meter readings on my spot  
meter, exposing for the shadows, developing for the highlights, etc.,  
etc. The click clack of the motor drive just didn't fit my way of taking  
photographs and 36 exposures went too fast to waste film. Film was  
precious in those lean days. The experts were writing articles that  
taught that if you got one good image from a whole contact sheet, you  
were doing very well.... something I thought was a ridiculous waste of  
film. The concept stuck. I chuckled at Jimbo's mention of video...  
they've been doing "video" for years now.... it's the new way to do  
photography!
Image quality  has been 86'd. Just look at the crap hanging on the walls  
today as great photography. The people who are now in control of  
'quality' have deliberately dumbed-down the QUALITY and cranked up the  
quantity for today's fast moving, split-second image presentation.  
Photographers have become mere robots controlled by art buyers. Black &  
White photography is too abstract for today's viewers, who have been fed  
a sready diet of well saturated color images. Even B/W prints I see  
hanging are becoming more garish in tonal relationships, reminiscent of  
#4 Agfa prints, and 25-A filters. Hey... I'm a dina-sour - grumpy old  
geezer, still shooting ISO 100, both film and digital and exposing for  
shadow detail, loving the making of a really nice print. Piezo... Z3100  
.... ImagePrint machines. Still learning... slowly.

Richard Massie
My not-for-sale website is at:
www.rmassiphotography.com
Show quoted textHide quoted text
-----Original Message-----
From: jimbo <mrjimbo@wispwest.net>
To: DigitalBlackandWhiteThePrint  
<DigitalBlackandWhiteThePrint@yahoogroups.com>
Sent: Thu, Feb 21, 2013 5:28 pm
Subject: Re: [Digital BW] Photography That Doesn't Suck
Tyler,
Jimmie here..  I have literally tons of respect and admiration for you..  
I mean that .. I would like to suggest that their is some validity to  
his words.. Let me share ..

I am and have a full time photographer for over 40 years.. It is  
exponentially easier for me to get a quality image today then it was 40  
years ago , 30 years ago, or 20 years ago.. I am living proof of that  
..It doesn't mean that I can sleep in ..I still have to get my butt out  
of bed and be in the space of that incredible image ...you get what I'm  
saying ...The capture process is incredibly improved.. With my D4's I  
can damn near shoot in the dark.. My dynamic range is the best the  
photographic industry has ever ever had..

Ok so now lets see where it's going.. I think if we want to see the  
future we have to watch what's going on with video not camera's as we  
know them.... Canon released a 4k (video) DSLR late last year this is an  
industry first... Red, Sony & Panasonic all have 4k & 5k video cameras..  
8k video is on the design & build  board now and 16k video is a viable  
spec.. The point is that within but a couple of years an image that we  
see coming out of a DSLR with be coming off a single video frame.. along  
with whatever light gathering improvements will come to pass during this  
time.. So.. the glut of imagery will get yet more confusing.. I'm  
working with a guy right now playing with getting 5k video frames on  
paper.. The point I'm trying to get to is that I'm sure most can  
hopefully embrace...... It will be easier to get many of the magic  
images.. and the glut or volume of them will increase.. That is just the  
direction it's going.. Even an unskilled shooter can get really lucky..

jimbo
  ----- Original Message -----
  From: tboleyyh
  To: DigitalBlackandWhiteThePrint@yahoogroups.com
  Sent: Thursday, February 21, 2013 2:18 PM
  Subject: Re: [Digital BW] Photography That Doesn't Suck





   --- In DigitalBlackandWhiteThePrint@yahoogroups.com, John Anderson  
wrote:
  ...
   John, I appreciate your comment that Jimbo or I may be able to produce  
a superior print.. true or not .. but...

  > 2. More generally, photography has changed. To produce an acceptable
   > quality image requires far less skill and experience than driving  
yourself
   > across town safely. The ability to produce a good image is somewhat  
rarer
  > but still more common than good driving skill. Neither skill is
   > really sale-able though there will always be hacks. To make a living  
at
   > driving you either have to be exceptional (F1 driver) or be very  
good and
  > drive something that uses technology beyond the norm. Same with
  > photography.

