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2005-08-27 by Nick Rothwell
> and the > parts that were delayed could be recorded again with an offset to > compensate, Recorded again? I thought the usual trick was to thread the tape backwards and bounce the track through a delay line... -- N. -- nick rothwell -- composition, systems, performance -- http:
2005-08-27 by Gary Chang
"Colin f" wrote: I feel like an old timer, rocking in his rocking chair saying this... Back in the day, when I was a session musician in LA, we carried a ruler, scaled in milliseconds (15ips and 30ips). When tracking a basic track with several parts, we would record it onto 24 tr
2005-08-27 by Colin f
> what ive noticed about the Memrymoog. . the midi timing > is pretty > sloppy. > is this due to the z80 cpu? It's not the CPUs fault. I measured the latency on my JP8 (also a Z80) with Groove MIDI interface, against my 909 triggering a rimshot synced to the P3. The latency on th
2005-08-27 by sad1robot@aol.com
I just got my hands on a nice memorymoog + with a dbm mod. A nice synth indeed in honor of Moog even though the late great Bob Moog wasnt the designer . . that filter *sigh* sounds nice. Now i am looking forward to the drive to Pomona and snatching a P3. what ive noticed about th
2005-08-26 by Colin f
> > Also, I'd love the P3 to > > transmit its scales so that a second, slaved P3, perhaps > played by a > > second musician, could follow perfectly any key change made by the > master. > That being said, I do respect all of the time and effort it takes to > put any of these ideas
2005-08-26 by Colin f
> Will you be adding CV/Gates as a future addition so you > can patch the P3 into modular systems via patch cords? I can't really see me adding CV/gate internally. To get a reasonable number of channels, you end up with a load of connectors on the back. There's little practical d
2005-08-26 by Gary Chang
Paul Nagle wrote: > > > I love the idea of a "transpose channel" incorporated with Gary's > suggestion where you get keyboard zones mappable to select scale, scale > root, part transposition, scale select. Also, I'd love the P3 to > transmit its scales so that a second, slaved P3
2005-08-26 by Gary Chang
thanks, d, for the suggestion - it is very much like the transpose situation in the Schaltwerk, using channel 8 (also very similar to the MAQ). With this implemented, I can use the P3 in place of the Schaltwerk in most cases. 8^)
2005-08-26 by Paul Nagle
ferrograph632 wrote: >you'll know what I mean if you've ever "transposed" a maq- it just >adds or subtracts the same number of semitones from each note, which >isn't very musical. at least the p3 forces the new notes to adhere to >the same scale, but sometimes that's not quite ri
2005-08-26 by Paul Nagle
ferrograph632 wrote: >mc202 & a 303 a little while after that. I used to use the 303 to >drive a rogue (hated it's own noise- never understood the appeal), > Hahah, ditto, exactly! I had two 303s: one drove a Pro One and one drove a Korg MS50. Now I have a Freebass and seem to be
2005-08-26 by analog1k
Hi Colin, Will you be adding CV/Gates as a future addition so you can patch the P3 into modular systems via patch cords? Cheers A1k
2005-08-26 by ferrograph632
>>I feel like I must be missing something obvious here, but am looking for a way to transpose the sequencer's output in real time via MIDI. I have used the Xpose parameter, changing numerically the value....
2005-08-26 by Colin f
> So, if you have an 88 note midi keyboard, you won't need all of it to > provide a pitch reference for the P3 - you could use octave six to > choose one of the 9 FTS user scales; you could use octave 5 to > designate the FTS scale base note. Certain features, like the > ramdomiz
2005-08-26 by ferrograph632
>>You may find this page of interest... http://raymondscott.com/moog.html >The history of P3 is longer than it may seem...
