Re: What is the "Cone Driver"?
2003-10-12 by Jeff Randall
The Cone Driver is a for sale b/w system (and it s not inexpensive). Go to www.inkjetmall.com Look under PiezographyBW. If you want to use the Epson driver,
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2003-10-12 by Jeff Randall
The Cone Driver is a for sale b/w system (and it s not inexpensive). Go to www.inkjetmall.com Look under PiezographyBW. If you want to use the Epson driver,
2003-10-12 by Paul Roark
Helene, ... The paper Epson gave to beta testers with the UltraSmooth name appears to be the same paper as the PremierArt paper. Actually, the catalog I
2003-10-12 by gendem
Hi all, subject says it all. What is the Cone Driver referred to on the MIS site, and where can I get it? I m about to order a 1280 cartridge for my photo
2003-10-12 by Carl Schofield
Matthew, I don t think the profiles have been released yet. You might want to contact MIS for info on availability. Carl
2003-10-12 by Roger L Sopher
Hi Allan, I don t know of anyone that has been able to print from gimp in Linux. The problem seems to be in gimp-print. The QTR2 ppds just won t show up when
2003-10-12 by David Wroblewski
I ve resurrected an old PC and installed Redhat 9 Linux on it this weekend. I have QTR2 compiled & installed but I m not home free yet--I m not seeing what I
2003-10-12 by Matthew Born
Thanks, Carl, I must have missed that exchange. That s good news indeed (carts for the 2200, that is.) You mention profiles for IJC/OPM for the UT inkset --
2003-10-12 by Matthew Born
Paul, thanks for your work on the Moab profiles. I will definitely give them a run on the Satine ASAP. I m also going to try a print on the 1280 @ 2880 just
2003-10-12 by Allan Metts
I m up and running with QuadToneRIP on Linux. Now I m trying to establish a set of curves that work well with my Lyson QuadBlack inkset. The QuadToneRIP
2003-10-12 by grdglass@aol.com
Paul, Just to clarify, are UltraSmooth/Scrapbook/PremierArt Hot Press the same paper? Royce Bair s current inkjetart newsletter talks about the new and
2003-10-12 by Paul Roark
Tom, I have not been following this thread, but noticed a question. First, note that when I say that I don t see any significant difference in 1440 and 2880
2003-10-12 by Tom Baker
So, still no definitive answer as to why the 1280 resolution seems poorer? I pretty much agree on the 2880 situation. (I m still trying to figure out why
2003-10-12 by Ken Carney
Same experience, Lon. My MIS CFS has been in the landfill for some time now. Their instructions are very clear that you must print continually for it to
2003-10-11 by kenschuster
I was complaining about insufficient depth of shadow tonalities down to a good Dmax with the two matte papers I ve been testing with Septones. Well, I think I
2003-10-11 by daschkenas@aol.com
Thanks Chris for the links. I think I ll pass on the Minolta. David Aschkenas
2003-10-11 by awsimages
Lon Re the sludge problem, if you were starting over faced with choices for the 1160, would you buy the same stuff?
2003-10-11 by Chris Hargens
Try this link for some comments http://www.photo.net/bboard/q-and-a-fetch-msg?msg_id=0019iO Chris Hargens ... from ... original ... with my nikon ... price.
2003-10-11 by Paul Roark
I have made some curves (cross-platform) for the 1280 with Moab Entrada Fine Art papers. Both the standard Entrada with optical brighteners and Fine Art
2003-10-11 by Carl Schofield
Matthew, You can purchase a set of carts for the 2200 that are loaded with the UT inkset from MIS. I posted a couple of months ago with info on curves for QTR
2003-10-11 by Matthew Born
Hi Tom, Thanks for your thoughts. Admittedly, I m comparing apples to oranges to some extent: different ink sets and different drivers. But I m comparing the
2003-10-11 by Jack M Kucy
I am running UT on 1280 and after a month and half i had about an inch and half of the sludge close to the black cartridge in the line. So I would recommend
2003-10-11 by kenschuster
Martin - After the initial missing Septone dialog window conundrum, which was solved by putting the dongle in a different USB port, I was unable to get even
2003-10-11 by Martin Wesley
* -----Original Message----- * From: londuck [mailto:lon_c@hotmail.com] * Sent: Friday, October 10, 2003 8:31 PM * To:
2003-10-11 by Martin Wesley
David, Just one comment. Calumet, which is a very fine store and great customer service, generally does not have the lowest prices and you might want to shop
2003-10-11 by londuck
I have an Epson 1160 running the MIS Full Spectrum inkset with a CIS bulk ink supply. It has basically been trouble free for a couple of years, until today. I
2003-10-10 by daschkenas
I m in the market for a medium format scanner, and just got a flyer from Calumet selling out this medium format scanner for $499.99, from original price of
2003-10-10 by Martin Wesley
* -----Original Message----- * From: kenschuster [mailto:ken.schuster@att.net] * Sent: Friday, October 10, 2003 9:14 AM * To:
2003-10-10 by kenschuster
I ve been using the Entrada Fine Art 190 for the couple of weeks of running Septones in my 2200. It s a VERY white paper... whiter than Hahnemuhle Photo Rag.