   I just have to disagree with almost all of this.. in fact looking at  
most of the work we are talking about on sites along the lines of this  
discussion, I'd say evidence clearly points to the contrary...
  But that may be the opinion of an elitist .

   Anyway, to try and relate this more to what this group used to be  
about... the advancement of techniques and high craft standards in the  
pursuit of making a stunning B&W prints as an object... it would be  
interesting to consider how these on line image "sharing" communities  
and the world of creating art objects will ever begin to converge  
somehow.
  Tyler




  No virus found in this message.
  Checked by AVG - www.avg.com
   Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date:  
02/20/13


[Non-text portions of this message have been removed]



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Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-22 by orbancc

Jimbo -

Yes, I see the website as just a piece of the marketing pie.  The success of the Bodine business so far, is due to having so many irons in the fire at one time:  books, retailers, exhibitions, licensing.

My goal from day one has been to put the images in front of as many eyeballs as possible.

And to me, art is a game of eyeballs.  I think 3% to 5% of the people who see Bodine buy a reprint.

I think note cards have been a big part of this exposure effort.  A note card is purchased by someone who loves an image and wants to share it with a friend who will appreciate it.  And THEY pay the postage for the most effective targeted marketing.

Back when USA still had a retail economy, we had more than 200 retailers carrying our note cards.  I provided a free 48 pocket spinner.  I provided the first order on Net 30 -- and I told the dealer if they don't sell, I will take them back. I had more than 50 spinners on the street.

My mantra is that the first order doesn't matter – that's why I give it away – I want re-orders.  If there aren't going to be reorders, it's a waste of everyone's time.  Some locations/venues/dealers just are not the right fit – wrong customer base (I call them constituencies) – no fault, no foul.  I know my product is good – but it doesn't work everywhere.

At one point we had cards in twelve Barnes & Noble stores.  But in a location with such high traffic I found it necessary to manage the rack once a week.  There was bound to be a spilled latte  or a poor selling card was re-racked in front of the most popular one.  It was worth the effort – the Power Plant location, in Baltimore's Inner Harbor tourist destination, would sell 100 cards a week.  I upgraded them to a 72-pocket spinner and had a near-cash-register location.

RE: spinners ... 24-pockets is too few.  I found there should be at least 38 faces, so the 48-pocket spinner is normally better than the 24-pocket one.

When I started my sales trips to get dealers, it was 2001-2002 and the economy was in a funk.  The good thing was the decision maker was usually in the store – this always expedites things.  I had some dealers tell me they had tried something like this, but it didn't sell.  I told them it wasn't Bodine.  Some dealers I had to go back to 6 times before they decided to pay attention to what I had to offer.

What I found both funny and absurd are the retail areas that basically have an informal non-compete agreement among the store owners.  If you get in one location, it is not possible to get in anywhere else.  My experience tells me that they all suffer from this mentality.

A case in point is Annapolis.  I have at least 8 active shops and they do not cannibalize sales from each other – they each appeal to a different constituency, or, if a tourist is walking the street it is a random walk.  If they see my Bodine images enough times, they eventually buy one.  Where they buy turns out to be random.

In the first couple of years we did a bunch of 2-day street art faires – with a 10x10 pop-up tent.  I devised hangers rods that let me put up ninety (90) 8x10 reprints:  a portable art gallery.  We rarely did more than break even on costs and lost opportunity costs, but it was a chance to get the images in front of people and see their response – the Fells Point Festival gets 70,000 people.  Likewise for the Baltimore Book Fare.  Seeing people's jaws drop onto the pavement was incredibly gratifying and kept me in the game during the very lean startup years.  Not the best use of time and we stopped doing the street events.

There is no doubt Bodine's reputation in the region has been a big factor in our success so far.  Bodine photography was in the Baltimore Sunpapers usually daily, and very prominently on Sunday, for over 40 years.  But in 1970 that stopped – like turning off a spigot the images were gone – except for a retrospective one or two times in the next 30 years.  And the books that were done during Bodine's lifetime were out of print.