2005-08-26 by Colin f
> Sounds like my User Guide needs polishing. I phrased it badly as you > hold down one Part key then, without releasing it, hold > another. Release > both and all selected Parts should play in order - then you can play > with part repeat, global bar lengths, transposes, different
2005-08-26 by Colin f
> Just as I'm getting ready to order some parts and actually begin > building the P3, I was confused about the sync options. What if I'm > not interested in DIN-sync, but want to have both Midi-note output and > MIDI-clock on the outputs. What parts should I omit and/or add ? i >
2005-08-26 by Gary Chang
"Colin f" wrote: > > But mirroring some functions on note messages could be useful. > > The problem is, my only MIDI controller keyboard is only 4 octaves, so it's > tricky to actually test those kind of features. Colin, If you made the midi notes user selectable, the end user co
2005-08-26 by jitterbugbite2003
Hi, Just as I'm getting ready to order some parts and actually begin building the P3, I was confused about the sync options. What if I'm not interested in DIN-sync, but want to have both Midi-note output and MIDI-clock on the outputs. What parts should I omit and/or add ? i could
2005-08-26 by Paul Nagle
Gary Chang wrote: >Sorry if I seem to be out on a branch by myself, here. I'm just >really excited about your device! > > Ah Gary, I got excited just reading your suggestions! Paul (wiping a happy tear from his eye) --- Paul Nagle / Soft Room Music / Bogus Focus Records / Binar /
2005-08-26 by Paul Nagle
jimcombsus wrote: >I have a song with 2 parts, each part with 6 tracks and 1 pattern >per track. Part 2 is simply a transposition of Part 1 (up +5). > >How do I get the two parts to cycle and loop? I've used the HOLD >PART 1 DOWN AND HIT PART 2 from Paul's guide, but they do >not
2005-08-26 by analogue-sequencer@yahoogroups.com
Hello, This email message is a notification to let you know that a file has been uploaded to the Files area of the analogue-sequencer group. File : /P3UserGuide.pdf Uploaded by : arglebargleuk Description : P3 User Guide 1.03 You can access this file at the URL: http://groups.yah
2005-08-26 by Gary Chang
Colin, In the last message, I just discussed an idea that uses master keyboard as a pitch reference. Suddenly, a light bulb flashed - Colin, if you go all of the trouble to implement this feature, consider this - what if you could utilize the master keyboard to also switch other
2005-08-26 by Gary Chang
"Colin f" wrote: > This can be done at the moment, but using a roundabout method not for the > faint hearted. > > Transposition from an attached keyboard will be implemented as part of the > remote control features, hopefully in the next release. Oddly enough, > no-one's really p
2005-08-25 by Colin f
Hi Jim, > I have a song with 2 parts, each part with 6 tracks and 1 pattern > per track. Part 2 is simply a transposition of Part 1 (up +5). > > How do I get the two parts to cycle and loop? I've used the HOLD > PART 1 DOWN AND HIT PART 2 from Paul's guide, but they do > not cont
2005-08-25 by Colin f
Hi Gary, > I feel like I must be missing something obvious here, but am looking > for a way to transpose the sequencer's output in real time via MIDI. This can be done at the moment, but using a roundabout method not for the faint hearted. Transposition from an attached keyboard
2005-08-25 by jimcombsus
I have a song with 2 parts, each part with 6 tracks and 1 pattern per track. Part 2 is simply a transposition of Part 1 (up +5). How do I get the two parts to cycle and loop? I've used the HOLD PART 1 DOWN AND HIT PART 2 from Paul's guide, but they do not continue looping beyond
2005-08-25 by Gary Chang
I feel like I must be missing something obvious here, but am looking for a way to transpose the sequencer's output in real time via MIDI. I have used the Xpose parameter, changing numerically the value, which yielded favorable results, but I wish to transpose several sequencers a
2005-08-24 by Colin f
> gary's mention of the buchla, & the recent passing of dr robert, who > was at least closely associated with the birth of the electronic > hardware sequencer.... You may find this page of interest... http://raymondscott.com/moog.html Raymond Scott was first. Bob could have had t
2005-08-24 by Colin f
> Just wanted to say what a great shame it is to have lost someone who > we all kind of new in are own way... Regardsless of weather we met > him or not.... I met Bob last year. The worry about meeting a hero is that they turn out to be disappointing as a real person. Bob was ama
2005-08-24 by May tell you as I get to no you
Hi To All in the group.... Just wanted to say what a great shame it is to have lost someone who we all kind of new in are own way... Regardsless of weather we met him or not.... I hope you all will join in saying a big fair well to Mr BobMoog I hope he has as much fun up there in
2005-08-24 by ferrograph632
gary's mention of the buchla, & the recent passing of dr robert, who was at least closely associated with the birth of the electronic hardware sequencer.... has reminded me.... by way of a conversational aside to take colin's mind off of our wishlists for ten minutes.... ahem. co
2005-08-24 by Gary Chang
Colin, I signed onto this list about 6 months ago, after purchasing one of the first production P3s in the US - sold to me by Analogue Haven. I have been lurking here for months while learning the features, trying things out. So, I have finally dropped in to tell you that I aboso