2003-10-10 by Paul Roark
... I don t have a sample handy, but the Velvet Fine Art, as I recall, is a cotton paper with the EEM coating -- but it has more texture, almost like Somerset
2003-10-10 by Steven Karafyllakis
HI Richard; I use an Epson Expression 1600 for contacts and 4x5. It has a decent set of neg carriers and will do a reasonable job of film down to 6x7, though
2003-10-10 by Tom Baker
Matthew - I assume your dpi settings were the same on both. What was your dpi? I have a 2880x1440 printer. The 1280 is 2880x720. I was always under the
2003-10-10 by Matthew Born
Paul, thanks a million for your replies. I had in fact used the warm tone (.03) curve on the Satine but the problem is much more than tones ‹ the prints are
2003-10-10 by Austin Franklin
Hi Richard, I use a tabloid sized scanner, an Epson 836XL. My negatives are in PrintFile sleeves, and I lay them on the glass, with a sheet of glass over
2003-10-10 by sceptre12345
If you re looking for a low cost flatbed solution, here s a link that may interest you. http://luminous-landscape.com/tutorials/digital-contacts.shtml Cheers,
2003-10-10 by Diana Park
Hi Philip, Have you checked out Carl Schofield s photorealistic method of printing that was discussed here some months ago? He explains his method here:
2003-10-10 by digikdm
Could you elaborate a little on how the Moab paper compares to Epson velvet fine art in texture and brightness? ... another cotton ... might make ... is gone).
2003-10-10 by Tom OConnell
Hi everyone- Just to post that the september print exchange shipped today...a little late, but a great exchange...truly international and another very
2003-10-10 by Paul Roark
I just printed some Moab Entrada Fine Art Natural 190. It is another cotton paper with no optical brighteners, and the price at Inkjetgoodies might make it
2003-10-10 by Richard Cooke
Hi All, This might be a bit off topic but what do scanners do people use for scanning a sheet of 35mm negatives to make a contact sheet? I think my Umax 1220S
2003-10-10 by Paul Roark
I have neutral and warm curves done for the 1280, Ultra Tone inks, and the new Epson/PremierArt paper. PremierArt seems to be the name that is used most
2003-10-10 by Tom Baker
Thanks for the input. In 8 bit mode, I believe these number represent the hex values. At the bottom of the color picker menu in PS there is, what looks like,
2003-10-09 by Lyons Cox
Background... 1280 with MIS Perpetual inks (have a 1270 with MIS VMs too) both on CIS systems. The 1280 has been profiled and been working splendidly. Lately
2003-10-09 by Paul Roark
Matthew, ... Try using one of the medium warm curves. My memory is that Eclipse Satine prints cold. I m sure it could benefit from its own curves, but I m not
2003-10-09 by Gareth
Can anyone you please tell me how I would make a curve cooler. I currently like the Tyler cld curve but want a cooler curve as this produces, for me, an
2003-10-09 by Matthew Born
In the eternal search for the holy grail, I¹ve installed a set of the UT inks (carts) in my 1280. I¹ve been pretty happy with OPM files pushing my 2200, but
2003-10-09 by Alan.Huntley@cox.net
John, I agree that we shouldn t start a Mac vs PC type thing, but I recently migrated to the PC platform for all my digital imaging needs primarily for two
2003-10-09 by Jeff Randall
Frank: The only thing I can think of to try (and it s a long shot) is to clean the bottom of the printhead. They do get very dirty. The general procedure
2003-10-09 by johngeyles
... At the risk of starting a Mac vs.PC holy war, are you nuts ? Switching FROM Mac TO PC ? For example, a lot of the great free software for doing B&W inkjet
2003-10-09 by James Haney
Respectfully, I think you are all making it a bit hard. No canned action is going to meet the needs of the majority of your images, and the mathematical
2003-10-09 by Lyons Cox
I m just finishing up Joel Eisinger s Trace and Transformation I like the book for its attention to the written criticism surrounding the development of