The people who best remember Bodine are now geriatric – they are downsizing, not buying.  Their kids, the baby boomers (like me – I'm 65 this year – I grew up on the `Shore (not Baltimore) – but the Sunpapers Sunday Magazine section with the Bodine centerfold was a highlight of my Sunday – ah, the glory days of the newspapers) are the last of this group.

But 
 I have seen 20-somethings stop dead in their tracks when they saw the pop-up gallery.  These images have heart and soul.  They have universal appeal.  People buy my reprints and decorate their homes and offices.

We did the Hilton in Ocean City:  960 16x20 reprints.  Admiral Fell Inn, Fells Point:  385 various sizes.

We have several other factors in addition to the reputation:  NOSTALGIA 
 the images cover 1930 to 1970, but Bodine was hitting his stride from 1947 through 1965 – a time period I think of as a golden age – things were simpler, people were happier, hopeful and the economy was growing.  I think we all just forgot, but we do think things were simpler then.  HISTORY 
 Bodine's images captured a very different Maryland 
 oysters, crabs, the bay, industry, work(!).  These are very strong factors. 

Our latest book is Bodine's Industry – The Dignity of Work.

Going forward:  I am going all in on the website.  This is the new retail store.  That's why I have free shipping – using USPS Priority Mail:  free boxes and the cheapest shipping rate and one day delivery to most of my market.  People don't pay shipping when they shop in a retail store (yes, I know, bundled into the retail price, but not a line item in the shopping cart at checkout) – my thanks to Jeff Bezos for providing that guidance. 

High priority is a dealer portal for easier ordering for them and order taking for me.

I didn't know what I was doing when I started this venture, so I instrumented.  I have tracked the sale of every image (by Image ID) in every size and format – note card, postcard, reprint, archival, canvas, license.  I provide reports for my dealers so they know what sold and can reorder.  This system was invaluable for managing all the card shops when I had an employee to do the racking and ordering.  That person left when retail died and I have not replaced her.

In my mind, this could be a million a year business, but it would take 5 people.  And I ain't no boss.  Can't go there.

That's the broad outline.  I need to go get some work done.


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "jimbo" <mrjimbo@...> wrote:
Show quoted textHide quoted text
>
> I have always been told that a website is but a piece of the marketing pie and that for most that our in our business it's the opportunity for a buyer to come back in their own time and review the offerings.. In this case that may not be totally valid as the photographer was extremely well know.. A question I would have is that he has print outlets.. that sell prints ..What is the rough ratio between the two for sales revenue..  I think the real  challenge in marketing goes beyond the just the quality of the work..... it's figuring out how to on an on going basis keep increasing your exposure such that people can identify with you ..then of course the quality of the work actually supports that effort.  I have a new friend that has recently moved out here... He's a wildlife shooter and a good one.. He drives a the small Chrysler PT Cruiser and it's totally cover in vehicle graphics.. The only thing that doesn't have it is the front windshield and the driver and passenger windows... He basically a one man show and this thing gets tons of attention ...but at least for me it's a bit to ostentatious.. So.. like Tony I'm curious.. 
> 
> jimbo

Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-22 by orbancc

Gosh, I thought the mod was talking about "Photography That Doesn't Suck" (an awful title, by the way), not the "Marketing" subject.

My bad?

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia <mark@...> wrote:
Show quoted textHide quoted text
>
> I thought the moderator jumped in and asked this thread to move. I know I can delete it but it just keeps going and going and going..... ahhhhh
> 
> Mark
> http://www.stillrivereditions.com
>

Re: [Digital BW] Photography That Doesn't Suck

2013-02-22 by Sam McCandless

On Feb 22, 2013, at 7:21 AM, CorrPro96@... wrote: [big snip]

Thanks, Richard (and J & T). I am interested in all of your all's  
comments but am now only lurking around some of the threads and for  
now only reacting to your web site. I was eager to see it but dismayed  
when clicking on your link produced an error message. I looked for an  
obvious candidate in your link and found only the absentee "e" in your  
last name. And inserting it got me to <www.rmassiephotography.com>.  
I'm still in the introductory slide show and enjoying each jump.  
Thanks again.
--
Sam

