Re: [Digital BW] Anyone printing MIS FS-N with Piezo driver?
2003-02-14 by Kevin Gulstene
Yes, you can definitely use the MIS FS-N inks with the Cone piezo driver. Ink jet mall will send you a sample of the output from the driver, but of course
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2003-02-14 by Kevin Gulstene
Yes, you can definitely use the MIS FS-N inks with the Cone piezo driver. Ink jet mall will send you a sample of the output from the driver, but of course
2003-02-14 by rlfoto <rlfoto@mindspring.com>
Tryng to see if anyone else has had similar problems and might have ideas. In printing with an installed CIS system ( which had been working perfectly ) the
2003-02-14 by Greg Heck <heckphoto@ameritech.net>
Is it possible to use the cone driver and use MIS orginal quadtone inks? Anybody tried that? What were the results. I have an epson 1200 that I have a cis
2003-02-14 by Jo Brunenberg
Martin: The only advantage I see would be that if I would buy a second 2100 for B&W I would have 2 same printers with same type of cartridges. If one of the
2003-02-14 by grdglass@aol.com
Someone mentioned that the RIP doesn t work if the 2200 is connected via USB. Do you know if that is the case? Helen ... the documentation is just terrible --
2003-02-14 by digikdm <monroekd@healthall.com>
Has anyone noticed that when you burn a B&W image in an RGB format that the burned area takes on a yellowish hue? This of course doesn t occur in greyscale
2003-02-14 by Doug I.
Hi Carolyn, I m just getting into the duo-/tri-/quadtone thing, both as a way to avoid some of the frustrations of getting neutral B&W with Epson CcMmYKk,
2003-02-14 by deepdeepblack <mikolaj-i@tlen.pl>
Hello group, I m considering piezo driver + MIS FS-N inks setup, but since I m just a student it s substancial expense. So before I buy it I d like to hear
2003-02-14 by Alessandro Pardi
Hello Clayton, I surely agree that by going digital we have a terrific control on what we do (without mentioning the capability of easily undo what we don t
2003-02-14 by Peter Palmieri
I also would appreciate your steps for using the RIP. I still am having a hard time getting it installed correctly and will be trying again later this morning
2003-02-14 by chipcarterdc <chipcarterdc@hotmail.com>
Sorry, forgot a question: have you compared prints of the same file using the standard Epson driver and the new RIP and/or prints with ImagePrint and the new
2003-02-14 by chipcarterdc <chipcarterdc@hotmail.com>
Couple of questions: you said the RIP won t let you print more than 1440 with matte black. Does that mean (1) that this is the only printing option available
2003-02-14 by Roger Sopher <rlsopher@comcast.net>
A while back there was discourse about overspraying prints in order to reduce/prevent flaking of the coating. One of the questions I had was whether or not
2003-02-14 by plnelson2003 <peter@studio-nelson.com>
... 1290/1280 ... I don t know about the 1280 but the 2200 can print on 48 mil media and it has a straight paper path. For certain art projects those features
2003-02-14 by sanfo2003 <SandyCornelius@cox.net>
Got the Epson RIP today. Preliminary results very good actually. But the documentation is just terrible -- as in nonexistent . They assume you know RIP
2003-02-14 by Ernst Dinkla
... From: To: Sent: Friday, February 14, 2003 8:29 AM Subject: [Digital BW] Two Amazing Things
2003-02-14 by Clayton Jones <cj@cjcom.net>
Hello All, I was getting ready to make some prints this evening from an image I d previously worked up and considered finished. After the first print I felt
2003-02-14 by Martin Glader
What advantage do you expect from the 2100/2200 compared with the 1290/1280 when printing quadtone/hextone? Martin Glader ... 2100/2200?
2003-02-14 by Carolyn Frayn
... A long time ago a very wise fellow told me to use Gamma 2.2, something about it matching the gamma of Adobe (1998) RGB, the color space I prefer to use...
