[Digital BW] Re: refilling MISPRO cart for the Epson 2200 (still more)
2005-11-21 by nsimms
... cartridges ... What brand is that?
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[Digital BW] Re: refilling MISPRO cart for the Epson 2200 (still more)
2005-11-21 by nsimms
... spongeless ... have had ... Were you looking for empty carts? I m looking for carts to refill with MISPRO inks for the 2200, and MIS told me today that
RE: [Digital BW] Hahnemuhle Japanese Fibre anybody?
2005-11-21 by Jim Doyle
Steve It was Know as Japan 90.. Very little Left Cut sheets Only.. Give me a call..or email me off list Jim Doyle J. Doyle Enterprises LLC 114 Old Orchard Rd
Drying Time
2005-11-21 by schrochem
Guesses or experience welcome. 1)How long for a print with deep blacks printed on photorag 308 with UT7 on 2200 to dry completely? 2)How long for a print with
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Michael Vendrell
Steve, I too apologize for my snotty over-reaction. And I agree with you: neither do I wish to reignite the Aesthetic vs Technical fire - mostly as
Re: [Digital BW] Neutral B&W from RGB?
2005-11-21 by Steve Kale
John Unfortunately she s in between a rock and a hard place to a degree. The magenta cast is a classic problem printing B&W through a colour profile. There
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Steve Kale
To all those that think I jumped down Clayton s throat too aggressively and that it was a personal attack I apologise. But I was reacting in particular to his
Neutral B&W from RGB?
2005-11-21 by John Malcolm
This is a B&W printing 101 question. Please humour me..... A student of mine is photographing digitally then desaturating the images in PS. She is then using
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by chatzebussi
Paul This rings a bell ... Please give us an example (or two) of what typical short toe or long toe films films were in the (not so) good old wet-darkroom
RE: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Paul Roark
This may be a bit of a tangent, but from my wet darkroom days I ve come to see the darker, more compressed shadows of the Gray Gamma 2.2 space as analogous to
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Michael Vendrell
Clayton, You re entirely welcome. I regret I resorted to a bit of mud-slinging in defense of my position - I suppose I just let the frustration of the
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Clayton Jones
Hello Michael, ... Thanks for your support and kind remarks. Sometimes this list is very frustrating. As for GG2.2, please see my reply to Walt for the
Re: Hahnemuhle Japanese Fibre anybody?
2005-11-21 by rikyu99
Another supplier of Japanese paper is Daniel Smith, in Seattle. I ve used several of their Japanese papers, and find many of them very nice for printing with
Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Clayton Jones
Hello Steve, ... Thanks for the clarification. Regards, Clayton Info on black and white digital printing at http://www.cjcom.net/digiprnarts.htm
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by Clayton Jones
Hello Walt, ... Thanks for your reply. You do make it more understandable. ... If you are using GG2.2, but not with DG20. But I can see it both ways. I ve
Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by pavvelc
Hi Everybody, I m new to the list and i m not experienced, and what i ll say are just my thoughts not confirmed factually. So far i ve mostly printed toned
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by mjvendrell2
Paul, Perhaps I was a bit pretentious myself and a bit too quick with the send trigger. But, I do read Steve s response to Clayton in its first few sentences
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-21 by bwinkjet
Hi Michael, I m not quite up there with your knowledge, experience or expertise. ;-) However I understand what Steve is trying to say and did not take his
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by Michael Vendrell
Steve Kale: I can read Aristotle, Nuclear Physics, Isiac Newton and understand them - I even can do a bit of Calculus and use a densitometer and a step wedge
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by Steve Kale
For others following this topic take a look at an untagged or GG2.2-tagged step wedge opened in PS when your workspace is GG2.2. Look at the 90, 95 and 100
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by Steve Kale
No Clayton you completely missed my point and a lack of technical knowledge is clearly getting in the way of your comprehension. Focus and perhaps learn
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by wwodets
Jim- It s a shame to perpetuate the idea that there is some conflict between visual evaluation and a measured workflow. There are certainly different ways to
[Digital BW] Re: Eye-One spectrophotometers
2005-11-20 by Greg
... difference ... not a ... read ... What you need to know: The Profiler application will not compensate for optical brighteners in paper! You will want a
Re: "Phatte" black with Epson 4800... experiences with ColorByte
2005-11-20 by Greg
... I think more people would be interested to have it online and searchable. If you really don t want to post your uncolored comments, then I would like you
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by jamesdsteele2001
When I hear some of these discussions I m reminded of a quote attributed to Henry Kloss who designed speakers. If it sounds great and it measures bad, you re
Re: [Digital BW] Hahnemuhle Japanese Fibre anybody?
2005-11-20 by Martin Sluka
At 20:32 +0100 20.11.2005, Ernst Dinkla wrote: ... Check inkjet awagami on google. You should find interesting products. That HM japan paper was an old
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by wwodets
Hi Clayton. Let me not answer for Steve but for myself. I, like you, saw better out-of-the-box results (in terms of tonal scale and shadow compression) with
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by Michael Vendrell
Clayton, et al: Here Here! This is not Rocket Scientology . What almost all of us care about is how the picture LOOKS. If numbers and instruments can help
Re: [Digital BW] Hahnemuhle Japanese Fibre anybody?