Re: Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-22 by jimbo

Mark... a favor.. let it ride a bit .. theirs some core marketing concept potential here.. that many on the group may see some value in.. This group has both printers and artists that sell their own work also.. In the end  could b a good value in a not so great economy.....Let's see if we can keep it up on the fence..

jimbo
Show quoted textHide quoted text
----- Original Message ----- 
  From: Mark Savoia 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, February 22, 2013 8:39 AM
  Subject: Re: Marketing (was Re: [Digital BW] Photography That Doesn't Suck)


    
  I thought the moderator jumped in and asked this thread to move. I know I can delete it but it just keeps going and going and going..... ahhhhh

  Mark
  http://www.stillrivereditions.com



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date: 02/20/13


[Non-text portions of this message have been removed]

Re: Marketing (was Re: [Digital BW] Photography That Doesn't Suck)

2013-02-22 by jimbo

Hopefully we'll be ok for a bit.. Maybe we should move it to a new topic.. which isn't a bad idea.. Marketing concepts? maybe..

jimbo
Show quoted textHide quoted text
  ----- Original Message ----- 
  From: orbancc 
  To: DigitalBlackandWhiteThePrint@yahoogroups.com 
  Sent: Friday, February 22, 2013 8:48 AM
  Subject: Marketing (was Re: [Digital BW] Photography That Doesn't Suck)


    
  Gosh, I thought the mod was talking about "Photography That Doesn't Suck" (an awful title, by the way), not the "Marketing" subject.

  My bad?

  --- In DigitalBlackandWhiteThePrint@yahoogroups.com, Mark Savoia wrote:
  >
  > I thought the moderator jumped in and asked this thread to move. I know I can delete it but it just keeps going and going and going..... ahhhhh
  > 
  > Mark
  > http://www.stillrivereditions.com
  >



  
  No virus found in this message.
  Checked by AVG - www.avg.com
  Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date: 02/20/13


[Non-text portions of this message have been removed]

Re: [Digital BW] Photography That Doesn't Suck

2013-02-22 by tboleyyh

Jim, I think we should wrap this up, it becomes a discussion about contmeporary culture, subjective opinions, etc etc.. we should agree to disagree. Whatever you think of William Eggleston's work, at the least you have to admit much of what we are seeing today, he did decades ago.. in the documentary about him "in the real world", a student asks him how many frames he shoots to result in the one he likes.. predictably, if you are from my generation and influences.. his answer is.. just the one. Of course. Just the one, the one the artist INTENDED.
I have been using a digital camera professionally and personally for a long time now, personally when I don't have other equipment along. As you suggest, it's easy to shoot a lot of frames.. a lot. And see what one has later, hopefully.
You will not believe me I know, but there are hundreds maybe thousands of these, and I have yet to print a single one of them. Seriously. Not one. This activity simply does not yield the kind of images I seek. It's not the technology, it's the kind of shooting you are suggesting, the state of mind, I think.
Granted, if I were a sports or news photographer, "better" images may come this way.. not sure that's the kind of work we're talking about in this thread...
Anyway, thanks for putting up with my rants and dinosaur opinions...
Tyler