2003-02-14 by Carolyn Frayn
... You re speaking offset press values, for setting files at the max and min dot a press can handle some presses require a 2 to 5% dot as you ve sort of
2003-02-14 by Peter Palmieri
HPA-- It would be helpful to me, and no doubt others, to learn what your workflows are for BO and RGB printing of B&W s. Also the papers you are using that
2003-02-14 by Tyler Boley <tyler@tylerboley.com>
... Never heard of him, must be a newbie. Epson web site shows the 3000 as a current model. Them, I ve heard of. Tyler
2003-02-14 by Chris Hargens <ldmr@cruzio.com>
With all of this discussion concerning dots, grain, BO printing, etc., I thought I d share a bit of my experience using quads. I currently am printing with an
2003-02-14 by Matthew Carlisle
I saw very little metamerism with PowerRIP, but part of that is that I didn t look too hard as it didn t quite go far enough for me. Having said that, I
2003-02-14 by Jim Panzer
Fred, here s an article that might help a little. http://www.luminous-landscape.com/tutorials/duotone.shtml Good luck, Jim ... From: Fred Rothenberg
2003-02-14 by Jerry Olson
Seth, I can tell the difference between the 1 and 5 percent black swatches. easily. Maybe you need your curve tweaked a bit. Jerry
2003-02-14 by Jerry Olson
There are at least 2 systems almost ready to ship (weeks, not months) from Inkjetgoodies and Mediastreet. Jerry
2003-02-13 by Jo Brunenberg
Hi Peter, ... - With this Lyson ink set you can achieve a limited range of coloration in your B&W images like sepia, cyanotype-like blue, greenish greys
2003-02-13 by plnelson2003 <peter@studio-nelson.com>
... blacks . ... to sunlight. What is the concept of these small gamut inks? The description says they are color inks designed for monochrome printing. My
2003-02-13 by Jo Brunenberg
Hi Daniel, Thanks for your response. As for Lyson, I have made tests about a year ago. Liked their rich blacks . Unfortunately their small gamut inks faded
2003-02-13 by plnelson2003 <peter@studio-nelson.com>
... Epson 2100/2200? ... Daniel Staver, who s a regular here, was passing some rumors/information over on Photo.Net he had heard to the effect that some
2003-02-13 by Peter Palmieri
Thanks for the information. I will give it yet another try. I love those statements, incredibly easy to use, But... ;-) It would be nice if Epson had
2003-02-13 by danielstaver <daniel@petraflux.com>
Lyson will announce cartridges and a CIS for the 2100 in early march. Piezography will announce support for new printers at PMA, but I don t know yet if the
2003-02-13 by Jo Brunenberg
Hi folks, I am using an Epson 2100. Gives me great results for colour. For B&W iti s great in terms of fine detail but not quite there in terms of metamerism /
2003-02-13 by Kevin Gulstene
Julian- Thanks, I found it. For anyone else interested, it is message 20895 in the yahoo piezography3000 list. -- Kevin
2003-02-13 by Editor P.O.V. Image Service
... Which is pretty funny in one sense, as metamerism generally affects pigment based inks more than dyes.. The black in the 2200 -- even being pigment based
2003-02-13 by danielstaver <daniel@petraflux.com>
... It prints using mainly the two blacks and cools down the print with small amounts og magenta and cyan. The result is a very neutral print with minimal
2003-02-13 by Julian Thomas
Me neither _ I keep dipping in, like here. About 2-3 weeks ago I think. One of the things I d forgotten was that he doesn t move his shadow endpoint in in
2003-02-13 by johngeyles <jge@cs.unc.edu>
... Can you give some more info on PowerRIP, please ? I found the website. Looks like you can download a demo with a watermark (ala. Vuescan) and then buy it
2003-02-13 by Kevin Gulstene
Julian- ... I have not followed the piezo list for a while. Do you recall approximately when Jon made this post? I d be interested in reading it. -- Kevin
2003-02-13 by Jerry Olson
Yes, the black ink that COMES WITH THE 1280 PRINTER has metamerism. Don t know much about the 2200 printer yet. Jerry ... How come ... That is a very good
2003-02-13 by jesskramer@aol.com
You can find excellent tips on vuescan on the following forum
2003-02-13 by Jerry Olson
Yup, this is absolutely true. Given a good printer, photoshop, and a really good file, I believe 10 photographers would come up with ten different prints, all
2003-02-13 by Julian Thomas
Trouble is it is limiting. The Epson driver compresses the detail in the last 10 percent so if you want detail in the 100-99-98 etc range you need a softproof
2003-02-13 by danielstaver <daniel@petraflux.com>
... Clayton pointed this out to me after I sent him one of my prints, and it turns out I had overcompensated for the black point in the curve I made for
2003-02-13 by dsmithhfx <dsmithhfx@yahoo.com>
... I don t find the answers are obvious or selections simple (particularly in choosing a film type), but reading through the html help and some
2003-02-13 by plnelson2003 <peter@studio-nelson.com>
... True, but many of the ones I have have a lot of black in them. What I can t get over is how INTENSE the colors are in these. I have an original of the
2003-02-13 by Clayton Jones <cj@cjcom.net>
Seth, ... ROFL! Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
2003-02-13 by Clayton Jones <cj@cjcom.net>
Hello Seth, ... I have to disagree. First, in pure theory 0 is black and anything above 0 is not black, and 255 is white, etc. But that s just theory, what
2003-02-13 by plnelson2003 <peter@studio-nelson.com>
... you are ... From PS ... paper ... printing/source is ... profile). ... your ... is ... getting all you ... very well ... as you ... approximate ... I don t