2005-08-24 by turbotron69
Hi Colin and list; I hope you all got a better summer than mine... Have you got time to add this to the P3? I been after that even more than for a real girlfriend... Regards; Hans > > > yes, like the mc 202, it was your press once or the rounded > > button more on > > the left, t
2005-08-16 by orgon1
sysex as i dont have a midi sequencer on the pc no more so would be a pain paul darlow On Sat, 13 Aug 2005, Colin f wrote: > So I was thinking of just uploading midi files, unless it causes anyone > problems. [Non-text portions of this message have been removed]
2005-08-16 by philsmillie
> Now I find myself making awesome music without a software sequencer...Cheers to that! Hallelujah! Prophetically (or pathetically?) yours, Phil ..praying nightly for remote control of track select and record functions ;-)
2005-08-16 by Colin f
> Is the 'suspended start' mode still on the TBI list Still on the list, but somewhat obscured by moss. I'll have a think about it... Best regards, Colin Fraser Sequentix Music Systems Ltd http://www.sequentix.com
2005-08-16 by Paul Nagle
Andrew Scheidler wrote: >I'm still a "P3 Wannabee" (tm), so maybe this already exists... > >Can the *Direction* be a modifier destination? > Set Direction is an Aux Event so you can use it like all of them - you can accumulate the values thus changing direction, you can set multi
2005-08-16 by Andrew Scheidler
I'm still a "P3 Wannabee" (tm), so maybe this already exists... Can the *Direction* be a modifier destination? On my Sequential Switch I feed the output of a Binary Zone module to the Direction CV jack and get it to do things like: go forward 5 steps, go back 2, go forward 5 step
2005-08-16 by djparislee
it is true that the P3 will return to Bar 1 every time you hit run... however, if you are in Ableton Live and set a loop point...Ableton will seamlessly loop between these points while your P3 is running the show... Great discovery from last night: if you have Reason running thro
2005-08-16 by Andy Wilson
Colin Is the 'suspended start' mode still on the TBI list, as discussed back in May 04; where the P3 would track incoming midi clock but would not actually start running until you hit start and then it would start on the next global bar or beat. I'd really like that feature, as c
2005-08-16 by Colin f
> However: since it presumably responds to START (as in: go from > 1|1|000) then it has some notion of resetting (in terms of some kind > of global bar sync)? > > I seem to recall from somewhere that it treats CONTINUE as START, so I > guess one can record a P3 into a software se
2005-08-16 by bleep
On Tue, 16 Aug 2005, Julian wrote: > With this talk of logic and sync problems earlier... > > I just want some computer software to multitrack on to. Thats my > primary concern. ableton live offers some really tight sync... it's even got parameters you can monkey with to make it
2005-08-16 by Nick Rothwell
> The 'start on continue' option was requested by a user of some PC sequencing > package for reasons I can't really remember - I think it was sending a > continue when restarting from a bar position. That makes sense; if I were recording a long piece of music, and wanted some hot
2005-08-16 by analog1k
Just a thought, I was wondering if any more Sequencer direction modes can be added to the P3, maybe not as the possibilities may be exhausted already. How about some strange sequencer directions, ie: 1-4; 1-8; 4-12; 8-16 (cascading sequences) either direction. 1-8 and 16-9 runnin
2005-08-16 by Nick Rothwell
> Since P3 is loop based, with potentially 8 different polyrhythms across its > tracks, and self-modification of pattern lengths and positions as well as > accumulated offsets on note, velocity and auxes, it would be an arduous task > to calculate where everything should be at an
2005-08-16 by Julian
----- Original Message ----- > Since P3 is loop based, with potentially 8 different polyrhythms across its > tracks, and self-modification of pattern lengths and positions as well as > accumulated offsets on note, velocity and auxes, it would be an arduous task > to calculate whe
2005-08-16 by Colin f
> That reminds me of a question: does the P3 respect Song Pointer? It ignores it. Since P3 is loop based, with potentially 8 different polyrhythms across its tracks, and self-modification of pattern lengths and positions as well as accumulated offsets on note, velocity and auxes,
2005-08-16 by Paul Nagle
On Tue, 16 Aug 2005 10:44:28 +0100, "Julian" wrote: >I just want some computer software to multitrack on to. Thats my primary concern. I gave up on that. I just play now - in one pass - and sod the sync. I sync stuff later in Wavelab by eye and ear. Works really well actually. >I
2005-08-16 by Julian
> I think Ableton Live will. But remember that it will probably start at > the beginning of the track everytime you hit start on the P3. Oops - Ableton was the one i was talking about when i actually said acid... It looks as if itll do the job, but i just find it hard to see. I k
2005-08-16 by Oakley Sound
> Does anyone know of any software with a nice interface that will sync > to external clock? I think Ableton Live will. But remember that it will probably start at the beginning of the track everytime you hit start on the P3. Demo is fully featured, but no saves, at www.ableton.d