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "jimbo" <mrjimbo@...> wrote:
Show quoted textHide quoted text
>
> Tyler,
> Jimmie here..  I have literally tons of respect and admiration for you.. I mean that .. I would like to suggest that their is some validity to his words.. Let me share ..
> 
> I am and have a full time photographer for over 40 years.. It is exponentially easier for me to get a quality image today then it was 40 years ago , 30 years ago, or 20 years ago.. I am living proof of that ..It doesn't mean that I can sleep in ..I still have to get my butt out of bed and be in the space of that incredible image ...you get what I'm saying ...The capture process is incredibly improved.. With my D4's I can damn near shoot in the dark.. My dynamic range is the best the photographic industry has ever ever had..
> 
> Ok so now lets see where it's going.. I think if we want to see the future we have to watch what's going on with video not camera's as we know them.... Canon released a 4k (video) DSLR late last year this is an industry first... Red, Sony & Panasonic all have 4k & 5k video cameras.. 8k video is on the design & build  board now and 16k video is a viable spec.. The point is that within but a couple of years an image that we see coming out of a DSLR with be coming off a single video frame.. along with whatever light gathering improvements will come to pass during this time.. So.. the glut of imagery will get yet more confusing.. I'm working with a guy right now playing with getting 5k video frames on paper.. The point I'm trying to get to is that I'm sure most can hopefully embrace...... It will be easier to get many of the magic images.. and the glut or volume of them will increase.. That is just the direction it's going.. Even an unskilled shooter can get really lucky.. 
> 
> jimbo
>   ----- Original Message ----- 
>   From: tboleyyh 
>   To: DigitalBlackandWhiteThePrint@yahoogroups.com 
>   Sent: Thursday, February 21, 2013 2:18 PM
>   Subject: Re: [Digital BW] Photography That Doesn't Suck
> 
> 
>     
> 
> 
>   --- In DigitalBlackandWhiteThePrint@yahoogroups.com, John Anderson wrote:
>   ...
>   John, I appreciate your comment that Jimbo or I may be able to produce a superior print.. true or not .. but...
> 
>   > 2. More generally, photography has changed. To produce an acceptable
>   > quality image requires far less skill and experience than driving yourself
>   > across town safely. The ability to produce a good image is somewhat rarer
>   > but still more common than good driving skill. Neither skill is
>   > really sale-able though there will always be hacks. To make a living at
>   > driving you either have to be exceptional (F1 driver) or be very good and
>   > drive something that uses technology beyond the norm. Same with
>   > photography.
> 
>   I just have to disagree with almost all of this.. in fact looking at most of the work we are talking about on sites along the lines of this discussion, I'd say evidence clearly points to the contrary...
>   But that may be the opinion of an elitist .
> 
>   Anyway, to try and relate this more to what this group used to be about... the advancement of techniques and high craft standards in the pursuit of making a stunning B&W prints as an object... it would be interesting to consider how these on line image "sharing" communities and the world of creating art objects will ever begin to converge somehow.
>   Tyler
> 
> 
> 
>   
>   No virus found in this message.
>   Checked by AVG - www.avg.com
>   Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date: 02/20/13
> 
> 
> [Non-text portions of this message have been removed]
>

Re: [Digital BW] Photography That Doesn't Suck

2013-02-23 by blasterman789

This conversation bears the typical snippets I hear quite frequently in digital -vs- film debates. I'm sorry, but I do not "agree to disagree", or frankly agree with any of it. If you can't produce decent monochrome work with a modern dSLR then the problem is clearly between the camera strap and viewfinder. 

The typical comment goes something like this; "digital shooters don't have to think like we did in the film dayz because they can shoot many more frames without thinking". That's pretty much the jest of what I'm reading here, just said nicer.

This is news to me, because I worked almost a decade in the commercial lab biz, and recall many times being up to my knees in 220 wrappers and stacks of 4x5 holders trying to get that one perfect shot. Not to mention late rush 8x10 contacts of 35 nearly identical frames of the model making the same pose. Puhleeeeze....

What *has* changed remarkably in the past 20-30 years is the 'culture' of fine art photography, which to the benefit of the medium has seriously lost it's audience. Photographers are now free to choose for themselves what their aethestic preferences are -vs- having it chosen for them. I mastered color processing and printing before B&W while 99.999% of 'artsy' shooters never went beyond B&W in their own darkrooms. Coincidentally, color work was never quite accepted as 'fine art' for reasons that if you asked me were simply because hardcore B&W shooters coulnd't figure color reproduction out. Now color work and B&W work stand on their, and a lot of old timers don't like that.

The overwhelming volume of monochrome and color work I see today is light years in concept beyond what I was used to seeing (and shooting) 20-30 years ago. Today you can't just take a mediocre frame of poorly processed Tri-X with agitation marks across the sprocket holes, print it on fiber based paper ("Silver Gelatin" in pretentious asterisks for the grey poupon types) and declare it fine art. 

Photography by definition is a communicative art form. Note that communication comes before art.