2005-11-20 by Ernst Dinkla
... That Japan paper by Hahnemuhle was sold by other companies but then usually called Flame-Retardant Paper or Banner. 80 gr/m2. It existed before Hahnemuhle
[Digital BW] Re: Eye-One spectrophotometers
2005-11-20 by tflyfish2002
I have been following this thread with some interest because I was about to purchase a i1 on ebay. Is there really that much difference between the different
Re: Re: "Phatte" black with Epson 4800... experiences with ColorByte
2005-11-20 by Christer Rosewell
Hello all.. I tried to post my experiences with ColorByte in regards to ImagePrint and the Phatte Black option to the Epson 4000 forum yesterday and in the
[Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePri
2005-11-20 by Clayton Jones
Hello Steve, ... So according to what you are saying, photographers who now do digital printing aren t supposed to bring their personal aesthetic judgments to
RE: [Digital BW] DURABrite + MIS EZ inks
2005-11-20 by Paul Roark
Chris, ... The papers I list on my Readme file at http://home1.gte.net/res09aij/C86-EZ-UT-Readme.htm are the ones I ve used. My comments and the order of the
Re: Hahnemuhle Japanese Fibre anybody?
2005-11-20 by john dean
I do also belive the Hahnemuhle Japan paper has been cancelled. If there is any around Jim would probably have it. However, Digital Art Supplies carries a
Re: [Digital BW] DURABrite + MIS EZ inks
2005-11-20 by chris_valencia2004
Thank you Paul, I will take your advice and buy the MIS eboni black and photo black cartridges seperatly and swap them back and forth. I really want my black
Varnishing
2005-11-20 by schrochem
I have searched the archives and come up with a variety of information but would like to post a question about varnishing. I have been playing around with
Re: Hahnemuhle Japanese Fibre anybody?
2005-11-20 by Greg
... printed on Hahnemuhle ... anywhere. ... supplier. ... http://cgi.ebay.com/Hahnemuhle-Japan-90-17-x-22-50-
Re: [Digital BW] Hahnemuhle Japanese Fibre anybody?
2005-11-20 by Howard Shaw
Could be Hahnemuhle Sumi-e 80gsm. This is designed for the Japanese painting style of the same name and is very thin. Heaton Cooper have it on their web site-
Hahnemuhle Japanese Fibre anybody?
2005-11-20 by steve
hi all just received and old inkjet print from a friend. he said it was printed on Hahnemuhle Japanese Fibre. Beautiful paper, very thin and translucent. can t
Re: [Digital BW] Epson 2400, Custom ICC profiles and Grayscale printing
2005-11-20 by Steve Kale
Don t use a colour ICC profile to print B&W. You have the 2400, use Advanced B&W. Also create a QTR Create ICC profile of your favourite Adv B&W settings and
Re: [Digital BW] Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePrint
2005-11-20 by Steve Kale
Mitch I would disagree with your last statement here. I suspect Epson s Darker has been calibrated to align with a GG2.2 workspace, that most commonly
Re: [Digital BW] Epson 2400, Custom ICC profiles and Grayscale printing
2005-11-20 by Tony Riley
... When printing with an ICC profile you need to make sure your grey file is an RGB file and you print through the profiled path exactly as you would for a
Re: Comparison: K3 versus Ultrachrome inks on Semi-Matte + ImagePrint
2005-11-20 by mitcha@mac.com
... images ... Since my original posting I have learned that there are two settings in the Epson Advanced B&W mode that caused problems that affected the
RE: [Digital BW] DURABrite + MIS EZ inks
2005-11-20 by Paul Roark
... Yes, it will probably be fine. The Durabrite is not as lightfast, being apparently a hybrid pigment-dye ink. It also does not get as good a dmax as the
RE: [Digital BW] Re: message 3543: Corin: transitions
2005-11-20 by Paul Roark
If the transitions are way off, check that the ink is correct. I have test files for UT2 and UT7 at http://home1.gte.net/res09aij/Test-files.htm If you can
Epson 2400, Custom ICC profiles and Grayscale printing
2005-11-20 by garethjolly
I m a traditional darkroom printer, trying to get the hang of digital. I ve bought Colorvision s Spyder 2 and ProfilerPlus. I ve calibrated my monitor and
Re: Hasselblad Xpan and negative scanning
2005-11-20 by garethjolly
Thanks. PC, BTW Regards Gareth
Re: "Phatte" black with Epson 4800... with QTR?
2005-11-20 by Greg
... this, ... photo ... And in my opinion they chose a very poor way to implement this improvement . And to answer the question, QTR will not allow you to
Re: "Phatte" black with Epson 4800... with QTR?
2005-11-20 by Tyler Boley
Since they have long argued there is no need for more than 2 blacks, it s no wonder they downplay Epson going to 3, and come up with this, admittedly,
Re: Hasselblad Xpan and negative scanning
2005-11-20 by John Vitollo
... Didn t mention platform! Mac: PTMac http://www.kekus.com/software/ptmac.html Windows: PTAssembler http://www.tawbaware.com/ptasmblr.htm