-WSE


--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "tboleyyh" <tyler@...> wrote:
Show quoted textHide quoted text
>
> Jim, I think we should wrap this up, it becomes a discussion about contmeporary culture, subjective opinions, etc etc.. we should agree to disagree. Whatever you think of William Eggleston's work, at the least you have to admit much of what we are seeing today, he did decades ago.. in the documentary about him "in the real world", a student asks him how many frames he shoots to result in the one he likes.. predictably, if you are from my generation and influences.. his answer is.. just the one. Of course. Just the one, the one the artist INTENDED.
> I have been using a digital camera professionally and personally for a long time now, personally when I don't have other equipment along. As you suggest, it's easy to shoot a lot of frames.. a lot. And see what one has later, hopefully.
> You will not believe me I know, but there are hundreds maybe thousands of these, and I have yet to print a single one of them. Seriously. Not one. This activity simply does not yield the kind of images I seek. It's not the technology, it's the kind of shooting you are suggesting, the state of mind, I think.
> Granted, if I were a sports or news photographer, "better" images may come this way.. not sure that's the kind of work we're talking about in this thread...
> Anyway, thanks for putting up with my rants and dinosaur opinions...
> Tyler
> 
> 
> --- In DigitalBlackandWhiteThePrint@yahoogroups.com, "jimbo" <mrjimbo@> wrote:
> >
> > Tyler,
> > Jimmie here..  I have literally tons of respect and admiration for you.. I mean that .. I would like to suggest that their is some validity to his words.. Let me share ..
> > 
> > I am and have a full time photographer for over 40 years.. It is exponentially easier for me to get a quality image today then it was 40 years ago , 30 years ago, or 20 years ago.. I am living proof of that ..It doesn't mean that I can sleep in ..I still have to get my butt out of bed and be in the space of that incredible image ...you get what I'm saying ...The capture process is incredibly improved.. With my D4's I can damn near shoot in the dark.. My dynamic range is the best the photographic industry has ever ever had..
> > 
> > Ok so now lets see where it's going.. I think if we want to see the future we have to watch what's going on with video not camera's as we know them.... Canon released a 4k (video) DSLR late last year this is an industry first... Red, Sony & Panasonic all have 4k & 5k video cameras.. 8k video is on the design & build  board now and 16k video is a viable spec.. The point is that within but a couple of years an image that we see coming out of a DSLR with be coming off a single video frame.. along with whatever light gathering improvements will come to pass during this time.. So.. the glut of imagery will get yet more confusing.. I'm working with a guy right now playing with getting 5k video frames on paper.. The point I'm trying to get to is that I'm sure most can hopefully embrace...... It will be easier to get many of the magic images.. and the glut or volume of them will increase.. That is just the direction it's going.. Even an unskilled shooter can get really lucky.. 
> > 
> > jimbo
> >   ----- Original Message ----- 
> >   From: tboleyyh 
> >   To: DigitalBlackandWhiteThePrint@yahoogroups.com 
> >   Sent: Thursday, February 21, 2013 2:18 PM
> >   Subject: Re: [Digital BW] Photography That Doesn't Suck
> > 
> > 
> >     
> > 
> > 
> >   --- In DigitalBlackandWhiteThePrint@yahoogroups.com, John Anderson wrote:
> >   ...
> >   John, I appreciate your comment that Jimbo or I may be able to produce a superior print.. true or not .. but...
> > 
> >   > 2. More generally, photography has changed. To produce an acceptable
> >   > quality image requires far less skill and experience than driving yourself
> >   > across town safely. The ability to produce a good image is somewhat rarer
> >   > but still more common than good driving skill. Neither skill is
> >   > really sale-able though there will always be hacks. To make a living at
> >   > driving you either have to be exceptional (F1 driver) or be very good and
> >   > drive something that uses technology beyond the norm. Same with
> >   > photography.
> > 
> >   I just have to disagree with almost all of this.. in fact looking at most of the work we are talking about on sites along the lines of this discussion, I'd say evidence clearly points to the contrary...
> >   But that may be the opinion of an elitist .
> > 
> >   Anyway, to try and relate this more to what this group used to be about... the advancement of techniques and high craft standards in the pursuit of making a stunning B&W prints as an object... it would be interesting to consider how these on line image "sharing" communities and the world of creating art objects will ever begin to converge somehow.
> >   Tyler
> > 
> > 
> > 
> >   
> >   No virus found in this message.
> >   Checked by AVG - www.avg.com
> >   Version: 2013.0.2899 / Virus Database: 2639/6119 - Release Date: 02/20/13
> > 
> > 
> > [Non-text portions of this message have been removed]
> >
>

Re: [Digital BW] Photography That Doesn't Suck

2013-02-24 by tboleyyh

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "blasterman789" <blasterman789@...> wrote:
>
> 
> 
> 
> This conversation bears the typical snippets I hear quite frequently in digital -vs- film debates.

can you read? I said specifically.. to Jim.-

> >...It's not the technology, it's the kind of shooting you are suggesting, the state of mind, I think.

> I'm sorry, but I do not "agree to disagree", or frankly agree with any of it. If you can't produce decent monochrome work with a modern dSLR then the problem is clearly between the camera strap and viewfinder. 

I was talking about MY shooting approach, and making no generalization about work at large..

> 
> The typical comment goes something like this; "digital shooters don't have to think like we did in the film dayz because they can shoot many more frames without thinking". That's pretty much the jest of what I'm reading here, just said nicer.

wrong
...
> 
> 
> The overwhelming volume of monochrome and color work I see today is light years in concept beyond what I was used to seeing (and shooting) 20-30 years ago.

Well where is this work, these masterpieces?? My B&W background is not only wet lab, but now digital lab, and instruction from masters guest teaching at the friends of photography and elsewhere, people we've all heard of. This over a 30 year period. I see little that even approaches the quality of image and craft mastered then. It's around, but certainly not common, I see no general widespread uptick in quality of image or craft simply due to new technology. But still, I insist none of this is about the technology, but the skill of the artists no matter what tools are used.

Look, that digital allows machine gun exposures, and video even more, is not really anything new given motor drives in the past. All I'm saying is that approach, as opposed to a more deliberate approach by a practiced eye and skilled shooter, doesn't by nature yield "better" photography by my standards.
Are we done? I'm embarrassing myself on this list once again... this is way way off topic and I'm simply coming back and explaining myself time and again, should never have begun again here.
Tyler

Re: Photography That Doesn't Suck

2013-02-24 by orbancc

Tyler -

You are exactly right.

I look at Bodine every day, and that's why I originally responded to this thread topic.  Bodine's photography not only doesn't suck, but is exquisite.  It is iconic, classic, masterful.  In my humble opinion, and in the opinion of thousands of my customers.

He got that way through subjecting his work to the eyeballs of hundreds of thousands of people.  He heard their criticism and it shaped and perfected his art, and his craft.

A note about his method of work:  he would shoot for feature articles all week, traveling from one end of the state/region to the other.  Then he would process and print on the weekend.  He simply did not have the luxury to shoot hundreds (or even dozens) of shots - not enough time.  He learned to line it up and get it right in one shot.

However, he really identified with our farmers still doing it the old way:  with horses and oxen.  We do have a dozen shots of a farmer working his two ox team.  One is just unbelievable brilliant: Image ID 34-273, which I call "Team Work".  But several other shots are quite nice as well.

That's why his images sell.  Great art sells!

It 

--- In DigitalBlackandWhiteThePrint@yahoogroups.com, "tboleyyh" <tyler@...> wrote:
Show quoted textHide quoted text
> Well where is this work, these masterpieces?? My B&W background is not only wet lab, but now digital lab, and instruction from masters guest teaching at the friends of photography and elsewhere, people we've all heard of. This over a 30 year period. I see little that even approaches the quality of image and craft mastered then. It's around, but certainly not common, I see no general widespread uptick in quality of image or craft simply due to new technology. But still, I insist none of this is about the technology, but the skill of the artists no matter what tools are used.
> 
> Look, that digital allows machine gun exposures, and video even more, is not really anything new given motor drives in the past. All I'm saying is that approach, as opposed to a more deliberate approach by a practiced eye and skilled shooter, doesn't by nature yield "better" photography by my standards.
> Are we done? I'm embarrassing myself on this list once again... this is way way off topic and I'm simply coming back and explaining myself time and again, should never have begun again here.
> Tyler
>

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